2 533 résultats
2000réf. 173101Los Angeles: Twentieth Century-Fox 2000. Vintage satin-finished studio still photograph from the 2000 film here under the alternative title "Navy Diver." A former sharecropper tries to become the first African American diver in the United States Navy. Shot on location in Washington Oregon and California. 8 x 10 inches. Fine. Twentieth Century-Fox unknown books
1963réf. 87864Havana: Cuadernos de la Casa de Las Americas 1963. First Edition. First Impression one of 4000 copies. Slim octavo 24.25cm; original pictorial card wrappers stapled; Inscribed by the author on the half-title page to Puerto Rican editor translator and literary critic Roberto Márquez: "Para Roberto Marquez / apenas un libro cordialmente / Eduardo / 3/80." Light wear to extremities some oxidation to staples toning to rear wrapper with a faint crease to upper left corner; Very Good. The Cuban author's extended essay on the life and work of Afro-Cuban painter Wilfredo Lam 1902-1982. Uncommon inscribed. 87864. Cuadernos de la Casa de Las Americas unknown books
1984réf. 88455Havana: Casa de las Americas 1984. First Edition. Slim quarto 23.75cm; original printed card wrappers with French flaps stapled; 16pp; text is entirely in Spanish. Inscribed by Morejon on the title page to Puerto Rican editor translator and literary critic Roberto Márquez and his family: "A Robert Márquez Maddie Maceo y Gaby / Con un hondo cariño familiar y suspiro de agradecimiento y un suspiro de agradecimiento / Nancy / La Habana / Sept/84." Trivial external wear and a hint of sunning to spine-fold; touch of oxidation to staples; contents fresh; Near Fine. Short collection of verse by the noted Afro-Cuban poet critic and essayist gathrering nine poems. A nice inscription connecting two prominent Caribbean literary figures. 88455. Casa de las Americas unknown books
2004réf. 88456Buffalo NY: White Pine Press 2004. First Edition. First Printing. Small quarto 25.5cm; original glossy pictorial card wrappers; 910-1155pp; illus.; with parallel text in English and in Spanish. Inscribed by Morejon on the half-title page to Puerto Rican editor translator and literary critic Roberto Márquez and his wife: "Para Maddie y Roberto y los nenes que ya no lo son / Su negra / Nancy Morejon / 10/10/10." Hint of sunning to spine tiny crease to upper right corner of front wrapper; Near Fine. Collection of verse by the noted Afro-Cuban poet written between the summers of 1986-87 pairing her poems prose poems and vignettes with photos by Milton Rogovin. A nice inscription connecting two prominent Caribbean literary figures. 88456. White Pine Press unknown books
1972réf. 88465Havana: UNEAC 1972. First Edition. First Impression one of 10000 copies. Octavo 21cm; original pictorial wrappers with French flaps; 89-897pp; text is entirely in Spanish. Inscribed by Retamar on the front endpaper to Puerto Rican editor translator and literary critic Roberto Márquez: "Para Roberto / Contento con haberlo rencontrado - y esperandolo en nuestra Cuba - Un abrazo fraternal del Roberto / Ap. 73." The recipient's pervasive ink annotations and markings appear throughout the text. Edgeworn a few tiny tears and creases and a 2" split at upper front joint; Very Good. Collection of four extended essays on Nicolas Guillen by the noted Cuban poet essayist and literary critic. A warm inscription and a nice association to Marquez a Guillen scholar and translator of his work. 88465. UNEAC unknown books
1980réf. 88457Mexico City: Difusion Cultural Departamiento de Humanidades / Universidad Nacional Autónoma de México 1980. First Edition. First Impression one of 2000 copies. Small octavo 18cm; original pictorial card wrappers; 89-62pp. With a full-page inscription from Morejon to Puerto Rican editor translator and literary critic Roberto Márquez and his wife signed and dated in Havana 4 September 1981." Mild surface wear else a fresh very Near Fine copy. A collection of verse by the noted Afro-Cuban poet selected and edited by Mexican poet and journalist Efraín Huerta Roma 1914-1982. A nice inscription connecting two prominent Caribbean literary figures. 88457. Difusion Cultural Departamiento de Humanidades / Universidad Nacional Autónoma de México unknown books
1994réf. 170268Burbank CA: Warner Brothers 1994. Revised Draft script for the 1995 film. Bound in at the rear of the script are nine pages relating to revisions to the script. US Army doctors race to find the cure to a deadly virus quickly spreading from Africa to North America by way of a smuggled capuchin monkey. Shot on location in California and Hawaii. Self wrappers. Title page present dated May 13 1994 noted as REVISION POLISH with credits for screenwriters Laurence Dworet and Robert Roy Pool and revision credits for uncredited screenwriter Ted Tally. 174 leaves with last page of text numbered 136. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between August 7 and 17 1994. Pages Near Fine bound with two gold brads. Warner Brothers unknown books
