2639 risultati
1963rif. 87864Havana: Cuadernos de la Casa de Las Americas 1963. First Edition. First Impression one of 4000 copies. Slim octavo 24.25cm; original pictorial card wrappers stapled; Inscribed by the author on the half-title page to Puerto Rican editor translator and literary critic Roberto Márquez: "Para Roberto Marquez / apenas un libro cordialmente / Eduardo / 3/80." Light wear to extremities some oxidation to staples toning to rear wrapper with a faint crease to upper left corner; Very Good. The Cuban author's extended essay on the life and work of Afro-Cuban painter Wilfredo Lam 1902-1982. Uncommon inscribed. 87864. Cuadernos de la Casa de Las Americas unknown
1984rif. 88455Havana: Casa de las Americas 1984. First Edition. Slim quarto 23.75cm; original printed card wrappers with French flaps stapled; 16pp; text is entirely in Spanish. Inscribed by Morejon on the title page to Puerto Rican editor translator and literary critic Roberto Márquez and his family: "A Robert Márquez Maddie Maceo y Gaby / Con un hondo cariño familiar y suspiro de agradecimiento y un suspiro de agradecimiento / Nancy / La Habana / Sept/84." Trivial external wear and a hint of sunning to spine-fold; touch of oxidation to staples; contents fresh; Near Fine. Short collection of verse by the noted Afro-Cuban poet critic and essayist gathrering nine poems. A nice inscription connecting two prominent Caribbean literary figures. 88455. Casa de las Americas unknown
2004rif. 88456Buffalo NY: White Pine Press 2004. First Edition. First Printing. Small quarto 25.5cm; original glossy pictorial card wrappers; 910-1155pp; illus.; with parallel text in English and in Spanish. Inscribed by Morejon on the half-title page to Puerto Rican editor translator and literary critic Roberto Márquez and his wife: "Para Maddie y Roberto y los nenes que ya no lo son / Su negra / Nancy Morejon / 10/10/10." Hint of sunning to spine tiny crease to upper right corner of front wrapper; Near Fine. Collection of verse by the noted Afro-Cuban poet written between the summers of 1986-87 pairing her poems prose poems and vignettes with photos by Milton Rogovin. A nice inscription connecting two prominent Caribbean literary figures. 88456. White Pine Press unknown
1972rif. 88465Havana: UNEAC 1972. First Edition. First Impression one of 10000 copies. Octavo 21cm; original pictorial wrappers with French flaps; 89-897pp; text is entirely in Spanish. Inscribed by Retamar on the front endpaper to Puerto Rican editor translator and literary critic Roberto Márquez: "Para Roberto / Contento con haberlo rencontrado - y esperandolo en nuestra Cuba - Un abrazo fraternal del Roberto / Ap. 73." The recipient's pervasive ink annotations and markings appear throughout the text. Edgeworn a few tiny tears and creases and a 2" split at upper front joint; Very Good. Collection of four extended essays on Nicolas Guillen by the noted Cuban poet essayist and literary critic. A warm inscription and a nice association to Marquez a Guillen scholar and translator of his work. 88465. UNEAC unknown
1980rif. 88457Mexico City: Difusion Cultural Departamiento de Humanidades / Universidad Nacional Autónoma de México 1980. First Edition. First Impression one of 2000 copies. Small octavo 18cm; original pictorial card wrappers; 89-62pp. With a full-page inscription from Morejon to Puerto Rican editor translator and literary critic Roberto Márquez and his wife signed and dated in Havana 4 September 1981." Mild surface wear else a fresh very Near Fine copy. A collection of verse by the noted Afro-Cuban poet selected and edited by Mexican poet and journalist Efraín Huerta Roma 1914-1982. A nice inscription connecting two prominent Caribbean literary figures. 88457. Difusion Cultural Departamiento de Humanidades / Universidad Nacional Autónoma de México unknown
