[60's/CUBA] ANONYMELivre Rare Book
2545 resultados
ref. 3365OSPAAAL. 1967. Impression en offset. Dim: 550 x 330 mm.
1890ref. 231711890. Stereoview archive of the post-emancipation Caribbean showing how the islands were marketed to western viewers through plantation labor export agriculture civic spectacle and catastrophe. As a group these photos function not only as an ethnographic travel archive but as evidence of the visual economy that followed slavery. The British West Indies moved through emancipation in 1834 to 1838 the French Caribbean in 1848 Puerto Rico in 1873 and Cuba in 1886 yet plantation production remained central to regional life well into the early twentieth century. These stereoviews preserve a colonial way of seeing in which Black and Afro-Caribbean labor rural discipline and extractive agriculture remained the background condition of "tropical" beauty and commercial modernity. Cuba's sugar economy in particular expanded through the nineteenth century and slavery was not abolished there until 1886 while Weyler's later reconcentration policy during the Cuban War of Independence violently reorganized rural life. Martinique after 1848 likewise shifted into new labor regimes including imported workers from India and China. Archive of 11 stereoview cards late 1890s to early 1900s depicting Cuba Jamaica Martinique Puerto Rico and the Dominican Republic. Most black and white with a few colorized. Each measure 3.5" x 7". All with captions on the margins. "Reconcentrado Farming Scene Province of Havana Cuba" links agricultural production to the brutal displacements of Spain's reconcentration campaign; "Cutting sugar cane Montego Bay Jamaica W.I." records cane labor in a colony where emancipation had not ended plantation dependency; and "Harvesting Coconuts Porto Rico" likewise frames Caribbean land through export work rather than local life. Other views extend that economic framing through cacao and coffee scenes while the paired Havana cards shift into urban leisure and public display including "Beautiful Central Park Havana Cuba" and "Holiday in Havana Cuba" the latter with both Cuban and American flags visible a telling image of the new imperial order after 1898. The disaster views from Martinique and the Lesser Antilles show how stereoview publishers also turned Caribbean destruction into consumable spectacle. the Morne Rouge card is accompanied on the reverse by the grim printed text "Dead bodies which were to be seen in Morne Rouge." while the wider context is the 1902 eruptions of Mount Pelée in Martinique and La Soufrière on Saint Vincent two catastrophes that killed roughly 30000 and 1600 people respectively and devastated local communities and agriculture. Some corner wear light toning scattered surface and edge wear. Overall very good condition. This collection gives direct visual representation of Caribbean history Atlantic slavery and emancipation plantation labor and U.S. imperial expansion in the circum-Caribbean preserving the transition from slavery to post-abolition labor. unknown
1890ref. 231711890. Stereoview archive of the post-emancipation Caribbean showing how the islands were marketed to western viewers through plantation labor export agriculture civic spectacle and catastrophe. As a group these photos function not only as an ethnographic travel archive but as evidence of the visual economy that followed slavery. The British West Indies moved through emancipation in 1834 to 1838 the French Caribbean in 1848 Puerto Rico in 1873 and Cuba in 1886 yet plantation production remained central to regional life well into the early twentieth century. These stereoviews preserve a colonial way of seeing in which Black and Afro-Caribbean labor rural discipline and extractive agriculture remained the background condition of "tropical" beauty and commercial modernity. Cuba's sugar economy in particular expanded through the nineteenth century and slavery was not abolished there until 1886 while Weyler's later reconcentration policy during the Cuban War of Independence violently reorganized rural life. Martinique after 1848 likewise shifted into new labor regimes including imported workers from India and China. Archive of 11 stereoview cards late 1890s to early 1900s depicting Cuba Jamaica Martinique Puerto Rico and the Dominican Republic. Most black and white with a few colorized. Each measure 3.5" x 7". All with captions on the margins. "Reconcentrado Farming Scene Province of Havana Cuba" links agricultural production to the brutal displacements of Spain's reconcentration campaign; "Cutting sugar cane Montego Bay Jamaica W.I." records cane labor in a colony where emancipation had not ended