2 457 résultats
réf. 1332893929.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1890réf. 231711890. Stereoview archive of the post-emancipation Caribbean showing how the islands were marketed to western viewers through plantation labor export agriculture civic spectacle and catastrophe. As a group these photos function not only as an ethnographic travel archive but as evidence of the visual economy that followed slavery. The British West Indies moved through emancipation in 1834 to 1838 the French Caribbean in 1848 Puerto Rico in 1873 and Cuba in 1886 yet plantation production remained central to regional life well into the early twentieth century. These stereoviews preserve a colonial way of seeing in which Black and Afro-Caribbean labor rural discipline and extractive agriculture remained the background condition of "tropical" beauty and commercial modernity. Cuba's sugar economy in particular expanded through the nineteenth century and slavery was not abolished there until 1886 while Weyler's later reconcentration policy during the Cuban War of Independence violently reorganized rural life. Martinique after 1848 likewise shifted into new labor regimes including imported workers from India and China. Archive of 11 stereoview cards late 1890s to early 1900s depicting Cuba Jamaica Martinique Puerto Rico and the Dominican Republic. Most black and white with a few colorized. Each measure 3.5" x 7". All with captions on the margins. "Reconcentrado Farming Scene Province of Havana Cuba" links agricultural production to the brutal displacements of Spain's reconcentration campaign; "Cutting sugar cane Montego Bay Jamaica W.I." records cane labor in a colony where emancipation had not ended plantation dependency; and "Harvesting Coconuts Porto Rico" likewise frames Caribbean land through export work rather than local life. Other views extend that economic framing through cacao and coffee scenes while the paired Havana cards shift into urban leisure and public display including "Beautiful Central Park Havana Cuba" and "Holiday in Havana Cuba" the latter with both Cuban and American flags visible a telling image of the new imperial order after 1898. The disaster views from Martinique and the Lesser Antilles show how stereoview publishers also turned Caribbean destruction into consumable spectacle. the Morne Rouge card is accompanied on the reverse by the grim printed text "Dead bodies which were to be seen in Morne Rouge." while the wider context is the 1902 eruptions of Mount Pelée in Martinique and La Soufrière on Saint Vincent two catastrophes that killed roughly 30000 and 1600 people respectively and devastated local communities and agriculture. Some corner wear light toning scattered surface and edge wear. Overall very good condition. This collection gives direct visual representation of Caribbean history Atlantic slavery and emancipation plantation labor and U.S. imperial expansion in the circum-Caribbean preserving the transition from slavery to post-abolition labor. unknown books
1890réf. 231711890. Stereoview archive of the post-emancipation Caribbean showing how the islands were marketed to western viewers through plantation labor export agriculture civic spectacle and catastrophe. As a group these photos function not only as an ethnographic travel archive but as evidence of the visual economy that followed slavery. The British West Indies moved through emancipation in 1834 to 1838 the French Caribbean in 1848 Puerto Rico in 1873 and Cuba in 1886 yet plantation production remained central to regional life well into the early twentieth century. These stereoviews preserve a colonial way of seeing in which Black and Afro-Caribbean labor rural discipline and extractive agriculture remained the background condition of "tropical" beauty and commercial modernity. Cuba's sugar economy in particular expanded through the nineteenth century and slavery was not abolished there until 1886 while Weyler's later reconcentration policy during the Cuban War of Independence violently reorganized rural life. Martinique