1994rif. 170268Burbank CA: Warner Brothers 1994. Revised Draft script for the 1995 film. Bound in at the rear of the script are nine pages relating to revisions to the script. US Army doctors race to find the cure to a deadly virus quickly spreading from Africa to North America by way of a smuggled capuchin monkey. Shot on location in California and Hawaii. Self wrappers. Title page present dated May 13 1994 noted as REVISION POLISH with credits for screenwriters Laurence Dworet and Robert Roy Pool and revision credits for uncredited screenwriter Ted Tally. 174 leaves with last page of text numbered 136. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between August 7 and 17 1994. Pages Near Fine bound with two gold brads. Warner Brothers unknown
1974rif. 88452Havana: Casa de las Americas 1974. First Edition. First Impression one of 18000 copies. Narrow octavo 22.75cm; original pictorial card wrappers; 67-4293pp; illus.; text is entirely in Spanish. Inscribed by Guillen on the title page to Puerto Rican editor translator and literary critic Roberto Márquez: "Para Roberto Márquez / con el fraternal cariño de Nicolas / La Habana Feb. 74." Signed directly beneath by an unknown figure and below that by Afro-Cuban poet and journalist Marcelino Arozarena 1912-1996. The opposing page is inscribed for Márquez in verse with a small drawing by an undetermined poet signed "David Feb.74." The verso of the half-title page is warmly inscribed by Cuban poet and critic Nancy Morejón who has written the foreword to this volume: "Para mi queridísimo Roberto Marquez / la admiracion y el cariño immenso de Nancy / La Habana / 19 de feb. de 1974." Directly beneath this is another warm year of publication inscription by an underemined individual. This volume has been extensively marked-up by Márquez whose contribution "Introducción a Guillén" appears on pp.127-138. Some wear to extremities a few nicks and tears to spine ends with some creases to wrappers; Very Good. A key volume of critical texts on Guillén 1902-1989 the national poet of Cuba by many of his contemporaries like Mirta Aguirre Angel Augier Roberto Fernández Retamar Nancy Morejón Alejo Carpentier Pablo Neruda Ciro Alegría and others. This copy bears a number of contemporary inscriptions to Márquez a Guillén scholar who has written extensively on his work and has translated several of the poet's works faithfully from Spanish into English. 88452. Casa de las Americas unknown
1983rif. 83069Havana: S.i. 1983. Original illustrated poster with text and pictorial elements silkscreened in four colors on white stock measuring 51cm x 76.25cm 20 1/8" x 30". Mild handling to extremities ele a bright Fine copy unbacked. Striking poster designed by Concepción Robinson Mendoza aka. "Coni" for Victor Cassaus's 1983 documentary Que Levante la Mano la Guitarra centered around Cuban musician and folk singer Silvio Rodríguez Domínguez. 83069. S.i. unknown
1976rif. 85000London & Port of Spain: New Beacon Books 1976. First Edition. First Impression cloth issue. Octavo 22.25cm; green paper-covered boards with titles stamped in gilt on spine; dustjacket; 45-80pp. This copy is from the library of to Puerto Rican editor translator and literary critic Roberto Marquez with his ink name at upper margin of title page and inscribed to him by the author on the front endpaper: "To Roberto / with love best wishes / Dennis / London 1976." About Fine in a Very Good dustjacket unclipped priced £2.50 gently spine-sunned and lightly shelfworn with a few tiny nicks small tears and attendant creases. Text of a lengthly lecture on Guillen by the Trinidadian author which he delivered to members of the Caribbean Artists Movement in London. It includes the text of an interview between Ciro Bianchi Ross and Guillen on the poet's 70th birthday. A nice association linking two Guillen scholars; Marquez has written extensively on Guillen and has translated several of his works faithfully from Spanish into English. 85000. New Beacon Books unknown