plantation dependency; and "Harvesting Coconuts Porto Rico" likewise frames Caribbean land through export work rather than local life. Other views extend that economic framing through cacao and coffee scenes while the paired Havana cards shift into urban leisure and public display including "Beautiful Central Park Havana Cuba" and "Holiday in Havana Cuba" the latter with both Cuban and American flags visible a telling image of the new imperial order after 1898. The disaster views from Martinique and the Lesser Antilles show how stereoview publishers also turned Caribbean destruction into consumable spectacle. the Morne Rouge card is accompanied on the reverse by the grim printed text "Dead bodies which were to be seen in Morne Rouge." while the wider context is the 1902 eruptions of Mount Pelée in Martinique and La Soufrière on Saint Vincent two catastrophes that killed roughly 30000 and 1600 people respectively and devastated local communities and agriculture. Some corner wear light toning scattered surface and edge wear. Overall very good condition. This collection gives direct visual representation of Caribbean history Atlantic slavery and emancipation plantation labor and U.S. imperial expansion in the circum-Caribbean preserving the transition from slavery to post-abolition labor. unknown books
1930ref. 221561930. This Photo Album captures a series of trips across California Mexico Dominican Republic Cuba Panama and other U.S. and North American travel documents the coastal and cross-border tourist experience of an American social group during the 1930s through the early 1950s.The album records a continuous itinerary of domestic and international travel with dated captions such as "July 19 1938 / On Board S/S Dixie from New Orleans La" situating the group within organized steamship routes linking the United States to Caribbean destinations. Oblong photograph album measuring approximately 11.5 x 15.25 inches containing 218 silver gelatin photographs mounted on black pages with images ranging from approximately 2.25 x 2.75 inches to 4.5 x 5.5 inches. Photographs are captioned on album pages and occasionally on versos identifying locations and dates. California scenes include Los Angeles Hollywood Olvera Street Pasadena gardens San Diego Balboa Park Mission Beach La Jolla Catalina Island and the Hotel del Coronado with recurring images of beaches coastal views small boats and leisure activities such as bathing and sightseeing. Additional images depict San Francisco landmarks including Alcatraz Island and Muir Woods. Travel beyond the United States includes Tijuana Mexico; Havana Cuba; Santo Domingo Dominican Republic; and Panama City with scenes of street activity ruins courtyards and waterfronts. A sequence from Catalina Island emphasizes seaside recreation while Caribbean and Central American images show plazas tropical vegetation and urban environments including Afro-Caribbean individuals in public spaces. Additional photographs document travel to New Orleans Utah Salt Lake City Nova Scotia and a location labeled "Indian Island." This album documents patterns of American tourism during the mid-twentieth century when organized travel by rail and steamship enabled access to domestic resorts and international destinations across the Americas. The combination of coastal California imagery with Caribbean and Latin American scenes reflects a broader گردش of leisure travel that emphasized climate landscape and cultural difference within reachable distance of the United States. The presence of consistent captions and chronological markers provides a structured record of travel routes and destinations contributing to research on tourism history visual culture and cross-border movement in the pre-jet era. Light wear to album and photographs with minor handling marks; overall very good condition. A substantial visual record of American travel practices and geographic mobility across the Americas in the mid-twentieth century. unknown
1930ref. 221561930. This Photo Album captures a series of trips across California Mexico Dominican Republic Cuba Panama and other U.S. and North American travel documents the coastal and cross-border tourist experience of an American social group during the 1930s through the early 1950s.The album records a continuous itinerary of domestic and international travel with dated captions such as "July 19 1938 / On Board S/S Dixie from New Orleans La" situating the group within organized steamship routes linking the United States to Caribbean destinations. Oblong photograph album measuring approximately 11.5 x 15.25 inches containing 218 silver gelatin photographs mounted on black pages with images ranging