LA FAILLE (attribué à Germain de)Livre Rare Book
6 004 résultats
1695réf. 003050A Cologne, chez *****, 1695
1789réf. 48083Graz, Akademische Druck- u. Verlagsanstalt, 1965-1967 (Nachdruck der Ausgabe Den Haag u. Wien 1719-1789). 8°. Zus. ca. 4500 S., OLwd.-Bde.
1803réf. 48089Hildesheim, Georg Olms, 1963-1964 (Nachdruck der Ausgabe Nürnberg, 1793-1803). Gr.-8°. Zus. ca. 6.000 S., OLwd.-Bde.
1761réf. 50672Wien, Georg Ludwig Schulz, 1761. Fol. Mit gest. Druckermarke, 3 gest. Karten im Text u. einer gefalt. Kupferkarte. 7 Bll., 388 S., 3 Bll., 8 Bll., Mod. Lwd. m. goldgepr. Rückentitel.
réf. Bloomsbury-9781441117106Continuum. Hardback. New. 224 pages Continuum hardcover
réf. Bloomsbury-9781441117106Continuum. Hardback. New. 224 pages Continuum hardcover
1945réf. 32955New York: Gemor Press 1945. Very Good . New York: Gemor Press 1945. First Edition Limited to 1000 copies. Octavo 21cm; publisher's cream pictorial paper-covered boards printed in magenta; 183pp.; woodblock prints by Hugo throughout. Light wear and dust-soil else a Very Good or better copy. Exceptional example of one of the few works to come out of the Gemor Press which Anaïs Nin and her lover Gonzalo More established in Greenwich Village in 1942. Though named after Gonzalo Nin raised the money taught herself to set type and did the lion's share of the physical work for the press. Distribution in turn was aided by Frances Steloff at the Gotham Book Mart. Many of the works as is the case here were illustrated by Nin's husband Hugh Parker Guiler. Franklin A6a. Gemor Press unknown
1945réf. 32955New York: Gemor Press 1945. Very Good . New York: Gemor Press 1945. First Edition Limited to 1000 copies. Octavo 21cm; publisher's cream pictorial paper-covered boards printed in magenta; 183pp.; woodblock prints by Hugo throughout. Light wear and dust-soil else a Very Good or better copy. Exceptional example of one of the few works to come out of the Gemor Press which Anaïs Nin and her lover Gonzalo More established in Greenwich Village in 1942. Though named after Gonzalo Nin raised the money taught herself to set type and did the lion's share of the physical work for the press. Distribution in turn was aided by Frances Steloff at the Gotham Book Mart. Many of the works as is the case here were illustrated by Nin's husband Hugh Parker Guiler. Franklin A6a. Gemor Press unknown books
1854réf. 51929Paris: Lehuby 1854. Lenegre Antoine 1819-1867 binder Bassanville Anaïs de 1803-84. Les primeurs de la vie ou bonheurs joies et douleurs de la jeunesse. 4 viii 380pp. Frontispiece and 11 lithographed plates by Baunheim. Paris: P.-C. Lehuby n.d. 1854. 237 x 155 mm. Publisher's cloth binding of dark blue cloth with colored onlays elaborately stamped in gilt all edges gilt very minor spotting edge of one onlay lifting. Minor foxing but very good to fine. First Edition. Unsigned but in the style of Lenegre. . Lehuby unknown
1854réf. 51929Paris: Lehuby 1854. Lenegre Antoine 1819-1867 binder Bassanville Anaïs de 1803-84. Les primeurs de la vie ou bonheurs joies et douleurs de la jeunesse. 4 viii 380pp. Frontispiece and 11 lithographed plates by Baunheim. Paris: P.-C. Lehuby n.d. 1854. 237 x 155 mm. Publisher's cloth binding of dark blue cloth with colored onlays elaborately stamped in gilt all edges gilt very minor spotting edge of one onlay lifting. Minor foxing but very good to fine. First Edition. Unsigned but in the style of Lenegre. . Lehuby unknown books
1972réf. 72081Chicago 1972. Chicago: 1972. Period reel-to-reel audio recording preserved in an Ohio State University box with manuscript titles on the rear panel. Digitized in early 2020 into wav recordings which are provided on a USB key. The recording is 28 minutes 37 seconds in length. Nin 1903-77 the French-born diarist and passionate eroticist is interviewed by Robert Cromie of the Chicago Tribune for the PBS television program Book Beat. In the course of their wide-ranging conversation which was recorded shortly after the publication of The Diary of Anais Nin Volume Four 1944-1947 1971 she discusses her literary approach: "it's played all kind of the roles the Diary you know it was the story of growth of a woman it was also a notebook and many of the characters in the novels I would start taking from reality from the Diary and then of course they go