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rif. 7756Book about the famous cigars from Havana Cuba. In four languages: English French German and Spanish.Original paper binding with dustjacket 195 x 13 cm.NL Boek over de sigaren afkomstig uit Havana de hoofdstad van Cuba. Deze staan wereldwijd bekend als de beste sigaren wegens de unieke tabakssoorten uit Cuba het klimaat en de bodem Vuelta Abajo-regio handgerolde productie en de eeuwenlange traditie. Rijk geïllustreerd met veel wetenswaardigheden in vier talen: Engels Duits Frans en Spaans. Luxe exportproduct zeer geliefd bij de elite.Stofomslag van transparant papier. Enkele vlekjes op de stofomslag. Interieur goed. unknown
rif. 44508189like new. unknown
rif. 44508189-nnew. unknown
1988rif. 003367Middletown CT: Wesleyan University Press 1988. First edition. Hardcover. Very Good/very good. 8vo. xvi 2 346 2 pp. Bound in full black cloth title in gilt on spine in illustrated dust jacket. Black and white illustrations. Very Good some soiling to edges of text block including a 2" blue stain to lower fore edge internally clean and tight in Very Good price-clipped dust jacket with wear to extremities and similar blue stain to lower fore edge of rear cover. Wesleyan University Press hardcover
2010rif. SONG1145385893Nabu Press 2010-02-23. paperback. Used: Good. 7.44x0.96x9.69. Buy with confidence. Excellent Customer Service & Return policy. Nabu Press paperback
1992rif. SONG1875284486Brand: Ocean Press AU 1992-07-16. First Edition. paperback. Used: Good. 5.75x0.75x8.75. Buy with confidence. Excellent Customer Service & Return policy. Brand: Ocean Press (AU) paperback
1965rif. 6257Habana 1965. Very good. 16pp. Oblong pamphlet in original pictorial wrappers stapled. Light wear and toning at wrapper edges with a few faint creases. Internally clean. A visually rich pro-Casto and pro-Communist pamphlet that highlights the history and core activities of Cuba's Committee for the Defense of the Revolution CDR neighborhood-based civil defense organizations created by Castro in 1960 to defend the revolution and maintain social and political control at the local level. This often included activities like surveillance distribution of propaganda and vigilante justice. The pamphlet is illustrated with photos throughout and also contains a two-page spread with maps of the island and charts data and statistics about the Cuban people. It contains a year-by-year account of the Committee's achievements and activities and ends with a section concerning its relations with other countries and their visits to Cuba. The rear wrapper states that editions were published in English French and Spanish as evidenced by the trilingual title on the front cover but we find no evidence of any edition in OCLC. Scarce and with much interesting and propagandized information about Castro's local enforcers during the early years of the Communist regime. unknown
1910rif. 235641910. Cuba photograph album depicting encounters between Western visitors and Cuban communities during the early republican period circa 1910s to 1920s when the island occupied an unusual position between formal independence and continuing American political and economic influence. The photographs move between Havana's monumental architecture hotels and waterfront districts and the rural landscapes villages rivers and agricultural communities that remained largely outside the tourist image promoted to foreign visitors. Repeated appearances of the same Western man often accompanied by a woman who appears to be his wife suggest an extended journey through both urban and remote regions of the island during a period when American travelers businessmen and government personnel moved through Cuba in growing numbers following the Spanish American War and the establishment of the Cuban Republic. Photo album of 26 silver gelatin photographs mounted on unbound album boards with blue covers boards measuring approximately 9 x 15 inches Cuba circa 1910s to 1920s. The photographs range from 6 x 6.5 to 8 x 9.5 inches. Images show waterfront houses built directly along riverbanks; tropical waterfalls and dense forest landscapes; interior courtyards and hotel spaces with colonnades and tiled floors; Morro Castle and lighthouse overlooking Havana Harbor; panoramic views of Cuban towns set among surrounding mountains; market scenes crowded with vendors women and children; cattle standing in shallow waterways; village gatherings outside rural buildings; and groups of local residents posed alongside visiting Westerners. Several photographs depict women standing in rivers holding broad metal pans possibly associated with washing river labor or mineral collection activities. Other images show children families agricultural workers and river communities while a series of portraits records the principal traveler and his companion at various points throughout the journey. One image depicts a group of local residents and Western visitors posed together in a forested region; another shows villagers gathered near a rural homestead while several photographs focus on transportation livestock and daily work in the countryside. The album belongs to the decades following Cuba's transition from Spanish colony to nominally independent republic a period shaped by the Platt Amendment American investment expanding tourism and intensive foreign interest in the island's economic resources and landscapes. Rather than concentrating exclusively on Havana's civic monuments and colonial architecture the photographer devoted substantial attention to rural communities Afro Cuban and mixed-race populations river labor village life and frontier environments seldom emphasized in commercial tourist imagery of the period. The contrast between hotels government-era landmarks village settlements cattle crossings market scenes and encounters with local residents documents the unequal worlds that coexisted within early twentieth century Cuba as foreign visitors moved between urban centers and agricultural regions. Light surface wear occasional toning minor album mounting wear and scattered edge wear to several boards; overall very good condition. A concentrated visual record of how Westerners experienced and represented Cuba's rural communities laboring populations landscapes and colonial-era urban centers during the first decades of the Cuban Republic. unknown
