56.399 risultati
1944rif. 235151944. Women's Royal Naval Service photograph album documenting life at HMS Royal Arthur the Royal Navy's training camp establishment at Skegness where a prewar holiday camp was transformed into a military training and accommodation center during the Second World War. Named individuals throughout with handwritten identifications the album follows Dorothy Gardner and other Wrens serving in the expanding wartime navy while also capturing the theatrical entertainment routines featuring cross dressed men and ceremonial duties that shaped daily life away from the front lines. Beyond its images of uniformed women the album records a military community of offices dining halls stages chalets and training facilities that supported Britain's wartime naval operations at a camp which was bombed by German aircraft on February 21st 1942. Photo album of approximately 73 silver gelatin photographs various sizes ranging from 1.5" x 1.5" to 8.5" x 6.5" chiefly HMS Royal Arthur Camp Skegness Lincoln and other British locations c. 1944. Large group portraits are captioned "H.M.S. Royal Arthur July 1944" showing rows of Wrens in naval caps and dark uniforms. Several photos show soldiers by artillery navy men on small military boats and canons. Multiple group photos show men and women in Navy uniform. The photographs place women within the essential but often overlooked machinery of wartime naval administration including supply clerical work communications camp management transport and food service. Captions identify Peggy Marjorie Dorothy Margaret Joan Harry Blake Farnsworth Bernard Cavanagh Dennis Leo Dugay May of Glasgow Geoffrey Roy Bluemel Mrs. Thomason of Leigh Pat Taylor Nancy and Cynthia of HMS Ariel. Additional off camp photographs show bicycle outings skating scenes shipboard snapshots barracks and chalet interiors social gatherings and a guard of honour at Lincoln near the cathedral. Particularly notable is the album's extensive documentation of entertainment and morale-building activities. Several photographs are captioned "Up Spirits" and "concerts at H.M.S. Royal Arthur" revealing an active performance culture within the camp. Sailors appear in theatrical productions alongside women in costume while musicians perform with accordions and pianos before assembled audiences. One series features actor Charles Redgrave "with the girls" and another photograph captures the wartime tradition of gender-crossing stage entertainment in which male servicemen performed in women's clothing for camp audiences. These scenes provide an unusually vivid record of military leisure performance and social life within a wartime naval community. HMS Royal Arthur was bombed by German aircraft on 21 February 1942 The album therefore records daily life at a site that was both a military workplace and a target of wartime attack. By 1944 the Women's Royal Naval Service had expanded dramatically from its earlier First World War role with women serving in hundreds of naval occupations while remaining largely excluded from combat at sea. The photographs capture that transformation through named individuals workplace groups ceremonial events friendships and recreational activities illustrating how women became integral to the operation of Britain's wartime navy. The album documents the social world created when thousands of servicewomen and servicemen lived and worked together inside one of Britain's largest naval shore establishments. Sailors Wrens airmen Canadians civilians performers and local acquaintances appear throughout its pages creating a rich portrait of wartime relationships and community formation. Album shows handling wear page wear and a few removed photographs; handwritten captions remain extensive and legible throughout. Overall in good condition. An unusually dense and highly personal record of women's naval service wartime labor military entertainment gender performance and everyday life at HMS Royal Arthur during the Second World War. unknown books
1943rif. 144484United States Naval Institute 1943. Hardcover. Good. Football The Naval Aviation Physical Training Manuals. Published by the United States Naval Institute Annapolis 1943. Measures 6-1/4 by 9-1/4 inches hardcover 244 pages. Numerous b/w photographs and illustrations. PH B3 V. United States Naval Institute hardcover books
1989rif. 217055Prato: Centro per l'Arte Contemporanea Luigi Pecci : Museo d'Arte Contemporanea 1989. Softcover. VG: Perforation stamp on the half title page. Clean body pages and solid binding. Glossy color-illustrated wraps. 159 pages; illustrated with a majority color images. Centro per l'Arte Contemporanea Luigi Pecci : Museo d'Arte Contemporanea paperback books