from approximately 2.25 x 2.75 inches to 4.5 x 5.5 inches. Photographs are captioned on album pages and occasionally on versos identifying locations and dates. California scenes include Los Angeles Hollywood Olvera Street Pasadena gardens San Diego Balboa Park Mission Beach La Jolla Catalina Island and the Hotel del Coronado with recurring images of beaches coastal views small boats and leisure activities such as bathing and sightseeing. Additional images depict San Francisco landmarks including Alcatraz Island and Muir Woods. Travel beyond the United States includes Tijuana Mexico; Havana Cuba; Santo Domingo Dominican Republic; and Panama City with scenes of street activity ruins courtyards and waterfronts. A sequence from Catalina Island emphasizes seaside recreation while Caribbean and Central American images show plazas tropical vegetation and urban environments including Afro-Caribbean individuals in public spaces. Additional photographs document travel to New Orleans Utah Salt Lake City Nova Scotia and a location labeled "Indian Island." This album documents patterns of American tourism during the mid-twentieth century when organized travel by rail and steamship enabled access to domestic resorts and international destinations across the Americas. The combination of coastal California imagery with Caribbean and Latin American scenes reflects a broader گردش of leisure travel that emphasized climate landscape and cultural difference within reachable distance of the United States. The presence of consistent captions and chronological markers provides a structured record of travel routes and destinations contributing to research on tourism history visual culture and cross-border movement in the pre-jet era. Light wear to album and photographs with minor handling marks; overall very good condition. A substantial visual record of American travel practices and geographic mobility across the Americas in the mid-twentieth century. unknown books
1914ref. 235561914. US Navy photograph archive 1914 to 1919 documenting American sailors in Cuba during the years when Guantánamo Bay served as a U.S. naval station for Caribbean fleet activity training and strategic movement. Verso inscriptions reading "25wyn" and "1914 to 1919" likely connect the group to USS Wyoming BB 32 whose documented service placed the battleship repeatedly in Cuban waters during this period. The photographs provide a sailor's vernacular record of Cuban streets roads transportation local residents agricultural hauling commerce and infrastructure within a wartime Cuba shaped by U.S. naval presence Caribbean patrol activity and the uneven modernization of industry under US Imperial rule. Photo archive of 14 silver gelatin photographs various sizes most approximately 5 x 3.5 inches Cuba 1914 to 1919. The images show U.S. Navy sailors posed among cactus and agave standing with Cuban men beside an open touring automobile and gathered in uniform at a public outdoor event with benches crowds buildings and hills beyond. Cuban infrastructure appears throughout the group: horse drawn carriages and wagons move through a town street lined with utility poles and commercial buildings; an ox team pulls a high wooden cart loaded with cut cane or brush along a rural road; a windmill or water pumping structure stands beside a group of local residents; a rail or tram line runs through a lightly built district; and a roadside scene combines naval uniforms automobile travel and undeveloped terrain. One commercial view shows a tourist photography and souvenir stand advertising "post cards made while you wait" "souvenirs & novelties" "Kodak films for sale" and "photo printing developing" placing commercial image making tourist exchange and modern photographic supply in the same Cuban landscape the sailors moved through during the US's imperial organization. The U.S. naval presence in Cuba began with the Spanish American War and the occupation that followed. The Platt Amendment which limited Cuban sovereignty after independence in 1902 and the 1903 lease agreements gave the United States a permanent base at Guantánamo Bay. By World War I Guantánamo was part of the working map of U.S. power in the Caribbean. It supported fleet exercises patrol movements and regional security from Cuban territory. These photographs show US imperial interest by depicting American sailors moving through streets and roads where motorcars utility poles photographic shops horse drawn traffic ox carts windmills rural tram lines and agricultural hauling all appear in the same landscape. Overall in good to fair condition with heavy image fading slight handling wear some curling. Some photographs have tears which do not obstruct the images. A visual record of U.S. naval presence in Platt Amendment Cuba and the roads shops vehicles animals and rural working systems during the World War I period. unknown
