2457 risultati
1918rif. 6299Havana 1918. Hardcover. Good. Second half of the year 1918 6 issues of the important Cuban monthly magazine Social which was published from 1916-1938. Cover art by editor and famed Cuban caricaturist Conrado Massaguer. A rare and early section of the publication. A fascinating glimpse into Cuba at this time. Filled with great period art and advertisements black and white photographs and articles. Some scattered foxing 1st cover of 6 much worse than the others staining and wear varies from issue to issue. Bound together in period cloth with floral pattern worn. hardcover
1918rif. 6299Havana 1918. Hardcover. Good. Second half of the year 1918 6 issues of the important Cuban monthly magazine Social which was published from 1916-1938. Cover art by editor and famed Cuban caricaturist Conrado Massaguer. A rare and early section of the publication. A fascinating glimpse into Cuba at this time. Filled with great period art and advertisements black and white photographs and articles. Some scattered foxing 1st cover of 6 much worse than the others staining and wear varies from issue to issue. Bound together in period cloth with floral pattern worn. hardcover books
1905rif. BK0085Havana Cuba: Carlos Gómez 1905. Cabinet photograph measuring 4 x 5 ½ inches on photographer's mount measuring 4 ½ x 6 ½ inches with imprint "Carlos Gómez / Fotógrafo / Neptuno 149 / Habana. Image somewhat faded with scattered surface wear and an area of loss at upper right; mount worn at edges good overall. A studio portrait of a young woman posed beside a wicker rocking chair wearing a light-colored dress with high collar and puffed sleeves and looking directly toward the camera. The photograph is notable in the context of Afro-Cuban portraiture around the turn of the twentieth century a period when Havana supported a large commercial photographic trade serving an increasingly broad urban clientele. The sitter is unidentified and no inscription survives to provide further biographical information. Carlos Gómez Guardiola was operating a photographic studio at 149 Neptuno by 1902 when a contemporary Havana newspaper noted that he had already established a reputation despite having been in business only a short time. Gómez's work appears in Juaco López Ãlvarez's Fotografía de Asturianos en américa with an identical "Carlos Gómez / Fotógrafo / Neptuno 149 / Habana" imprint; Ãlvarez dates it to about 1905 and we date the present portrait accordingly. 1 Juaco López Ãlvarez Ed. Fotografía de Asturianos en américa 2000 222. . Carlos Gómez unknown
1905rif. BK0086Havana Cuba: A. Sainz 1905. Cabinet photograph measuring 4 x 5 ½ inches on photographer's mount measuring 4 ½ x 6 ½ inches with imprint "A. Sainz / Reina 67 / Habana. Some fading and spotting to image with wear and small losses to edges of mount; good overall. A formal studio portrait of a young Black man seated in a wicker chair beside an elaborate wicker table and floral arrangement. He wears a light-colored suit and holds his hat in his lap posed directly toward the camera. The mount identifies the photographer as A. Sainz of 67 Reina Street Havana. Contemporary Havana advertisements from July and August 1905 place Sainz's photographic studio at this address providing a useful basis for dating the portrait. An appealing example of Black portraiture in early twentieth-century Havana. A. Sainz unknown
1905rif. BK0085Havana Cuba: Carlos Gómez 1905. Cabinet photograph measuring 4 x 5 ½ inches on photographer's mount measuring 4 ½ x 6 ½ inches with imprint "Carlos Gómez / Fotógrafo / Neptuno 149 / Habana. Image somewhat faded with scattered surface wear and an area of loss at upper right; mount worn at edges good overall. A studio portrait of a young woman posed beside a wicker rocking chair wearing a light-colored dress with high collar and puffed sleeves and looking directly toward the camera. The photograph is notable in the context of Afro-Cuban portraiture around the turn of the twentieth century a period when Havana supported a large commercial photographic trade serving an increasingly broad urban clientele. The sitter is unidentified and no inscription survives to provide further biographical information. Carlos Gómez Guardiola was operating a photographic studio at 149 Neptuno by 1902 when a contemporary Havana newspaper noted that he had already established a reputation despite having been in business only a short time. Gómez's work appears in Juaco López Ãlvarez's Fotografía de Asturianos en américa with an identical "Carlos Gómez / Fotógrafo / Neptuno 149 / Habana" imprint; Ãlvarez dates it to about 1905 and we date the present portrait accordingly. 1 Juaco López Ãlvarez Ed. Fotografía de Asturianos en américa 2000 222. . Carlos Gómez unknown books