1914rif. 235561914. US Navy photograph archive 1914 to 1919 documenting American sailors in Cuba during the years when Guantánamo Bay served as a U.S. naval station for Caribbean fleet activity training and strategic movement. Verso inscriptions reading "25wyn" and "1914 to 1919" likely connect the group to USS Wyoming BB 32 whose documented service placed the battleship repeatedly in Cuban waters during this period. The photographs provide a sailor's vernacular record of Cuban streets roads transportation local residents agricultural hauling commerce and infrastructure within a wartime Cuba shaped by U.S. naval presence Caribbean patrol activity and the uneven modernization of industry under US Imperial rule. Photo archive of 14 silver gelatin photographs various sizes most approximately 5 x 3.5 inches Cuba 1914 to 1919. The images show U.S. Navy sailors posed among cactus and agave standing with Cuban men beside an open touring automobile and gathered in uniform at a public outdoor event with benches crowds buildings and hills beyond. Cuban infrastructure appears throughout the group: horse drawn carriages and wagons move through a town street lined with utility poles and commercial buildings; an ox team pulls a high wooden cart loaded with cut cane or brush along a rural road; a windmill or water pumping structure stands beside a group of local residents; a rail or tram line runs through a lightly built district; and a roadside scene combines naval uniforms automobile travel and undeveloped terrain. One commercial view shows a tourist photography and souvenir stand advertising "post cards made while you wait" "souvenirs & novelties" "Kodak films for sale" and "photo printing developing" placing commercial image making tourist exchange and modern photographic supply in the same Cuban landscape the sailors moved through during the US's imperial organization. The U.S. naval presence in Cuba began with the Spanish American War and the occupation that followed. The Platt Amendment which limited Cuban sovereignty after independence in 1902 and the 1903 lease agreements gave the United States a permanent base at Guantánamo Bay. By World War I Guantánamo was part of the working map of U.S. power in the Caribbean. It supported fleet exercises patrol movements and regional security from Cuban territory. These photographs show US imperial interest by depicting American sailors moving through streets and roads where motorcars utility poles photographic shops horse drawn traffic ox carts windmills rural tram lines and agricultural hauling all appear in the same landscape. Overall in good to fair condition with heavy image fading slight handling wear some curling. Some photographs have tears which do not obstruct the images. A visual record of U.S. naval presence in Platt Amendment Cuba and the roads shops vehicles animals and rural working systems during the World War I period. unknown
1824rif. 6529Bristol R.I.; Matanzas Cuba 1824. Good plus. Nine letters totaling 17pp. plus docketing. Some loss where previously sealed not affecting text. Otherwise old folds light wear at edges and some toning and dampstaining. Nine manuscript letters addressed to Edward Spalding a shipping agent in Havana and Matanzas with connections to trade out of Bristol and New England during the 1820s. The letters highlight the significant commercial networks between Cuba New England Europe and South America. The correspondence concerns shipments of sugar coffee molasses tobacco cotton and indigo and also reflects on the effects of European political tensions on Atlantic commerce. Several letters are from members of the notable DeWolf family who were major players in trade from Rhode Island to the Caribbean and also quite involved in the transatlantic slave trade that was a large part of the 19th-century Cuban economy. Spalding himself was active in the Cuban slave trade and in its many other facets until at least the end of the 1820s. A good group of correspondence with much firsthand information on trade between Cuba and the United States in the early 19th century. unknown
1890rif. 231711890. Stereoview archive of the post-emancipation Caribbean showing how the islands were marketed to western viewers through plantation labor export agriculture civic spectacle and catastrophe. As a group these photos function not only as an ethnographic travel archive but as evidence of the visual economy that followed slavery. The British West Indies moved through emancipation in 1834 to 1838 the French Caribbean in 1848 Puerto Rico in 1873 and Cuba in 1886 yet plantation production remained central to regional life well into the early twentieth century. These stereoviews preserve a colonial way of seeing in which Black and Afro-Caribbean labor rural discipline and extractive agriculture remained the background condition of "tropical" beauty and commercial modernity. Cuba's sugar economy in particular expanded through the nineteenth century and slavery was not abolished there until 1886 while Weyler's later reconcentration policy during the Cuban War of Independence violently reorganized rural life. Martinique after 1848 likewise shifted into new labor regimes including imported workers from India and China. Archive of 11 stereoview cards late 1890s to early 1900s depicting Cuba Jamaica Martinique Puerto Rico and the Dominican Republic. Most black and white with a few colorized. Each measure 3.5" x 7". All with captions on the margins. "Reconcentrado Farming Scene Province of Havana Cuba" links agricultural production to the brutal displacements of Spain's reconcentration campaign; "Cutting sugar cane Montego Bay Jamaica W.I." records cane labor in a colony where emancipation had not ended plantation dependency; and "Harvesting Coconuts Porto Rico" likewise frames Caribbean land through export work rather than local life. Other views