1914ref. 235561914. US Navy photograph archive 1914 to 1919 documenting American sailors in Cuba during the years when Guantánamo Bay served as a U.S. naval station for Caribbean fleet activity training and strategic movement. Verso inscriptions reading "25wyn" and "1914 to 1919" likely connect the group to USS Wyoming BB 32 whose documented service placed the battleship repeatedly in Cuban waters during this period. The photographs provide a sailor's vernacular record of Cuban streets roads transportation local residents agricultural hauling commerce and infrastructure within a wartime Cuba shaped by U.S. naval presence Caribbean patrol activity and the uneven modernization of industry under US Imperial rule. Photo archive of 14 silver gelatin photographs various sizes most approximately 5 x 3.5 inches Cuba 1914 to 1919. The images show U.S. Navy sailors posed among cactus and agave standing with Cuban men beside an open touring automobile and gathered in uniform at a public outdoor event with benches crowds buildings and hills beyond. Cuban infrastructure appears throughout the group: horse drawn carriages and wagons move through a town street lined with utility poles and commercial buildings; an ox team pulls a high wooden cart loaded with cut cane or brush along a rural road; a windmill or water pumping structure stands beside a group of local residents; a rail or tram line runs through a lightly built district; and a roadside scene combines naval uniforms automobile travel and undeveloped terrain. One commercial view shows a tourist photography and souvenir stand advertising "post cards made while you wait" "souvenirs & novelties" "Kodak films for sale" and "photo printing developing" placing commercial image making tourist exchange and modern photographic supply in the same Cuban landscape the sailors moved through during the US's imperial organization. The U.S. naval presence in Cuba began with the Spanish American War and the occupation that followed. The Platt Amendment which limited Cuban sovereignty after independence in 1902 and the 1903 lease agreements gave the United States a permanent base at Guantánamo Bay. By World War I Guantánamo was part of the working map of U.S. power in the Caribbean. It supported fleet exercises patrol movements and regional security from Cuban territory. These photographs show US imperial interest by depicting American sailors moving through streets and roads where motorcars utility poles photographic shops horse drawn traffic ox carts windmills rural tram lines and agricultural hauling all appear in the same landscape. Overall in good to fair condition with heavy image fading slight handling wear some curling. Some photographs have tears which do not obstruct the images. A visual record of U.S. naval presence in Platt Amendment Cuba and the roads shops vehicles animals and rural working systems during the World War I period. unknown books
1935318 pages. Seven black and white cartoon illustrations. One-page chronology of Cuban history. "The Cuban Revolution can hardly be classed as terminated. In fact, it appears that "revolution" is likely to become a permanent institution of the Island. However, I shall confine myself to the events which occurred during 1933 and the first part of 1934. Most of what I write here is from a diary, with insertions from memory of days when we hardly ate or slept, much less noted daily happenings." - from Introduction. Prior owner's details atop yellowed front free endpaper. Somewhat above-average external wear. Diagonal gash across backstrip. Binding intact. Book
ref. 3343OSPAAAL. 1970. Impression en offset, sur papier glacé. Dim: 534 x 330 mm. Deux trous de punaise, sinon parfait état .
ref. 3343OSPAAAL. 1970. Impression en offset, sur papier glacé. Dim: 534 x 330 mm. Deux trous de punaise, sinon parfait état .
ref. 3366OSPAAAL. 1968. Impression en offset sur papier de couleur. Dim: 550 x 330 mm
ref. 3366OSPAAAL. 1968. Impression en offset sur papier de couleur. Dim: 550 x 330 mm
ref. 1827Impression offset. OSPAAAL. 1968. Dim: 49,5 x 34,5 cm. Rare.
ref. 1827Impression offset. OSPAAAL. 1968. Dim: 49,5 x 34,5 cm. Rare.
Habana, Imprenta de Don Pedro Nolasco Palmer e Hijo, 1823. 4to.; 16 hojas, 352 pp., algunas de ellas plegadas, y siete láminas plegadas. Taladros de polilla en el margen blanco, afectando a algunas letras en treinta páginas y alguna lámina. Encuadernación de época en piel. Ruedas doradas en los planos, lomera ornada y tejuelo.
