12,535 results
ref. 245346Paris, Champion, 1929, in-8 carré, [4]-106 pp., 51 planches recto-verso, broché.
1873ref. 80931873 73 x 118 cms, montée sur toile, départements coloriés Besançon Jules Roblot, Imprimeur-Libraire 1873, .
ref. 7023Editions Fréal - Paris- 1974 - Edition originale - 355 pages - Illustrations dans le texte - 28 hors texte couleurs- 126 planches noir et blanc -Histoire des jeux,les cartes en extrème orient ,l'apparition des cartes à jouer en occident,les cartes françaises au xiv et xv ème siecles , les cartes françaises au xvi,xvii,et xviii ème siecles ,les cartes françaises revolutionnaires ,les cartes à jouer européennes aux enseignes et portraits etrangers ,les tarots ,les cartes françaises au xix et xx ème siecles ,les cartes modernes - Volume in folio ,cartonnage de l'editeur sous jacquette - Etat neuf .
1824ref. LBW-4955[1824]. 206 x 110 mm.
1676ref. PHO-2403Paris : Gervais Clouzier, 1676. 1 volume in-8 (16,5x10cm), 4ff.-153pp.-1f., veau époque, dos à nerfs orné avec auteur et tomaison, charnière fendillée, coiffes absentes, coins usés.
1862ref. LBW-1133Paris, Jules Renouard, 1862. 466 x 340 mm.
1862ref. LBW-1135Paris Jules Renouard 1862 348 x 486 mm.
1968ref. 109180Paris Les Impénitents 1968 4 vol. Broché Menu dépliant sur Arches illustré d'une eau-forte tirée en rouge (22.5 x 14 cm) signée par André Gas, avec grand dessin original signé au verso. On joint deux belles cartes de voeux de l'artiste pour 1969 et 1970 (photomontages avec perforations, ainsi qu'une grande gravure signée en épreuve d'artiste intitule "La foire aux santons" (22 x 27 cm). Diplômé de l'Ecole des Beaux-Arts de Paris en 1969 (section gravure), André Gas s'est lancé la même année dans la création de bijoux fantaisie, développant à Marseille une entreprise qui compte aujourd'hui plus de cent salariés. Bel ensemble.
1968ref. 109180Paris Les Impénitents 1968 4 vol. Broché Menu dépliant sur Arches illustré d'une eau-forte tirée en rouge (22.5 x 14 cm) signée par André Gas, avec grand dessin original signé au verso. On joint deux belles cartes de voeux de l'artiste pour 1969 et 1970 (photomontages avec perforations, ainsi qu'une grande gravure signée en épreuve d'artiste intitule "La foire aux santons" (22 x 27 cm). Diplômé de l'Ecole des Beaux-Arts de Paris en 1969 (section gravure), André Gas s'est lancé la même année dans la création de bijoux fantaisie, développant à Marseille une entreprise qui compte aujourd'hui plus de cent salariés. Bel ensemble.
1723ref. LBW-8965[Leyde, Petrus van der Aa, 1723]. 220 x 292 mm.
1860ref. LBW-8882Paris, Lemercier, [1860]. 287 x 197 mm.
1746ref. LBW-33191746. 166 x 253 mm.
1746ref. LBW-33181746. 168 x 212 mm.
1880ref. LBW-5003[1880]. 211 x 280 mm.
1881ref. LBW-5018[1881]. 204 x 290 mm.
1877ref. LBW-5027[1877]. 140 x 220 mm.
1877ref. LBW-5020[1877]. 287 x 213 mm.
ref. 21053Paris, Logerot s.d. (1856). Grand plan entoilé repliable ( 60cm x 81cm) en noir et blanc, en très bon état. Dans son étui de carton de papier marbré, , titre au dos.