extend that economic framing through cacao and coffee scenes while the paired Havana cards shift into urban leisure and public display including "Beautiful Central Park Havana Cuba" and "Holiday in Havana Cuba" the latter with both Cuban and American flags visible a telling image of the new imperial order after 1898. The disaster views from Martinique and the Lesser Antilles show how stereoview publishers also turned Caribbean destruction into consumable spectacle. the Morne Rouge card is accompanied on the reverse by the grim printed text "Dead bodies which were to be seen in Morne Rouge." while the wider context is the 1902 eruptions of Mount Pelée in Martinique and La Soufrière on Saint Vincent two catastrophes that killed roughly 30000 and 1600 people respectively and devastated local communities and agriculture. Some corner wear light toning scattered surface and edge wear. Overall very good condition. This collection gives direct visual representation of Caribbean history Atlantic slavery and emancipation plantation labor and U.S. imperial expansion in the circum-Caribbean preserving the transition from slavery to post-abolition labor. unknown
1836rif. 231491836. Diario Constitucional de Santiago de Cuba No. 57 November 1836 just months after the restoration of Spain's liberal Constitution of 1812. This newspaper records the transmission of Spanish constitutional government into eastern Cuba in late 1836 through decrees ministerial correspondence and public political dispute printed for circulation in Santiago de Cuba. Issued weeks after the political upheavals that restored constitutional rule in Spain this number shows how the language of the regency government the suppression and reorganization of state bodies and local declarations of loyalty to Isabel II reached colonial readers through the newspaper press. In a Cuban setting where metropolitan policy was filtered through governors ministries and municipal elites an issue such as this preserves the working connection between imperial administration and provincial print. Diario Constitucional de Santiago de Cuba. No. 57. Santiago de Cuba 27 November 1836. 4 pages. Folio newspaper issue. The masthead reads "DIARIO CONSTITUCIONAL / DE SANTIAGO DE CUBA" with the date line "DOMINGO 27 DE NOVIEMBRE DE 1836." Page 1 opens with "MINISTERIO DE LA GOBERNACION DEL REINO" followed by a circular and a substantial "EXPOSICION A LA REINA GOBERNADORA" leading into a "REAL DECRETO" concerning the suppression of the Consejo Real de España e Indias. Interior pages continue the decree and carry translatedly legible sections including "MISCELANEA" notices on "Las islas turcas libres" and "Noticias sobre Tejas" and a long exchange under "REMITIDOS" dated "Cuba 25 de Noviembre de 1836" addressing militia service volunteers of Isabel II and the political insult attributed to an earlier subscriber. The issue survives as a complete four page folio with dense double column text throughout and no wrappers as issued. Printed in Santiago the issue shows constitutional and monarchist language being adapted for a colonial audience that was expected to follow ministry decrees military loyalty and debates over public honor in the same sheet. Folded as issued with minor edge chipping small losses at corners and margins some toning and closed tears and pinholes; complete and legible. Overall good condition. The juxtaposition of metropolitan government text Caribbean and Atlantic news and the local controversy printed in "Remitidos" gives the number a documentary range broader than a routine official gazette placing state policy beside the contested language of provincial political life. unknown
1870rif. 231221870. Slavery Cuba Spanish colonial slave sale manuscript recording the transfer of four enslaved individuals in Cuba in 1870. Produced within the official bureaucratic framework of Spanish colonial governance the document reflects the legal normalization of slavery in Cuba even as abolitionist pressures mounted across the Atlantic world. The document records the sale of four enslaved people described as "criollos" and African-born individuals situating the transaction within a labor system that combined locally born and imported enslaved populations. Created at a time when Spain had formally restricted the transatlantic slave trade but continued to permit slavery itself the manuscript demonstrates the persistence of legalized human commodification and the integration of enslaved labor into the island's economic structure sixteen years prior to abolition in 1886. Official Cuban slave contract documenting the sale of four enslaved individuals to Don Pedro Catasús by Don Enfemia Ochoa for the sum of 1100 pesos on November 29 1870. Single manuscript leaf written in Spanish cursive in black ink measuring 8.25" x 12". A green "50 cs de escudo" revenue stamp is affixed at the top center with a blind embossed Spanish crest at the upper left and a circular black ink government seal impressed at the lower left. Large vertical docketing appears on the verso. A stylized watermark is visible within the paper. The text organizes the enslaved individuals within a standardized transactional structure while the signatures of Enfemia Ochoa Pedro Catasús and A. Díaz de Rada authenticate the exchange and identify participants within the slaveholding economy. By 1870 Cuba remained a central node in the late Atlantic slave system with plantation agriculture especially sugar dependent on enslaved labor despite mounting abolitionist pressure. Although Spain had curtailed official slave imports earlier in the century illegal trafficking persisted into the 1860s and other coerced labor systems including the importation of Chinese indentured workers overlapped with slavery into the 1870s. The presence of both Creole and African individuals in this document reflects the layered composition of the enslaved population during this period. Light toning scattered foxing and edge wear visible. A closed wormhole extends from the upper right margin approximately five inches into the sheet resulting in partial loss of text. Evidence of prior tape reinforcement visible on the verso along with offsetting from previously adjacent material. Overall in very good condition. This document provides named transactional evidence of late-period slavery in Cuba offering concrete material for examining race labor and legal practice within Spanish colonial society. unknown