1934rif. 234751934. Pearl Harbor salvage operations and Navy deep sea diving work extensive archive documenting the military career of Navy diver John Krohta from the late 1930s through the Cold War era. A Department of the Interior letter addressed to Krohta states "I understand that you were on the Medusa on December 7th 1941 and that you worked as a diver during the post-attack salvage operations at Pearl Harbor" before requesting an interview intended to add "a more human dimension to the existing historical record." The archive preserves the operational record behind that statement through wartime diving requests submarine-base training certificates issued at Pearl Harbor salvage commendations discharge records insignia official Navy photographs and later newspaper coverage identifying Krohta as a retired "master diver" who continued training civilian rescue teams decades after the war. Archive of over 80 items including 17 silver gelatin Navy photographs dating from 1934 into the 1980s. Including ten certificates connected to submarine and diving instruction at Pearl Harbor and other naval facilities military insignia patches naval discharge and reenlistment paperwork commendations newspapers and clippings school records including a Diploma and grade cards and correspondences. The photograph group includes official U.S. Navy salvage-operation images showing damaged vessels under repair wreckage removal compressed-air diving chambers divers operating in confined underwater environments and severe structural damage to ships undergoing recovery operations. Several retain "Official U.S. Navy Photograph" stamps on the versos. The archive also includes Krohta's 1938 Navy oath of allegiance; multiple Bureau of Navigation and Bureau of Naval Personnel training certificates; a Deep Sea Divers course certificate completed in Washington D.C. with helium-oxygen notation; submarine-base records from Pearl Harbor; a 1963 "SECRET" clearance certificate issued during Cold War submarine service; and discharge records documenting assignments aboard USS Pathfinder USS Anchor USS Relief USS Bluebird USS Coucal and other Pacific naval stations. Three surviving insignia patches include a Chief Petty Officer style eagle-and-chevron rating insignia a pair of star collar devices and an embroidered specialty badge connected to Krohta's naval advancement and diving service. Newspaper coverage from Arkansas publications during the 1980s identifies Krohta as a retired Navy diver advising the Benton County Diving Team and assisting civilian rescue-diving instruction after twenty-six years of naval diving work. A typed 1945 request for assignment to Naval Training School Deep Sea Diving Washington D.C. records Krohta's earlier salvage work at Pearl Harbor in 1942 together with blasting operations in the Aleutian Islands while a June 1945 commendation aboard USS Anchor credits Krohta and his salvage squad with raising a four-thousand-ton wreck in Naha Harbor in half the projected operational time after the Okinawa campaign. The surviving material traces the technical labor carried out by enlisted Navy divers during Pacific fleet recovery operations harbor clearance submarine support work underwater demolition and decompression treatment during and after the Second World War. The archive follows the expansion of Navy diving from emergency wartime salvage into the submarine and hyperbaric systems that defined Cold War undersea operations. Overall in very good condition; letters and printed documents remain legible and photos clean without curling. unknown books
1997rif. 212194Caldas da Rainha Portugal: Camara Municipal 1997. First edition. Softcover. 69 pages. Text in English and Portuguese. Features a contribution by Delfim Sardo. Includes numerous color and black and white illustrations and biographical information. A clean near fine copy in French style wrappers. Camara Municipal unknown books
2000rif. 213249Kusnacht Switzerland: Ink Tree 2000. First edition and first printing. Hardcover. 161 pages. Monograph on American artist Janine Antoni. Features texts by Nancy Spector Dan Cameron Ewa Lajer-Burcharth Marina Warner eAmy Cappellazzo and Roza Martinez. Includes numerous illustrations a checklist and biographical information. A fine copy in illustrated boards. No dust jacket as issued. Ink Tree unknown books
2005rif. 213659London: Thames and Hudson in association with Serpentine Gallery 2005. First edition and first printing. Softcover. 129 pages. Monograph on British artist Richard Wentworth published in conjunction an exhibition that ran November 6 1993 through January 4 1994 at the Serpentine Gallery and then traveled for additional dates. Features text by Marina Warner. Includes 122 illustrations with 48 in color checklist list of previous exhibitions and a selected bibliography. A near fine copy in wrappers and with laid in gallery program. Thames and Hudson in association with Serpentine Gallery unknown books