1974réf. 88452Havana: Casa de las Americas 1974. First Edition. First Impression one of 18000 copies. Narrow octavo 22.75cm; original pictorial card wrappers; 67-4293pp; illus.; text is entirely in Spanish. Inscribed by Guillen on the title page to Puerto Rican editor translator and literary critic Roberto Márquez: "Para Roberto Márquez / con el fraternal cariño de Nicolas / La Habana Feb. 74." Signed directly beneath by an unknown figure and below that by Afro-Cuban poet and journalist Marcelino Arozarena 1912-1996. The opposing page is inscribed for Márquez in verse with a small drawing by an undetermined poet signed "David Feb.74." The verso of the half-title page is warmly inscribed by Cuban poet and critic Nancy Morejón who has written the foreword to this volume: "Para mi queridísimo Roberto Marquez / la admiracion y el cariño immenso de Nancy / La Habana / 19 de feb. de 1974." Directly beneath this is another warm year of publication inscription by an underemined individual. This volume has been extensively marked-up by Márquez whose contribution "Introducción a Guillén" appears on pp.127-138. Some wear to extremities a few nicks and tears to spine ends with some creases to wrappers; Very Good. A key volume of critical texts on Guillén 1902-1989 the national poet of Cuba by many of his contemporaries like Mirta Aguirre Angel Augier Roberto Fernández Retamar Nancy Morejón Alejo Carpentier Pablo Neruda Ciro Alegría and others. This copy bears a number of contemporary inscriptions to Márquez a Guillén scholar who has written extensively on his work and has translated several of the poet's works faithfully from Spanish into English. 88452. Casa de las Americas unknown books
1983réf. 83069Havana: S.i. 1983. Original illustrated poster with text and pictorial elements silkscreened in four colors on white stock measuring 51cm x 76.25cm 20 1/8" x 30". Mild handling to extremities ele a bright Fine copy unbacked. Striking poster designed by Concepción Robinson Mendoza aka. "Coni" for Victor Cassaus's 1983 documentary Que Levante la Mano la Guitarra centered around Cuban musician and folk singer Silvio Rodríguez Domínguez. 83069. S.i. unknown books
1976réf. 85000London & Port of Spain: New Beacon Books 1976. First Edition. First Impression cloth issue. Octavo 22.25cm; green paper-covered boards with titles stamped in gilt on spine; dustjacket; 45-80pp. This copy is from the library of to Puerto Rican editor translator and literary critic Roberto Marquez with his ink name at upper margin of title page and inscribed to him by the author on the front endpaper: "To Roberto / with love best wishes / Dennis / London 1976." About Fine in a Very Good dustjacket unclipped priced £2.50 gently spine-sunned and lightly shelfworn with a few tiny nicks small tears and attendant creases. Text of a lengthly lecture on Guillen by the Trinidadian author which he delivered to members of the Caribbean Artists Movement in London. It includes the text of an interview between Ciro Bianchi Ross and Guillen on the poet's 70th birthday. A nice association linking two Guillen scholars; Marquez has written extensively on Guillen and has translated several of his works faithfully from Spanish into English. 85000. New Beacon Books unknown books
1983réf. 85035Toronto: University of Toronto Press 1983. First Edition. First Impression. Octavo 23.5cm; pictorial cloth-covered boards; x34-251252-254pp. This copy is from the library of to Puerto Rican editor translator and literary critic Roberto Marquez with his ink markings and notations throughout the text and inscribed to him by the author on the title page: "To Robert / as a token of my highest esteem and my admiration for your work / Keith." Base of spine gently nudged light wear to extremities with a few dog-eared pages; Very Good and sound without dustjacket as issued. Scholarly work on the writings of Nicolás Guillén 1902-1989 with a particularly generous inscription to Marquez who has written extensively on Guillén and has translated several of the poet's works faithfully from Spanish into English. A nice association linking two Guillén scholars. Uncommon inscribed. University of Toronto Press unknown books