1875rif. 231241875. Slavery Cuba Spanish colonial slave sale manuscript recording the transfer of thirty-eight enslaved individuals in Cuba in 1875 materializing the sheer scale and organization of enslaved labor within the island's plantation economy during the final decade before abolition. The document enumerates a large group of enslaved people including multiple family units with young children demonstrating how slavery functioned as both an economic system and a hereditary condition sustained through the sale and reproduction of enslaved populations. Created eleven years prior to the abolition of slavery in Cuba in 1886 the manuscript documents the continued legality and normalization of large-scale slave transactions despite decades of international pressure and earlier prohibitions on the transatlantic trade offering concrete evidence of how internal markets sustained the institution in its final phase. Official Cuban slave contract documenting the sale of thirty-eight enslaved individuals for the sum of 126000 pesetas formalized before a public notary or legal authority. Single manuscript leaf written in Spanish cursive in black ink on both recto and verso densely filled with names ages and relational identifiers. Measures 8.5" x 12.25". The text lists individuals sequentially including men women and children with repeated references to kinship structures such as mothers with multiple children indicating the sale of family groupings rather than isolated individuals. The script reflects extended passages detailing ownership exclusions and conditions of transfer. A partial watermark of the official coat of arms of Cuba is visible. By 1875 Cuba remained one of the last major slave societies in the Atlantic world with sugar production driving demand for large controlled labor forces. Even after Spain curtailed the official slave trade earlier in the century illegal importation persisted into the 1860s and alternative systems of coerced labor including Chinese indenture supplemented plantation workforces. The scale of this transaction demonstrates the consolidation and redistribution of enslaved labor within domestic markets while the inclusion of children underscores the long-term economic logic of slavery as a self-reproducing system. Moderate toning and foxing concentrated along the edges with numerous small closed wormholes a few affecting portions of the text. Light edge wear present. Overall in good condition. This document provides unusually extensive nominal data on a large enslaved population encompassing the roles of kinship valuation and labor organization in late Spanish colonial Cuba. unknown
1870rif. 231191870. Slavery Cuba Spanish colonial manuscript documenting the late persistence of slavery in Cuba recording the sale of five enslaved Creole individuals including women and children 1870. Produced within the official bureaucratic framework of Spanish colonial governance the document reflects the legal normalization of slavery in Cuba even as abolitionist pressures mounted across the Atlantic world. The presence of multiple children within the transaction underscores the hereditary nature of enslavement and the commodification of family units offering direct material evidence of how slavery functioned socially and economically in its final decades on the island. Although Spain had formally ended the transatlantic slave trade earlier in the century illegal trafficking and internal slave markets persisted and slavery itself would not be abolished in Cuba until 1886 placing this document within a crucial transitional period marked by reform debates gradual emancipation laws and continued exploitation. Official Cuban slave contract recording the sale of five enslaved individuals identified as "criollos" including one adult woman and four children from Santiago Simón Fambi to Don Pedro Catasús for the sum of 1200 pesos on November 21 1870. Single page manuscript leaf measuring 8.25" x 12". The manuscript is written in Spanish cursive hand in black ink. The upper left bears a blind embossed crest of Spain while a circular black ink government seal is impressed at the lower left partially overlapping the text. The text enumerates the enslaved individuals with ages and names embedding human lives within the formulaic language of sale and valuation while the bold signatures of both seller Santiago Simón Fambi and buyer Pedro Catasús anchor the transaction in identifiable actors within the colonial economy. By 1870 slavery in Spanish Cuba remained central to the island's plantation economy particularly in sugar production which had expanded rapidly in the mid-19th century with industrialized mills and global demand. Enslaved people were primarily forced into agricultural labor under highly regimented and brutal conditions though others were used in urban domestic service skilled trades or as hired laborers generating income for their owners. This document exhibits light toning edge wear and scattered foxing throughout. A closed wormhole extends approximately two inches from the upper right margin inward not affecting legibility of the text. Minor losses and small tears along the edges. Overall in very good condition. Given that this document records a woman and four children the family was likely intended for a combination of field labor and domestic or auxiliary work with the children gradually incorporated into plantation labor as they aged reflecting the system's reliance on both immediate exploitation and the reproduction of enslaved labor over time. unknown