2024rif. 208983Sao Paulo: Art Consulting Tool 2024. First edition and first printing. Hardcover. 271 pages. Monograph on Maria Lira Marqes. Text in English and Portuguese. Features contributions by Rodrigo Moura Luciara Ribeiro Yasmin Abdalla and Marina Diaz Teixeira. Includes numerous color illustrations. A clean near fine copy in red cloth boards with color illustration inset into the front cover. No dust jacket as issued. Art Consulting Tool unknown books
1899rif. 185571899. Wagner Arthur L.; Kelley Assistant Adjutant-General; Jerrold J.D. The United States Army and Navy: From the Era of the Revolution to the Close of the Spanish-American War 1899 presenting a comprehensive late nineteenth-century account of American military development with direct relevance to the study of warfare institutional organization and expansion of U.S. military power. The work surveys major conflicts including the Revolutionary War Mexican War Indian Wars and Spanish-American War situating the latter within a period of overseas engagement and changing strategic priorities. It also provides detailed treatment of military structure including administrative divisions pay systems and operational organization within the Army alongside parallel developments in the Navy. Naval sections address earlier conflicts such as the War of 1812 and engagements with Tripoli and France as well as contemporary actions including Manila Bay and Santiago de Cuba reflecting the emergence of the United States as a naval power at the close of the nineteenth century. Wagner Arthur L.; Kelley; Jerrold J.D. The United States Army and Navy: From the Era of the Revolution to the Close of the Spanish-American War; with Accounts of Their Organization Administration and Duties. Akron Ohio: The Werner Company 1899. First edition. Oblong folio measuring approximately 18 x 13.5 inches illustrated with 43 full-color lithographic plates on heavy stock comprising 25 army subjects and 18 navy subjects each accompanied by descriptive text on protective tissue guards. The plates depict soldiers officers and marines in uniform battlefield scenes and naval vessels including battleships and cruisers providing visual representation of personnel equipment and engagements across multiple conflicts. Single oblong folio volume in dark blue cloth with gilt title on the front board. Light wear to edges of spine and boards; text and plates clean and well-preserved; overall very good condition. A large-format illustrated survey of United States military history and organization at the close of the nineteenth century. unknown books
1971rif. 296834Washington: GPO 1971. hardcover. very good. All six volumes bound in one volume. Many illustrations. Tall very thick 4to blue cloth. Washington: Government Printing Office 1971. A very good copy. GPO unknown books
1945rif. 55611N.p. ca. 1945. African American Midshipmen in World War II A collection of thirteen real photo postcards featuring young African American Navy midshipmen serving or training during World War II twelve of which have been signed by the subjects in the margin below their photographs. Seven of the men have also added their address below their names while one serviceman inscribed his to "Mr. Strong." The sailors hail from a variety of locations namely Tennessee New Jersey Oklahoma Illinois Maryland and New York two from Brooklyn. The men are all posed likely against a studio backdrop and each is dressed in a blue uniform and white hat. The United States Navy was much slower to welcome African-American servicemen and integrate than the Army. In 1942 the Navy expanded service opportunities for African Americans beyond mess service and Camp Robert Smalls was created within Naval Station Great Lakes to host the first full albeit segregated training programs. The Navy began desegregating training in 1944 with the first thirteen African Americans becoming commissioned and warrant officers that same year the "Golden Thirteen". By 1945 all training was fully integrated. A useful group of photographs signed by African-American midshipmen of the Greatest Generation braving the American Navy during a transformative time in its history. Moderate surface wear and silvering to some photos minor edge wear. Overall very good. unknown books