through a transformation which fiction always does and they will become composites. So there will be two people in one portrait and they change but nevertheless the base of it was in truth in the truth of the Diary and you can find similarities." Nin also speaks to her complicated relationships with writer Gore Vidal and filmmaker Maya Deren among others and the publication of Under a Glass Bell 1944 by her own printing Press which she named Gemor Press. When asked about Henry Miller's bohemian lifestyle she recalls "he was very generous with everything with his ideas with his stories with his life . he's generous to other writers too which is something that we kept from the Paris days and we never understood when we came to New York the absence of fraternity. But then of course the New York scene was different. The French writer never made any money. There was something rather uncommercial about being a writer and we were always helping each other and inspiring each other and encouraging each other and I miss that. Henry continued to encourage writers and I did too. Somebody said the history of art is the history of friendship. Should be." She also touches on a number of topical issues musing on the future of the Diary and sharing her thoughts on feminism: "There's one aspect I'm very much involved in with the creativity of the woman the liberation of the woman. There's an aspect which is very militant which I'm not involved with and you know there are many factions as you know it's already divided into many factions. I'm interested in showing the writing of women their capacities inspiring them and the Diaries of course have meant a great deal to women because it's unusual to have the story of a woman's growth. We never had a record of that and I was always interested in the growth of plants I would watch plants grow. I think I love to see the growth of human beings and I found the only one I could really record scientifically completely was my own and I think this became the story of growth for other women: examining the conflicts and the obstacles and watching day by day how you could expand without damaging others how could you grow without being destructive and all the problems that a woman has. unknown
1929réf. R110044460UNIVERSITE DES ANNALES. 1919 - 1929. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 564 + 524 + 528 + 554 + 546 + 572 + 564 + 590 + 550 + 576 + 626 + 674 + 604 + 610 + 600 + 656 + 646 + 628 + 634 pages. Nombreuses illustrations en noir et blanc dans et hors texte. Série de 19 volumes de 1 tome chacun, tomes 1 et 2 pour chaque année. Commençant de la 14eme année (Décembre 1919) à la 23eme année (Juin 1929). Titre et années dorés sur le dos. Couvertures muettes. 4 photos disponibles.. . . . Classification Dewey : 70.493-Les annales / Conferancia
UNIVERSITE DES ANNALES. 1919 - 1929. Bon état. Couv. convenable. Intérieur frais. 564 + 524 + 528 + 554 + 546 + 572 + 564 + 590 + 550 + 576 + 626 + 674 + 604 + 610 + 600 + 656 + 646 + 628 + 634 pages. Nombreuses illustrations en noir et blanc dans et hors texte. Série de 19 volumes de 1 tome chacun, tomes 1 et 2 pour chaque année. Commençant de la 14eme année (Décembre 1919) à la 23eme année (Juin 1929). Titre et années dorés sur le dos. Couvertures muettes. 4 photos disponibles. Sommaire : Beaumarchais, Père du Théâtre Moderne Conférence de M. ADOLPHE BRISSON Les Semeurs d’idées : Platon Conférence de M. ABEL HERMANT Joséphine Impératrice Conférence de M. FRÉDÉRIC M ASSOIS! de l'Académie française I. Chanson. — II. Sérénade. — III. Cœurs Sensibles. Musique de BEAUMARCHAIS. Joséphine Impératrice : II. Le Couronnement Conférence de M. FRÉDÉRIC MASSON de l’Académie française De la Mélodie ; Schubert Conférence de M. REYNALDO HAHN Les Semeurs d’idées : Du Chevalier au Poilu Conférence du Général MALLETERRE Musique ; I. Litanies. — II. La Jeune Fille et la Mort. — III. Marguerite au Rouet. Mélodies de SCHUBERT. Joséphine Impératrice : III. L'Apogée Conférence de M. FRÉDÉRIC MASSON de l'Académie française De la Mélodie ; Schubert (II) Conférence de M. REYNALDO HAHN Le Théâtre de Beaumarchais : Figaro Conférence de M. de FÈRAUDY de la Comédie-Française Les Soins à donner aux Blessés Conférence du Docteur RAOUL BAUDET Musique ; I. Le Corbeau. — II. Sérénade.Mélodies de SCHUBERT, ...