1971réf. 47663Miami: Ediciones Universal 1971. First Edition. Octavo 20.5cm.; publisher's pictorial card wrappers; 263pp. Light shelf wear tiny dampstain to bottom fore-edge corner of textblock else Near Fine. Account of present-day Cuba by the exiled Cuban journalist who nearly twenty-five years earlier was nominated Vice President by the Socialist Revolutionary Movement with twenty-two-year-old Enrique Ovares as President. According to the author biography on the rear cover: "Ni un sólo minuto de sa vida no está dedicado a Cuba. Nadie lo aventaja en la lucha constante contra el régimen castrista y contra los malandrines que ofenden la dignidad nacional. Ediciones Universal unknown books
1925réf. 6379Havana: American Photo Studios 1925. Very good plus. 48pp. each with 6x8-inch photographic prints directly mounted. Original card wrappers photo-illustrated and string-tied. Minor wear and dust soiling. Images strong and clear. An attractive and uncommon 1920s travel brochure distributed by ocean liners sailing to and from Havana. This album of photographic prints opens with shots of Ward Line and P & O steamships entering and leaving the city harbor. The images by American Photo Studios images encompass views of Havana's Carnival Hotel Plaza Colon Park the old city walls the Santa Clara Convent and the monument to the USS Maine on Malecon Drive. Also included are views of freshly built suburbs stately homes on "Fifth Avenue" the Havana Country Club Jockey Club and even a view of the Hershey Company's sugar mill. An engaging album that shows Havana at the beginning of its run as a Caribbean destination for American high society in the first half of the 20th century. American Photo Studios unknown books
1873réf. 12720Cuba 1873. Twelve manuscript documents on folio sheets approximately 8.5 x 12.5 inches all with official rubber-stamped seal. Small pinholes along left margin light wear occasional chipping to edges some ink bleed and light damp staining. Overall very good. A collection of documents recording the liberation or attempted liberation of numerous men women teenagers and a child from enslavement. The child is but seven years old while the remaining slaves range from fifteen to fifty-seven years old. The slave trade ended in Cuba around 1867 but the practice of owning slaves remained legal until 1880 and then was abolished completely by Spanish decree in 1886. Cuba was the penultimate country to outlaw slavery in the western hemisphere beating Brazil to formal abolishment by two years. Even before the official abolition of slavery in Cuba African or criollo slaves were manumitted by a variety of owners and at various costs as evidenced here especially after the practice of importing Chinese indentured servants began. Each of the present documents names the slaveholder and the slave granted "libertad" along with the cost in escudos or pesetas of that liberty. The slaves liberated here are as follows: 1 Luis criollo 7 years old for the sum of 28 pesos 2 Maria Antonia part criolla 20 years old for the sum of 2500 pesetas 3 Catalina morena de Africa 41 years old for c.200 pesetas 4 Lorenzo moreno criollo 21 years old for 2500 pesetas 5 Lucia morena criolla 15 years old for 320 pesos or 1600 pesetas 6 Frigidae "negro.de Africae" 56 years old 7 Augusto criollo 19 years old for 1750 pesetas 8 Marta criolla 16 years old for 1621 pesetas 9 Gil moreno de Africa 57 years old for 1500 pesos 10 Carmita morena criolla 20 years old for 1750 pesetas 11 Augustina Prieto morena criolla 30 years old for 1750 pesetas 12 Edwigio 39 criolla; Lazara 36 criolla; and Maria Leoncia 15 criolla for 2000 pesetas. These Cuban slave manumissions are offered with one 1844 manumission document liberating a slave in Spain totaling two pages and measuring about 8.5 x 13.5 inches. The document also has three rubber-stamped official seals at the head noting Isabella II. This document appears to free slave Nicolas 25 years old for the sum of 400 pesos and is signed November 5 1844. unknown books
1872réf. 6289Havana 1872. Very good. Eight albumen photographs 3.75 x 5.5 inches; mounted on cardstock 4.25 x 6.5 inches. Manuscript captions on verso. Minor wear and soiling most images clean and crisp. Group of eight photographs of Havana and environs dated March of 1872. Each is captioned on the verso in manuscript with the date of March 27 1872; "Havana" and a caption identifying the place are also present. Images here include a view of the bay; a view of the city from across the water with two young men standing in the foreground admiring the view; the Castle de Morro; a scene in the botanical garden; Casino Español; and two women seated in a carriage. Particularly nice with the contemporary captions and most of the images are well-composed. unknown books
