1 872 résultats
1950réf. 79881950 cartonné in-octavo, dos rouge, premier plat orné d'une illustration photographique en noir, illustrations : in et hors-texte, 127 pages, sans date (les années 1930-40 environ) à Paris Tours Maison Mame,
1940réf. 8106Tours Mame 1940 -in-8 cartonné cartonné in-octavo, dos rouge, premier plat orné d'une illustration photographique en noir, illustrations photographiques in et hors-texte, 127 pages, 1940 à Tours Maison Mame,
1901réf. 100095382David Douglas 1901 in8. 1901. Cartonné. iconographie en noir et blanc
1917réf. GITc720Paris Plon 1917. Fort in-4 II 213pp. demi percaline tabac à coins, dos lisse, reliure de l'époque. orné de 2 portraits en frontispice et 58 planches hors texte, regroupant 102 photographies, 1 grande carte dépliante. exemplaire sans aucune rousseur, bien complet de toutes ses pièces.
1917réf. 265693jaParis, Libraire Plon Plon-Nourrit et Cie, Imprimeurs-Editeurs, 1917. fester Pappband, mit marmorierten Deckeln, BEACHTE!: mit einfachem Leinenrücken LAIENHAFT überklebt (unschön, ohne Beschriftung), etwas kl. DinA 4, 213 Seiten, dazwischen sehr viele Tafelseiten mit sw-Photos, 1 Falt-Kartenskizze am Ende des Buches eingeklebt, gemusterte Einbandinnenseiten/Vorsatzblatt, Einband mit einigen Gebrauchsspuren, stärker beschabt, berieben und bestoßen, leicht fleckig, Rücken an den Enden aufgerieben; ungleicher, leicht gesprenkelter Schnitt und Seiten papierbedingt stärker gebräunt, Falzen zwischen Einbandinnenseiten/Vorsatzblatt eingerissen, privater Stempel auf und hinter dem Vorsatzblatt, erstes Titelblatt stärker fleckig und leicht beschrieben, Eintrag hinter dem Titelblatt, zweites Titelblatt beschrieben, 1 Foto-Tafelseite bereits gelöst und liegt lose bei, weitere Seiten werden sich lösen, da sie an der Fadenbindung schon teilweise stärker ausgerissen sind, Buchblock überdehnt, STARKE Gebrauchs- und/oder Altersspuren / very used [5 Warenabbildungen]
1989réf. 15562München, Verlag Almuth Petersen-Roil, 1989. numm. Expl. (199 / 200). XXXI, 44 SS. 8°, Orig.- Broschur.
1946réf. 175049SPES 1946 in8. 1946. Broché.
1961réf. 100084851connaissance du monde 1961 in8. 1961. Broché. illustrations en noir et blanc
1991réf. 100057029Denoël 1991 192 pages 14x20x2cm. 1991. Broché. 192 pages. illustrations couleurs
1888réf. 17411Benziger, Einsiedeln u. Waldshut 1888. XV, 582 S. mit 1 Tafel, 1 farb. lithogr. Karte u. zahlr. Abb. 4°. Illustr. rotes Leinen mit Goldprägung u. Goldschnitt im Original-Schuber. Geringe Gebrsp. Eine Ecke etw. beschabt. Papierbedingt gebräunt. Sehr gutes Exemplar im prächtigen Originaleinband.
2006réf. 100106976Ancre de marine 2006 239 pages 15x1x22cm. 2006. Broché. 239 pages.
1955réf. 182788Arthaud 1955 in4. 1955. Relié cartonné. frontispice photo
1929réf. 168935Stock 1929 in12. 1929. Broché.
1935réf. 064976New York: Dodd Mead & Company 1935. 5th printing New and Enlarged Edition which has a new final chapter. Square and unmarked with residue on front flyleaf from a bookplate removal. We've laid in another bookplate that can mostly cover this. Full blue cloth binding. 406pp. Photos. Dust jacket is moderately worn along edges with small chips toned spine. Now in a new mylar cover. Hardcover. Very Good/Very Good. 4to - over 9" - 12" Tall. Dodd, Mead & Company Hardcover
1991réf. CA0239654 pages with plates reproductions illustrations maps bibliographies and indexes. Quarto 12" x 8 1/2" bound in pictorial stiff boards. Translated by Luciano F Farina and Carla Onorato Wysokinski. Edited by Gianni Eugenio Viola. Volume XI of National Commission for the Celebration of the quincentennial of the Discovery of America. First edition.Contents:In Search of an Image by Gaetano Ferro; Landscapes Plants and Animals by Gaetano Ferro; Peoples and Cultures of the New World by Luisa Faldini; Sixteenth Century Cartography and the Origin of the Columbian Tradition by Marcia Milanesi; In Search of an Image: Illustrations by Carla Pampaloni; Other Landscapes Other Plants Other Animals: Text and Illustrations by Carla Pampaloni; People and Cultures of the New World: Illustrations by Luisa Faldini and Laura Monferdini; New World Images from Cartographic Sources: Illustrations by Maria Teresa de Palma.Condition:Light edge wear else a near fine copy. Instituto Poligrafico e Zecca Dello Stato Liberia Dello Stato hardcover
1874réf. 12073Paris, Hachette, 1874. Gr.-8° (22,5-25 cm). 600 S. OLeinwand mit vergoldetem Rückentitel, geprägter Deckelverzierung und Ganzkopfgoldschnitt
réf. 16801Librairie de L. Hachette et Cie. Paris, 1874, petit in-4 demi-chagrin rouge, dos à quatre nerfs, dos richement orné, toutes tranches dorées. Reliure de l'éditeur. 60 gravures en noir et 6 cartes. 3ff.-600pp. Ouvrage traduit de l'anglais avec l'autorisation de l'auteur par Mme. H Loreau. Des rousseurs sinon bon exemplaire.