1898rif. 231301898. Spanish-American War stereoview archive circa 1898-1899 documenting how the war was pictured through mass-produced photographic views that followed U.S. mobilization battlefield action occupation and military life across both Cuba and the Philippines. These stereoviews preserves the visual system by which the war was circulated to American audiences showcasing camp organization troop movement burial hospital care naval power and overseas deployment. Particularly notable is the archive's coverage of the Rough Riders the Santiago campaign in Cuba and U.S. presence in Manila and Malate showing how stereoview photography helped normalize the war's expansion from anti-Spanish conflict into a broader American imperial presence. Archive of 21 stereoviews Various publishers. Spanish-American War stereoview archive. Cuba the Philippines and the United States circa 1898-1899. each measuring 3" x 7". The views are drawn from multiple phases and theaters of the war including camp and drill scenes in the United States embarkation and troop arrivals at Tampa battlefield and occupation imagery from Cuba and extensive and some grisly scenes from Manila and surrounding areas in the Philippines. Captions and images show soldiers in formation cavalry drill military reviews naval artillery hospital interiors encampments burial grounds and troops in active position. Cuban views include Morro Castle after bombardment dead and wounded on the battlefield of Santiago U.S. soldiers preparing to invade Cuba and troops dining near Cabañas Fortress. Philippine views include a departure for Manila American pickets routing a Filipino reconnoitering party the 18th Infantry engaged by Filipino outposts volunteers awaiting orders under the tropical sun Army Hospital Manila and "Our Boys in Camp at Malate P.I." One stereoview identifies Roosevelt's Rough Riders in the mobilization phase linking the archive to one of the war's most publicly mythologized units. As a group the stereoviews demonstrate the process by which the Spanish-American War was framed not simply as a short military victory over Spain but as a sustained structure of U.S. troop deployment and occupation extending from Cuba into the Philippines. The Manila and Malate scenes are especially important in this regard since they place American soldiers within the opening phase of the Philippine conflict where U.S. military presence quickly moved beyond liberation rhetoric into imperial control. The archive's mixture of battlefield casualties camp routine naval spectacle and celebratory review scenes shows how stereoscopic publishing converted war into a domestic viewing experience while reinforcing the legitimacy of American expansion abroad. Wear to mounts some toning; overall very good condition. A strong cross-theater visual archive of the Spanish-American War and the emergence of U.S. imperial power in Cuba and the Philippines. unknown
1860rif. 234291860. Spanish colonial administration in Havana used port health regulation as a mechanism of commercial and maritime control with the Captaincy General directing military customs and sanitary officials through centralized orders. This December 6 1860 manuscript concerns the "Junta local de Sanidad" "víveres averiados" and Dr. Rafael Cortés placing damaged provisions public health authority and port enforcement within the same bureaucratic chain. The phrase "usando de las facultades que me competen" invokes the vested powers of the colonial government confirming that the matter was handled through Spanish imperial authority rather than local civic discretion. Gobierno y Capitanía General de la Isla de Cuba. Secretaría de Gobierno sección de Gobierno. Manuscript order. Havana Cuba: December 6 1860. Single folded manuscript document with printed colonial seal and heading docketed "Habana y Dic. 6 de 1860" and addressed to maritime or port authorities. The text instructs compliance with a petition or order involving the local Board of Health damaged provisions or foodstuffs and Dr. Rafael Cortés with official endorsements and large administrative signatures below. The verso bears docketing and filing marks consistent with bureaucratic circulation. The document belongs directly to Spanish colonial governance in Cuba where the Governor and Captain General exercised civil military and administrative power over the island until the end of Spanish rule in 1898. Its contents connect colonial rule to the management of ports food safety and public health all crucial areas in Havana's nineteenth-century Atlantic economy. Folded as issued with toning scattered foxing edge wear and original folds; seal heading date and principal manuscript text remain legible. Overall good condition. unknown
1903rif. 6144Guanabacoa: Imprenta "El Progreso 1903. Good. 24; 12pp. One small pamphlet in original printed wrappers plus a bifolium stitched together with four small broadside flyers. Previously folded. Some moderate creasing and wear with a few scattered short closed tears. Light dust soiling and toning. An assemblage of six individually printed poems composed in the early 20th century by obscure Cuban poet Anastasio Orozco y Etienne. The first poem "Apologia de la Caridad." is in its own wrappers and dedicated to Susan Hammond Barney the noted prison reformer Christian writer evangelist and world traveler. She is one of the founders of the Prisoners' Aid Society of Rhode Island and for many years was the President of the Women's Christian Temperance Union in Rhode Island. The second lengthier work titled "Otro Lamento" is printed on a bifolium and also carries religious themes. Stitched with this bifolium are four small broadside poems printed from 1901 to 1903. One of these is a tribute to President McKinley following his assassination and is dated the day of his death September 14 1901. The titles of the broadside poems in full are as follows: 1 A MacKinley sic. La Gloria Es de los Redentores. 2 El 10 de Octubre. Reminiscencia. 3 En Memoria del Pundonoroso Capitán Don Federico Capdevila. 4 Al Rev. H.B. Someillán. Su Regresso. OCLC records an 1882 work by Orozco y Etienne Emblema de las Flores y de los Colores en Prosa y Verso but not the later ephemeral works collected here. Interesting literary printing from a small newspaper press in Cuba just after the Spanish-American War. Imprenta "El Progreso unknown
