Capitania General de la Isla de CubaBiblio.com
2 639 résultats
réf. 0365944262.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. DADAX0333521250New unknown
1961pp. xiii, 112. 8vo. Original full cloth binding. Original dust jacket. Ninth volume in the Brown and Haley Lecture Series. Coldwar/Economics 8
réf. QWA-8226La Havane, Si-Mar S.A., 2000, in-8 br., 298 p., 2ème édition (5ème tirage), illustrations in-t., un portrait de José Marti en front., bon état.
1896Cinque vedute in unico foglio: 1. Trasporto di feriti della Banda Maceo all’ospedale di Cuzco - 2. Josè Antonio Maceo, capo degl’insorti - 3. Isolani che si congiungono agl’insorti dopo essere stati catturati da questi - 4. Maximo Gomez, capo degl’insorti - 5. Posto d’insorti a Santa Clara. Testo al retro
1896Quattro vedute in unico foglio: 1. Insorti della Banda di Josè Maceo - 2. Cappellano, Portabandiera e ufficiale subalterno spagnuolo - 3. Insorti, che impadronitisi dei treni, sparano contro gli Spagnuoli - 4. Sezione d’artiglieria d’una colonna spagnuola. Testo al retro
réf. DADAX0548649553New unknown
2010Mm 170x240 Brossura editoriale di pp. 216. Opera in ottime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE. WORLDWIDE DELIVERY.
1964réf. 0012155Havana Cuba. Good with no dust jacket. 1964. Non-Book. On offer is a cohesive series of six original 1964 Cuban television dance photographs showing Emilia Villamil and Raymond Ramon Iglesias in a staged dance sequence for a television showbroadcast on Canal 6 the Havana television channel associated with Cubavisión. Thephotographs appear to be publicity stills and all belong to the same production series and bearsthe professional studio/lab stamp OLIVIA FOTOS 9.1833 on the verso. On the verso of someof the photos are handwritten notes that provide information about the dancers TV channel andyear. Villamil and Iglesias were Tropicana-era Cuban performers here seen performing in a post-Revolution broadcast studio bridging Havanas pre-Revolution cabaret and theatrical culture with the new television environment of the 1960s. Cubavisións institutional history traces itsorigins to CMQ-TV Channel 6. Villamil was often referred to as La China and is sometimes known as China Villamil. AnEl Nuevo Herald profile of her son television journalist Camilo Egaña identifies her as labailarina Emilia Villamil fundadora de la televisión cubana the dancer Emilia Villamil founder/pioneer of Cuban television. A 1979 San Antonio Express-News profile identifies Raymond Iglesias as a Cuban refugee andformer Havana dancer-choreographer-singer who later became a fashion designer. The articleexplains that his given name was Ramon but that he used and preferred Raymond a usefulclarification for the present group because one verso notation gives his first name as Ramon. The same profile records that as a youth in Havana he studied dance with Alicia Alonso Ballet performed internationally with partner Elena del Cueto under the billing Clarissa andRaymond and toured as a dancer for ten years. This is a valuable archive from a comparatively under-documented area of Cuban culturalhistory: the movement of established theatrical cabaret and dance performers into early post-Revolution television. Original production stills from this period are not commonly encounteredin coherent identified groups. Notes on Canal 6 CMQ-TV Cubavisión Following the nationalization of Cuban broadcasting in 1960 theformer commercial station Canal 6 CMQ-TV was incorporatedinto the state system and became the principal outlet of what wasincreasingly identified as Cubavisión the national televisionservice centered in Havana. Contemporary scholarship andbroadcast histories note that early 1960s programming on Canal6/Cubavisión retained a strong continuity with pre-Revolutionformatsparticularly live studio variety music and dancewhile being reorganized under state cultural policy Rivero 2015; Chanan 2004. Surviving program references from theperiod include musical and variety broadcasts such as Ritmos deCuba a recurring dance-music revue format dramatizedliterary and theatrical adaptations newsreel-style current affairssegments and childrens programming blocks all of whichformed the backbone of early revolutionary televisionscheduling Rivero 2015; Chanan 2004; Pérez Jr. 1995. Condition: Expected light handling wear minor edge and corner wear and typical surface signsfrom age and use. The images remain strong with good contrast and clear detail. Verso stampsand notations are present as described. Overall Very Good. ; Photograph; 8vo 8" - 9" tall; 6 pages . unknown