réf. 220056Paris, Imprimerie Impériale, 1867 6 vol. in-4, nbx plans et cartes en couleurs, demi-chagrin rouge, dos à nerfs (reliure de l'époque). Dos passé.
réf. 222758Paris, Imprimerie Impériale, 1867 6 vol. in-4, nbx plans et cartes en couleurs, demi-chagrin rouge à coins, dos à nerfs, tête dorée (reliure de l'époque). Dos un peu passé avec de petites traces noires, qqs épid. sans gravité.
1961réf. 100063807Presses de la Cité 1961 in8. 1961. Cartonné.
Second edition, 8vo, 72pp., with the half-title, disbound. ESTC locates just 2 copies, The British Library and Staatsbibliothek zu Berlin.
1853réf. 34749Edo 1853. Watercolour and ink drawing on Japanese paper. A contemporary Japanese watercolour of Commodore Perry and members of his expedition produced at the moment of the American squadron’s arrival in Japan and the opening of sustained diplomatic contact between Japan and the United States. This lively drawing belongs to the immediate visual culture generated by Commodore Matthew C. Perry's arrival in Japan in 1853. Perry entered Edo Bay in July 1853 to deliver President Fillmore's request for a treaty and returned the following year leading to the Treaty of Kanagawa on 31 March 1854. The event prompted wide Japanese interest in the appearance dress equipment and conduct of the visiting Americans and images of the "Black Ships" and their crews circulated in manuscript painted and printed form. The composition presents three American figures isolated against the paper ground arranged almost as a study of types. At right Commodore Perry is shown seated in a chair wearing a dark naval coat and holding his hat. At center stands an armed crewman or marine in a red jacket holding a musket upright; at left another crewman kneels while looking through a telescope or spyglass. The emphasis falls on uniform posture weaponry and optical instrument details that would have marked the Americans as visually and technologically unfamiliar to Japanese observers. The drawing is especially interesting as a Japanese interpretation of the expedition distinct from the official American pictorial record produced by artists such as Wilhelm Heine. The Japanese manuscript images such as the present work preserve a different perspective shaped by local observation report and curiosity. unknown
1853réf. 34749Edo 1853. Watercolour and ink drawing on Japanese paper. A contemporary Japanese watercolour of Commodore Perry and members of his expedition produced at the moment of the American squadron’s arrival in Japan and the opening of sustained diplomatic contact between Japan and the United States. This lively drawing belongs to the immediate visual culture generated by Commodore Matthew C. Perry's arrival in Japan in 1853. Perry entered Edo Bay in July 1853 to deliver President Fillmore's request for a treaty and returned the following year leading to the Treaty of Kanagawa on 31 March 1854. The event prompted wide Japanese interest in the appearance dress equipment and conduct of the visiting Americans and images of the "Black Ships" and their crews circulated in manuscript painted and printed form. The composition presents three American figures isolated against the paper ground arranged almost as a study of types. At right Commodore Perry is shown seated in a chair wearing a dark naval coat and holding his hat. At center stands an armed crewman or marine in a red jacket holding a musket upright; at left another crewman kneels while looking through a telescope or spyglass. The emphasis falls on uniform posture weaponry and optical instrument details that would have marked the Americans as visually and technologically unfamiliar to Japanese observers. The drawing is especially interesting as a Japanese interpretation of the expedition distinct from the official American pictorial record produced by artists such as Wilhelm Heine. The Japanese manuscript images such as the present work preserve a different perspective shaped by local observation report and curiosity. unknown books
réf. 142008aafLondon, Hurst, Robinson & Co. 1826. in-8vo, I) XI + 384 p. / II) 321 p. / III) 400 p., Ex-libris in each volume, Peter E. Obergfell, In contemporary red half calf, with corners and marbled boards, gilt ruled spines, green calf labels. Fine Copy.
réf. 1017034672.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