1758rif. 35261London: R. Baldwin 1758. A detailed letter supporting payment reform in the British navy. The anonymous author presents and remarks upon a new bill entitled "An Act for the Encouragement of Seamen employed in the Royal Navy; and for establishing a regular Method for the punctual frequent and certain Payment of their Wages; and for enabling them more easily and readily to remit the same for Support of their Wives and Families and for preventing Frauds and Abuses attending such Payments" p.9. Printed self-wrappers stitched. Lower inner corner of half title torn away not affecting text. Early smudged ink inscription on half title. A very good copy untrimmed and unopened. KRESS 5721. unknown books
1734rif. 49723London. 1734-1762. Regulations for the English Navy A nice collection of British Acts of Parliament relating to the Royal Navy or related seagoing activities. The dominance of the British Royal Navy was unquestioned from the late 1600s until well into the 20th century. These mid 18th-century acts were printed at a time when the British Navy was swiftly ascending to the peak of its power through superior financing tactics training organization population support hygiene dockyard facilities logistical support and warship design and construction. By the early 19th century the British Navy saw little action mainly due to the lack of a worthy adversary. Each of these titles is rare with between one and four copies listed in institutions in ESTC. The separate imprints included here are as follows: 1 AN ACT TO SETTLE HOW FAR OWNERS OF SHIPS SHALL BE ANSWERABLE FOR THE ACTS OF THE MASTERS OR MARINERS drop title. London: John Baskett 1734. 2291-294pp. Only three copies in ESTC. ESTC N51352. 2 AN ACT FOR THE BETTER SUPPLY OF MARINERS AND SEAMEN TO SERVE IN HIS MAJESTY'S SHIPS OF WAR AND ON BOARD MERCHANT SHIPS OTHER TRADING SHIPS AND PRIVATEERS drop title. London: John Baskett 1739. 2123-126pp. Only three copies in ESTC. ESTC N51525. 3 AN ACT FOR THE FURTHER REGULATING AND BETTER GOVERNMENT OF HIS MAJESTY'S NAVIES SHIPS OF WAR AND FORCES BY SEA; AND FOR REGULATING THE PROCEEDINGS UPON COURTS MARTIAL IN THE SEA SERVICE drop title. London: Thomas Baskett 1745. 2719-723pp. Only three copies in ESTC. ESTC N52070. 4 AN ACT FOR THE RELIEF AND SUPPORT OF MAIMED AND DISABLED SEAMEN AND THE WIDOWS AND CHILDREN OF SUCH AS SHALL BE KILLED SLAIN OR DROWNED IN THE MERCHANTS SERVICE drop title. London: Thomas Baskett 1747. 2835-859pp. Only two copies in ESTC. ESTC N52775. 5 AN ACT FOR AMENDING EXPLAINING AND REDUCEING INTO ONE ACT OF PARLIAMENT THE LAWS RELATING TO THE GOVERNMENT OF HIS MAJESTY'S SHIPS VESSELS AND FORCES BY SEA drop title. London: Thomas Baskett 1749. 2687-707pp. Only one copy in ESTC. ESTC N52967. 6 AN ACT FOR ENFORCING THE LAWS AGAINST PERSONS WHO SHALL STEAL OR DETAIN SHIPWRECKED GOODS; AND FOR THE RELIEF OF PERSONS SUFFERING LOSSES THEREBY drop title. London: Thomas Baskett 1753. 2303-311pp. Only four copies in ESTC. ESTC N52861. 7 AN ACT FOR THE REGULATION OF HIS MAJESTY'S MARINE FORCES WHILE ON SHORE drop title. London: Thomas Baskett 1755. 2311-331pp. Only two copies in ESTC. ESTC N56449. 8 AN ACT FOR THE ENCOURAGEMENT OF SEAMEN AND THE MORE SPEEDY AND EFFECTUAL MANNING HIS MAJESTY'S NAVY drop title. London: Mark Baskett 1762. 2655-658pp. Only one copy in ESTC. ESTC N56728. Dbd. Minor edge wear and toning. Generally very good to near fine condition. In a blue cloth slipcase gilt. N.A.M. Rodger THE COMMAND OF THE OCEAN. A NAVAL HISTORY OF BRITAIN 1649-1815 London: Allen Lane 2004. hardcover books
1925rif. 239961925. U.S. Navy Pacific fleet cruise photo album documenting naval service and Indigenous encounters during Admiral Robert E. Coontz's 1925 deployment to Australia and New Zealand. The inscription "Property of J. J. Prieskop. U.S.S. Seattle band" identifies its owner as a musician associated with the fleet flagship. Following major exercises in Hawaiian waters the fleet crossed the Pacific for a voyage combining naval training with public receptions and a demonstration of American maritime reach. www.history.navy.mil At Rotorua Te Arawa hosts welcomed the visiting officers at Ohinemutu where speeches and exchanges of gifts connected MÄori hospitality with hopes for closer British-American friendship. Photo album containing approximately 260 silver gelatin photographs ranging from 2.5 x 3 to 8.5 x 5.5 inches United States and Pacific locations chiefly circa 1925 mostly mounted with corner holders on black paper leaves with numerous contemporary handwritten captions. Coontz wears a feather cloak while exchanging a hongi the MÄori greeting involving the pressing together of noses beneath "Admiral Coontz and staff receives Maori greeting Rotorua - N.Z." Samoan performers carry weapons beneath "Samoan warriors in war dance" while other scenes record sailors visiting vendors and a canoe approaching the ship. Hawaiian women perform with musicians before a commercial backdrop beneath "Hula dancers in Lahaina - 