1905réf. BK0085Havana Cuba: Carlos Gómez 1905. Cabinet photograph measuring 4 x 5 ½ inches on photographer's mount measuring 4 ½ x 6 ½ inches with imprint "Carlos Gómez / Fotógrafo / Neptuno 149 / Habana. Image somewhat faded with scattered surface wear and an area of loss at upper right; mount worn at edges good overall. A studio portrait of a young woman posed beside a wicker rocking chair wearing a light-colored dress with high collar and puffed sleeves and looking directly toward the camera. The photograph is notable in the context of Afro-Cuban portraiture around the turn of the twentieth century a period when Havana supported a large commercial photographic trade serving an increasingly broad urban clientele. The sitter is unidentified and no inscription survives to provide further biographical information. Carlos Gómez Guardiola was operating a photographic studio at 149 Neptuno by 1902 when a contemporary Havana newspaper noted that he had already established a reputation despite having been in business only a short time. Gómez's work appears in Juaco López Ãlvarez's Fotografía de Asturianos en américa with an identical "Carlos Gómez / Fotógrafo / Neptuno 149 / Habana" imprint; Ãlvarez dates it to about 1905 and we date the present portrait accordingly. 1 Juaco López Ãlvarez Ed. Fotografía de Asturianos en américa 2000 222. . Carlos Gómez unknown books
1905réf. BK0086Havana Cuba: A. Sainz 1905. Cabinet photograph measuring 4 x 5 ½ inches on photographer's mount measuring 4 ½ x 6 ½ inches with imprint "A. Sainz / Reina 67 / Habana. Some fading and spotting to image with wear and small losses to edges of mount; good overall. A formal studio portrait of a young Black man seated in a wicker chair beside an elaborate wicker table and floral arrangement. He wears a light-colored suit and holds his hat in his lap posed directly toward the camera. The mount identifies the photographer as A. Sainz of 67 Reina Street Havana. Contemporary Havana advertisements from July and August 1905 place Sainz's photographic studio at this address providing a useful basis for dating the portrait. An appealing example of Black portraiture in early twentieth-century Havana. A. Sainz unknown books
1823réf. BK0184Middletown Rhode Island 1823. Autograph letter signed three pages on a folded sheet with integral address panel to Charles E. Dudley in Albany and Newport postal markings. 7 ¾ x 9 ¾ inches. Old folds scattered staining and some marginal losses a few affecting text. Good to very good. A letter from Newport mariner John Wood concerning his acrimonious departure from the DeWolf family's Mary Ann plantation in Cuba and the ensuing legal dispute with James DeWolf and Charles Collins. Wood was almost certainly the same John Wood whose signature appears on an 1806 Newport agreement for an illegal voyage transporting enslaved Africans from Cape Coast to Havana now held by the Smithsonian's National Museum of African American History and Culture.1 By 1823 he was residing on the Mary Ann plantation one of several Cuban estates belonging to the DeWolfs among the most prominent families involved in the American slave trade. His relationship with DeWolf and Collins had evidently collapsed over his obligations on the estate resulting in what he describes as his forced departure from Cuba under apparently dangerous conditions with his family and a contentious effort to settle their accounts. Writing to his friend Charles E. Dudley then mayor of Albany and a New York state senator Wood reports that three mechanics who had resided with him on the plantation had recently given depositions in Bristol Rhode Island. Two of the three had testified in his favor though all had been called by DeWolf. Wood was particularly incensed by the circumstances surrounding his family's departure from Cuba writing: "I must acknowledge that myself & family have been most shamefully abused & for no provocation we were set adrift liable to be murdered & robbed on Shore My Wife & Daughter exposed at Sea to be captured By pirates and in case of Capture to suffer more than Death; Not content in what they have done but still persevere in wishing to rob me of all I possess a Respectable Character. The assassin will stab you in the dark but the Wretch who will traduce and injure an Innocent family is worse than an assassin." Wood goes on to describe receiving two writs from DeWolf and Collins and transcribes an August 8 letter from James DeWolf explaining his decision to pursue legal action despite their previous discussions of an amicable settlement: "Lest you should think me inconsistent in causing an action to be brought after the last conversation we had I take leave to explain my wishes to come to an amicable settlement by referring to men as