1924ref. 184851924. Photograph album 1920s-1930s documenting travel across the American Southwest and Cuba with images capturing landscapes infrastructure and communities during a period of regional development and increased mobility. Early photographs depict desert environments with saguaro cacti and yucca followed by rural farms mission-style buildings and roadside scenes including a family traveling by wagon in Texarkana. One image records the recently constructed Coolidge Dam in Arizona completed between 1924 and 1928 situating the album within contemporary efforts at water management and agricultural expansion in the Southwest. Additional photographs show individuals in domestic and rural settings including an African American man seated outside his home before transitioning to scenes of coastal and subtropical environments. The final portion of the album documents Cuba including street life harbor views with ships and fishing vessels and architectural landmarks such as Morro Castle reflecting the circulation of American travelers in the Caribbean during the interwar period. Photograph album containing 69 black and white silver gelatin photographs most measuring approximately 5.75 x 3 inches with one larger earlier portrait at the beginning measuring approximately 9.5 x 6 inches. The images are mounted in a cloth-covered board album with gilt lettering reading "Photographs" secured by a cord binding and measuring approximately 10 x 8.25 inches. The photographs are uncaptioned and arranged sequentially suggesting a travel-based compilation spanning multiple regions including Arizona Texas the Gulf South and Havana Cuba. 69 photographs mounted in original album; images clear and well-preserved. Light wear to album consistent with age; overall very good condition. A cohesive visual record of travel and regional life across the American Southwest and Cuba during the early twentieth century. unknown
1924ref. 184851924. Photograph album 1920s-1930s documenting travel across the American Southwest and Cuba with images capturing landscapes infrastructure and communities during a period of regional development and increased mobility. Early photographs depict desert environments with saguaro cacti and yucca followed by rural farms mission-style buildings and roadside scenes including a family traveling by wagon in Texarkana. One image records the recently constructed Coolidge Dam in Arizona completed between 1924 and 1928 situating the album within contemporary efforts at water management and agricultural expansion in the Southwest. Additional photographs show individuals in domestic and rural settings including an African American man seated outside his home before transitioning to scenes of coastal and subtropical environments. The final portion of the album documents Cuba including street life harbor views with ships and fishing vessels and architectural landmarks such as Morro Castle reflecting the circulation of American travelers in the Caribbean during the interwar period. Photograph album containing 69 black and white silver gelatin photographs most measuring approximately 5.75 x 3 inches with one larger earlier portrait at the beginning measuring approximately 9.5 x 6 inches. The images are mounted in a cloth-covered board album with gilt lettering reading "Photographs" secured by a cord binding and measuring approximately 10 x 8.25 inches. The photographs are uncaptioned and arranged sequentially suggesting a travel-based compilation spanning multiple regions including Arizona Texas the Gulf South and Havana Cuba. 69 photographs mounted in original album; images clear and well-preserved. Light wear to album consistent with age; overall very good condition. A cohesive visual record of travel and regional life across the American Southwest and Cuba during the early twentieth century. unknown books
1964ref. 0012155Havana Cuba. Good with no dust jacket. 1964. Non-Book. On offer is a cohesive series of six original 1964 Cuban television dance photographs showing Emilia Villamil and Raymond Ramon Iglesias in a staged dance sequence for a television showbroadcast on Canal 6 the Havana television channel associated with Cubavisión. Thephotographs appear to be publicity stills and all belong to the same production series and bearsthe professional studio/lab stamp OLIVIA FOTOS 9.1833 on the verso. On the verso of someof the photos are handwritten notes that provide information about the dancers TV channel andyear. Villamil and Iglesias were Tropicana-era Cuban performers here seen performing in a post-Revolution broadcast studio bridging Havanas pre-Revolution cabaret and theatrical culture with the new television environment of the 1960s. Cubavisións institutional history traces itsorigins