6/25." A portrait printed "'Maori' South Sea Island Belle" presents a woman holding a patu its promotional wording distinguishing commercial souvenir portraiture from the formal Rotorua reception. Sailors handle coal beneath "Coaling ship" and "In coal barge"; additional naval scenes include USS Tennessee's 14-inch gun turrets and costumed equator-crossing festivities. A band portrait dated June 1925 at Lahaina Roads Maui bears handwritten identifications of individual musicians including Prieskop while supporting scenes include horses and a rodeo captioned Oak Grove Portland Oregon. Additional photographs document encounters with Samoan communities including ceremonial performers groups of local residents and American sailors interacting with vendors. One image bears the contemporary caption "Samoan Warriors in War dance" reflecting both the cultural performance depicted and the terminology employed by American observers. Another photograph captioned "Hula dancers in Lahaina - 6/25" records Hawaiian women performing with musicians before a commercial backdrop documenting the presentation of Indigenous culture to visiting naval personnel. The album is particularly valuable for its combination of naval history and Indigenous Pacific encounters. It records the broader cultural and diplomatic dimensions of American naval expansion including the ways MÄori Samoan and Hawaiian communities received interacted with and were represented by visiting American servicemen. Visible wear includes chipped album leaves vacant mounts scattered fading and staining and tears or edge losses to some photographs. Overall good condition. A substantial and historically engaging photographic record of the U.S. Navy's 1925 Pacific deployment distinguished by its identified images of Admiral Coontz and the USS Tennessee a MÄori diplomatic greeting at Rotorua Samoan ceremonial performances Hawaiian hula dancers and named naval musicians-documenting both American maritime power and its encounters with Indigenous Pacific cultures during the interwar era. unknown books
1790rif. 18237London. ca.1790s. A bill furthering the bureaucratic process to make His Majesty's Navy run smoother. Sets forth new rules for depositing exact copies of muster rolls at ports of departure with a folding blank muster roll form. 22pp. plus integral blank leaf. Folding blank printed form. Folio. Gathered signatures stitched as issued. First leaf has 4 small spots some moderate edge wear final leaf a bit dusty. Docketed in print on verso of final leaf and each enactment numbered in a contemporary manuscript hand. Very good. unknown books
1963rif. 168128Los Angeles: Embassy Pictures 1963. Vintage studio still photograph from the 1963 film. An American spy in Nazi-occupied Italy hides out in the house of a woman dating a Nazi officer. An early career effort by Irvin Kershner best known for directing "Eyes of Laura Mars" 1978 and "The Empire Strikes Back" 1980. 10 x 8 inches. Lightly creased at the bottom right corner else Near Fine. Embassy Pictures unknown books
1951rif. 164730Universal City: Universal-International 1951. Vintage publicity photograph from the 1951 film showing actress Marina Berti. A wartime comedy about two American GIs in Italy. Loosely based on "Willie and Joe" two humorous characters created by cartoonist Bill Mauldin. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. Very Good plus. Universal-International unknown books
1967rif. 148302N.p.: Anouchka Films 1967. Collection of 17 vintage French color lobby cards from the 1967 film 15 with "CFDC - LYON" stamp on the versos. One of three feature films Godard released in 1967 and like both "Weekend" and "La chinoise" one that showcases Godard's increasing focus on filmic deconstruction as well as vocalization of leftist political ideas. Godard has stated that his overall desire with the film was "to include everything: sports politics even groceries" to make "an attempt at description of a phenomenon known. as a complex." 8 x 10 inches. Very Good plus with pinholes to corners light to moderate wear and a couple of small dampstains. Criterion Collection 482. Rosenbaum 1000. Vogel Film as a Subversive Art. Anouchka Films unknown books
