1 400 résultats
réf. 115720London Harrison & Sons 1923. . First edition; 4to; 15 plate leaves including six panoramas 38 illustrations in all three figures in text folding map in rear pocket; publisher's original paper wrappers; a fine copy; vii 25pp. First edition of this scarce scientific report detailing the geological and glaciological observations of the Beardmore Glacier region collected during the 'Terra Nova' expedition. Particularly notable for its inclusion of numerous photographs and sketches by Edward Wilson as well as a fold-out map tracing the journey to the South Pole. Rosove 293-12. A1. London, Harrison & Sons, 1923. unknown
1887réf. 307461Paris, Hachette, 1887. 316 pages et illustré de 58 gravures sur Bois. 24,5 x 16 cm Originalhalblederband mit vergoldetem Rückentitel und Lederecken. [3 Warenabbildungen]
1899réf. 066162New York: Longmans Green and Co. 1899. Full cloth binding. Front hinge tender. Some dampstaining to lower page fore edges. Internally unmarked. Frontis. with tissue overlay. 378pp. Illustrations. First Edition. Hardcover. Good/No Dust Jacket. 8vo - 8" - 9" Tall. Longmans, Green and Co. Hardcover
1970réf. 95513o. O., o. V., 1970. 216 S. 8° Oktav, Softcover/Paperback
réf. 054584Paris Flammarion 1959 in 8 (22,5x14) 1 volume broché, couverture illustrée, 245 pages [5], avec une carte. Traduit de l'anglais par Nelly Weinstein. Collection ' L'aventure vécue ''. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
réf. 53426with wonderful views from the route taken through the plains of Tibet up the Rongbuk Glacier the North Col with its ice wall and the North-East Ridge beginning with nine members of the expedition including Irvine and Mallory who lost their lives card 1 Everest from the glacier the monastery at 16000 feet and that at Shekar-Dzong on a rock pinnacle astonishing pictures of the ice formations Nepalese porters climbing the ice wall at 22000 feet and a view taken from 'The Top of the World' at 28000 feet by Dr Somervell looking down on the peaks and clouds card 18 the other photographs are by Captain Noel the descriptions are most evocative and informative about the weather the rarefied air the temperatures and the local living conditions together 14 cards 3" x 2½" John Player & Sons no date circa lacking cards 36131619 and 20 unknown
1789réf. 48038Puerto Deseado Argentina. ca. 1789. Two Extraordinary Native American Portraits from the Malaspina Expedition A superb pair of highly finished red chalk portraits of two Patagonians made at Puerto Deseado in southern Argentina during the Malaspina expedition by one of the expedition's artists. The Malaspina Expedition was Spain's single effort at a voyage of exploration and discovery comparable to the great English and French voyages of the late 18th and early 19th centuries. More specifically it was designed to gain geographical knowledge and underpin Spain's territorial claims to the Northwest coast of America. It also had ambitious plans to publish its findings in the tradition of the other great European voyages. The Malaspina voyage is famous for the quality of the scientific material collected not least the anthropological drawings of peoples drawn at their many ports of call accurate and lifelike depictions very much in the tradition of the artists who accompanied James Cook William Hodges and John Webber. The expedition circumnavigated the globe leaving Cadiz on July 30 1789 visiting the coast of Patagonia in November working on the west coast of the Americas in 1790 and 1791 and ultimately returned to Spain in 1794 after a five-year voyage. Although unsigned both portraits offered here have been firmly attributed to voyage artist José de Pozo Ximénez 1757-1821 who made a series of drawings in Patagonia including one sketch in which he and his fellow artist Pineda are depicted in the act of drawing some of the local people. Pozo Ximénez was a native of Seville hired as an expedition painter by the Spanish government in June 1789. At the time of his recruitment he was described as "an excellent subject and perspective painter having a very good education with a wealth of geometry and is very robust for the age of 32" quoted in Puig-Samper p.18. A specialist in perspective and portraits his ethnological work is considered his greatest contribution to the results of the voyage but although Malaspina admired his "accuracy and speed" Journal of the Voyage p.140 the commander became increasingly infuriated with what he saw as the artist's laziness and indifference and forced him to leave the expedition in Callao in May 1790. Although ordered back to Spain Pozo in fact never left Peru founding a school of painting in Lima. The bulk of his Malaspina voyage originals are in the Museo Naval Madrid where much of the original material from the expedition resides. The portraits depict a man and woman drawn during a well-recorded encounter between the Spanish and the Patagonians in December 1789. It can be established that the man is a chief called "Junchar"; and the young woman is apparently the young woman called "Jujana" or "Cátama" who is described in detail in Malaspina's journal as having captivated the Spanish officers. The expedition had reached Puerto Deseado in late 1789 and Malaspina personally describes their interaction with a local tribe of some forty people on three separate occasions pp.85-90. Pozo joined Malaspina on the second of these visits drawing these portraits and a larger sketch of the encounter between the Spanish officers and a large group of Patagonians a sketch which seems to have an each-way bet on whether they were in fact giants: Pozo's Patagonians are strapping but not absurdly tall Serrano plate 36. Indeed it is plausible that the two present portraits are of people who are also in that larger scene: Junchar may be the man with a cloak over one shoulder talking to one of the Spanish men while the young woman could conceivably be the person standing at the far right of the Patagonians with dark eyes and parted hair. What is clear is that both subjects were described in detail by Malaspina personally. Of Junchar he notes: "In general they were all including the women and children very large and solidly built. Their height was not in proportion to their build but they were tall: the cacique Junchar who was carefully measured by Don Antonio Pineda and found to be six Burgos feet and ten inches in height and almost twenty-three inches broad from shoulder to shoulder" p.87. No doubt Junchar was singled out by Pozo because his large stature spoke to the ancient misconception of Patagonians as giants a myth which had gripped the European imagination since the time of Magellan. In a much longer passage Malaspina also describes how they singled out one particular woman to have her portrait taken: a "Patagonian girl aged about fourteen later referred to as Jujana by Malaspina whose good looks great charm and exceptional loquacity had made us choose to portray her rather than the other women was drawn to our attention even more when the time came for them to go ashore" as she struggled to modestly use her poncho to carry away some biscuits and vegetables that had been given to her as a gift p.89. In the catalogue raisonné of the art of the Malaspina voyage Carmen Sotos Serrano located two preliminary gridded sketches of these portraits "Patagon" and "contorno de la Patagone" respectively see cat. 39 and 40. Pozo also did a full-length study of Junchar and two other studies of a