to CMQ-TV Channel 6. Villamil was often referred to as La China and is sometimes known as China Villamil. AnEl Nuevo Herald profile of her son television journalist Camilo Egaña identifies her as labailarina Emilia Villamil fundadora de la televisión cubana the dancer Emilia Villamil founder/pioneer of Cuban television. A 1979 San Antonio Express-News profile identifies Raymond Iglesias as a Cuban refugee andformer Havana dancer-choreographer-singer who later became a fashion designer. The articleexplains that his given name was Ramon but that he used and preferred Raymond a usefulclarification for the present group because one verso notation gives his first name as Ramon. The same profile records that as a youth in Havana he studied dance with Alicia Alonso Ballet performed internationally with partner Elena del Cueto under the billing Clarissa andRaymond and toured as a dancer for ten years. This is a valuable archive from a comparatively under-documented area of Cuban culturalhistory: the movement of established theatrical cabaret and dance performers into early post-Revolution television. Original production stills from this period are not commonly encounteredin coherent identified groups. Notes on Canal 6 CMQ-TV Cubavisión Following the nationalization of Cuban broadcasting in 1960 theformer commercial station Canal 6 CMQ-TV was incorporatedinto the state system and became the principal outlet of what wasincreasingly identified as Cubavisión the national televisionservice centered in Havana. Contemporary scholarship andbroadcast histories note that early 1960s programming on Canal6/Cubavisión retained a strong continuity with pre-Revolutionformatsparticularly live studio variety music and dancewhile being reorganized under state cultural policy Rivero 2015; Chanan 2004. Surviving program references from theperiod include musical and variety broadcasts such as Ritmos deCuba a recurring dance-music revue format dramatizedliterary and theatrical adaptations newsreel-style current affairssegments and childrens programming blocks all of whichformed the backbone of early revolutionary televisionscheduling Rivero 2015; Chanan 2004; Pérez Jr. 1995. Condition: Expected light handling wear minor edge and corner wear and typical surface signsfrom age and use. The images remain strong with good contrast and clear detail. Verso stampsand notations are present as described. Overall Very Good. ; Photograph; 8vo 8" - 9" tall; 6 pages . unknown
1916ref. 4158Havana 1916. Very good. Broadside printed on light orange silk approximately 16.25 x 9 inches. Minor edge wear one small tear near bottom right. A seemingly unrecorded silk broadside issued by the Cuba-American Jockey Club Company advertising the lineup of horses and the schedule for a series of five races during Dia de las Damas "Ladies Day" at the Oriental Park racetrack in Marianao Havana in 1916. In addition the top of the broadside is printed with small oval- and diamond-shaped portraits picturing the nine officers of the club who are identified by name and their position within the club. Below these portraits is a listing of fourteen officers of the club. The Oriental Park Racetrack "Parque Oriental" opened in 1915 for winter racing which began in November and lasted into March each year. The racetrack was the only thoroughbred track in Cuba until Fidel Castro practically shut it down after the Cuban Revolution in 1959. The present broadside is a visual reminder of the influx of American business interests in Cuba in the early 20th century. No copies reported in OCLC. unknown
1916ref. 4158Havana 1916. Very good. Broadside printed on light orange silk approximately 16.25 x 9 inches. Minor edge wear one small tear near bottom right. A seemingly unrecorded silk broadside issued by the Cuba-American Jockey Club Company advertising the lineup of horses and the schedule for a series of five races during Dia de las Damas "Ladies Day" at the Oriental Park racetrack in Marianao Havana in 1916. In addition the top of the broadside is printed with small oval- and diamond-shaped portraits picturing the nine officers of the club who are identified by name and their position within the club. Below these portraits is a listing of fourteen officers of the club. The Oriental Park Racetrack "Parque Oriental" opened in 1915 for winter racing which began in November and lasted into March each year. The racetrack was the only thoroughbred track in Cuba until Fidel Castro practically shut it down after the Cuban Revolution in 1959. The present broadside is a visual reminder of the influx of American business interests in Cuba in the early 20th century. No copies reported in OCLC. unknown books
