WOU TCH'ENG NGENMareMagnum
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Seuil, 1968, 954 p., relié toile verte, jaquette un peu défraîchie, tranches brunies, taches peu visibles sur la tranche supérieure, état correct.
ref. 914584Editions Philippe Picquier Paris 1990 In-8 ( 210 X 145 mm ) de 63 pages, broché sous couverture imprimée. Illustrations hors-texte. Pour la planification et le développement culturel de Taiwan. Très bel exemplaire.
8vo, tela in sovracoperta illustrata. pp.206 con 29 illustrazioni f.t.
1999ref. 30157ABHerisau, Appenzeller, 1999. 197 S. Okart.
Paperback. Very Good. First Printing. 12mo - over 6¾" - 7¾" tall. 220pp. as new.
8vo. Pp. xiv,264, several photos (some col.), figs. and diagrs., refs., index. Orig. boards in dust-jacket. Fine unused copy.
2009ref. 1248202009 Les Editions de Saxe - 2009 - In-4 broché, couverture illustrée - 96 pages - Illustrations en N&B et en couleurs, in et hors-texte, dans l'ouvrage
8vo, br. ed. testo a fronte inglese italiano pp.372. La poesia di Yang Lian coniuga una straordinaria irruenza espressiva di valenza sciamanica con la scrittura modernista di Pound, Eliot, William Carlos Williams e quella decadente di Baudelaire, senza mai smarrire l'esemplare misura della poesia classica cinese. L'energia metamorfica che percorre i suoi versi trasfigura il mondo naturale e storico secondo una morfologia antropocentrica, dove l'originale reinvenzione del meraviglioso ricorda la foga decontestualizzante della «scrittura automatica» surrealista. (Tomaso Kemeny)
2016ref. 607080Oxford University Press 2016 In-8, cartonnage de l'éditeur sous jaquette illustrée, 270 pp, nombreuses figures en noir, glossaire, bibliographie, index.
8vo, tela ed. in sovracop. fantascienza cinese.
1958ref. 10011Foreign Languages Press, Peking 1958. 384 p. with 1 portrait. Half cloth with dust jacket. Slight traces of use. Minor spots on edge and wrappers. Good copy.
First English edition. Fairly hard to find. Hardcover. in Dust jacket. 184 pages. A collection first published in Shanghai in 1935 six stories with themes of Chinese Revolutions of 1920's and 1930's. Height: 8-1/2". Gray half-cloth over tan boards, red-stamping, built-in ribbon bookmark. chinese maoist literature
1997ref. 13994BBBerlin/München, Altberliner, 1997. 4°, 26 S. durchgehend farbig illustriert, alle Seiten rückseitig mit weissen, chinesischen Schriftzeichen auf schwarzem Grund, farbig illustr. original Pappband (Hardcover), 1. Auflage Vorderdeckelkante oben und rechts mit jeweils einer kleiner Beschabung, sonst ein sehr gutes, sauberes Exemplar.
1921ref. 51607London, Murray, 1921. XXVIII, 235 S. Or.-Lwd.
8vo, br. ed. The culture of food and drink occupies a central role in the development of Chinese civilization, and the language of gastronomy has been a vital theme in literary productions through many different eras and genres. From stanzas on food and wine in the Book of Odes to the articulation of refined dining in The Dream of the Red Chamber and Su Shi s literary recipe for attaining culinary perfection, lavish textual representations help explain the unique appeal of food and its overwhelming cultural significance within Chinese society. These eight essays offer a colorful tour of Chinese gourmands whose work exemplifies the interrelationships of social and literary history surrounding food, with careful explication of such topics as the importance of tea in poetry, the morality of drunkenness , and food s role in the objectification of women in certain classic texts
1974ref. 22144ABPeking, Verlag für fremdsprachige Literatur, 1974. Quadr.8°, 24 nn. S.m. farb. Illustr., farb. illustr. OBrosch.(= Klammerheftung), Deckel ger. gebräunt; schönes Expl.
ref. QWA-15874Alphée, 2009, in-8 br. (14 x 19), 171 p., coll. "Koutoubia", illustrations en n., couverture à rabats, état de neuf.
8vo, br. ed. bandelle, pp.175
ref. 56649Le félin Kiron 2004 livre étude 24*17 649 pages
8vo, original cloth , no dj, viii + 248pp, index, notes, ex-library stamps, ow. a very good copy. This book transcends the boundaries of Chinese studies and scholarship on Western literature and critical theory, bringing together the two fields in a way that questions both the application of Western theory to Chinese materials and the resistance to theory in sinological scholarship. Recognizing that social and historical reality is external to discourse and that knowledge has an inevitable ethical import, the author argues for the importance of reality and lived experience in understanding a culture as well as the moral responsibility of such understanding. The book examines the discrepancies between various Western representations of China and the reality of China; inquires into the cultural, historical, and political contexts within which such discrepancies arise; and points out the distortion of reality in the tendency toward cultural dichotomies, the tendency to view China as the conceptual opposite of the West. Publisher's description. Ex-Library
Fine -. - 270pp. - AS NEW paperback. 10 short stories by authors such as Zhang Xian, Wang Zengqi, He Xiaohu, Ge Wujie, and others. ISBN: 0835110761
1992ref. 6049124Clausthal 1992. 8°. (8), 91 pp. Broschur. Signaturschildchen auf Rücken. Stempel verso Titel. Sonst ordentlich.
1978ref. 85549Roma, Ubaldini, (1978). 124 S. (= Civiltà dell'Oriente). 21 cm. OKart. mit SU.
21.5x14cm, grey boards gilt, 654pp, b&w frontis. 2nd ed. Novel set in post-liberation Shanghai, dealing with the 'transformation of the capitalist concerns and the changing outlook of the businessmen'. As new in dustwrapper.
Paperback. Very Good. From Publishers Weekly The Chinese Cultural Revolution lasted from 1966 to 1976, and reactions to it have dominated Chinese writing since. The so-called "Chinese Western" examines the impact of the Revolution on impoverished, isolated western China, regions profoundly entrenched in tradition. Each of the eight stylistically varied stories selected by Zhu Hong, a professor of American literature in Beijing who has also taught at Harvard, illuminates the bewilderment and undeniable courage of a people confronted by monumental change. In Jia Pingwua's nearly mythic "How Much Can a Man Bear?" the injustices of the Cultural Revolution are only a politicized form of existing enslavement: " 'Let me tell you,' " says a husband to his wife, " 'living, your body belongs to me, and dead, your ghost is mine!' " The urban student who narrates Zhu Xiaoping's "Chronicle of Mulberry Tree Village" observes a destitute rural village to which he has been sent for reeducation and concludes that its guileful inhabitants elude his ability to judge them. Wang Meng's "Anecdotes of Chairman Maimaiti" counters suffering with black humor; a failed author sentenced to labor "with writers he envied" jokes with them after Red Guards assault him for being an "evil liberal writer": " 'Who cares if you folks don't give me recognition! The people consider me a writer!' " One wishes stories by women had also been included, but with novel subjects, richly evoked settings and vivid, often poignant characterizations, this collection has wide appeal. Copyright 1988 Reed Business Information, Inc. ISBN: 0345351401