second woman with child cat. 41 and 42. All of these sketches are in the Museo Naval in Madrid which collection also includes two later oil paintings of Junchar and the young woman now called "Cátama." The oils were acquired by the museum in 1932. The drawings presently offered were originally in an album or portfolio entitled "Spanish Drawings" which had been acquired by Elizabeth Lady Holland when travelling extensively in Spain between 1802 and 1805. The Whatman paper into which they have been window-mounted for the album is watermarked 1801 confirming this approximate date of acquisition and their having been mounted in an album. Many of the other drawings in the collection were topographical works by another Malaspina voyage artist Fernando Brambila. When the present drawings were sold in the large sale of drawings from Holland House in 1979 they were attributed to Brambila with the rather telling comment that "no comparable drawings by the artist are recorded." However a comparison with the works illustrated by Serrano and a reading of the journals make it clear that Pozo Ximénez is the artist. Because Malaspina quickly fell into official disfavor and with the disruptions of the Napoleonic Wars the extensive planned publications of the expeditions never came to be. Virtually all of the archives of the voyage are now to be found in the Museo Naval in Madrid. These drawings acquired only a few years after the return of the voyage by Lady Holland are thus among the very few original works of the voyage to ever appear in the market. An extraordinary opportunity to acquire two significant portraits of Native Americans from one of the greatest voyages of the Second Age of Exploration. Two red chalk drawings: the young woman on a sheet 228 x 190 mm. paper watermarked with a combined "P" and smaller "L"; the man "Junchar" on a sheet 228 x 195 mm. Both drawings window-mounted probably about 1801 into a larger sheet of Whatman paper with ink borders added. Fine. HOWGEGO I M26. Carmen Sotos Serrano Los Pintores de la Expedicion de Alejandro Malaspina Madrid 1982 cat. 39-42. Miguel Ãngel Puig-Samper "Illustrators of the New World: The Image in the Spanish Scientific Expeditions of the Enlightenment" in Culture and History Digital Journal Vol. 1 no. 2 December 2012 pp.1-28. Andrew David et al. eds. The Malaspina Expedition 1789-1794 Journal of the Voyage by Alejandro Malaspina Vol. 1 Cadiz to Panama London: The Hakluyt Society 2001. unknown books
1789réf. 48038Puerto Deseado Argentina. ca. 1789. Two Extraordinary Native American Portraits from the Malaspina Expedition A superb pair of highly finished red chalk portraits of two Patagonians made at Puerto Deseado in southern Argentina during the Malaspina expedition by one of the expedition's artists. The Malaspina Expedition was Spain's single effort at a voyage of exploration and discovery comparable to the great English and French voyages of the late 18th and early 19th centuries. More specifically it was designed to gain geographical knowledge and underpin Spain's territorial claims to the Northwest coast of America. It also had ambitious plans to publish its findings in the tradition of the other great European voyages. The Malaspina voyage is famous for the quality of the scientific material collected not least the anthropological drawings of peoples drawn at their many ports of call accurate and lifelike depictions very much in the tradition of the artists who accompanied James Cook William Hodges and John Webber. The expedition circumnavigated the globe leaving Cadiz on July 30 1789 visiting the coast of Patagonia in November working on the west coast of the Americas in 1790 and 1791 and ultimately returned to Spain in 1794 after a five-year voyage. Although unsigned both portraits offered here have been firmly attributed to voyage artist José de Pozo Ximénez 1757-1821 who made a series of drawings in Patagonia including one sketch in which he and his fellow artist Pineda are depicted in the act of drawing some of the local people. Pozo Ximénez was a native of Seville hired as an expedition painter by the Spanish government in June 1789. At the time of his recruitment he was described as "an excellent subject and perspective painter having a very good education with a wealth of geometry and is very robust for the age of 32" quoted in Puig-Samper p.18. A specialist in perspective and portraits his ethnological work is considered his greatest contribution to the results of the voyage but although Malaspina admired his "accuracy and speed" Journal of the Voyage p.140 the commander became increasingly infuriated with what he saw as the artist's laziness and indifference and forced him to leave the expedition in Callao in May 1790. Although ordered back to Spain Pozo in fact never left Peru founding a school of painting in Lima. The bulk of his Malaspina voyage originals are in the Museo Naval Madrid where much of the original material from the expedition resides. The portraits depict a man and woman drawn during a well-recorded encounter between the Spanish and the Patagonians in December 1789. It can be established that the man is a chief called "Junchar"; and the young woman is apparently the young woman called "Jujana" or "Cátama" who is described in detail in Malaspina's journal as having captivated the Spanish officers. The expedition had reached Puerto Deseado in late 1789 and Malaspina personally describes their interaction with a local tribe of some forty people on three separate occasions pp.85-90. Pozo joined Malaspina on the second of these visits drawing these portraits and a larger sketch of the encounter between the Spanish officers and a large group of Patagonians a sketch which seems to have an each-way bet on whether they were in fact giants: Pozo's Patagonians are strapping but not absurdly tall Serrano plate 36. Indeed it is plausible that the two present portraits are of people who are also in that larger scene: Junchar may be the man with a cloak over one shoulder talking to one of the Spanish men while the young woman could conceivably be the person standing at the far right of the Patagonians with dark eyes and parted hair. What is clear is that both subjects were described in detail by Malaspina personally. Of Junchar he notes: "In general they were all including the women and children very large and solidly built. Their height was not in proportion to their build but they were tall: the cacique Junchar who was carefully measured by Don Antonio Pineda and found to be six Burgos feet and ten inches in height and almost twenty-three inches broad from shoulder to shoulder" p.87. No doubt Junchar was singled out by Pozo because his large stature spoke to the ancient misconception of Patagonians as giants a myth which had gripped the European imagination since the time of Magellan. In a much longer passage Malaspina also describes how they singled out one particular woman to have her portrait taken: a "Patagonian girl aged about fourteen later referred to as Jujana by Malaspina whose good looks great charm and exceptional loquacity had made us choose to portray her rather than the other women was drawn to our attention even more when the time came for them to go ashore" as she struggled to modestly use her poncho to carry away some biscuits and vegetables that had been given to her as a gift p.89. In the catalogue raisonné of the art of the Malaspina voyage Carmen Sotos Serrano located two preliminary gridded