5 987 résultats
1945réf. 32968New York: Gemor Press 1945. Very Good . New York: Gemor Press 1945. First Edition Limited to 50 de luxe copies on Etruria paper this unsigned copy presumably hors série. Octavo 24.5cm; publisher's pink pictorial paper-covered boards; 183pp.; hand-colored woodcut frontispiece four leaves of color plates. Light wear to spine ends margins toned brief ink spotting to top edge of rear cover else a Very Good internally clean and sound copy. Exceptional example of this de luxe edition of one of the few works to come out of the Gemor Press which Anaïs Nin and her lover Gonzalo More established in Greenwich Village in 1942. Though named after Gonzalo Nin raised the money taught herself to set type and did the lion's share of the physical work for the press. Distribution in turn was aided by Frances Steloff at the Gotham Book Mart. Many of the works as is the case here were illustrated by Nin's husband Hugh Parker Guiler. A trade edition limited to 1000 copies with uncolored illustrations appeared simultaneously though this limitation has two extra plates. Franklin A6b. Gemor Press unknown books
réf. pb33TITUS Book. Very Good. Hardcover. FIRST. A FINE FIRST IN NEAR FINE DJ. SIGNED LIMITED FIRST EDITION of the author's first book number 46 of 500 copies numbered on the colophon and with publisher's stamped slip with number from an edition of 550 of which 50 were for the press. TITUS Hardcover
réf. 112217Harcourt. First Edition. Hard Bound Volume. Very Good/Very Good. 7 vols. Published 1966-1980. The first five vols. contain autograph postcards signed by Nin. They are to one Robert Altman who published an item of Nin's. Harcourt unknown
1945réf. 140947165New York: Gemor Press 1945. First Edition. Near Fine. First edition first printing. Signed by Anais Nin on the front free endpaper. Publisher's cream paper covered boards printed in maroon with woodcuts by Ian Hugo. Near Fine with very light wear and soiling to covers small stain to rear cover offsetting to end sheets from binder's glue and light even toning to pages. One of 1000 copies of 1050 total. A lovely copy with firm binding. Anais Nin's novel handles the travails of existing as a woman in a male-dominated world. Gemor Press unknown
1945réf. 140947165New York: Gemor Press 1945. First Edition. Near Fine. First edition first printing. Signed by Anais Nin on the front free endpaper. Publisher's cream paper covered boards printed in maroon with woodcuts by Ian Hugo. Near Fine with very light wear and soiling to covers small stain to rear cover offsetting to end sheets from binder's glue and light even toning to pages. One of 1000 copies of 1050 total. A lovely copy with firm binding. Anais Nin's novel handles the travails of existing as a woman in a male-dominated world. Gemor Press unknown books
1950réf. 0013271950. Soft cover. Near Fine. Anais Nin folding woodblock print social note card probably circa 1950s. Unopened size is 4 1/4" x 2 3/4". Opened size 8 1/2" x 2 3/4". Softly erotic woodblock print of the female form on the cover closed format. Signature and handwriting certified by an FHE and the physical form of that certification will accompany this piece. Also some provenance in the form of the business card of the previous owner himself a rare manuscripts dealer. A flirtatious note from Ms.Nin to a gentleman who had previously wanted to write a story about her telling him that now the time may be right for that - and including her phone number. Date of this piece not known but might be deduced from her phone number by a Nin authority. Such an expert may also know who the gentleman in question is. And for that matter it may not even be a gentleman. Near fine condition just a bit toned from the years not much and no other flaws. See scans. A neat and very "that's-so-HER" little piece of manuscript ephemera from the world of and history of literature - from a time when there were such things. Today she would have just texted the guy. You can't collect that. L52 paperback
1991réf. 40229KNAUR THEODOR 04/1991. 1. softcover. KNAUR, THEODOR paperback
réf. 003046Paris, Louis Janet, libraire-éditeur (ca 1825)