we talked remains the same my object is to put the business in a legal and proper train for bringing it to a close . & to enable me to avail of the testimony of the people who were on the Estate with you." Wood expected the Rhode Island Supreme Court meeting at Bristol the following month to appoint referees to settle the accounts. The precise origin of the disagreement is not stated though the depositions of the mechanics and the references to outstanding accounts suggest a dispute over Wood's contractual obligations or activities on the plantation. Wood 1770-1826 was a Newport merchant and captain with longstanding connections to Atlantic commerce. He died at Cape Coast West Africa in 1826 three years after writing the present letter. James DeWolf 1764-1837 then serving in the United States Senate had amassed a substantial fortune through the slave trade and his Cuban plantation interests. Charles Collins his brother-in-law had served as collector of customs at Bristol from 1804 to 1820 an appointment closely connected to the family's slave-trading operations. The Mary Ann plantation is documented in the DeWolf Papers at the Rhode Island Historical Society which include inventories from 1818 and 1820 and contemporary plans of the plantation grounds. The present letter preserves Wood's account of his treatment by the DeWolf family together with his transcription of DeWolf's explanation for pursuing legal action. 1 "Agreement facilitating illegal trade of enslaved Africans" National Museum of African American History & Culture accessed October 12 2026 https://nmaahc.si.edu/object/nmaahc_2019.28.1. . unknown books
1965réf. 6257Habana 1965. Very good. 16pp. Oblong pamphlet in original pictorial wrappers stapled. Light wear and toning at wrapper edges with a few faint creases. Internally clean. A visually rich pro-Casto and pro-Communist pamphlet that highlights the history and core activities of Cuba's Committee for the Defense of the Revolution CDR neighborhood-based civil defense organizations created by Castro in 1960 to defend the revolution and maintain social and political control at the local level. This often included activities like surveillance distribution of propaganda and vigilante justice. The pamphlet is illustrated with photos throughout and also contains a two-page spread with maps of the island and charts data and statistics about the Cuban people. It contains a year-by-year account of the Committee's achievements and activities and ends with a section concerning its relations with other countries and their visits to Cuba. The rear wrapper states that editions were published in English French and Spanish as evidenced by the trilingual title on the front cover but we find no evidence of any edition in OCLC. Scarce and with much interesting and propagandized information about Castro's local enforcers during the early years of the Communist regime. unknown books
1910réf. 235641910. Cuba photograph album depicting encounters between Western visitors and Cuban communities during the early republican period circa 1910s to 1920s when the island occupied an unusual position between formal independence and continuing American political and economic influence. The photographs move between Havana's monumental architecture hotels and waterfront districts and the rural landscapes villages rivers and agricultural communities that remained largely outside the tourist image promoted to foreign visitors. Repeated appearances of the same Western man often accompanied by a woman who appears to be his wife suggest an extended journey through both urban and remote regions of the island during a period when American travelers businessmen and government personnel moved through Cuba in growing numbers following the Spanish American War and the establishment of the Cuban Republic. Photo album of 26 silver gelatin photographs mounted on unbound album boards with blue covers boards measuring approximately 9 x 15 inches Cuba circa 1910s to 1920s. The photographs range from 6 x 6.5 to 8 x 9.5 inches. Images show waterfront houses built directly along riverbanks; tropical waterfalls and dense forest landscapes; interior courtyards and hotel spaces with colonnades and tiled floors; Morro Castle and lighthouse overlooking Havana Harbor; panoramic views of Cuban towns set among surrounding mountains; market scenes crowded with vendors women and children; cattle standing in shallow waterways; village gatherings outside rural buildings; and groups of local residents posed alongside visiting Westerners. Several photographs depict women standing in rivers holding broad metal pans possibly associated with washing river labor or mineral