sketches of these portraits "Patagon" and "contorno de la Patagone" respectively see cat. 39 and 40. Pozo also did a full-length study of Junchar and two other studies of a second woman with child cat. 41 and 42. All of these sketches are in the Museo Naval in Madrid which collection also includes two later oil paintings of Junchar and the young woman now called "Cátama." The oils were acquired by the museum in 1932. The drawings presently offered were originally in an album or portfolio entitled "Spanish Drawings" which had been acquired by Elizabeth Lady Holland when travelling extensively in Spain between 1802 and 1805. The Whatman paper into which they have been window-mounted for the album is watermarked 1801 confirming this approximate date of acquisition and their having been mounted in an album. Many of the other drawings in the collection were topographical works by another Malaspina voyage artist Fernando Brambila. When the present drawings were sold in the large sale of drawings from Holland House in 1979 they were attributed to Brambila with the rather telling comment that "no comparable drawings by the artist are recorded." However a comparison with the works illustrated by Serrano and a reading of the journals make it clear that Pozo Ximénez is the artist. Because Malaspina quickly fell into official disfavor and with the disruptions of the Napoleonic Wars the extensive planned publications of the expeditions never came to be. Virtually all of the archives of the voyage are now to be found in the Museo Naval in Madrid. These drawings acquired only a few years after the return of the voyage by Lady Holland are thus among the very few original works of the voyage to ever appear in the market. An extraordinary opportunity to acquire two significant portraits of Native Americans from one of the greatest voyages of the Second Age of Exploration. Two red chalk drawings: the young woman on a sheet 228 x 190 mm. paper watermarked with a combined "P" and smaller "L"; the man "Junchar" on a sheet 228 x 195 mm. Both drawings window-mounted probably about 1801 into a larger sheet of Whatman paper with ink borders added. Fine. HOWGEGO I M26. Carmen Sotos Serrano Los Pintores de la Expedicion de Alejandro Malaspina Madrid 1982 cat. 39-42. Miguel Ãngel Puig-Samper "Illustrators of the New World: The Image in the Spanish Scientific Expeditions of the Enlightenment" in Culture and History Digital Journal Vol. 1 no. 2 December 2012 pp.1-28. Andrew David et al. eds. The Malaspina Expedition 1789-1794 Journal of the Voyage by Alejandro Malaspina Vol. 1 Cadiz to Panama London: The Hakluyt Society 2001. unknown
1850réf. 423Chart and Capt. Charles Wilkes Calling Card Details: Lot of 15 black and white independently issued engraved charts on heavy paper bearing a printed oval stamp with Navy anchor and "U.S.Ex.Ex." and "Price thirteen cents" on each chart with occasional period manuscript notation on verso engravers: G.W. Boynton J. Knight George G. Smith 2 and unsigned dimensions: 26 1/2" x 19 1/2" approx. sheet size condition: professionally conserved good condition working charts have manuscript notations Capt. Charles Wilkes calling card: as found with manuscript ink inscription dimensions: 3 1/2" x 2 1/8" Please see Part II. for a list of the fifteen 15 U.S. Ex.Ex. chart titles and individual chart descriptions. I. Brief History and Description of the U.S. Exploring Expedition: Like a Homeric odyssey the United States Exploring Expedition 1838-1842 its six vessels2/ 346 man crew3/ of scientists artists naval officers and other personnel commanded by then U.S. Navy Lieut. Charles Wilkes 1798-1877 set out on a four year journey that touched six continents covered 87 780 miles and set a circuitous course en route to mapping and exploring the islands of the South Pacific and the Pacific Ocean the earth's largest body of water. The outcome of the squadron's journey was yet unknown. The U.S. Ex.Ex. as it came to be known was America's first exploring expedition funded by Congress.4/ Congress recognized that American commercial interests in the lucrative Pacific trade faced both opportunities and perils in this region due to incomplete knowledge especially the lack of surveys and maps to identify and chart a course to the Pacific Ocean islands their safe harbors coastlines inner terrain resources such as fresh water and hazardous coral reefs. Congress also responded to whaling interests in New England who had for a decade been a powerful advocate for Congress to finance improved charting of this dangerous sailing region. Congressional authorization in 1836 for this exploring expedition also spoke to America's identity as a new world power with the skill hunger for knowledge and ambition to demonstrate that America was on a par with older European nations' scientific explorations. 5/ On offer is a remarkable lot of fifteen U.S. Ex.Ex. navigation charts of the South Pacific islands America's first surveying and charting of the South Pacific. The charts were published after the expedition returned its mission fulfilled. The charts on offer in this lot sold separately to be distinguished from those bound into the two volume Atlas of Charts 1850 1858 from the same plates being the expedition's signal American contribution to the mapping of the Pacific Ocean and South Seas. These full size engraved charts on heavy paper were and are intended to be used for navigation. These charts are not to be confused with the small illustrations bound into the other U.S. Ex.Ex. Volumes I -XXII or even with those illustrating Wilkes' five-volume Narrative or its bound atlas of five larger folded maps on thin paper. This rare to market 15-chart lot consists of 13 unique titles and two duplicate titles that are representative of the historic mapping highlights of the U.S.Ex.Ex.: accurate surveys of the volcanic Fiji Group6/; islands newly identified by Western surveys new surveys of safe harbors harbor profiles island profiles7/; an expansive survey of the heavily traveled Sandwich Islands for the chart Map of the Hawaiian Group or Sandwich Islands 1841 representing Hawaii's three active volcanoes and volcanic landscape and the features of the other islands in this chain8/; Island of Upolu Samoan Group 1839 the controversial chart that triggered the U.S. Ex.Ex. squadron courts martial; and Tawara the 1841 survey chart still unique by WWII and thus used in WWII by the American Navy and Marines to take strategic Tawara and establish an air base for the WWII Pacific air campaign.9/ Please see a more detailed description of each chart below in Part II. Description of Charts. These nautical charts are part of a larger context. The U.S. Ex.Ex. squadron collected and prior to its return sent ahead crates of animal and plant specimens and artifacts. In 1842 the squadron arrived home to New York City with even more flora and fauna. This trove with accompanying notes journals art work and other materials by 1858 became the foundation of the Smithsonian Institution. 10/ The U.S. Exploring Expedition true to its mandate and name returned with discoveries in the natural sciences mammals and birds botany mollusks and shells corals ethnography and philology geology hydrography and physics observations on astronomy geography and meteorology. These scientific discoveries complement the survey and mapping mission at the heart of the 1836 Congressional authorization for the exploring expedition. Charles Wilkes prepared the squadron specifically for mapping. He traveled to Europe in 1836 to purchase the finest available surveying instruments for the U.S.Ex.Ex. survey and charting mission. As importantly he purchased European books and atlases of the Pacific including Dumon d'Urville's Voyage and Atlas folio of 69 plates Cook's reports of his three voyages Vancouver's Voyage of Discovery and Atlas with 10 plates. 