1945réf. 33870New York: Gemor Press 1945. Very Good -. New York: Gemor Press 1945. First Edition Limited to 1000 copies. Octavo 21cm; publisher's cream pictorial paper-covered boards printed in magenta; 183pp.; woodblock prints by Hugo throughout. Boards rubbed and worn at corners and spine ends general dust-soiling and brief damp stain at bottom margin of rear cover internally clean and sound. A Good to Very Good copy. Inscribed and signed on front free endpaper "For George Davis avec amitié / Anaïs." One of the few works to come out of the Gemor Press which Anaïs Nin and her lover Gonzalo More established in Greenwich Village in 1942. Though named after Gonzalo Nin raised the money taught herself to set type and did the lion's share of the physical work for the press. Distribution in turn was aided by Frances Steloff at the Gotham Book Mart. Many of the works as is the case here were illustrated by Nin's husband Hugh Parker Guiler. Excellent association copy inscribed and signed on front free endpaper to Harper's Bazaar and Mademoiselle editor George Davis 1906-1957. Davis and a collection of like-minded friends had founded a bohemian artist's commune in Brooklyn Heights in 1940 to which Nin was a regular guest. It was Nin who gave the commune its name February House after noticing that most of its residents had been born in that month. Franklin A6a. Gemor Press unknown
1945réf. 33870New York: Gemor Press 1945. Very Good -. New York: Gemor Press 1945. First Edition Limited to 1000 copies. Octavo 21cm; publisher's cream pictorial paper-covered boards printed in magenta; 183pp.; woodblock prints by Hugo throughout. Boards rubbed and worn at corners and spine ends general dust-soiling and brief damp stain at bottom margin of rear cover internally clean and sound. A Good to Very Good copy. Inscribed and signed on front free endpaper "For George Davis avec amitié / Anaïs." One of the few works to come out of the Gemor Press which Anaïs Nin and her lover Gonzalo More established in Greenwich Village in 1942. Though named after Gonzalo Nin raised the money taught herself to set type and did the lion's share of the physical work for the press. Distribution in turn was aided by Frances Steloff at the Gotham Book Mart. Many of the works as is the case here were illustrated by Nin's husband Hugh Parker Guiler. Excellent association copy inscribed and signed on front free endpaper to Harper's Bazaar and Mademoiselle editor George Davis 1906-1957. Davis and a collection of like-minded friends had founded a bohemian artist's commune in Brooklyn Heights in 1940 to which Nin was a regular guest. It was Nin who gave the commune its name February House after noticing that most of its residents had been born in that month. Franklin A6a. Gemor Press unknown books
1946réf. 80234New York: E.P. Dutton 1946. First Edition. Hardcover. Near fine/Near fine. Signed by Anaïs Nin and inscribed by her husband engraver and filmmaker Ian Hugo born Hugh Parker Guiler 1898-1985 to attorney Ferdinand J. Wolf with a handwritten thank you card from Nin signed "Anaïs Guiler" laid in. Octavo. Original black cloth binding with gilt-stamped titling and decoration. A near fine copy in a near fine dust jacket with some light toning and wear along the extremities. The first novel in Nin's celebrated Cities of the Interior series interweaving the stories of several women each emotionally inhibited in her own way: through self-doubt fear guilt moral drift and distrust. The author's own experiences as recorded in her famous diaries supplied the raw material for her fiction. It was her intuitive experimental and always original style that transformed one into the other. E.P. Dutton hardcover
1612réf. ALDR0373Leipzig, Abraham Lamberg 1612. 4°. Titelbl., S. 957-1794 (Ss. 1717/1718 unbedruckt, S. 1795 fehlt), mit gerahmten Textseiten, breiten Kopfleisten, Zierleisten, Initialen und Schlussvignetten, sowie zahlreichen Wappendarstellungen in Holzschnitt (ab S. 1736 ausschließlich Wappendarstellungen). Pergamentband d. Zeit, Kanten etwas bestoßen, fleckig und beschabt, mit wenigen Wurmgängen, ehemalige Metallschließen fehlen, Rücken restauriert, Vorsatz erneuert. Seiten recht gut erhalten, meist nur gering vergilbt und kaum fleckig, Schlussblätter fachgerecht restauriert. Mit e. Wappen-Exlibris am vorderen Innendeckel. VD17 14:073992R. Vgl. NDB 3,219 (Christalnik) u. 16,619f. ADB 21,183ff. - zweiter Teil dieser bedeutenden Kärntner Chronik, deren Drucklegung unter Verwendung der von M. G. Christalnick (1530?-1595) verfassten 'Historia Carinthiaca', einer ersten eingehenden Geschichte Kärntens, von H. Megiser (1554-1619), der das Werk überarbeitete und bis 1611 fortführte, veranlasst wurde. Der protestantische Prediger und Kärntner Landeshistoriker Christalnick hatte die Chronik 1588 im Auftrag der Kärntner Stände geschrieben. Der Sprachgelehrte und Historiker H. Megiser (1554-1619) war um 1590 in Graz zum Landschaftlichen Geschichtsschreiber, 1603 zum churfürstlich bestellten Historiographen in Leipzig ernannt worden und schließlich 1612 von Erzherzog Karl von Österreich als Geschichtsschreiber nach Linz berufen und 1615 zum 'Historicus' der Landschaft erwählt worden. Die fehlende Seite 1795 und deren Rückseite mit Impressum und großer Druckermarke in Holzschnitt liegen in Kopie bei, das unbedruckte Blatt 1717/1718 bedingt keinen Textverlust. - DIESES OBJEKT UNTERLIEGT DER DIFFERENZBESTEUERUNG