1920rif. 227281920. Havana Cuba travel photo album circa 1920s documents an American visitor's encounter with Havana during the interwar years when U.S. tourism commercial presence and Spanish-American War memory shaped how many American travelers interpreted the city. The vernacular photographs record arrival by steamship harbor landmarks civic buildings commercial streets factories boulevards monuments cemeteries and guarded public spaces giving insight into both Havana's urban landscape and the traveler's assumptions about access history and spectacle. The album's references to the USS Maine and Spanish-American War memorials place ordinary sightseeing within a longer history of U.S. intervention in Cuba; the Maine exploded in Havana Harbor on February 15 1898 killing more than 260 sailors and intensifying the crisis that led to war with Spain. Approximately 25 sepia-toned silver gelatin photographs each about 3 x 5 inches mounted to black album leaves with detailed handwritten captions in white pencil. The sequence begins aboard the S.S. Kroonland with one caption reading "My first view of Havana from the deck. three miles out at sea in a dark storm" followed by a landing view captioned "where we landed in Havana Cuba." The S.S. Kroonland returned to Panama Pacific Line service in 1923 on a New York to San Francisco route via Havana the Panama Canal and Los Angeles supporting the album's interwar travel context. The photographs then trace Havana's maritime and civic topography: harbor views Morro Castle captioned "Famous during the Spanish-American War" the waterfront in front of the fortress the Court House the President's Palace a "600-year-old church" the Henry Clay Cigar Store Havana's factory district and public boulevards "where all streets have parks in the center." Other images include a cemetery visit captioned "All people in Cuba are laid to rest above the ground" and a restricted-view street or carriage scene captioned "Officer would not let me take picture but when he turned I took it anyway" a revealing note on tourist privilege and unauthorized looking. Several images directly record the ways American travelers consumed Havana through imperial memory and Cuban nationalist commemoration. One monument is captioned "This was given by the Cuban people to the American soldiers that fell in the Spanish-American War" while another marks "the spot where the Maine sank at the entrance of the harbor." The album was made after Cuba's formal independence in 1902 and during the long aftermath of the Platt Amendment framework under which the United States retained extensive influence over Cuban affairs and intervened repeatedly in the early twentieth century. Album leaves chipped at edges several with corner losses not affecting images; prints generally sharp with strong contrast and clear annotations very good overall. Socially revealing Havana travel album documenting how a U.S. visitor pictured Cuba through steamship tourism colonial architecture cigar commerce Spanish-American War remembrance and the everyday authority structures of an interwar Caribbean capital. unknown
1950rif. 6261Havana 1950. Good. 389pp. plus 33pp. of ads. Original red publisher's cloth stamped in black. Dampstained at edges and spine extremities worn; rear cover soiled. Contemporary inscription on front pastedown. Foxed some scattered soiling. An interesting bilingual Cuban cook book with recipes in English and Spanish on facing pages. The introduction explains that this is not a volume of recipes for the beginner bride or a how to guide but rather "the compilation of favorite recipes hitherto unpublished yet well-known and highly regarded in important Cuban-American circles and other parts of the world where men and women of taste and discernment throughout the years have succeeded in regaling the palates of intimate friends and distinguished guests." Each recipe lists its contributor -- some of whom are noted as "Mrs." and some of whom are denoted as "Sra." Recipes range from Hot Grapefruit Cocktail to Sweet and Pungent Shrimp to Italian Spaghetti California Style and more. The St. Rita Guild is a Catholic parish organization designed to foster community. Fewer than ten copies in OCLC. A wonderful slice of domestic and social life in Cuba just before the Communist revolution. unknown
1930rif. 221561930. This Photo Album captures a series of trips across California Mexico Dominican Republic Cuba Panama and other U.S. and North American travel documents the coastal and cross-border tourist experience of an American social group during the 1930s through the early 1950s.The album records a continuous itinerary of domestic and international travel with dated captions such as "July 19 1938 / On Board S/S Dixie from New Orleans La" situating the group within organized steamship routes linking the United States to Caribbean destinations. Oblong photograph album measuring approximately 11.5 x 15.25 inches containing 218 silver gelatin photographs mounted on black pages with images ranging from approximately 2.25 x 2.75 inches to 4.5 x 5.5 inches. Photographs are captioned on album pages and occasionally on versos identifying locations and dates. California scenes include Los Angeles Hollywood Olvera Street Pasadena gardens San Diego Balboa Park Mission Beach La Jolla Catalina Island and the Hotel del Coronado with recurring images of beaches coastal views small boats and leisure activities such as bathing and sightseeing. Additional images depict San Francisco landmarks including Alcatraz Island and Muir Woods. Travel beyond the United States includes Tijuana Mexico; Havana Cuba; Santo Domingo Dominican Republic; and Panama City with scenes of street activity ruins courtyards and waterfronts. A sequence from Catalina Island emphasizes seaside recreation while Caribbean and Central American images show plazas tropical vegetation and urban environments including Afro-Caribbean individuals in public spaces. Additional photographs document travel to New Orleans Utah Salt Lake City Nova Scotia and a location labeled "Indian Island." This album documents patterns of American tourism during the mid-twentieth century when organized travel by rail and steamship enabled access to domestic resorts and international destinations across the Americas. The combination of coastal California imagery with Caribbean and Latin American scenes reflects a broader گردش of leisure travel that emphasized climate landscape and cultural difference within reachable distance of the United States. The presence of consistent captions and chronological markers provides a structured record of travel routes and destinations contributing to research on tourism history visual culture and cross-border movement in the pre-jet era. Light wear to album and photographs with minor handling marks; overall very good condition. A substantial visual record of American travel practices and geographic mobility across the Americas in the mid-twentieth century. unknown