1983rif. 85035Toronto: University of Toronto Press 1983. First Edition. First Impression. Octavo 23.5cm; pictorial cloth-covered boards; x34-251252-254pp. This copy is from the library of to Puerto Rican editor translator and literary critic Roberto Marquez with his ink markings and notations throughout the text and inscribed to him by the author on the title page: "To Robert / as a token of my highest esteem and my admiration for your work / Keith." Base of spine gently nudged light wear to extremities with a few dog-eared pages; Very Good and sound without dustjacket as issued. Scholarly work on the writings of Nicolás Guillén 1902-1989 with a particularly generous inscription to Marquez who has written extensively on Guillén and has translated several of the poet's works faithfully from Spanish into English. A nice association linking two Guillén scholars. Uncommon inscribed. University of Toronto Press unknown
1971rif. 47663Miami: Ediciones Universal 1971. First Edition. Octavo 20.5cm.; publisher's pictorial card wrappers; 263pp. Light shelf wear tiny dampstain to bottom fore-edge corner of textblock else Near Fine. Account of present-day Cuba by the exiled Cuban journalist who nearly twenty-five years earlier was nominated Vice President by the Socialist Revolutionary Movement with twenty-two-year-old Enrique Ovares as President. According to the author biography on the rear cover: "Ni un sólo minuto de sa vida no está dedicado a Cuba. Nadie lo aventaja en la lucha constante contra el régimen castrista y contra los malandrines que ofenden la dignidad nacional. Ediciones Universal unknown
rif. 697424264Booklocker.com Incorporated . Papeback. New. pp. 212 Booklocker.com, Incorporated unknown
rif. BN22668Joy-Verlag Auflage: 2. Auflage: 2. Softcover. 244 x 21 x 1 cm. Mit Qi-Übungen täglich Lebenskraft tanken - zu Hause im Büro und unterwegs8 bis 10 Minuten reichen schon aus um Stress abzuschütteln und den Qi-Fluss anzuregen. Dafür benötigen Sie nicht mehr als einen Quadratmeter Bewegungsfreiheit und einen Stuhl. Erwin Cuba hat mit der 8-Minuten-Energiedusche ein ganzheitliches Fitnessprogramm entwickelt das er in seiner Praxis seit Jahren erfolgreich anwendet. Durch sanfte Selbstmassagen und Aktivierung der Meridiane Muskeln und Gelenke werden auch hartnäckige Verspannungen gelöst - das Qi kann wieder frei fließen. Schon nach einer kurzen Zeit des Übens verbessert sich Ihr allgemeines Wohlbefinden und Sie werden sich geistig frischer und emotional ausgeglichener fühlen. Die 8-Minuten-Energiedusche nimmt wenig Zeit in Anspruch reduziert Stress und löst körperliche sowie seelische Verspannungen regt den Stoffwechsel an und versorgt die Körperzellen mit frischer Energie ist besonders empfehlenswert für Personen mit vorwiegend sitzender Tätigkeit behandelt folgende 12 KörperregionenGelenke Wirbelsäule Kopf Augen Nacken Schultern Brustkorb und Brustwirbel Atmung Verdauung Lendenwirbel Hüfte und Becken Beine. AutorErwin Cuba arbeitet als Gesundheitstrainer Qi-Gong und Tai-Chi-Lehrer sowie als Shiatsu-Praktiker. Er ist Mit- begründer des Shiatsu-Netzwerkes Vital Living und bietet mobile Gesundheitsvorsorge in Unternehmen an. Mit Qi-Übungen täglich Lebenskraft tanken - zu Hause im Büro und unterwegs8 bis 10 Minuten reichen schon aus um Stress abzuschütteln und den Qi-Fluss anzuregen. Dafür benötigen Sie nicht mehr als einen Quadratmeter Bewegungsfreiheit und einen Stuhl. Erwin Cuba hat mit der 8-Minuten-Energiedusche ein ganzheitliches Fitnessprogramm entwickelt das er in seiner Praxis seit Jahren erfolgreich anwendet. Durch sanfte Selbstmassagen und Aktivierung der Meridiane Muskeln und Gelenke werden auch hartnäckige Verspannungen gelöst - das Qi kann wieder frei fließen. Schon nach einer kurzen Zeit des Übens verbessert sich Ihr allgemeines Wohlbefinden und Sie werden sich geistig frischer und emotional ausgeglichener fühlen. Die 8-Minuten-Energiedusche nimmt wenig Zeit in Anspruch reduziert Stress und löst körperliche sowie seelische Verspannungen regt den Stoffwechsel an und versorgt die Körperzellen mit frischer Energie ist besonders empfehlenswert für Personen mit vorwiegend sitzender Tätigkeit behandelt folgende 12 KörperregionenGelenke Wirbelsäule Kopf Augen Nacken Schultern Brustkorb und Brustwirbel Atmung Verdauung Lendenwirbel Hüfte und Becken Beine. AutorErwin Cuba arbeitet als Gesundheitstrainer Qi-Gong und Tai-Chi-Lehrer sowie als Shiatsu-Praktiker. Er ist Mit- begründer des Shiatsu-Netzwerkes Vital Living und bietet mobile Gesundheitsvorsorge in Unternehmen an. Joy-Verlag paperback