1974réf. 1343253London: Peter Owen 1974. First Edition First Printing. Hardcover. Octavo 275 pages. In Very Good condition with a Very Good minus dust jacket. Dust jacket spine black with white and green titling. Dust jacket protected with a mylar covering. Price uncut: "£4.50 net." Mild shelfwear and rubbing overall with light bumping to lower corners. Stamp on front free endpaper reads "From the Library of Anais Nin and Ian Hugo." There are no markings or marginalia. Shelved in Case 12. 1343253. Shelved Dupont Bookstore. Peter Owen hardcover
1974réf. 1343253London: Peter Owen 1974. First Edition First Printing. Hardcover. Octavo 275 pages. In Very Good condition with a Very Good minus dust jacket. Dust jacket spine black with white and green titling. Dust jacket protected with a mylar covering. Price uncut: "£4.50 net." Mild shelfwear and rubbing overall with light bumping to lower corners. Stamp on front free endpaper reads "From the Library of Anais Nin and Ian Hugo." There are no markings or marginalia. Shelved in Case 12. 1343253. Shelved Dupont Bookstore. Peter Owen hardcover books
1932réf. 368277Paris: Edawrd W. Titus 1932. First edition of the author's first book number 491 of 500 copies. 10 146 2 pages. 1 vols. 8vo. Blue cloth gilt lettered on front cover and spine. Unopened fine in dust jacket that is lightly toned with some modest chipping at extremitites light soiling to rear panel. First edition of the author's first book number 491 of 500 copies. 10 146 2 pages. 1 vols. 8vo. Presentation copy inscribed on the ffep: "For Richard who accompanies me faithfully on the inner-outer voyage started with this book / Love Anais / February 21 1973." The recipient is likely Richard Centing co-founder of the first Anais Nin periodical. Centing invited Nin to Ohio State to give lectures and and championed her work internationally. Franklin A1 Edawrd W. Titus unknown
1932réf. 368277Paris: Edawrd W. Titus 1932. First edition of the author's first book number 491 of 500 copies. 10 146 2 pages. 1 vols. 8vo. Blue cloth gilt lettered on front cover and spine. Unopened fine in dust jacket that is lightly toned with some modest chipping at extremitites light soiling to rear panel. First edition of the author's first book number 491 of 500 copies. 10 146 2 pages. 1 vols. 8vo. Presentation copy inscribed on the ffep: "For Richard who accompanies me faithfully on the inner-outer voyage started with this book / Love Anais / February 21 1973." The recipient is likely Richard Centing co-founder of the first Anais Nin periodical. Centing invited Nin to Ohio State to give lectures and and championed her work internationally. Franklin A1 Edawrd W. Titus unknown books
1818réf. ZB445242Paris 1818-1851. Series I: volumes 3-6 8 10 12-13; Series II: volumes 1-8; Series III: volumes 1-20; Series IV: volumes 1-6; 8; 9 13-20 1818-1851 complete volumes bound some bindings require repairs or replacement ex library however textually clean. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Paris unknown
2004réf. 84362powerHouse Books. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 96 pages 20 illustrations; 8 vo. -- with a bonus offer--; Iconic erotic writer Anais Nin wrote of feminist artist Judy Chicago in the seventh volume of her Diaries "Our first meeting was very interesting. I was intimidated by Judy's powerful personality. She was intimidated by the lady of the Diaries.But what happened is that we immediately felt a tenderness and recognized that we needed each other." From this encounter a personal friendship and professional alliance flowered and continued to bloom until Nin's death in 1977. Nin a feminist of the first wave considered Chicago her "radical daughter." Where Nin was graceful Chicago was confrontational. Where Nin was evocative Chicago was provocative. Yet both sought the same goal: freedom for female self-expression unfettered by the constraints of patriarchal posturing. Their relationship - a dialogue between the early and latter halves of the twentieth century - helped Chicago transcend her internalized taboos and fully express her creative power. As a tribute to the legacy of her mentor Chicago shares some of her memories of their encounters in her introduction to Fragments From The Delta Of Venus a collection of twenty artworks pairing Chicago's sensuous watercolor images with extremely evocative phrases from Nin's famed collection of stories. The book promises to be a breakthrough in the history of erotic art which - for centuries - has belonged almost exclusively to male artists and a male audience. Fragments From The Delta Of Venus might be said to be a continuation of Chicago and Nin's earlier dialogue illuminating in both images and words the powerful fantasies and desires of the female mind. Fragments From The Delta Of Venus will be released on Valentine's Day 2004 perfectly timed to warm your lover's heart - and more. . 2004. 1576871827 . powerHouse Books hardcover