1960ref. 025662Hong Kong: Hong Kong University Press / Oxford University Press / Institute of Pacific relations 1960. First Edition First Printing . Hardcover. Near Fine/Near Fine Dustjacket. Xiii 247. Orange Cloth. One Of 2000 Copies Of The First Printing But This Copy With Printed $5 Us Price At Bottom Of Front Flap So Perhaps An American Issue. Slight Signs Of Usage To Book And Dj. Inscribed To Mr. And Mrs. Z. T. Nyi Zau Tsung Nyi Of Los Angeles "With High Esteem And Respect". Information From His Archives At Usc: Theodore H.E. Chen Ph.D. 1939 Was Chairman Of Usc's Department Of Asian Studies From 1940 To 1968 And From 1960 To 1971 He Directed The East Asian Studies Center In Support Of Which He Had Obtained The First Federal Grants. Chen Also Secured Outside Funding For A Project To Help Train And Advise High School Teachers Of Chinese And Japanese. A Native Of Fuzhou China Chen Was President Of Fukien Christian University In 1946 And 1947 While On Leave To Participate In Postwar Rehabilitation. He Also Helped Organize Tunghai University In Taiwan As A Representative Of The United Board Of Christian Colleges. He Was The Author Of Nine Books Including Thought Reform Of Chinese Intellectuals And Maoist Educational Revolution And Chinese Education. Dr Chen Hits An Easy Target; The Worst Governments Are Those Who Try To Control What And How People Think And How And Where They Communicate Because Their Leaders Have An Excess Of The Oldest Disease Of Officials Crap-In-The-Brain Which Prevents Them From Engaging In Exchanges Of Facts And Ideas. Hong Kong University Press / Oxford University Press / Institute of Pacific relations hardcover
1854ref. 87325Havana: Imprenta de la Real Audiencia Pretorial por S.M. 1854. First Edition. hardcover. very good. 3 folding tables. 2 volumes bound in one. 8vo 1/2 contemporary black morocco tear in a table with no loss of text. Habana: Imprenta de la Real Audiencia Pretorial por S.M. 1847 1854. Very good. Imprenta de la Real Audiencia Pretorial por S.M. unknown
1854ref. 87325Havana: Imprenta de la Real Audiencia Pretorial por S.M. 1854. First Edition. hardcover. very good. 3 folding tables. 2 volumes bound in one. 8vo 1/2 contemporary black morocco tear in a table with no loss of text. Habana: Imprenta de la Real Audiencia Pretorial por S.M. 1847 1854. Very good. Imprenta de la Real Audiencia Pretorial por S.M. unknown books
1950ref. 6261Havana 1950. Good. 389pp. plus 33pp. of ads. Original red publisher's cloth stamped in black. Dampstained at edges and spine extremities worn; rear cover soiled. Contemporary inscription on front pastedown. Foxed some scattered soiling. An interesting bilingual Cuban cook book with recipes in English and Spanish on facing pages. The introduction explains that this is not a volume of recipes for the beginner bride or a how to guide but rather "the compilation of favorite recipes hitherto unpublished yet well-known and highly regarded in important Cuban-American circles and other parts of the world where men and women of taste and discernment throughout the years have succeeded in regaling the palates of intimate friends and distinguished guests." Each recipe lists its contributor -- some of whom are noted as "Mrs." and some of whom are denoted as "Sra." Recipes range from Hot Grapefruit Cocktail to Sweet and Pungent Shrimp to Italian Spaghetti California Style and more. The St. Rita Guild is a Catholic parish organization designed to foster community. Fewer than ten copies in OCLC. A wonderful slice of domestic and social life in Cuba just before the Communist revolution. unknown
1950ref. 6261Havana 1950. Good. 389pp. plus 33pp. of ads. Original red publisher's cloth stamped in black. Dampstained at edges and spine extremities worn; rear cover soiled. Contemporary inscription on front pastedown. Foxed some scattered soiling. An interesting bilingual Cuban cook book with recipes in English and Spanish on facing pages. The introduction explains that this is not a volume of recipes for the beginner bride or a how to guide but rather "the compilation of favorite recipes hitherto unpublished yet well-known and highly regarded in important Cuban-American circles and other parts of the world where men and women of taste and discernment throughout the years have succeeded in regaling the palates of intimate friends and distinguished guests." Each recipe lists its contributor -- some of whom are noted as "Mrs." and some of whom are denoted as "Sra." Recipes range from Hot Grapefruit Cocktail to Sweet and Pungent Shrimp to Italian Spaghetti California Style and more. The St. Rita Guild is a Catholic parish organization designed to foster community. Fewer than ten copies in OCLC. A wonderful slice of domestic and social life in Cuba just before the Communist revolution. unknown books