1993rif. 13842Golden CO: Fulcrum Publishing Published in cooperation with the Denver Public Library. Fine hardcover copy with dustjacket 146 pp 1 pp ack 2 pp appreciation 78 4/C illustrations text throughout 2 pp bibliography. . Fine Copy. Hardcover. 1993. Fulcrum Publishing Published in cooperation with the Denver Public Library hardcover
1887rif. 64748Barcelona Spain: Campania Trasatlantica Espanola S.A. C.T.E. 1887. 8vo. 72 pp. With 2 large double-page colour maps 5 large folding engraved colour deck plans for CTE ocean liners. Red cloth-backed colour chromolithograph boards cover art of CTE liner in port at Gibraltar CTE Barcelona insignia on back cover minor scuffing edgewear minor soiling front cover slightly shaken 2 deckplans w/ very minor closed tears still a VG- copy. First edition of this very rare transatlantic guidebook timetable and deck plans for the Campania Trasatlantica Espanola S.A. Barcelona CTE ocean liner service between Spain Cuba Mexico New York & Colombia. Ports of call after New York included Boston Philadelphia Baltimore Georgetown Charleston Savannah and New Orleans with stops in various ports in Cuba Puerto Rico Jamaica Veracruz Mexico as well as several in Colombia and the Guiana’s. Deck plans engraved by Hermenagilda Miralles Bailan in Barceolna include those for the 8600 ton Reina Ma Cristina 9850 ton Buenos Aires 5450 ton Veracruz 6720 ton Ciudad de Santander and finally the 9700 ton Alfonso XII. Founded originally in 1850 by Spanish businessman and slave trader Don Antonio L. Lopez in 1850 to feed African-American slaves into both Havana as well as Mobile AL & New Orleans LA prior to the Civil War and headquarters was established in Barcelona after the marriage of Lopez to Luisa Bru Lassus. After 1883 Don Claudio B. Lopez took charge of the company and by 1887 had reached over 30 steamships and ocean liners many of which were used by the Spanish Navy following the outbreak of the Spanish-American War. Campania Trasatlantica [Espanola S.A.] (C.T.E.), hardcover
rif. CA06AA-00225Deford & Company. Collectible - Acceptable. Baltimore: Deford & Company 1970. Sm 4to Hardcover. 160pp. Fair book no dust jacket. Ex-library with usual markings. genealogy coppernoll coppernoll family Inquire if you need further information. Deford & Company hardcover
1932rif. 61114Havana Cuba: Cuban Tourist Commission Printed by “Ucar Garcia & Co.” ca. 1932. 4to. 36 pp unpaginated. Printed & illustrated throughout in green black & white photo illustrations throughout graphic text illustrations in green & white. Self-printed colour-illustrated softcovers wraparound cover art by Conrado W. Massaguer minor bumping head of spine shelfwear still VG copy. First edition of this informative travel brochure touting the joys of visiting Cuba touting the historic cathedral square the lush countryside the offerings of sugar coffee and tobacco as well as the beaches hunting sport fishing night life and The Rumba. Massaguer 1889-1965 was an influential Cuban artist whose modernist look dominated magazines catalogues and ads across Latin America and also was a founding member of the Grupo Minorista. Cuban Tourist Commission, Printed by “Ucar Garcia & Co.,” paperback
2000rif. 54535Havana: Editorial Echevarria ca. 2000. Oblong 4to. 32 pp unpaginated. w/ 271 colour numbered Revolutionary trading cards all tipped-in including 3 for Revolutionist flags on verso front cover. Colour-illustrated coated softcovers cover art showing heroic Fidel Castro leading the revolutionaries rubbing creasing rippling to textblock still VG- copy. Facsimile souvenir of this famed piece of Cuban Revolutionary propaganda distributed free to the Cuban people originally by Felices Frutas the local canned fruit industry trying to stay afloat and appease Castro as all the countries industries and businesses were nationalized after the Revolution. Featuring the cartoon art of Capdevila this piece traces the return of the Castros from exile in Mexico as they fought capitalist exploitation the fall of Batista the bloody running battles and more all celebrating the success. Editorial Echevarria, paperback