1770Tavola astronomica tratta dall’A New Royal and Universal Dictionary of Arts and Sciences, London 1770-1771, Printed of J. Cooke Si tratta di un’opera in due grandi volumi, cm 35,5 x 23,5, rispettivamente pubblicati a Londra nel 1770 e nel 1771, che raccoglie in ordine alfabetico alcune centinaia di voci illustranti sia le conoscenze scientifiche e tecnologiche che lo sviluppo delle arti e dei mestieri dell’epoca. Le singole voci, scritte dai più autorevoli esperti europei, sono state poi riviste e redazionate da M. Hinde per il settore relativo all’anatomia, medicina e chimica, da W. Squire per le matematiche, da T. Marshall per la Botanica e da Thomas Cooke per le materie umanistiche. Centouno tavole prodotte da relative incisioni su rame illustrano i due volumi. Le incisioni, equamente ripartite sui vari saperi, riproducono sia soggetti della natura che i più aggiornati strumenti usati per indagarla. Una considerevole parte riguarda invece gli strumenti di lavoro delle varie arti e mestieri. L’opera è giunta a noi in pochissimi esemplari, se ne conoscono soltanto ventitré copie, in quanto le piastre in rame furono in un primo momento confiscate, prima della stampa, dalla Court of Chancery of London in conseguenza del fallimento dell’editore di Bevis, Johan Neale. Le ventitré copie conosciute fanno parte di una tiratura prodotta successivamente nel 1786 da John Horsfall, l’esecutore testamentario di Bevis, con il titolo di Atlas Celeste. Per il momento è ancora da ricostruire la storia di come le dodici tavole contenute nell’A New Royal and Universal Dictionary of Arts and Sciences abbiano potuto anticipare di circa quindici anni la diffusione degli originali che imitano. L’enciclopedia, oggi abbastanza rara e quasi non indagata dalla critica, subì l’influsso della più conosciuta e più antica Cyclopaedia: Or An Universal Dictionary of Arts and Sciences di Ephraim Chambers (ca. 1680-1740), pubblicata in Inghilterra nel 1728 (cfr. Felice Stoppa, Atlas Coelestis, http://www.atlascoelestis.com/Universal%20dictionary%20pagina.htm). Incisione in rame, finemente colorata a mano, in ottimo stato di conservazione. Astronomical plate taken from A New Royal and Universal Dictionary of Arts and Sciences, London 1770-1771, Printed of J. Cooke This is a work in two large volumes, 35.5 x 23.5 cm, respectively published in London in 1770 and 1771, which collects in alphabetical order a few hundred entries illustrating both scientific and technological knowledge and the development of arts and crafts of the time. The single entries, written by the most authoritative European experts, were then revised and edited by M. Hinde for the field related to anatomy, medicine and chemistry, by W. Squire for mathematics, by T. Marshall for Botany and by Thomas Cooke for the humanities. One hundred and one plates produced by relative copper engravings illustrate the two volumes. The engravings, equally divided among the various fields of knowledge, reproduce both natural subjects and the most up-to-date instruments used to investigate them. A considerable part concerns instead the working tools of the various arts and crafts. The work has come down to us in very few copies, only twenty-three copies are known, because the copper plates were initially confiscated, before printing, by the Court of Chancery of London as a result of the bankruptcy of the publisher of Bevis, Johan Neale. The twenty-three known copies are part of a print run produced later in 1786 by John Horsfall, the executor of Bevis' will, under the title of Atlas Celeste. For the moment, the story of how the twelve plates contained in A New Royal and Universal Dictionary of Arts and Sciences were able to anticipate by about fifteen years the diffusion of the originals they imitate is still to be reconstructed. The encyclopedia, now quite rare and almost unexamined by critics, was influenced by the better known and older Cyclopaedia: Or An Universal Dictionary of Arts and Sciences by Ephraim Chambers (ca. 1680-1740), published in England in 1728 (see Felice Stoppa, Atlas Coelestis, http://www.atlascoelestis.com/Universal%20dictionary%20pagina.htm).
172047,5 x 54 cm (Blattgröße 48,5 x 55,5 cm). *Zeigt das Gebiet von Braunschweig und Goslar bis Potsdam und Torgau und Osterburg bis Leipzig. Oben links mit einer Gesamtansicht von Magdeburg (9 x 22,5 cm) in Kupferstich. Unten links Kartusche mit allegorischen Darstellungen. - Sauber und sehr gut erhalten. Landkarten de
ref. 66614CBo.J. (Johann Baptist Homann, geb. 20.03.1664 in Oberkammlach, heute Unterallgäu, gest. 01.07.1724 in Nürnberg, deutscher Kar
ref. VLE-372P., Hetzel, 1863 (2e édition), in-12, IV+388 pages illustrées de figures, rousseurs. Catalogue de la Bibliothèque des Familles in fine (16 pages) broché, couverture factice, premier plat remonté, dos muet
1781ref. LBW0395eParis Dezauche 1781 426 x 644 mm.
1633ref. LBW-6202Amsterdam, [1633-1636]. 375 x 496 mm.
1870ref. LBW-1260New York A.J. Johnson 1870 422 x 582 mm.