collection activities. Other images show children families agricultural workers and river communities while a series of portraits records the principal traveler and his companion at various points throughout the journey. One image depicts a group of local residents and Western visitors posed together in a forested region; another shows villagers gathered near a rural homestead while several photographs focus on transportation livestock and daily work in the countryside. The album belongs to the decades following Cuba's transition from Spanish colony to nominally independent republic a period shaped by the Platt Amendment American investment expanding tourism and intensive foreign interest in the island's economic resources and landscapes. Rather than concentrating exclusively on Havana's civic monuments and colonial architecture the photographer devoted substantial attention to rural communities Afro Cuban and mixed-race populations river labor village life and frontier environments seldom emphasized in commercial tourist imagery of the period. The contrast between hotels government-era landmarks village settlements cattle crossings market scenes and encounters with local residents documents the unequal worlds that coexisted within early twentieth century Cuba as foreign visitors moved between urban centers and agricultural regions. Light surface wear occasional toning minor album mounting wear and scattered edge wear to several boards; overall very good condition. A concentrated visual record of how Westerners experienced and represented Cuba's rural communities laboring populations landscapes and colonial-era urban centers during the first decades of the Cuban Republic. unknown books
1914réf. 235561914. US Navy photograph archive 1914 to 1919 documenting American sailors in Cuba during the years when Guantánamo Bay served as a U.S. naval station for Caribbean fleet activity training and strategic movement. Verso inscriptions reading "25wyn" and "1914 to 1919" likely connect the group to USS Wyoming BB 32 whose documented service placed the battleship repeatedly in Cuban waters during this period. The photographs provide a sailor's vernacular record of Cuban streets roads transportation local residents agricultural hauling commerce and infrastructure within a wartime Cuba shaped by U.S. naval presence Caribbean patrol activity and the uneven modernization of industry under US Imperial rule. Photo archive of 14 silver gelatin photographs various sizes most approximately 5 x 3.5 inches Cuba 1914 to 1919. The images show U.S. Navy sailors posed among cactus and agave standing with Cuban men beside an open touring automobile and gathered in uniform at a public outdoor event with benches crowds buildings and hills beyond. Cuban infrastructure appears throughout the group: horse drawn carriages and wagons move through a town street lined with utility poles and commercial buildings; an ox team pulls a high wooden cart loaded with cut cane or brush along a rural road; a windmill or water pumping structure stands beside a group of local residents; a rail or tram line runs through a lightly built district; and a roadside scene combines naval uniforms automobile travel and undeveloped terrain. One commercial view shows a tourist photography and souvenir stand advertising "post cards made while you wait" "souvenirs & novelties" "Kodak films for sale" and "photo printing developing" placing commercial image making tourist exchange and modern photographic supply in the same Cuban landscape the sailors moved through during the US's imperial organization. The U.S. naval presence in Cuba began with the Spanish American War and the occupation that followed. The Platt Amendment which limited Cuban sovereignty after independence in 1902 and the 1903 lease agreements gave the United States a permanent base at Guantánamo Bay. By World War I Guantánamo was part of the working map of U.S. power in the Caribbean. It supported fleet exercises patrol movements and regional security from Cuban territory. These photographs show US imperial interest by depicting American sailors moving through streets and roads where motorcars utility poles photographic shops horse drawn traffic ox carts windmills rural tram lines and agricultural hauling all appear in the same landscape. Overall in good to fair condition with heavy image fading slight handling wear some curling. Some photographs have tears which do not obstruct the images. A visual record of U.S. naval presence in Platt Amendment Cuba and the roads shops vehicles animals and rural working systems during the World War I period. unknown books