1928rif. 249718Havana 1928. 1 page. 8vo. Minor soiling else fine. 1 page. 8vo. Reading in part: "We are charmed with Cuba. Our Eyes rest with delight upon the beauty of Cuba.We cherish the thought that Cuba in her liberty and indepedndence is the vindication of the idealism of the people of the United States." unknown
1872rif. 6289Havana 1872. Very good. Eight albumen photographs 3.75 x 5.5 inches; mounted on cardstock 4.25 x 6.5 inches. Manuscript captions on verso. Minor wear and soiling most images clean and crisp. Group of eight photographs of Havana and environs dated March of 1872. Each is captioned on the verso in manuscript with the date of March 27 1872; "Havana" and a caption identifying the place are also present. Images here include a view of the bay; a view of the city from across the water with two young men standing in the foreground admiring the view; the Castle de Morro; a scene in the botanical garden; Casino Español; and two women seated in a carriage. Particularly nice with the contemporary captions and most of the images are well-composed. unknown
1905rif. BK0085Havana Cuba: Carlos Gómez 1905. Cabinet photograph measuring 4 x 5 ½ inches on photographer's mount measuring 4 ½ x 6 ½ inches with imprint "Carlos Gómez / Fotógrafo / Neptuno 149 / Habana. Image somewhat faded with scattered surface wear and an area of loss at upper right; mount worn at edges good overall. A studio portrait of a young woman posed beside a wicker rocking chair wearing a light-colored dress with high collar and puffed sleeves and looking directly toward the camera. The photograph is notable in the context of Afro-Cuban portraiture around the turn of the twentieth century a period when Havana supported a large commercial photographic trade serving an increasingly broad urban clientele. The sitter is unidentified and no inscription survives to provide further biographical information. Carlos Gómez Guardiola was operating a photographic studio at 149 Neptuno by 1902 when a contemporary Havana newspaper noted that he had already established a reputation despite having been in business only a short time. Gómez's work appears in Juaco López Ãlvarez's Fotografía de Asturianos en américa with an identical "Carlos Gómez / Fotógrafo / Neptuno 149 / Habana" imprint; Ãlvarez dates it to about 1905 and we date the present portrait accordingly. 1 Juaco López Ãlvarez Ed. Fotografía de Asturianos en américa 2000 222. . Carlos Gómez unknown
1905rif. BK0086Havana Cuba: A. Sainz 1905. Cabinet photograph measuring 4 x 5 ½ inches on photographer's mount measuring 4 ½ x 6 ½ inches with imprint "A. Sainz / Reina 67 / Habana. Some fading and spotting to image with wear and small losses to edges of mount; good overall. A formal studio portrait of a young Black man seated in a wicker chair beside an elaborate wicker table and floral arrangement. He wears a light-colored suit and holds his hat in his lap posed directly toward the camera. The mount identifies the photographer as A. Sainz of 67 Reina Street Havana. Contemporary Havana advertisements from July and August 1905 place Sainz's photographic studio at this address providing a useful basis for dating the portrait. An appealing example of Black portraiture in early twentieth-century Havana. A. Sainz unknown
1823rif. BK0184Middletown Rhode Island 1823. Autograph letter signed three pages on a folded sheet with integral address panel to Charles E. Dudley in Albany and Newport postal markings. 