after 1848 likewise shifted into new labor regimes including imported workers from India and China. Archive of 11 stereoview cards late 1890s to early 1900s depicting Cuba Jamaica Martinique Puerto Rico and the Dominican Republic. Most black and white with a few colorized. Each measure 3.5" x 7". All with captions on the margins. "Reconcentrado Farming Scene Province of Havana Cuba" links agricultural production to the brutal displacements of Spain's reconcentration campaign; "Cutting sugar cane Montego Bay Jamaica W.I." records cane labor in a colony where emancipation had not ended plantation dependency; and "Harvesting Coconuts Porto Rico" likewise frames Caribbean land through export work rather than local life. Other views extend that economic framing through cacao and coffee scenes while the paired Havana cards shift into urban leisure and public display including "Beautiful Central Park Havana Cuba" and "Holiday in Havana Cuba" the latter with both Cuban and American flags visible a telling image of the new imperial order after 1898. The disaster views from Martinique and the Lesser Antilles show how stereoview publishers also turned Caribbean destruction into consumable spectacle. the Morne Rouge card is accompanied on the reverse by the grim printed text "Dead bodies which were to be seen in Morne Rouge." while the wider context is the 1902 eruptions of Mount Pelée in Martinique and La Soufrière on Saint Vincent two catastrophes that killed roughly 30000 and 1600 people respectively and devastated local communities and agriculture. Some corner wear light toning scattered surface and edge wear. Overall very good condition. This collection gives direct visual representation of Caribbean history Atlantic slavery and emancipation plantation labor and U.S. imperial expansion in the circum-Caribbean preserving the transition from slavery to post-abolition labor. unknown
1915réf. 3017Portafolio azucarero de la industria azucarera de cuba 1912-1914 primera edicion libreria e imprenta la moderna poesia 1915 esta obra ha sido realizada siendo presidente de la republica de cuba dr mario garcia menocal y secretario de agriculturacomercio y trabajo el general emilio nunez caratulas originalesrestauradasgran libro ilustrado 424 pgs mas graficos libro con peso de 13 librascon 16 cm de largo por 12.5 cm de anchoes una obra super rarade colecciondonde se describen todos los centrales azucareros de cubacon fotos y sus caracteristicas publicada en el ano 1915 por la libreria e imprenta la moderna poesiaes una de las rarezas de la bibliografia cubana Libreria e imprenta la moderna poesia hardcover
Madrid, Librería de Fernando Fé, 1909. 4to.; 274 pp. Ejemplar carente de cubiertas originales. Cubiertas provisionales en cartulina.
La Habana, Unión de Escritores y Artistas de Cuba, 1978, 27,5 x 21 cm., cartoné original con dibujo en color, 70 págs. con dibujos en colores intercalados + 1 h.
1977réf. 24689Cuba: Union de Escritores y Artistas de Cuba UNEAC 1977. Poster in colors text in Spanish. Also printed at bottom edge: C.P. "Evelio Rodriguez Curbelo"/Taller experimental. Approx. 20" x 30" size; in very good condition. Poster. Not Bound. Very Good. Union de Escritores y Artistas de Cuba UNEAC Paperback
Barcelona, Plaza y Janés, 1970. 4to.; 232 pp., 1 h. Encuadernación original en tela.
1931réf. 22741Paris, Éditions Rieder, 1931, édition originale. Broché, 12 cm x 19 cm,302 pages Texte de Jean Pallu, bien complet de la carte postale de l’éditeur avec le portait photographique de l’auteur, Prix du Roman Populiste 1932. Dos restauré sinon bon état
1985réf. 60167Havana: Union de Escritores y Artistas de Cuba 1985. Paperback. Very Good. 2 separate volumes. 206 186p. Softcovers in original wrapper. 21 cm. Author's name and title inked on each backstrip. Spanish text. Union de Escritores y Artistas de Cuba paperback books
198323x15. 428p. Comp. Intr. E. Saínz.
199224 cm, brossura editoriale, p. 223. Testo in spagnolo.
Lisboa, Editorial Futura, Carlos & Reis, Lda., 1975. 4to.apaisado; 334 pp., 1 h. Cubiertas originales.