11/ He also purchased existing hydrographic charts. Wilkes drafted a surveying handbook for his naval crew to follow strictly. The U.S.Ex.Ex. surveyed 280 Pacific islands and both discovered and mapped a new continent. At Wilkes' direction ships twice sailed south to the Antarctic and upon survey and observation determined that the Antarctic's icy body was in fact a continent and not just an ice shelf. 12/ Yet the official reception of Charles Wilkes and the squadron was tarnished by court martial trials 13/ recriminations among officers and mixed signals from the public and Capitol Hill. A publishing odyssey of the U.S.Ex.Ex. findings ensued from 1844 to 1872 also commanded and championed by Charles Wilkes.14/ Congress established a Library Committee to which Wilkes reported over this twenty-eight year span as he brought to fruition in manuscript twenty-four illustrated reports of both the U.S.Ex.Ex. scientists and the hydrographic work of the squadron's naval officers. Our subject the set of large navigation charts sold separately15/ along with the large bound folio Atlas of Charts Vol.I. and Vol. II of 106 navigational charts fulfilled Congress' 1836 mandate for a "surveying expedition" of the "Pacific ocean and South seas." to supply navigators whalers and trading ships with reliable nautical charts. Wilkes himself is the author of several of these reports beginning with Vols. I.-V his illustrated Narrative accompanied by its Atlas of five folded maps one colored. 16/ The entire published body of work became twenty-one published volumes. Congress had authorized an official edition of 100 copies of each volume although that goal was not met due to lack of funding.17/ As Wilkes' scope of work grew Congress met his repeated requests for additional funding with scepticism if not outright hostility. The outbreak of the U.S. Civil War ultimately caused the Congressional Library Committee to suspend its work and afterwards only two thirds of the intended edition of 100 published and distributed. The numbered volumes appear frequently in the trade. The full scale separately sold 1850 issue of nautical charts are rare to market and scarce in collections.18/ This massive and complex bibliographic output requires an expert guide. The indispensable bibliographic guide to the U.S. Ex.Ex. reports atlases and nautical charts is by Daniel C. Haskell New York Public Library Bibliographer published by the NYPL in 1942 in recognition of the one hundredth anniversary of the squadron's return. 19/ Haskell is cited here as the definitive source on editions issues and related matters except as otherwise noted. Haskell's extraordinary book collates all of the texts atlases legislation correspondence and third party commentary pertaining to the United States Exploring Expedition. He also lists extant holdings. The Smithsonian Institution amplified Haskell's work in 2004 with an equally extraordinary undertaking to digitize the entire U.S. Ex.Ex. bibliography and provide extensive educational materials about the exploration the specimens the U.S. Ex.Ex. brought back now in its and national collections and the knowledge the expedition fostered. 20/The Smithsonian digital library also includes in chart form a summary of Haskell's bibliography. Yet research questions remain regarding the separately sold nautical charts.21/ The U.S. Ex.Ex. Nautical Charts on Offer: Themes and Highlights Each of the charts in this set on offer belongs to an island group - a chain or archipelago - formed as a result of distinct volcanic activity. This set of fifteen charts is thus a teaching tool both for America's first mapping of the South Pacific islands and to illustrate the correct hypothesis of the U.S.Ex.Ex. "Scientifics" that the South Pacific islands were not "scattered" as often described but rather each belonged to a distinct island chain with surrounding reefs that were produced by geologic forces and shifting tectonic plates below the ocean that gave rise to volcanoes. The ocean floor beneath the oldest volcanoes experienced subsidence or sinking to create what appears on these rare nautical charts as numerous patterns of amoeba- shaped atolls lagoons and islands ringed by coral reefs. The U.S.Ex.Ex. mapped both these island chains and the relationship among the chains of the South Pacific islands documented in the Atlas of Charts Vol.I and sold separately. Several graphic features distinguish the charts in this lot as individually sold nautical charts: i each nautical chart includes a printed oval stamp containing within its oval frame the U.S. Navy's insignia anchor and the text "US Ex.Ex." and outside the frame the words "Price 13 Cents"; ii the charts are unnumbered as are the charts in Atlas of Charts Vol. I. 1850 issue and possibly certain of the charts printed prior to Atlas of Charts Vol. II 1858 issue as the Map of the Hawaiian Group navigation chart on offer is unnumbered yet this title is bound into Vol.II of the Atlas of Charts1858 that Haskell notes is numbered; iii none of these charts show any indication of being bound and in fact have pencil notations that are typical of charts used for navigation. In manuscript the name "BGosnold"22/ appears twice on the backs of charts a Massachusetts family name in the maritime region where these charts were purchased and the name of an 1832 whaler out of New Bedford. Every aspect of publishing the U.S. Ex.Ex. reports and charts from inception to publication was overseen by Joseph Drayton one of the two artists on the expedition who Wilkes chose because he was familiar with Drayton's range of professional skills and the excellence of his work. The technical and aesthetic standards set by Drayton and Wilkes for U.S. Ex.Ex. publications - text illustrations and nautical charts - de facto became the standards of excellence for America's subsequent illustrated government reports.23/ Drayton selected the printer engravers paper manufacturers and binders. He drew or reviewed and prepared for engraving many of the manuscript maps 24/ and reviewed the engraved plates. Drayton and other U.S. Ex.Ex. officers reviewed printer's proofs of these charts made manuscript corrections and had the copper plates corrected. Hampered in printing the engraved nautical charts by the poor quality of printing paper Drayton continued to seek good paper that would withstand the numerous steps of wetting inking and press without distorting the surveys. 25/Drayton died in 1856 before completion of the mammoth publishing project. 