1905rif. BK0086Havana Cuba: A. Sainz 1905. Cabinet photograph measuring 4 x 5 ½ inches on photographer's mount measuring 4 ½ x 6 ½ inches with imprint "A. Sainz / Reina 67 / Habana. Some fading and spotting to image with wear and small losses to edges of mount; good overall. A formal studio portrait of a young Black man seated in a wicker chair beside an elaborate wicker table and floral arrangement. He wears a light-colored suit and holds his hat in his lap posed directly toward the camera. The mount identifies the photographer as A. Sainz of 67 Reina Street Havana. Contemporary Havana advertisements from July and August 1905 place Sainz's photographic studio at this address providing a useful basis for dating the portrait. An appealing example of Black portraiture in early twentieth-century Havana. A. Sainz unknown books
1963rif. 87864Havana: Cuadernos de la Casa de Las Americas 1963. First Edition. First Impression one of 4000 copies. Slim octavo 24.25cm; original pictorial card wrappers stapled; Inscribed by the author on the half-title page to Puerto Rican editor translator and literary critic Roberto Márquez: "Para Roberto Marquez / apenas un libro cordialmente / Eduardo / 3/80." Light wear to extremities some oxidation to staples toning to rear wrapper with a faint crease to upper left corner; Very Good. The Cuban author's extended essay on the life and work of Afro-Cuban painter Wilfredo Lam 1902-1982. Uncommon inscribed. 87864. Cuadernos de la Casa de Las Americas unknown
1963rif. 87864Havana: Cuadernos de la Casa de Las Americas 1963. First Edition. First Impression one of 4000 copies. Slim octavo 24.25cm; original pictorial card wrappers stapled; Inscribed by the author on the half-title page to Puerto Rican editor translator and literary critic Roberto Márquez: "Para Roberto Marquez / apenas un libro cordialmente / Eduardo / 3/80." Light wear to extremities some oxidation to staples toning to rear wrapper with a faint crease to upper left corner; Very Good. The Cuban author's extended essay on the life and work of Afro-Cuban painter Wilfredo Lam 1902-1982. Uncommon inscribed. 87864. Cuadernos de la Casa de Las Americas unknown books
1983rif. 85035Toronto: University of Toronto Press 1983. First Edition. First Impression. Octavo 23.5cm; pictorial cloth-covered boards; x34-251252-254pp. This copy is from the library of to Puerto Rican editor translator and literary critic Roberto Marquez with his ink markings and notations throughout the text and inscribed to him by the author on the title page: "To Robert / as a token of my highest esteem and my admiration for your work / Keith." Base of spine gently nudged light wear to extremities with a few dog-eared pages; Very Good and sound without dustjacket as issued. Scholarly work on the writings of Nicolás Guillén 1902-1989 with a particularly generous inscription to Marquez who has written extensively on Guillén and has translated several of the poet's works faithfully from Spanish into English. A nice association linking two Guillén scholars. Uncommon inscribed. University of Toronto Press unknown
1983rif. 85035Toronto: University of Toronto Press 1983. First Edition. First Impression. Octavo 23.5cm; pictorial cloth-covered boards; x34-251252-254pp. This copy is from the library of to Puerto Rican editor translator and literary critic Roberto Marquez with his ink markings and notations throughout the text and inscribed to him by the author on the title page: "To Robert / as a token of my highest esteem and my admiration for your work / Keith." Base of spine gently nudged light wear to extremities with a few dog-eared pages; Very Good and sound without dustjacket as issued. Scholarly work on the writings of Nicolás Guillén 1902-1989 with a particularly generous inscription to Marquez who has written extensively on Guillén and has translated several of the poet's works faithfully from Spanish into English. A nice association linking two Guillén scholars. Uncommon inscribed. University of Toronto Press unknown books