7 ¾ x 9 ¾ inches. Old folds scattered staining and some marginal losses a few affecting text. Good to very good. A letter from Newport mariner John Wood concerning his acrimonious departure from the DeWolf family's Mary Ann plantation in Cuba and the ensuing legal dispute with James DeWolf and Charles Collins. Wood was almost certainly the same John Wood whose signature appears on an 1806 Newport agreement for an illegal voyage transporting enslaved Africans from Cape Coast to Havana now held by the Smithsonian's National Museum of African American History and Culture.1 By 1823 he was residing on the Mary Ann plantation one of several Cuban estates belonging to the DeWolfs among the most prominent families involved in the American slave trade. His relationship with DeWolf and Collins had evidently collapsed over his obligations on the estate resulting in what he describes as his forced departure from Cuba under apparently dangerous conditions with his family and a contentious effort to settle their accounts. Writing to his friend Charles E. Dudley then mayor of Albany and a New York state senator Wood reports that three mechanics who had resided with him on the plantation had recently given depositions in Bristol Rhode Island. Two of the three had testified in his favor though all had been called by DeWolf. Wood was particularly incensed by the circumstances surrounding his family's departure from Cuba writing: "I must acknowledge that myself & family have been most shamefully abused & for no provocation we were set adrift liable to be murdered & robbed on Shore My Wife & Daughter exposed at Sea to be captured By pirates and in case of Capture to suffer more than Death; Not content in what they have done but still persevere in wishing to rob me of all I possess a Respectable Character. The assassin will stab you in the dark but the Wretch who will traduce and injure an Innocent family is worse than an assassin." Wood goes on to describe receiving two writs from DeWolf and Collins and transcribes an August 8 letter from James DeWolf explaining his decision to pursue legal action despite their previous discussions of an amicable settlement: "Lest you should think me inconsistent in causing an action to be brought after the last conversation we had I take leave to explain my wishes to come to an amicable settlement by referring to men as we talked remains the same my object is to put the business in a legal and proper train for bringing it to a close . & to enable me to avail of the testimony of the people who were on the Estate with you." Wood expected the Rhode Island Supreme Court meeting at Bristol the following month to appoint referees to settle the accounts. The precise origin of the disagreement is not stated though the depositions of the mechanics and the references to outstanding accounts suggest a dispute over Wood's contractual obligations or activities on the plantation. Wood 1770-1826 was a Newport merchant and captain with longstanding connections to Atlantic commerce. He died at Cape Coast West Africa in 1826 three years after writing the present letter. James DeWolf 1764-1837 then serving in the United States Senate had amassed a substantial fortune through the slave trade and his Cuban plantation interests. Charles Collins his brother-in-law had served as collector of customs at Bristol from 1804 to 1820 an appointment closely connected to the family's slave-trading operations. The Mary Ann plantation is documented in the DeWolf Papers at the Rhode Island Historical Society which include inventories from 1818 and 1820 and contemporary plans of the plantation grounds. The present letter preserves Wood's account of his treatment by the DeWolf family together with his transcription of DeWolf's explanation for pursuing legal action. 1 "Agreement facilitating illegal trade of enslaved Africans" National Museum of African American History & Culture accessed October 12 2026 https://nmaahc.si.edu/object/nmaahc_2019.28.1. . unknown
rif. 0942576586.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 7756Book about the famous cigars from Havana Cuba. In four languages: English French German and Spanish.Original paper binding with dustjacket 195 x 13 cm.NL Boek over de sigaren afkomstig uit Havana de hoofdstad van Cuba. Deze staan wereldwijd bekend als de beste sigaren wegens de unieke tabakssoorten uit Cuba het klimaat en de bodem Vuelta Abajo-regio handgerolde productie en de eeuwenlange traditie. Rijk geïllustreerd met veel wetenswaardigheden in vier talen: Engels Duits Frans en Spaans. Luxe exportproduct zeer geliefd bij de elite.Stofomslag van transparant papier. Enkele vlekjes op de stofomslag. Interieur goed. unknown
