1981 — "Scattered in the North Atlantic 300 miles off Iceland and 400 miles off Norway lies an archipelago-- the Faroe Islands. At present, (of 1981) an internally self-governing dependency of Denmark, the Faroes have kept their culture alive in part by elaborating certain elements of that culture as badges of self-consciousness. 'The Ring of Dancers' is composed of af a series of studies of aspects of Faroese life, language, and folkways. The Faroes are introduced as the Faroese themselves conceive them-- as islands both joined and separated by the waterways round about them. The archipelago is visualized in terms of such waterways as fjords, the points of the compass, 'home' villages, and natural and political districts. The authors also discuss Faroese society as the Faroese conceived it around 1890, by an analysis of a then popular folktale about the Ashlad. Placed in its social context, the tale appears as a kind of folk editorial on changing values and changing times. Perhaps the most important symbol of Faroese identity is the Faroese language. Although it was not made a written language until the 1840s, and was not widely written or read until the 1890s, Faroese has replaced Danish as the islands' official language. In gaining its formal register, it has come to express a modern sense of what it means to be Faroese. The most spectacular Faroese custom, the grindadrap-- the slaughter of schools of pilot whales and the celebration that follows the catch-- typifies the continuity of the Faroes' anciently rooted identity. The image of the dansiringur-- the authors contend, represents the Faroese adaptation of large forms to a land of closely known neighbors and landscapes, the complex inward turnings of Faroese culture, its tortuous sense of wholeness. The book ends by recounting interwiews in Torshavn, the Faroes' capital, with an artist, a journalist, a politician, and others." 182p. bibliography. index Slight damp stain on page edges Book