2008rif. 85444Paris: Onestar Press 2008. First Limited Edition. Quarto. 30cm. Publisher's original pink paper wraps titled in black to spine and front cover. 197pp. Some sunning and fading to the pale pink paper of the covers with some very minor shelfwear and soiling clean and bright; internally clean and fresh signed by Abramović to the title page. A very good attractive copy. Abramović's record in both Serbian and English of the correspondence she received across a 14 year period recorded here in the form of the first line of every single letter. Published in a limitation of 1000 copies only signed or inscribed examples are very scarce. "Since I was very young until my early thirties I had serious problems in opening and reading any letters I received. Letters would stay on my table for weeks before I found the courage to open them and during this time my sense of guilt would grow and grow. Most of the time when I finally opened the letters it was too late to answer them and my sense of guilt was worse than ever. I kept every single letter from the first notes received from my mother in 1965 up to the time I left Belgrade for ever in 1979. I decided to chronologically write down the first sentence from all of these letters without noting the name of the senders. When finished I was astonished to see how it was possible to trace all my life just by reading the text created by all these first lines. Later I heard that Marcel Duchamp on receiving a letter opened answered and immediately burnt the letter he'd received. Jean Tinguely never opened or answered any letter and every Christmas he made a ritual of burning unopened envelopes which sometimes included important information and even checks. M.A." Around a dozen examples recorded in US institutions. Onestar Press unknown books
1979rif. 162221N.p.: N.p. 1979. Six vintage oversize borderless color reference photographs from the 1979 film all showing actress Marina Pierro. An anthology film divided into three segments set in three different time periods Rome in 1520 France at the turn of the century and modern Paris and following three women who are driven to commit crimes of passion. Approximately 11.75 x 7.25 inches. About Fine. N.p. unknown books
1919rif. 81517N.p.: P.G. Yedinak Printer 1919. No statement of printing or edition. 12mo 19cm. Staplebound printed yellow wrappers; 426pp; illus. Mild edgewear and soil; internally fresh and unmarked. A Very Good copy. Frontispiece portrait of Commanding Officer Capt. Edward S. Kellogg; other text illustrations reproducing photographs and line drawings. Scarce little keepsake possibly printed shipboard for circulation among officers and crew of the U.S.S. Huntington a first class armored cruiser that saw duty primarily as a convoy escort in WW1. She was named for the city of Huntington West Virginia. From OCLC cataloguing data it appears that an expanded version was printed later in 1919; of this preliminary version OCLC notes two physical locations only. P.G. Yedinak, Printer unknown books
2000rif. 161774N.p.: N.p. 2000. Draft script for Episode 7 Season 4 of the long-running 1997-2007 television series. Originally aired on August 11 2000 on Showtime. Loosely based on the 1994 science fiction film about the discovery of an ancient alien device that holds unusual powers of space travel and communication. In this episode the Stargate crew help Russian scientists with their own Stargate portal. Self wrappers. Title page present dated April 4 2000 noted as WRITERS DRAFT and production No. 6712 with credit for screenwriter Robert C. Cooper. 46 leaves with last page of text numbered 45. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown books
2011rif. 201442Bregenz Austria: Kunsthaus Bregenz 2011. First edition and first printing. Hardcobver. 351 pages. Text in English and German with a conversation between Haegue Yang and Yilmaz Dziewior along with contributions by Anders Kreuger and Marina Vischmidt. Includes numerous color illustrations biographical and bibliographical information. A fine copy in green cloth boards. No dust jacket. Kunsthaus Bregenz unknown books
1967rif. 162351N.p.: N.p. 1967. Vintage reference photograph from the 1967 French film showing actor and producer Raoul Lévy with actress Marina Vlady. French title stamp on the verso. A day in the life of a seemingly normal suburban housewife who intersperses her daily routine of housework cleaning and shopping with appointments as a call girl. One of director Godard's most highly regarded and stylistically innovative films released the same year as "Weekend" and "La chinoise." Set and shot on location in Paris. 9.5 x 7.25 inches. About Fine. Criterion Collection 482. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown books
1981rif. 160661N.p.: N.p. 1981. Collection of ten vintage borderless color reference photographs from the 1981 film including six in black-and-white and four in color. Black-and-white photographs with mimeo snipes on the verso. Loosely based on the classic 1866 novella. In nineteenth-century London a party guest turns up dead at a respectable couple's engagement gathering leading the remaining guests into a whirlpool of sex and debauchery in pursuit of the culprit. 9.5 x 7 inches. About Fine. N.p. unknown books