réf. 52228Paris Librairie Arthème Fayard 1960 in 8 (19,5x14,5) 1 volume broché, couverture illustrée, 202 pages [2], avec des illustrations hors texte en noir et blanc. Achevé d'imprimer à la date du 8 janvier 1960. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
2014brossura Punto di svolta della Guerra fredda nonché dell'era nucleare tuttora aperta, la crisi di Cuba è uno degli eventi più studiati dalla storiografia internazionale. Questo libro - il primo italiano sul tema da vent'anni a questa parte - non si limita ad aggiungere particolari a una produzione ampia e variegata, ma attua un ribaltamento di prospettiva, ricostruendo non solo gli eventi, ma anche le sue percezioni internazionali. Il "braccio di ferro" atomico verificatosi nell'ottobre 1962 fu infatti uno shock globale, capace di suscitare reazioni nei contesti più diversi: presso governi, opinioni pubbliche, media, intellettuali, politologi, artisti, scienziati, religiosi. E si tratta di reazioni rivelatrici, come mostrano qui i casi di USA e Italia. Muovendo da una reinterpretazione di Braudel e McLuhan e poggiando su una vasta documentazione inedita reperita in sette anni di ricerche (tra archivi di vari Stati e un'analisi certosina della stampa internazionale di quei giorni), il libro da un lato mostra il carattere della crisi come esperienza globale, dall'altro comincia a indagarne la dimensione socio-culturale, finora trascurata, ma destinata a diventare la prossima frontiera della storiografia su quest'evento.
Madrid, 1991. 4to.; XXXVI pp., 356 pp. y diez reproducciones fotográficas en láminas aparte. Cubiertas originales.
195520x15. 234p.
1963n. 47 in 16°, bross. edit. ill. con sovrac., lievissime rotture in sovrac., firma di appartenenza
1963In 16°, br. edit. con sovrac., pp. 213,(11); coll. "La Fronda. Volume 47"; prima ed., ottimo es., solo lievemente brunito. (pfrt)
1936réf. 925Partitions sur l'Amérique Latine Beuscher Paul 1936 approx.
PARIS, Ledentu - 1827 - 2 ième édition - Introduction V à XII, 418 pages; Avec 6 figures. Relié cur - In-8° - 8 - quelques rousseurs Reliure propre, dos décors or Ouvrage traitant pratiquement de toutes les iles du Globe.
réf. 658PARIS, Ledentu - 1827 - 2 ième édition - Introduction V à XII, 418 pages; Avec 6 figures.Relié cur - In-8° - 8 -quelques rousseursReliure propre, dos décors or;
réf. 24162Reims, Pailletet et Godefroid, 1896, grand in 8° broché, 123 pages ; non coupé ; quelques rousseurs éparses ; couverture défaichie avec mouillures. RARE.
réf. 13982373Paris: Jean Michel Place, 2003 in-8, 603 pages, carte, illustrations. Lexique, glossaire, bibliographie, index. Broché, couv. à rabats, très bon état. (Les cahiers de Gradhiva 33). Première édition de la traduction française.
199522x15. 399p. Ed. R. M. Pereda.
Barcelona, Plaza & Janés-Cambio16, 1992. 484 p. 6 h. 8º mayor. Cartoné editorial con sobrecubierta ilustrada (fotografía del autor por Néstor Almendros). Muy buen ejemplar. 1ª edición. Primera edición. 1st edition. First edition.
Madrid, Edit. Alfaguara, 2000. Traducción del autor y de Íñigo García Ureta. 503 p. Gran 8º. Rústica editorial il·lustrada. Muy buen ejemplar. 1ª edición en español. Primera edición. 1st edition. First edition.Publicado originalmente en inglés con el título "Holy Smoke", aparece en esta traducción -que no es una versión sino una reescritura que la lengua hace posible- esta historia del tabaco que es, más que nada, una crónica erudita de la relación entre el puro y el cine
Barcelona, Seix Barral, 1999. 524 p. 1 h. 4º menor. Tela editorial con sobrecubierta. Muy buen ejemplar. Edición especial que celebra los setenta años del autor. Con un aviso y una cronología especialmente escritos para esta ocasión