1972rif. 88465Havana: UNEAC 1972. First Edition. First Impression one of 10000 copies. Octavo 21cm; original pictorial wrappers with French flaps; 89-897pp; text is entirely in Spanish. Inscribed by Retamar on the front endpaper to Puerto Rican editor translator and literary critic Roberto Márquez: "Para Roberto / Contento con haberlo rencontrado - y esperandolo en nuestra Cuba - Un abrazo fraternal del Roberto / Ap. 73." The recipient's pervasive ink annotations and markings appear throughout the text. Edgeworn a few tiny tears and creases and a 2" split at upper front joint; Very Good. Collection of four extended essays on Nicolas Guillen by the noted Cuban poet essayist and literary critic. A warm inscription and a nice association to Marquez a Guillen scholar and translator of his work. 88465. UNEAC unknown
1972rif. 88465Havana: UNEAC 1972. First Edition. First Impression one of 10000 copies. Octavo 21cm; original pictorial wrappers with French flaps; 89-897pp; text is entirely in Spanish. Inscribed by Retamar on the front endpaper to Puerto Rican editor translator and literary critic Roberto Márquez: "Para Roberto / Contento con haberlo rencontrado - y esperandolo en nuestra Cuba - Un abrazo fraternal del Roberto / Ap. 73." The recipient's pervasive ink annotations and markings appear throughout the text. Edgeworn a few tiny tears and creases and a 2" split at upper front joint; Very Good. Collection of four extended essays on Nicolas Guillen by the noted Cuban poet essayist and literary critic. A warm inscription and a nice association to Marquez a Guillen scholar and translator of his work. 88465. UNEAC unknown books
1947rif. 55153Havana: Cuban Tourist Commission 1947. Paperback. Very good. Paperback. 22 by 28 inches unfolded. Foxed overall with some expected toning at the creases else very good and crisp. Cuban Tourist Commission paperback
1947rif. 55153Havana: Cuban Tourist Commission 1947. Paperback. Very good. Paperback. 22 by 28 inches unfolded. Foxed overall with some expected toning at the creases else very good and crisp. Cuban Tourist Commission paperback books
1954rif. 5156Anuario azucarero de cubacuba sugar year book 1954 censo de la industria azucarera de cuba y manual estadistico nacional e internacionalcuban sugar census national and international statistical manual.primera edicioncaratulas originaleslibro ilustrado.edicion original de 1954.publicado por Cuba economica y financiera juan b suris director.El Anuario azucarero de Cuba Cuba sugar yearbook es un catálogo anual publicado por el Ministerio del Comercio Exterior de Cuba que reúne datos estadísticos comerciales y técnicos sobre la industria azucarera cubana y su relación con el mercado nacional e internacional.refleja su doble función: por un lado como censo que recoge información sobre la producción consumo exportaciones e importaciones de azúcar; y por otro como manual estadístico que ofrece datos históricos y actuales sobre la actividad azucarera y su contexto económico.el Anuario es una referencia clave para estudios sobre la economía cubana especialmente en el sector azucarero y se ha editado en varias ediciones algunas en bilingüe español-inglés para facilitar su uso en el ámbito internacional Cuba economica y financiera hardcover
1877rif. 3543Coleccion de articulos publicados por la voz de cuba sobre la cuestion de vento primera edicion habanaimprenta de rosendo espina 1877 caratulas originaleslibro originalestado regularla voz de cuba fue un periodico cubano del siglo XIX en este libro se publican articulos del ingeniero cubano francisco de albearcon respecto a la construccion del acueducto de vento en la habanaAsí a solicitud del capitán general de la Isla el coronel de ingenieros >Francisco de Albear y Fernández de Lara presentó en 1855 una "Memoria acerca del Proyecto de conducción a La Habana de las aguas de los manantiales de Vento" que proyectaba un sistema de acueducto de mampostería cerrado que conduciría por gravedad las aguas de dichos manantiales hasta su destino final a una distancia de once kilómetros. En la Memoria Albear realizó un estudio de los antecedentes y las posibilidades de aprovechamiento de los acueductos anteriores efectuó un cálculo de la dotación de agua para la ciudad valoró las dificultades para