26/ The U.S. Ex.Ex. reports atlases and charts were received with critical acclaim. Within a decade they were distributed by the French and British hydrographic offices in their chart series with survey attribution to Charles Wilkes. These U.S.Ex.Ex. South Pacific charts are of more than historic interest today. Conclusion: The nautical charts on offer are art American history and science. Then as now these maps are also baseline studies of human settlement patterns in the Pacific islands of Pacific island ecology and records of how the Pacific islands themselves were altered by natural geological forces. These maps deserve further attention today with reference to current altered environmental conditions such as sea water rise shoreline changes damage to these islands by foreign commercial or military uses as well as other circumstances. An overarching theme of the U.S.Ex.Ex. Atlas of Charts Vol. I and Vol.II to which these charts on offer belong is American innovation artistry and scientific excellence in naval surveying and map making. A second theme is political: America's presence as a new world power in scientific exploration and discovery. A third and final theme is less tangible yet perhaps the most graspable namely the American quest for knowledge and its preservation by public institutions as a legacy to future generations. II. Lot of 15 Charts on Offer: Alphabetical by Island Group Fiji Archipelago: Whippy Harbour South Side of Viti Levu By The U.S.Ex.Ex. 1840.; Suva Harbour South Side of Viti Levu By The U.S.Ex.Ex. 1840.; Granby Harbour South Side of Viti Levu By The U.S.Ex.Ex. 1840.; Ndronga Harbor South Side of Viti Levu By The U.S. Ex.Ex. 1840. one sheet four maps of different views of Viti Levu largest island of the Fiji nation 26 ½ x 19 ½ inches no engraver's name paper toned edge repair maps show anchorage topography villages areas "bare at low water" and boat passage Island of Yendua Feejee Group By The U.S.Ex.Ex. 1840; Nucumurry Harbour West End of Vanua Levu By The U.S.Ex.Ex. 1840; Wallea Bay North Side of Vanua Levu By The U.S. Ex.Ex. 1840. one sheet three island maps Eng by Sherman & Smith N.Y. 26 ½ x 19 ½ inches lower edge damage repaired pencil inscription on rev. "Navigation Islands Feejee." volcanic mountainous terrain shown with curved lines observatory location noted harbor bottom soils described reefs outlined Port Safety Island of Kea East End of Vanua Levu By The U.S.Ex.Ex. 1840.; Fawn Harbour South Side of Vanua Levu By The U.S.Ex.Ex. 1840.; Kombelau Harbour South Side of Vanua Levu By The U.S.Ex.Ex. 1840.; Baino Harbour South Side of Vanua Levu By The U.S. Ex.Ex. 1940. one sheet four views Engr. by Sherman & Smith N.Y. 26 ¾ x 19 ½ inches repaired tear in left margin edges reinforced paper toned. mountainous topography drawn with concentric lines coral reefs detailed harbor and lagoon soil bottoms identified and numerous harbor soundings in fathoms Harbour of Muthuata North Side of Vanua Levu By the U.S. Ex.Ex. 1840. Tibethe & Vicuna Harbour's on the North Side of Vanua Levu by the U.S. Ex.Ex. 1840. one sheet two maps two islands of Vanua Levu 26 ½ x 19 ½ inches detached paper chip reattached. town of Muthuata and villages identified two rivers shown steep terrain drawn with contour lines rocky atolls drawn extensive triangular patterned depth soundings Hawaiian Group Map of Hawaiian Group or Sandwich Islands By The U.S. Ex.Ex. 1841. Engr by Sherman & Smith N.Y. Survey of all Sandwich Islands with perimeter and topographic features: Hawaii Maui Kahoolawe Lanai Molokai Oahu Kauai Niihau; three volcanoes on Hawaii-Mauna Kea Mauna Loa Mauna Hualalai other mountains town names labeled no missions or churches. manuscript pencil charting and calculations compass rose on face of map surface abrasion and vertical wrinkles and puckering repaired tear in body of map near Kauai Island repaired tear in lower margin a working map possibly printed on poor paper dimensions: 19 ½ x 27 inches Kingsmill GroupGilbert Islands Taputeouea or Drummond's Island Kingsmill Group By The U.S. Ex.Ex.1841. Peacock's Anchorage at Drummond's Island Kingsmill Group By The U.S. Ex. Ex. 1841. one sheet two island maps seaman John Anderson disappeared and was presumed killed by villagers on Drummond's island when a small crew went ashore. The crew returned to the Peacock to report and a Naval crew of 87 returned with force and burned the village. Engraved by G.W.Boynton Boston 26 ½ x 19 1/2 inches paper toned town of Utiroa labeled location where Flying Fish struck marked with "x" Peacock's Anchorage "very foul rocky bottom" and a village noted Hudsons Island By The U.S.Ex.Ex. 1841 Maraki or Matthews Island Kingsmill Group By The U.S.Ex.Ex. 1841; Maiana or Hall's Island Kingsmill Group By The U.S.Ex.Ex. 1841 Apamama or Hopper's Island Kingsmill Group By The U.S.Ex.Ex. 1841 Kuria and Nanuki Islands Kingsmill Group By The U.S.Ex.Ex. 1841. one sheet five maps six islands Eng. by Sherman & Smith N.Y. 26 ½ x 19 ½ inches harbor profile Hudson's I. Maraki I. Apamama I. Maiana harbor profile Kuria with boat landing noted and Nanouki or Henderville Is. Knoll on small island Hudsons Island By The U.S. Ex.Ex. 1841.; Maraki or Mathews Island Kingsmill Group By The U.S. Ex.Ex. 1841.; Maiana or Halls Island Kingsmill Group By The U.S. Ex.Ex. 1841.; Apamama or Hopper's Island Kingsmill Group By The U.S. Ex.Ex. 1841; Kuria and Nanouki Islands Kingsmill Group by the U.S. Ex.Ex. 1841.one sheet five maps six islands Eng. by Sherman & Smith N.Y. 26 ½ x 19 ½ inches harbor profile Hudson's I. Maraki I. Apamama I. Maiana harbor profile Kuria with boat landing noted and Nanouki or Henderville Is. Knoll on small island manuscript ink signature: "B. Gosnold" on reverse small loss lower right corner and on bottom edge Apiá or Charlotte Island Kingsmill Group By The U.S.Ex.Ex. 1841; Tarawa or Knox Island Kingsmill Group By the U.S. Ex.Ex. 1841 one sheet two islands each with its own map Eng. by Sherman & Smith N.Y. 26 ½ x 19 inches Island profile Knox I. and printed note where the Peacock touched. Flying Fish anchorage Apiá chart shows passage through the reef to Lagoon site where Flying Fish struck on low ebb. Note "coral bottom from 2 to 10 fathoms." Paumotu Group Metia Island Paumotu Group By The U.S.Ex.Ex. 1841; Taweree or St. Simeon or Resolution Island Paumotu Group By The U.S.Ex.Ex. 1841; Takurea or Wolconsky Island Paumotu Group and Seagull Islands Paumotu Group By The U.S. Ex.Ex. 1841. one sheet 4 island maps Engraved by Sherman & Smith N.Y. 26 ½ x 19 ½ inches Metia island profile village shown island profile at 6 miles other islands not settled ink notation on back repaired tear to right margin. Reinforced top edge. Metia Island Paumotu Group By The U.S. Ex.Ex. 1841; Taweree or St. Simeon or Resolution Island Paumotu Group By The U.S. Ex.Ex. 1841; Takurea or Wolconsky Island Paumotu Group By The U.S. Ex.Ex. 1841 and Seagull Islands Paumotu Group by the U.S. Ex.Ex. 1841. one sheet4 island maps Engraved by Sherman & Smith N.Y. 26 ½ x 19 ½ inches Metia island profile village shown island profile at 6 miles other islands not settled paper toned Kawahe or Vincennes Island Paumotu Group By The U.S.Ex.Ex. 1839; Raraka Island Paumotu Group by the U.S. Ex. Ex.1839 Eng by Sherman & Smith N.Y. 20 x 27 inches bottom edge repair entrance to Lagoon on Kawahe island profile Raraka Island 5 miles distant. Village noted. Entrance to Lagoon on Raraka. ink notation on reverse Samoan Group Island of Upolu Samoan Group by the U.S. Ex. Ex. 1839. Engraved by J. Knight Philadelphia 27 x 19 ¼ inches Mapping of mountains and volcanoes. Bird's eye-like view of palm groves mountains and terrain. Island profile with detailed labeling of features and town viewed at 10 miles. "Good Boat harbour" noted. Entire perimeter of island labeled with "boat openings". Tuamotu Archipelago King Georges Group By the U.S. Ex. Ex. 1839 and Aratica or Carlshoff Island by the U.S. Ex.Ex. 1839 Engraved by Sherman & Smith N.Y. 26 ½ x 19 ½ inches one sheet 2 maps two islands harbor profile at 4 miles of Aratica Island location