MARQUES-RIVIERE JeanLivre Rare Book
Les origines du drame chinois
1938réf. 1188441938 Editions Gallimard / N.R.F. - 1938 - In-12, broché, couverture illustrée - 202 p. - Ouvrage non coupé (jamais lu)
Librairie Le Père Pénard · Lyon, France18,00 €
1935réf. 19926Paris PAYOT 1935 In-8 284 pp, préface de Georges Viance, avec 19 croquis in-texte, 1ère de couv. illustrée. Papier correct ; brochage passé, frotté, avec coupures et légers manques.
xii 248p cloth dj, frontisp, index, VG
1938réf. 1188441938 Editions Gallimard / N.R.F. - 1938 - In-12, broché, couverture illustrée - 202 p. - Ouvrage non coupé (jamais lu)
réf. 542149P., PUF, 1967. In-8 br., VIII-321 pp., 9 cartes en noir dans le texte (Annales du Musée Guimet, Bibl. d'Etudes, tome LXXIII).
1965réf. 194160Paris, Presses Universitaires de France, 1965. 1. ed. With 3 Maps, 519 p. 8°, original softcover.
réf. 103268München. Wilhelm Goldmann Verlag. 2024. 286 Seiten. 8°. OPappe mit illustriertem OSchutzumschlag (dieser mit geringen Gebrauchsspuren).,
1971réf. 90554BBStuttgart:, Deutsche Verlagsanstalt, 1971. 8°. 348 S., Leinen (ohne Schutzumschlag; gut erhalten)
1996réf. 487Couverture rigide. Cartonné. 568 pages. Jaquette. 19 x 26 cm.
1984réf. 9752-0311Oxford, Oxford University Press, 1984. Oktav, illustr. Org.-Softcover, 602 S., mit 38 Farbtafeln und zahlreichen Illustrationen in S/W, wohlerhaltenes Exemplar. - ENGLISH: Octavo, illustrated publisher's softcover, 602 pp., with 38 colored illustrations on plates and numerous illustrations in B/W, a well preserved copy. ISBN 087474363X. - ENGLISH: Octavo, illustrated publisher's softcover, 602 pp., with 38 colored illustrations on plates and numerous illustrations in B/W, a well preserved copy
1986réf. nf92Corvina Cartonné avec jaquette 1986 In-8, (24x17 cm), cartonné sous jaquette illustrée, 306 pages, illustrations en couleurs et en noir et blanc, introduction iconographique à la peinture chinoise ; jaquette à peine défraîchie, bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1998réf. 56689Berkeley u.a. University of California Press 1998. 1998. 4°, 223 S. Orig.-Klappkarton.
2001réf. EEZZ5258L[Peking], Cultural & Education Section British Embassy / The Henry Moore Foundation [2001]. 4°.96 S. mit 118, überwiegend farb. Abb., OKart., leicht angestaubt. Text in chinesischer & englischer Sprache.
1956réf. 4781956 Paris, Les Editeurs Français Réunis, 1956, in 12 broché, 179 pages ; illustrations in et hors-texte, non coupé ; couverture illustrée.
Madrid, Editora Nacional, 1955. 4to.; 432 pp., 1 h. y 16 láminas fotográficas fuera de texto Encuadernación en media piel.
2004Un volume broché au format poche de 320 pp.; couverture illustrée Bon état. Voir photo; peu fréquent.
réf. 47270Basel : MultiWatch (Sachbuch aus der Edition 8), 2016. Dem Basler Agromulti auf der Spur 315 S. (24x20 cm) Broschierte Ausgabe
8vo, 229 x 235 mm. hardcover in dw pp.xii-194 profusely illustrated with b&w and 25 color plates. Mirror of Morality takes an interdisciplinary look at an important form of pictorial art produced during two millennia of Chinese imperial rule. Ideas about individual morality and state ideology were based on the ancient teachings of Confucius with modifications by later interpreters and government institutions. Throughout the imperial period, members of the elite made, sponsored, and inscribed or used illustrations of themes taken from history, literature, and recent events to promote desired conduct among various social groups. This dimension of Chinese art history has never before been broadly covered or investigated in historical context. The first half of the study examines the nature of narrative illustration in China and traces the evolution of its functions, conventions, and rhetorical strategies from the second century BCE through the eleventh century. Under the stimulus of Buddhism, sophisticated techniques developed for representing stories in visual form. While tracing changes in the social functions and cultural positions of narrative illustration, the second half of the book argues that narrative illustration continued to play a vital role in elite visual culture.
229 pages. Broché -Tome XV, 1934. Deuxième partie - Etat neuf
réf. 9803229 pages. Broché -Tome XV, 1934. Deuxième partie - Etat neuf
1973réf. 159093Taipei Taiwan Rep of China, National Palace Museum, 1973. 86 S., mit 50 ganzseitigen und farbigen Darstellungen auf Tafelseiten, 4° OLeinen, mit goldgeprägten Deckel- und Rückentitel
1928réf. 3792New York. 1928. 40 n.n. Seiten. Mit teils ganzseitigen Abbildungen. Dekorativ geprägter OKart.-Einband. 24x16 cm
réf. 90345Paris, Edition Hermann, 1974. 15 x 21, 306 pp., broché, bon état (couverture pliée).
8vo. Hard Cover.y. Pictorial boards. xviii, 230pp. incribed by the author on first blank page, some underlinings, otherwise fine. The cuisine of China is widely considered to be one of the best because it meets the requirements of geographic variety, inclusion of all types of foods, and a long-established and well-developed culinary tradition. The Chinese culture can be labeled a food culture for the interest and honor given to food and its rituals. Food Culture in China is loaded with information on the cuisine s prominent role in Chinese culture. Students and other readers will learn about Chinese food history through the dynasties and Silk Road migrations up until today, ingredients, cooking implements and techniques, regional differences, table etiquette, cultural emphasis on food, specialty dishes for celebrations, and the role of diet and traditional Chinese medicine, among other topics. Each chapter contains a number of recipes for a meal based on the specific topic. Americans typically are familiar with a narrow range of Americanized Chinese restaurants. This one-stop resource helps readers to see this ever-popular ethnic cuisine in a broader context. It is the most in-depth reference of its kind on the market. A timeline, glossary, tables, and illustrations complement the narrative.
1981réf. 12957Luzern : Reich Verlag, 1981. 245 meist farb. Abb., 288 S., 4°, OLn. m. SchU.
1995réf. 009696Boston and London, Shambhala, 1995. xvi, 316 S. Orig.-Broschur. "The Neijing is one of the most important classics of Taoism, as well as the highest authority on traditional Chinese medicine. Its authorship is attributed to the great Huang Di, the Yellow Emperor, who reigned during the third millennium BCE. This new translation consists of the eighty-one chapters of the section of the Neijing known as the Suwen, or 'Questions of Organic and Fundamental Nature'" (Publisher's description). Mit kleinem chinesischem Stempel, sonst schönes, gut erhaltenes Exemplar in einwandfreiem Zustand.