1909rif. 224671909. Soldier Harold Howard's person documentaation of service in the 11th U.S. Cavalry during the period of American military occupation and intervention in Cuba following the Spanish American War. These photographs place an enlisted cavalryman within the broader framework of U.S. expansionist policy in the Caribbean under the Platt Amendment when American troops were repeatedly deployed to Cuba to oversee political stability infrastructure and economic interests. The archive includes identified images of Sgt. Harold Howard and captures both formal military organization and informal daily life offering a ground-level record of U.S. cavalry presence during a period of continued occupation and reintervention including the second U.S. occupation of Cuba from 1912 to 1913. Archive of nine vintage silver gelatin photographs ranging approximately from 3.5 x 5 inches to 10 x 13 inches many mounted to original photographer boards and some annotated in ink or pencil. Two large-format formal group portraits depict Troop K 11th U.S. Cavalry at Fort Oglethorpe Georgia 1913 showing soldiers in full dress uniform arranged in tiered formation with visible regimental flag marked "11" and "K" with Howard identified in one image. Smaller photographs include a group portrait of U.S. cavalrymen in Pinar del Río Cuba dated 1908 showing soldiers in campaign dress posed near a stable as well as candid camp scenes featuring cooking areas barracks life and assembled troops. Two photo postcards function as personal correspondence with handwritten messages from Howard dated April 1 and September 9 1913 addressed to Mrs. A. L. Howard in Maine referencing weather conditions and upcoming exhibition drills providing direct evidence of mobility and routine within cavalry service. Additional images include a cabinet card of two uniformed soldiers and a scene depicting Black Cuban civilians posed near a thatched structure situating U.S. military presence within local social environments. Taken together the archive documents the lived experience of a U.S. cavalryman operating within the infrastructure of American imperial policy in the Caribbean linking domestic military bases such as Fort Oglethorpe with overseas deployment in Cuba. The photographs record both the formal visual culture of the U.S. Army and the everyday conditions of enlisted service while the inclusion of Cuban subjects and locations underscores the entanglement of military occupation with local populations. General edge wear throughout with occasional pinholes adhesive remnants and minor chipping to mounts; some toning to boards. Photographs remain clear and stable with annotations legible. Overall very good condition. unknown
1915rif. 224781915. Polk George Washington Jr. Havana and rural Cuba photo archive 1915 documents Cuba through the viewpoint of an American military traveler during the Platt Amendment era when U.S. power shaped Cuban sovereignty port security naval access and commercial movement. The photographs record ships in Havana Harbor coastal fortifications rural dwellings Cuban farmers agricultural landscapes and colonial plazas providing insight into how U.S. military personnel visually encountered Cuba just before American entry into World War I. The Platt Amendment gave the United States broad authority to intervene in Cuban affairs and required Cuba to lease land for naval stations remaining central to U.S.-Cuba relations until its repeal in 1934; this archive therefore places vernacular travel photography within a larger framework of military oversight and commercial access. Polk George Washington Jr. Havana Cuba vernacular photo collection. Havana Cuba: unpublished December 1915. Twenty-eight silver gelatin photographs pasted to album pages with some loose or partially detached ranging from approximately 2 x 2½ inches to 4½ x 3½ inches many with handwritten ink annotations dated December 22 to 29 1915. The images include vessels anchored in Havana Harbor harbor views from on board ship Morro Castle and other coastal fortification views colonial civic plazas local laborers and civilians thatched rural huts or bohíos sugarcane fields and agricultural scenes captioned "Orange Trees & Coconut Palms Near Havana." One photograph is captioned "Cuban Farmer & Son Near Havana Dec 22 1915" giving the archive direct documentary value for rural family life and American observation of Cuban agricultural communities. Other captions identify boats as "U.S.C. 5th Protectors off Havana" and refer to the United Fruit Company steamer Abangarez on the Havana-Colon route; the Abangarez was a United Fruit Company passenger and cargo vessel completed in 1909 and later brought under United States registry during World War I. The photographs combine military commercial and rural subjects in a compact record of U.S.-Cuban contact. Polk's annotations and the repeated Potchernick-Birdsong Co. Kodak Place San Antonio Texas stamps on versos indicate that the images were developed in the United States after the trip or sent home for processing preserving the path by which overseas military travel became a personal photographic record. Polk's later military service is supported by burial and veterans' records identifying George Washington Polk Jr. as born May 13 1889 died July 27 1976 and buried at Fort Rosecrans National Cemetery; the supplied description identifies him as later a Colonel in the U.S. Army Air Corps and instructor in the early U.S. Air Force. Most photographs lightly pasted along one edge to scrapbook leaves with some detached or partially affixed; a few corner creases otherwise sharp images with strong contrast good to very good overall. Focused 1915 Cuba archive linking Havana Harbor rural Cuban labor vernacular architecture United Fruit maritime movement and American military observation during the U.S. protectorate period. unknown