lograr la obra de captación en Vento y propuso el trazado del canal hasta el depósito. Atendiendo a la extraordinaria complejidad de la obra y a las dificultades de su ejecución en el convulso período de la >Guerra de los diez años Albear elaboró y presentó en 1876 dos nuevos documentos: la "Memoria del Proyecto de depósito de recepción y de distribución de las obras del Canal de Vento" y la "Memoria del Proyecto de la distribución del agua de Vento en La Habana". En la primera valoraba los aspectos relativos a la ubicación altura capacidad y dimensiones del depósito así como otros aspectos tecnológicos; mientras que en la segunda se argumentaban las condiciones requeridas para un buen sistema de distribución dividido en dos partes interior y exterior así como las particularidades y aportes de cada una de ellas. La inauguración del Acueducto de Albear denominado finalmente así tras la muerte de su artífice el 22 de octubre de 1887 no ocurriría hasta seis años más tarde el 23 de enero de 1893 en medio de condiciones políticas y económicas sumamente adversas plagadas de dificultades no sólo topográficas y tecnológicas sino incluso higiénicas en momentos en que las llamadas "fiebres de Vento" diezmaban a sus constructores. La etapa final de las obras a cargo de la firma Runkle Smith and Co. de Nueva York y encabezada por el ingeniero Sherman Gould por la parte norteamericana fue dirigida de acuerdo con los proyectos originales por un discípulo y continuador de Albear el coronel de ingenieros >Joaquín Ruiz. No obstante su artífice llegó a tener en vida la satisfacción de ver su proyecto premiado con Medalla de Oro en la Exposición Universal de >París de 1878 donde se la consideró como una obra maestra de la ingeniería del siglo XIX. Imprenta de rosendo espina paperback
Habana, Imp. de G. Montiel, 1882, 27 x 18 cm., cubierta original anterior montada sobre papel, 42 págs. (Impreso de defensa de los síndicos judiciales nombrados para administrar los bienes de D. Jose Antonio Suárez Argudin en concurso de acreedores).
Habana, Imprenta del Gobierno y Capitanía General, 1892, 21,5 x 15,5 cm., rústica editorial, 143 págs.
Habana, Manuel Santana, 1897, 25 x 17,5 cm., rústica editorial, dedicatoria manuscrita del autor, IV + 79 págs. + (Apéndices:) 4 hojas, incluso 2 estados, uno de ellos plegado + (Análisis, explicación y comentarios del proyecto del nuevo matadero:) LVI págs.
Madrid, Colegio de Sordo-Mudos y de Ciegos, 1866, 20,5 x 14 cm., 132 págs. (Falto de las cubiertas originales. Entre otras cosas contiene: De la conveniencia y medios de llevar a los campos la población de color esclava empleada hoy en el servicio doméstico. De la inmigración de trabajadores libres. De la colonización blanca. La Emancipación...).
Habana, Imprenta del Gobierno y Capitanía General, 1889, 25 x 17 cm., rústica editorial a falta de la cubierta posterior, 81 págs.
Habana, Avisador Comercial, 1915, 19’5 x 14 cm., retrato – X – 153 págs. con caricaturas intercaladas – 1 h. (Falto de la cubierta original anterior).
1985rif. 020353Taipei 1985. First Edition . Soft cover. Near Fine. Color Plates Throughout. 58 Pp Catalog All Text In Chinese. 11" Tall. Signed And Dated By The Artist. He Devoted Himself To Traditional And Contemporary Ink Painting Inherited The Essence Of Chinese Millennium Painting And Calligraphy And Opened Up Opportunities For The Reform Of Contemporary Ink Painting Which Set A Paradigm For New Ink Painting In The World Of Chinese Art For This Century. He Taught In Taiwan For Half A Century And Cultivated Countless Art Students. His Influence Is Profound. paperback
1929Milano, T.C.I., 1929, annata completa in 12 fascicoli legati in un volume, in-8, piena tela coeva, titolo e filettature oro al dorso, sguardie in carta decorata, pp. 1358. Con numerose illustrazioni in b.n. nel testo. Qualche adesione.
1970(Cuba - Rivoluzione cubana - Poster politici - Illustrazione) In folio (cm 45 x 34,5), brossura editoriale illustrata a colori, pp. XXXVI, 97 tavole a colori a piena pagina (di cui una in antiporta) con riproduzioni di poster, 2 pagine non numerate con indice delle opere. Uno scritto introduttivo di Susan Sontag : "Posters : advertisement, art, political artifact, commodity" ed uno di Dugald Stermer : "Bread and the rose". Alcune leggere mende alla brossura, peraltro esemplare in ottimo stato di conservazione.