1824réf. 6529Bristol R.I.; Matanzas Cuba 1824. Good plus. Nine letters totaling 17pp. plus docketing. Some loss where previously sealed not affecting text. Otherwise old folds light wear at edges and some toning and dampstaining. Nine manuscript letters addressed to Edward Spalding a shipping agent in Havana and Matanzas with connections to trade out of Bristol and New England during the 1820s. The letters highlight the significant commercial networks between Cuba New England Europe and South America. The correspondence concerns shipments of sugar coffee molasses tobacco cotton and indigo and also reflects on the effects of European political tensions on Atlantic commerce. Several letters are from members of the notable DeWolf family who were major players in trade from Rhode Island to the Caribbean and also quite involved in the transatlantic slave trade that was a large part of the 19th-century Cuban economy. Spalding himself was active in the Cuban slave trade and in its many other facets until at least the end of the 1820s. A good group of correspondence with much firsthand information on trade between Cuba and the United States in the early 19th century. unknown books
1890réf. 231711890. Stereoview archive of the post-emancipation Caribbean showing how the islands were marketed to western viewers through plantation labor export agriculture civic spectacle and catastrophe. As a group these photos function not only as an ethnographic travel archive but as evidence of the visual economy that followed slavery. The British West Indies moved through emancipation in 1834 to 1838 the French Caribbean in 1848 Puerto Rico in 1873 and Cuba in 1886 yet plantation production remained central to regional life well into the early twentieth century. These stereoviews preserve a colonial way of seeing in which Black and Afro-Caribbean labor rural discipline and extractive agriculture remained the background condition of "tropical" beauty and commercial modernity. Cuba's sugar economy in particular expanded through the nineteenth century and slavery was not abolished there until 1886 while Weyler's later reconcentration policy during the Cuban War of Independence violently reorganized rural life. Martinique after 1848 likewise shifted into new labor regimes including imported workers from India and China. Archive of 11 stereoview cards late 1890s to early 1900s depicting Cuba Jamaica Martinique Puerto Rico and the Dominican Republic. Most black and white with a few colorized. Each measure 3.5" x 7". All with captions on the margins. "Reconcentrado Farming Scene Province of Havana Cuba" links agricultural production to the brutal displacements of Spain's reconcentration campaign; "Cutting sugar cane Montego Bay Jamaica W.I." records cane labor in a colony where emancipation had not ended plantation dependency; and "Harvesting Coconuts Porto Rico" likewise frames Caribbean land through export work rather than local life. Other views extend that economic framing through cacao and coffee scenes while the paired Havana cards shift into urban leisure and public display including "Beautiful Central Park Havana Cuba" and "Holiday in Havana Cuba" the latter with both Cuban and American flags visible a telling image of the new imperial order after 1898. The disaster views from Martinique and the Lesser Antilles show how stereoview publishers also turned Caribbean destruction into consumable spectacle. the Morne Rouge card is accompanied on the reverse by the grim printed text "Dead bodies which were to be seen in Morne Rouge." while the wider context is the 1902 eruptions of Mount Pelée in Martinique and La Soufrière on Saint Vincent two catastrophes that killed roughly 30000 and 1600 people respectively and devastated local communities and agriculture. Some corner wear light toning scattered surface and edge wear. Overall very good condition. This collection gives direct visual representation of Caribbean history Atlantic slavery and emancipation plantation labor and U.S. imperial expansion in the circum-Caribbean preserving the transition from slavery to post-abolition labor. unknown books