réf. 6355Paris, Firmin Didot, 1840 - 1845, 12 volumes in-8 ; suivi de Annales de France, 1840 - 1843, deux volumes ; soit en tout 14 volumes in-8 en reliure uniforme ; demi-chagrin rouge-cerise, dos à faux-nerfs dorés, fleurons, titre et tomaison dorés, tranches mouchetées (reliure de l'époque) ; 560, (2), 18, 15, (1 bl.), 22 pp. ; 576 ; 576 ; 576 ; 588 ; 851 ; 802, (2) ; 844 ; 880 ; 892 ; 908 ; IV, 1015 pp. et 496 ; 744 pp. et 33 cartes coloriées et en tout 616 gravures hors-texte (exemplaire collationné, bien complet des 616 gravures et non 620 comme annoncé). Texte imprimé sur deux colonnes.
1658réf. 4961658 Quatrième édition revuë et corrigée. A Paris, chez Augustin COURBE, en la Petite Salle du Palais, à la Palme. M DC LVIII (1658). Fort pt in-4, plein veau brun, dos à nerfs, à caissons dorés, titre doré. 850 pp + épistre, préface, avertissement, généalogie d'Auguste, généalogie de Claudius, table des termes anciens, extrait du privilège du Roi, table des matières contenues dans les oeuvres de Tacite (par ordre alphabétique). Frontispice de F. Chauuréau. Etat moyen.
1947réf. 1413260San Franciso California: Gemor Press 1947. First U.S. Edition. Hardcover. Tall octavo 52 pages. In Very Good minus condition. Bound in publisher's red fabric with black lettering and decoration. Mild bumping to spine. Slight discoloration to boards. Light cracking and staining to half title page as well as pages 24 and 25. Inscribed by Nin on front free end paper: "Gladys Calbrera 'What is it allotted me to say Only the truth disguised in a fairy tail.' Anais Nin." Shelved in Case 0. Made famous by her widely-read journals which were published through out the 1960s "House of Incest" was Anais Nin's first book. The prose poem alludes to the incestuous nature of her relationship with her father a topic that would later be discussed in her journals. As a trailblazer in the realm of female erotica and a writer of proto-autofiction the semi-autobiographical and taboo nature of "House of Nature" is an early example of what made Nin an unique voice in the American literary canon. 1413260. Shelved Dupont Bookstore. Gemor Press hardcover
1947réf. 1413260San Franciso California: Gemor Press 1947. First U.S. Edition. Hardcover. Tall octavo 52 pages. In Very Good minus condition. Bound in publisher's red fabric with black lettering and decoration. Mild bumping to spine. Slight discoloration to boards. Light cracking and staining to half title page as well as pages 24 and 25. Inscribed by Nin on front free end paper: "Gladys Calbrera 'What is it allotted me to say Only the truth disguised in a fairy tail.' Anais Nin." Shelved in Case 0. Made famous by her widely-read journals which were published through out the 1960s "House of Incest" was Anais Nin's first book. The prose poem alludes to the incestuous nature of her relationship with her father a topic that would later be discussed in her journals. As a trailblazer in the realm of female erotica and a writer of proto-autofiction the semi-autobiographical and taboo nature of "House of Nature" is an early example of what made Nin an unique voice in the American literary canon. 1413260. Shelved Dupont Bookstore. Gemor Press hardcover books
1983réf. Alibris.0068681Houghton Mifflin Harcourt P. 1983. First edition. Hard cover. Very good in very good dust jacket. Signed by author. light shelf wear long inscription by Rupert Pole editor and husband to Noel Young Capra Press publisher. Sewn binding. Cloth over boards. 320 p. Early Diary of Anais Nin III. . Houghton Mifflin Harcourt P hardcover
1833réf. 046866Paris: Urbain Canel Adolphe Guyot 1833. First Edition. Hardcover Quarter Leather. Very Good Condition. Scarce collection of 26 works of fiction by French women - contemporary quarter leather over marbled boards. Scattered foxing paper of mixed quality and some pages browned. Includes an early Sand "Une Vielle Histoire". 407pp; 429pp; 413pp; 491pp; 446pp; 403pp Size: Octavo 8vo. 6-volume set complete. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Literature & Literary; Inventory No: 046866. Urbain Canel, Adolphe Guyot hardcover
réf. a509981945 First edition Gemor Press. Limited to 1000 copies. Small octavo five monotone woodblocks by Ian Hugo paper covered boards with attractive woodcut illustration in maroon. Signed by Anais: "Jose Alemany con la amistad de Anais Nin New York 1945." Also LAID IN is an autograph letter signed by Nin. This handwritten letter of 13 lines is also written to Jose Alemany. It discusses Nin's current lecture tour of various colleges and her hopes of arranging a visit to Alemany's college. It concludes: "This is my last winter in New York" and is signed "Anais". VG to Near Fine no wear light toning of cover no DJ. In later removable protective glassine jacket. Pictures supplied on request. . hardcover
1580réf. 61642Frankfurt a. M., Georg Rab für Sigmund Feyerabend, 1580. Fol. Mit 2 verschiedenen breiten figürlichen Holzschn.-Titelbordüren v. Jost Amman sowie Textholzschnitt u. Druckermarke v. Tobias Stimmer. 4 Bll., 427 S., 10 Bll.; 187 S., Flex. Pgmt. d. Zt. m. durchzogenen Bünden, handschriftl. Rückentitel u. dreiseitigem Farbschnitt.