1980réf. 88457Mexico City: Difusion Cultural Departamiento de Humanidades / Universidad Nacional Autónoma de México 1980. First Edition. First Impression one of 2000 copies. Small octavo 18cm; original pictorial card wrappers; 89-62pp. With a full-page inscription from Morejon to Puerto Rican editor translator and literary critic Roberto Márquez and his wife signed and dated in Havana 4 September 1981." Mild surface wear else a fresh very Near Fine copy. A collection of verse by the noted Afro-Cuban poet selected and edited by Mexican poet and journalist Efraín Huerta Roma 1914-1982. A nice inscription connecting two prominent Caribbean literary figures. 88457. Difusion Cultural Departamiento de Humanidades / Universidad Nacional Autónoma de México unknown books
1980réf. 88457Mexico City: Difusion Cultural Departamiento de Humanidades / Universidad Nacional Autónoma de México 1980. First Edition. First Impression one of 2000 copies. Small octavo 18cm; original pictorial card wrappers; 89-62pp. With a full-page inscription from Morejon to Puerto Rican editor translator and literary critic Roberto Márquez and his wife signed and dated in Havana 4 September 1981." Mild surface wear else a fresh very Near Fine copy. A collection of verse by the noted Afro-Cuban poet selected and edited by Mexican poet and journalist Efraín Huerta Roma 1914-1982. A nice inscription connecting two prominent Caribbean literary figures. 88457. Difusion Cultural Departamiento de Humanidades / Universidad Nacional Autónoma de México unknown
1854réf. 46994Havana. 1854. A Bullfighting Broadside from Cuba in 1854 Cuban broadside advertising a bullfight featuring matador Don Manuel Rodriguez Lanza and the "8 toros de muerte." The top of the sheet features a woodcut of a matador holding his cape out to a bull. The first swordsman for the fight is Manuel Diaz Lavi with two alternates listed. The names of the Banderilleros and Picadores for the fight are also noted. Bullfighting was a popular entertainment in Cuba during the Spanish colonial period though it was done away with after Cuban independence at the beginning of the 20th century. Broadside 12½ × 8 inches. Printed on green paper. Old fold lines. Light wear and soiling minor separation at some folds. A few contemporary notations. Very good. unknown books
1854réf. 46994Havana. 1854. A Bullfighting Broadside from Cuba in 1854 Cuban broadside advertising a bullfight featuring matador Don Manuel Rodriguez Lanza and the "8 toros de muerte." The top of the sheet features a woodcut of a matador holding his cape out to a bull. The first swordsman for the fight is Manuel Diaz Lavi with two alternates listed. The names of the Banderilleros and Picadores for the fight are also noted. Bullfighting was a popular entertainment in Cuba during the Spanish colonial period though it was done away with after Cuban independence at the beginning of the 20th century. Broadside 12½ × 8 inches. Printed on green paper. Old fold lines. Light wear and soiling minor separation at some folds. A few contemporary notations. Very good. unknown
réf. CUBA I/9Editorial en marcha, La Havane, Cuba, 1961 (Année de l'Education), 15 x 20,5, 80 pages agrafées. Comparution du Docteur Fidel Castro Ruiz - Premier ministre du gouvernement révolutionnaire - à la transmission spéciale télévisée de l'Université populaire, pour informer le peuple sur l'invasion des mercenaires, dimanche 23 avril 1961. Introduction de Ricardo Alarçon.
1925Milano, 1925, stralcio con copertina posticcia muta, pp. 781/784 con 3 fotografie. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo, completo in se, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perché ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “extract” or “excerpt” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
1901réf. 2221928First edition. Small octavo. Illustrated with b/w photos by V.K. Van De Venter Robin H. Ford John H. Rising L.E. Mayo and W.G. Spiker. Original grey pictorial cloth stamped in gilt black and green. No dust jacket. Very good small crack at rear joint. 220 pages 3 pages of ads. No signatures or bookplates. Scarce. The Rumford Press hardcover books
1901réf. 2221928First edition. Small octavo. Illustrated with b/w photos by V.K. Van De Venter Robin H. Ford John H. Rising L.E. Mayo and W.G. Spiker. Original grey pictorial cloth stamped in gilt black and green. No dust jacket. Very good small crack at rear joint. 220 pages 3 pages of ads. No signatures or bookplates. Scarce. The Rumford Press hardcover
réf. 48240Barcelona Fundacio Joan Miro 1978 in 8 (25x20) 1 volume broché, couverture illustrée en couleurs, 51 pages, avec de nombreuses illustrations en noir et blanc, et en couleurs. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
réf. 33282London, Bernhard Shapero Rare Books, o. J. 4°, 104 S.; Catalogue edited by Daniel Crouch; in englischer Sprache Bezahlung per PayPal möglich, we accept PayPal, eine unt. Ecke angeknickt, sonst min. Gebr.sp., kartoniert
1989réf. 8193Colorado Springs Colo: Colorado Springs Fine Arts Center 1989. Softcover. VG fresh and tight clean with seveal small stamps from previous owner. Appears unused. Quarto. Softcover. BW & color illus. glossy wraps. 196 pp. 59 bw 65 color plates. Issued in conjunction with a series of 1989 exhibitions. The first study of this important school and the artists' colony which developed around it. Text by Stanley L. Cuba and Elizabeth Cunningham. Includes biographical sketches of artists including the following: Barrett Biddle Warren Chappell Eduardo Chavez Davey Dehn Laura Gilpin Yasuo Kuniyoshi Ernest Lawson Doris Lee Lockwood Mechau Robinson Sandzen and others. Wonderful illustrations extensive text. Colorado Springs Fine Arts Center paperback books