1836réf. 231491836. Diario Constitucional de Santiago de Cuba No. 57 November 1836 just months after the restoration of Spain's liberal Constitution of 1812. This newspaper records the transmission of Spanish constitutional government into eastern Cuba in late 1836 through decrees ministerial correspondence and public political dispute printed for circulation in Santiago de Cuba. Issued weeks after the political upheavals that restored constitutional rule in Spain this number shows how the language of the regency government the suppression and reorganization of state bodies and local declarations of loyalty to Isabel II reached colonial readers through the newspaper press. In a Cuban setting where metropolitan policy was filtered through governors ministries and municipal elites an issue such as this preserves the working connection between imperial administration and provincial print. Diario Constitucional de Santiago de Cuba. No. 57. Santiago de Cuba 27 November 1836. 4 pages. Folio newspaper issue. The masthead reads "DIARIO CONSTITUCIONAL / DE SANTIAGO DE CUBA" with the date line "DOMINGO 27 DE NOVIEMBRE DE 1836." Page 1 opens with "MINISTERIO DE LA GOBERNACION DEL REINO" followed by a circular and a substantial "EXPOSICION A LA REINA GOBERNADORA" leading into a "REAL DECRETO" concerning the suppression of the Consejo Real de España e Indias. Interior pages continue the decree and carry translatedly legible sections including "MISCELANEA" notices on "Las islas turcas libres" and "Noticias sobre Tejas" and a long exchange under "REMITIDOS" dated "Cuba 25 de Noviembre de 1836" addressing militia service volunteers of Isabel II and the political insult attributed to an earlier subscriber. The issue survives as a complete four page folio with dense double column text throughout and no wrappers as issued. Printed in Santiago the issue shows constitutional and monarchist language being adapted for a colonial audience that was expected to follow ministry decrees military loyalty and debates over public honor in the same sheet. Folded as issued with minor edge chipping small losses at corners and margins some toning and closed tears and pinholes; complete and legible. Overall good condition. The juxtaposition of metropolitan government text Caribbean and Atlantic news and the local controversy printed in "Remitidos" gives the number a documentary range broader than a routine official gazette placing state policy beside the contested language of provincial political life. unknown books
1870réf. 231221870. Slavery Cuba Spanish colonial slave sale manuscript recording the transfer of four enslaved individuals in Cuba in 1870. Produced within the official bureaucratic framework of Spanish colonial governance the document reflects the legal normalization of slavery in Cuba even as abolitionist pressures mounted across the Atlantic world. The document records the sale of four enslaved people described as "criollos" and African-born individuals situating the transaction within a labor system that combined locally born and imported enslaved populations. Created at a time when Spain had formally restricted the transatlantic slave trade but continued to permit slavery itself the manuscript demonstrates the persistence of legalized human commodification and the integration of enslaved labor into the island's economic structure sixteen years prior to abolition in 1886. Official Cuban slave contract documenting the sale of four enslaved individuals to Don Pedro Catasús by Don Enfemia Ochoa for the sum of 1100 pesos on November 29 1870. Single manuscript leaf written in Spanish cursive in black ink measuring 8.25" x 12". A green "50 cs de escudo" revenue stamp is affixed at the top center with a blind embossed Spanish crest at the upper left and a circular black ink government seal impressed at the lower left. Large vertical docketing appears on the verso. A stylized watermark is visible within the paper. The text organizes the enslaved individuals within a standardized transactional structure while the signatures of Enfemia Ochoa Pedro Catasús and A. Díaz de Rada authenticate the exchange and identify participants within the slaveholding economy. By 1870 Cuba remained a central node in the late Atlantic slave system with plantation agriculture especially sugar dependent on enslaved labor despite mounting abolitionist pressure. Although Spain had curtailed official slave imports earlier in the century illegal trafficking persisted into the 1860s and other coerced labor systems including the importation of Chinese indentured workers overlapped with slavery into the 1870s. The presence of both Creole and African individuals in this document reflects the layered composition of the enslaved population during this period. Light toning scattered foxing and edge wear visible. A closed wormhole extends from the upper right margin approximately five inches into the sheet resulting in partial loss of text. Evidence of prior tape reinforcement visible on the verso along with offsetting from previously adjacent material. Overall in very good condition. This document provides named transactional evidence of late-period slavery in Cuba offering concrete material for examining race labor and legal practice within Spanish colonial society. unknown books