1977réf. 136406Institut d’hydrologie et de climatologie 1977 105 fasc. ; 42 brochés & 33 reliés en 11 volumes pleine toile. Successivement : 30 fasc. en 8 volumes pleine toile, couvertures conservées, tome 1er Année 1923 - tome VIII année 1933, très bon exemplaire ; 25 fasc. brochés en 7 tomes sous chemises annuelles de l’éditeur, avec les fasc. d’index, tome IX Année 1933, fasc. 31 - tome XV année 1943 , fasc. 56, couvertures passées, effrangées, des manques aux dos ; 13 fasc. broché, tome XVI 1946, n 57 à XXIV 1953, n 75, défraîchis, quelques dos cassés et couvertures déliées ; 33 fasc. en 3 volumes pleine toile, couvertures conservées, tome XXV 1954 - tome XLIV 1973, fasc. 113, bon exemplaire ; 3 fasc., broché, tomes XLV à XLVII 1975 - 1977, fasc. 114 à 116, bon exemplaire. Joint le fasc. de présentation de l’Institut inauguré en 1921.
1948réf. 2823First Edition Thus; A Very Good or better book in a Very Good dust jacket. SIGNED and inscribed by the author to Sascha Laurance a Hollywood Script Supervisor later owned by Elton John co-writer Bernie Taupin; Taupin's blind stamp to the front free paper below the inscription. A unique association copy of this collection of stories the 3rd collection from Nin all containing the title story with other mixed content. This copy is in very good or better condition with a square tight binding bright gold lettering over clean black boards and crisp pages throughout free from markings; the book does show some mild rubbed areas to the boards and a couple of small indentions to the edges else near fine or better. Housed in a clean and bright original dust jacket that shows some mild fading to the spine common for the title and some light rubbing and chipping to the edges with a couple of associated short closed tears. Overall a highly presentable copy greatly enhanced with Nin's signature and the unique association. Not remaindered not price clipped not ex-library; in a fresh Mylar sleeve and will ship carefully wrapped in a sturdy box. E. P. Dutton hardcover
1948réf. 2823First Edition Thus; A Very Good or better book in a Very Good dust jacket. SIGNED and inscribed by the author to Sascha Laurance a Hollywood Script Supervisor later owned by Elton John co-writer Bernie Taupin; Taupin's blind stamp to the front free paper below the inscription. A unique association copy of this collection of stories the 3rd collection from Nin all containing the title story with other mixed content. This copy is in very good or better condition with a square tight binding bright gold lettering over clean black boards and crisp pages throughout free from markings; the book does show some mild rubbed areas to the boards and a couple of small indentions to the edges else near fine or better. Housed in a clean and bright original dust jacket that shows some mild fading to the spine common for the title and some light rubbing and chipping to the edges with a couple of associated short closed tears. Overall a highly presentable copy greatly enhanced with Nin's signature and the unique association. Not remaindered not price clipped not ex-library; in a fresh Mylar sleeve and will ship carefully wrapped in a sturdy box. E. P. Dutton hardcover books
1944réf. 140949249New York: Gemor Press 1944. First Edition. Near Fine. First edition first printing one of 300 copies. Bound in publisher's black and white illustrated paper-covered boards. Near Fine with lean to binding light toning light rubbing to extremities creasing to front free endpapers. A surreal production of short stories printed by Nin herself with equally unearthly copper engravings by her husband Ian Hugo. The couple collaborated often both in print and cinema most notably for Hugo's avant-garde conceptual films such as Bells of Atlantis 1952 where Nin lent dialogue from her poem "House of Incest" and Melodic Inversion 1958. Gemor Press unknown