1920rif. 224751920. Cuba Havana landmarks and urban development real photo post card archive ca. 1920s-1940s. 11 color and sepia real photo postcards of iconic civic and cultural architecture in Havana Cuba. Each measure 4" x 6". Many with captions identifying the locations in the negative or en verso with some printed in English and others in Spanish signaling their intended audience of both locals and foreign tourists. A compelling photo archive documenting early 20th-century Havana's architectural and political aspirations this collection showcases prominent landmarks that symbolized Cuba's nationalist identity international cosmopolitanism and American-influenced modernization in the decades between independence from Spain and the Cuban Revolution. The archive includes silver gelatin and printed color views of the National Theatre Cuba's Capitol Building Central Railway Station Gran Casino Nacional National University and the grand gateway of Havana's Colón Cemetery. Other views depict Paseo de Martí one of Havana's most iconic boulevards lined with vintage American cars and flanked by ornate colonial facades and new Art Deco-style hotels evidence of the influx of U.S. capital and tourism during the Batista era. Havana in this period was rapidly transforming into a showcase city of the Caribbean its urban core reflecting both Spanish colonial heritage and American urban planning models. The presence of monumental buildings like El Capitolio constructed between 1926 and 1929 and modeled after the U.S. Capitol in Washington D.C. points to Cuba's alignment with American political aesthetics and aspirations toward modern statehood. Similarly the University and Gran Casino Nacional represent both the intellectual elite and leisure-class investment that typified pre-revolutionary Cuban society. The mixture of European and U.S. architectural influences ranging from Beaux-Arts to Art Deco speaks to the layered colonial legacy and new economic dependency forged during the Platt Amendment era. Some mild edge wear. One card with a small corner crease others clean. Overall very good condition. This archive captures Havana in the midst of dramatic urban renewal and internationalization before the massive ruptures brought on by the 1959 revolution. unknown
1962rif. 4785Various locations in Cuba Europe and the United States 1962. Very good. 113 leaves of scrapbook cardstock illustrated with 388 photographs chiefly silver gelatin photographs several colored or in color in mounting corners. Most captioned in Spanish. Square folio. Contemporary brown cloth spring-loaded spine cover gilt. Joints split but holding well moderate rubbing and dust-soiling. Light foxing handful of images lacking some images slightly browned or with mild edge wear. An extensively-annotated vernacular family photograph album centering on the German-Cuban Coyula-Moeller family picturing their lives family members travels and more in Cuba the United States Germany and other locations in Europe mainly during the 1920s and '30s. The album was likely compiled by Gerardo Coyula y Moeller who was born in the early-1920s and attended Aloisiuskolleg in Bad Godesberg in the late-1930s. The album includes numerous pictures of Coyula y Moeller as a toddler young man and teenager traveling with his mother and various family members attending school and more with numerous photographs featuring the family and their environs in Cuba and Germany. The caption to a family photograph indicates that the Coyula family were shareholders in the German Club "Club Aleman" in Havana from 1939 to 1960. Other family members identified through the profuse captions include Aunt Merci Aunt Hortensia Uncle Gustavo Estela grandfather Enrique Moeller grandmother Rosa Gelpi and others. The album also contains several photographs relating to the Nazi Party in Germany before the war as well as two photographs with captions poignantly noting one young man who would die in a concentration camp in Germany. One of the latter examples pictures a young man named Gerd Wolf with the Spanish caption translated as "Rabbi Fidellis eating bananas - He was with the Resistance and died in the Dachau concentration camp." Notably an antecedent of the family was apparently friends with a German individual who is documented as later helping usher Hitler into power and the album records two additional Nazi individuals who "visited grandfather's house" and "fled to Brazil" to escape the consequences of their war crimes. Yet another family photograph shows a group of adults posed in a garden with the caption reading: "Nuestro amigo: Resulto ser Himmler" "Our friend: turned out to be Himmler". Indeed the image shows the man third from right is clearly Heinrich Himmler. In addition to pictures of the family at home in Cuba the album captures them in various locations in Germany mainly Bonn Hamburg and the aforementioned Bad Godesberg. The family also traveled to New York in the United States and Southampton England among other places with several photographs documenting their travels in each location. The album is also replete with identified photographs of a legion of family friends and acquaintances providing ample opportunity for deeper research into the connections within the family but also to the family's larger community. According to a previous owner the album came out of the noted Weber family in Cuba. An exceptional and well-preserved collection presenting the lives of this noted German-Cuban family. unknown