labeled "fresh water" entrance "deep water" on Tiokea I. Ahii and Manhii or Peacock and Wilsons Islands By The U.S. Ex. Ex. 1839 Engraved by Sherman & Smith N.Y. 26 ½" x 19 ½" one sheet two maps harbor profile of each island 3 miles distant. entrance for small vessels labeled on Ahii entrance for vessels labeled on Manhii. paper curls on map surface flattened and reattached to underlayer lighter than background after conservation Notes: 1. The Act of Congress limited the edition size of each volume in the U.S.Ex.Ex. reports to 100. Fewer than 100 copies of some volumes were printed. For the official issue of Hydrography Atlas of Charts Vol.I. Haskell states that for the 1850 issue of Vol.I 100 copies were printed consisting of 55 unnumbered charts of which 30 copies were destroyed by fire. Haskell notes that in this issue charts were also sold individually. An 1858 issue of Vol. I was printed in thirty copies to replace the burned copies. These charts were numbered and the Vol. I table of contents reset. For Vol.II Haskell states that 100 copies were printed and all charts were numbered. A table of contents lists the chart titles in each issue of each volume. 2. The squadron consisted of the Vincennes Peacock Porpoise storeship Relief Sea Gull and Flying Fish. The Sea Gull was lost at sea in 1839 near the Cape of Good Hope and all crew members died. In 1839 the slow Relief was sent home. 3. The crews of the six vessels were recorded by Midshipman William Reynolds cited in Stanton p.279-280. His accounts included the initial crew of 346 diminished renewed with accounts for those discharged those who deserted or died with a cumulative record of 524 men who had participated and recorded that 181 original crew returned to New York. Depending on the source authors thus quote the crew size variously. 4. Act of Congress dated May 14 1836 appropriating $150000 to send out a surveying and exploring expedition to the "Pacific ocean and South seas." including "other means in the control of the Navy Department not exceeding $150000.". The full scope of the expedition included the South Pacific the American Northwest Oregon and the mouth of the Columbia River San Francisco areas in South America Antarctica Australia New Zealand Singapore and other islands near China. 5. The August 26 1842 Act provided authority and funding for publishing the reports of the expedition's discoveries under the Joint Committee on the Library. The Act specified that the U.S. Ex.Ex. reports would be illustrated and modeled on the French government's 1829 publication of the Astrolabe expedition to the Pacific.Congress published a notice in the National Intelligencer March 23 1844 requesting proposals and selected C.onger Sherman of Philadelphia the low bidder as printer. 6. The U.S.Ex.Ex. Fiji charts were a source of pride and scientific accomplishment. Magnificent Voyagers p. 178 notes that Wilkes exhibited them - possibly in manuscript. 7. Stanton states at p. 245 that at the conclusion of surveying Tawara and the other small Pacific islands the U.S.Ex.Ex. surveys had corrected the positions of ten islands on existing charts and had completed their work "with sufficient accuracy to answer all the purposes of Navigation." 8. See below Ulukau. Hawaiian Electronic Library. 9. Tawara was the site of a WWII battle with thousands of casualties. The island was deemed strategic by the U.S. Command for establishing the first air base in the Gilbert chain to support American forces in the Pacific campaign against Japan. The next Gilbert island airfield was on Apamama another U.S.Ex.Ex. chart on offer. 10. For a staggering description of the whole see the Smithsonian Libraries digital Collection article From the Ends of the Earth The United States Exploring Expedition Collections. www.sil.si.edu/DigitalCollections/usexex/learn/Walsh-01.htm. 11. Magnificent Voyagers p. 167. 12. Wilkes' report of the 1839-1840 discovery of a new continent Antarctica was not universally accepted when announced notwithstanding that the discovery was documented with surveys reports and a nautical chart. 13. The court martial arose over allegations that one survey of Upolu Island in the Samoan Island group was erroneous. The island was surveyed twice early and late in the expedition by two different U.S.Ex.Ex. naval officers with an 8 mile discrepancy between their two surveys. The Island of Upolu chart is on offer. 14. Congressional funding acts expressly pertaining to printing charts texts and plates ensued in 1843 1844 1845 1847 1848 1850 twice 1854 1856 1859 1861 1862 1866 1872 twice. The June 1844 act states: "For the publication under the direction of the Secr. of the Navy and of the Secretary of the Treasury of such maps of the ex.ex as in their judgment will be serviceable to the navy and the commerce of the country. $2000." The March 3 1845 act includes the language "For completing the publication of the work on the Ex.Ex. including the printing of an extra number of charts." The language of the Congressional Acts on several occasions also specifically provides funding to replace charts lost in fires either at the publisher bindery or in government hands. 15. The separately sold charts on heavy paper to be used for navigation bearing a printed price stamp are from the plates used for the Atlas of Charts Vol. I. 1850 and Vol. II 1858 to accompany Vol. XXIII Hydrography 1861 by Charles Wilkes distributed separately in 1873. Haskell cites correspondence dated 1844 from Wilkes to the Library Committee and Tappan that the Atlas of Charts was ready for inspection. However the Atlas of Charts was not printed until 1850. The separately sold charts sale dates are treated variously in the literature reviewed. Haskell seems to date first sale to 1850. Viola cites a 1845 report by Wilkes that the copper plates for large charts were 1/3 finished and elsewhere states certain charts were published as early as that year. 16. Wilkes' five volume Narrative 1844 official edition was accompanied by an atlas that contained five folded charts measuring 13.4 x 9.65 inches 34 x 24.5 cm: U.S. Ex.Ex. track Chart of the World Chart of the Antarctic Continent Chart of the Viti Group or Feejee Islands Map of the Oregon Territory and Map of part of the island of Hawaii Sandwich Islands shewing craters and eruption of May and June 1840. These charts are on thin paper and bound in. The Narrative was published in an official issue distributed in 1845 and other unofficial issues. These folded bound atlas maps on thin paper are not to be confused with the separately sold large navigation charts on heavy paper from the plates of the Atlas of Charts Vol.I 1850and Vol.II.1858 to accompany Vol.XXIII Hydrography 1861. 17. Congress specified in 1845 that 100 copies of each volume produced for the U.S.Ex.Ex. be distributed according to an official distribution list - to each American state and territory and to foreign governments. France Great Britain and Russia each were to receive two sets. Other countries were also named. The Naval Lyceum and the three commanders of the principal ships Wilkes Hudson and Ringgold each were allocated one set. Unallocated sets were reserved for future distribution. In 1845 when the extent of the U.S.Ex.Ex. materials was not yet known Wilkes and others estimated a set of fifteen volumes. To account for the growth in the number of volumes as the scope of the U.S.Ex.Ex. collections became apparent and to replace plates pages and books lost to fire Congressional appropriations were sought and with great effort obtained almost annually until 1872. Ultimately twenty-four manuscript volumes were put forward by Wilkes not all of which were funded and only two-thirds of that set printed sometimes in fewer than 100 copies. The volumes were not published sequentially. 18. Few separately sold charts come to market. A complete set of such separately issued charts has not been located during this stage of research. See the New Bedford Whaling Museum collection. Harvard University. Rumsey. More typical are assembled or original whole editions of the bound Atlas of Charts Vol.I and Vol.II. 19. Daniel C. Haskell The United States Exploring Expedition 1838-1842 and Its Publications A Bibliography New York Public Library New York 1842. Haskell's Bibliography documents what was published distinguishing the date of actual publication from the publication date in the text and the official and unofficial issues or editions printed and number of volumes printed. How many charts were sold separately is not stated. Haskell identifies the separately published unnumbered nautical charts as associated exclusively with the 1850 issue of Atlas VOL.I. to accompany VOL. XXIII Hydrography. In fact one chart on offer the Map of the Hawaiian Group or Sandwich Islands is unnumbered yet identified in the index of the 1858 Atlas Vol.II that Haskell describes as only containing numbered charts. This small but intriguing fact illustrates that the separately sold charts are hard to classify as to publication date if only with reference to the 1850 and 1858 Hydrography atlases. Haskell dates the printing of the Atlas of large folio charts on correspondence of Drayton to Wilkes in 1850 stating ".Vol.I Atlas is now printed." 20. Smithsonian Libraries The United States Exploring Expedition 1838-1842 digital edition https://www.sil.si.edu/Digital Collections/usexex/learn/Overstreet-0. 21. Ehrenberg in Magnificent Voyagers at p. 174 states that navigational charts were printed between 1843 and 1856. When all plates for the U.S.ExEx large scale charts were finished or whether plates were used for printing as they became available or were only used in 1850 and 1858 and whether such plates were revised in the course of their being used is documented variously but not consistently. 22. "Gosnold" is a historic Massachusetts family name from the 17th century. Bartholomew Gosnold is the name of a bark built in Falmouth Massachusetts in 1832 and sailed from New Bedford Massachusetts from 1847-1851 and again later. see ShipIndex.org for further details. 23. The finely drawn illustrations for the U.S.Ex.Ex. reports by artists Drayton and Agate marry art and accuracy. Their artwork predates photography as the scientific mode of presenting natural science culture and other disciplines of the U.S.Ex.Ex. That Drayton also had control over the production of the art prints was essential to the fineness of the art prints. Wilkes also insisted that the engravers be of the highest level of skill. The books of art prints are also termed "atlases" of the reports. 24.The nautical charts were drawn by James Alden William May Frederick D. Stuart Robt. E. Johnson and the artist Joseph Drayton. Magnificent Voyagers p. 167. Wilkes ruled that no surveyor draftman or artist was permitted to put his name on any of the mapping work. Final drawings were prepared by Stuart and Drayton prior to shipping the manuscript maps to the engraver to create the copper plates. These plates were used to pull proofs that were then corrected by Wilkes and Stuart with Drayton making small corrections on the plates and larger corrections made by the plate engraver. In 1866 the charts' copper plates were transferred to the U.S. Navy Hydrography Office and updated as new surveys were performed. Stanton p.365. 25. Drayton ultimately sourced quality paper from Milton Massachusetts paper mills located either at Milton Upper or Lower Falls the site of the first paper mill in New England. See Library of Congress and Magnificent Voyagers p.173. 26. Drayton's legacy is a body of art and scientific literature about the world that were hitherto unknown and beyond the capacity of a single institution to manage. Drayton's art work guides generations in the ongoing appreciation of the U.S.Ex.Ex. References: Primary: Daniel C. Haskell The United States Exploring Expedition 1838-1842 and Its Publications A Bibliography New York Public Library New York 1842. Smithsonian Digital Library: From the Ends of the Earth The United States Exploring Expedition Collections. www.sil.si.edu/DigitalCollections/usexex/learn/Walsh-01.htm. Smithsonian Libraries The United States Exploring Expedition 1838-1842 digital edition https://www.sil.si.edu/Digital Collections/usexex/learn/Overstreet-0. https://www.sil.si.edu/DigitalCollections/usexex/learn/Overstreet-02.pdf Smithsonian Collections video of specimens collected see https://www.c-span.org/video/300321-1/us-exploring-expedition-1838-42-part-2 Stanton William The Great United States Exploring Expedition of 1838-1842 University of California Press Berkeley and London 1975 Ulukau the Hawaiian Electronic Library Early Mapping of Hawaii please see: http://www.ulukau.org/elib/cgi-bin/librarye=d-0map01-000Sec--11haw-50-20-frameset-book--1-010escapewin&a=d&d=D0&toc=0 Viola Herman J. and Margolis Carolyn Editors Magnificent Voyagers The U.S. Exploring Expedition 1838-1842 Smithsonian Institution Press Washington D.C. 1985 Other References: D.Graham Burnett "Chapter 5 Hydrographic Discipline Among the Navigators Charting an Empire of Commerce and Science in the Nineteenth Century Pacific" from James R. Akerman Editor Cartography and the Mastery of Empire The Imperial Map The University of Chicago Press Chicago and London 2009 Fiji Islands and U.S.Ex.Ex. first contact please see https://scholarspace.manoa.hawaii.edu/bitstream/10125/15538/1/OP31-12-49.pdf By Authority of the U.S. Congress
2009réf. 1190632009 Editions Atlas - 2009 - In-4, cartonnage illustré en couleurs et en doré de l'éditeur; tranches dorées - 337 p. - Nombreuses illustrations in et hors texte en N&B
1932réf. 247855Berlin, Walter de Gruyter, 1932. XIII, 298 pages with 55 b/w-illustrations, 9 plates and 5 enclosures. Originalleinen. 30 cm
1936réf. 54508Wien - Leipzig - Olten, Bernina-Verlag GmbH, 1936, Auflage: 1. Leinen, gebunden; schwarzer, farbig illustrierter Einband / Anz. Seiten: 295 / 17 x 23,5 cm / mit über 600 Schwarzweissabbildungen, viele davon auf Tafeln / Zustand: gut, leichte Gebrauchsspuren; Einband leicht berieben, Papier minim gebräunt
1893réf. 111758Leipzig: Verlag von Duncker & Humblot, 1893. 25,5 cm ; Leinen
1985réf. 004553Brazil: EdITora Universidade De Brasilia 1985. These are the two volumes published by the university of Brazil in Portugese by the world's leading authority on the birds of Brazil. VERY RARE! Very Nice. Sighed Neatly By a Previous Owner. This is the SECOND Brazilian Edition . Brown Cloth. Very Good/Very Good Not Price Clipped. Illus. by Numerous Illustrations By Paul Barruel . 4to - over 9¾" - 12" Near Folio. Hard Back. EdITora Universidade De Brasilia hardcover
1979réf. 13167BBKönigsstein, im Selbstverlag der Ikarus Expeditionen, um 1979. gr.8°, blauer Kunstleder-Ringbuch-Ordner mit weisser Deckelbeschriftung, (nur) Checkliste und Anschreiben (Beilage) mit Anstreichungen, sonst ein sehr gutes, sauberes Exemplar mit beiligenden original Reiseplan plus Vitienkärtchen von Reiseleiter Andreas Bender.
réf. 226546Paris, Imprimerie de Constant-Chantpie, 1823 in-8, 16 pp., en feuilles.
LONDON, Chatto & Windus - 1975 - In-8 - Cartonnage éditeur sous jaquette illustrée - Planches de photographies NB HT - X & 373 pages - Bon exemplaire
réf. 11418LONDON, Chatto & Windus - 1975 - In-8 - Cartonnage éditeur sous jaquette illustrée - Planches de photographies NB HT - X & 373 pages - Bon exemplaire
19658vo [22 x 15 cm]; 272 pp, 31 plates from photos, numerous illustrations from drawings, bibliography, appendix. original cloth, spine title lettering, fine and clean in good dust jacket (price clipped, a little used). A picture of this book is available upon request by email. The author describes his discoveries in the Amazon region in search for lost cities of sun worshippers, facing death and dangers, covering much of same ground as the legendary Colonel Fawcett. He links ancient civilizations in Brazil and Peru with those of Egypt and the middle east in a fascinating and well-illustrated account.
1938Mild dampstaining to boards. Rough spots to endpapers ; Beautiful fold-out map on japon paper at rear; B&W Photographs; 8vo 8" - 9" tall; 287 pages
1857réf. 324349New Haven 1857. Separately-issued offprint from the American Journal of Science and Arts 2nd series Vol. xxiv July 1857. 21-38 pp. plus folding map. 8vo. Period plain green wrappers stitched. Separately-issued offprint from the American Journal of Science and Arts 2nd series Vol. xxiv July 1857. 21-38 pp. plus folding map. 8vo. "Redfield's last contribution to meteorological science was a memoir upon the cyclones or typhoons of the north Pacific Ocean prepared at the request of Commodore Perry to accompany his Narrative of the United States Expedition to Japan; and was printed in the second volume of that work . He showed that the hurricanes of the Pacific followed the same general laws as those of the Atlantic and traced the paths of several remarkable storms among which was one of great force encountered by the steamer 'Mississippi' one of the vessels of Commodore Perry's squadron on route from Simoda to the Sandwich Islands in October 1854" Recollections of John Howard Redfield p. 302. Page 37 includes a description of the Kona or southerly winds of Hawaii as well as the effects of cyclones on the Hawaiian islands. Following its publication within Perry's Narrative in 1856 the work was issued in a slightly more condensed form within the July 1857 issue of the American Journal of Science and Arts. The present separately-issued offprint from the AJSA is the only separately-issued edition of the work. Scarce. Sabin 68512. Not in Forbes unknown books
1857réf. 324349New Haven 1857. Separately-issued offprint from the American Journal of Science and Arts 2nd series Vol. xxiv July 1857. 21-38 pp. plus folding map. 8vo. Period plain green wrappers stitched. Separately-issued offprint from the American Journal of Science and Arts 2nd series Vol. xxiv July 1857. 21-38 pp. plus folding map. 8vo. "Redfield's last contribution to meteorological science was a memoir upon the cyclones or typhoons of the north Pacific Ocean prepared at the request of Commodore Perry to accompany his Narrative of the United States Expedition to Japan; and was printed in the second volume of that work . He showed that the hurricanes of the Pacific followed the same general laws as those of the Atlantic and traced the paths of several remarkable storms among which was one of great force encountered by the steamer 'Mississippi' one of the vessels of Commodore Perry's squadron on route from Simoda to the Sandwich Islands in October 1854" Recollections of John Howard Redfield p. 302. Page 37 includes a description of the Kona or southerly winds of Hawaii as well as the effects of cyclones on the Hawaiian islands. Following its publication within Perry's Narrative in 1856 the work was issued in a slightly more condensed form within the July 1857 issue of the American Journal of Science and Arts. The present separately-issued offprint from the AJSA is the only separately-issued edition of the work. Scarce. Sabin 68512. Not in Forbes unknown
réf. 101555Austin, Texas, Eakin Press 1983, 220x145mm, frontispiece, XI - 202pages, editor's binding with jacket. Book in good condition.
197096 pages. Features: The Ordeals of Old Smith - Jedediah Smith ; "Riding to the Hounds" Prairie Style; The Frenchmen's Colorado Gold; 'A Tip of the Hat to Sam Davis - Samuel Post Davis; Black Hills Stockade - Collins-Russell Expedition; Many Trails Led to Gordon (Nebraska); The Mysterious Ramming of the Pacific - S.S. Pacific, Neil Henley (O'Henly); Bonanza in the Santa Ritas - Helvetia and Total Wreck, Arizona; A Rusty Can's Message - Gideon Gaines; Go Bring Him In - Preferably Dead. Average wear. Unmarked. Sound copy. Magazine
1972Features: The agony of a Morman Polygamist - Thomas Schofield faced renunciation of loved ones or imprisonment for conscience sake; The disastrous Arthur Dietz Expedition - 'Klondike madness pushed the little party of greehnorns beyond all hope of survival; Livestock Commission man; Ocosta broke the speculators' hearts!; Bushwhacked on the trail; Gold and where to find it; My dog was better known than I was! - Seymour was well known in Arkansas; La Tuileries Gardens - A Cattleman's Folly - Gillpatrick's amusement park, Colorado; Miracle at Stillwater, Oklahoma; I don't want none of your weevily wheat - Perry Hutchinson/Excelsior Mills, Marysville, Kansas; Bloody night on the Gila, Arizona; Captives among the Comanches - the true story of Jane Adeline Wilson; The great opportunist - Chicken Bill of Leadville, Colorado; and more. Clean, bright and unmarked with light wear. Nice copy. Magazine