2014réf. 112239Silvana. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - Text in English and Italian. -- with a bonus offer-- . 2014. 8836628486 . Silvana paperback
1942réf. 32954New York: Gemor Press 1942. Very Good . New York: Gemor Press n.d. ca. 1942 First American Edition Limited to 500 copies. Octavo 21.5cm; publisher's black pictorial paper-covered boards; 4155pp.; copper engravings throughout. Brief rubbing to spine ends and corners white spine titling browned textblock lightly toned else a Very Good or better example. Inscribed and signed by the author on front free endpaper: "Dorothy Perera - one of the new women! this decadent world we are transcending / Anaïs Nin / New York 1943." The first work to come out of the Gemor Press which Anaïs Nin and her lover Gonzalo More established in Greenwich Village in 1942 naming it the Gemor Press after Gonzalo though Nin raised the money taught herself to set type and did the lion's share of the physical work. Distribution in turn was aided by Frances Steloff at the Gotham Book Mart. The works Gemor published--eight titles all together six of them by Nin herself--were frequently illustrated by Nin's husband Hugh Parker Guiler who went under the pseudonym Ian Hugo. The colophon in this work notes that Hugo "used the tecnique sic which William Blake called 'revealed' because it was revealed to him by his brother in a dream. This is the first time this technique as developed by S.W. Hayter has been employed since Blake invented it." Winter of Artifice was first published by the Obelisk Press in 1939 but the contents were revised for this edition which Nin's bibliographer Benjamin Franklin yes that's right claims is one of the hardest to date. Nin's diary usefully notes that the work was delivered fully bound on May 15 1942. Franklin A3b. Gemor Press unknown
1942réf. 32954New York: Gemor Press 1942. Very Good . New York: Gemor Press n.d. ca. 1942 First American Edition Limited to 500 copies. Octavo 21.5cm; publisher's black pictorial paper-covered boards; 4155pp.; copper engravings throughout. Brief rubbing to spine ends and corners white spine titling browned textblock lightly toned else a Very Good or better example. Inscribed and signed by the author on front free endpaper: "Dorothy Perera - one of the new women! this decadent world we are transcending / Anaïs Nin / New York 1943." The first work to come out of the Gemor Press which Anaïs Nin and her lover Gonzalo More established in Greenwich Village in 1942 naming it the Gemor Press after Gonzalo though Nin raised the money taught herself to set type and did the lion's share of the physical work. Distribution in turn was aided by Frances Steloff at the Gotham Book Mart. The works Gemor published--eight titles all together six of them by Nin herself--were frequently illustrated by Nin's husband Hugh Parker Guiler who went under the pseudonym Ian Hugo. The colophon in this work notes that Hugo "used the tecnique sic which William Blake called 'revealed' because it was revealed to him by his brother in a dream. This is the first time this technique as developed by S.W. Hayter has been employed since Blake invented it." Winter of Artifice was first published by the Obelisk Press in 1939 but the contents were revised for this edition which Nin's bibliographer Benjamin Franklin yes that's right claims is one of the hardest to date. Nin's diary usefully notes that the work was delivered fully bound on May 15 1942. Franklin A3b. Gemor Press unknown books
1948réf. 144891New York: E.P. Dutton & Company 1948. First edition of this landmark novel from the library of Anais Nin. Octavo original black cloth. Near fine in a very good dust jacket. Accompanied by a clipped dedication page that reads "For Anais Nin" boldly signed by Vidal laid in. Gore Vidal and Anais Nin's friendship emerged from their shared commitment to challenging the literary and cultural orthodoxies of mid-twentieth-century America. While Vidal’s incisive social satire and Nin’s lyrical explorations of erotic subjectivity differed in style both writers pursued themes of identity and transgression which created a foundation of mutual admiration. In fine condition. From the library of Anais Nin. An exceptional association linking these two great writers. Stylistically influenced by Hemingway this work "is distinguished by its honesty and lack of self-pity; the central figure is unexceptional in every respect but his sexual choices" Stringer 690. "One of the best novels of its kind. . . . It isnt sentimental and it is frank without trying to be sensational and shocking" Christopher Isherwood. E.P. Dutton & Company hardcover
1936réf. 191871Paris: Siana Editions 1936. First edition 34 of 249 printed. This copy is inscribed by the author on the front free endpaper "To John Goodwin in answer to 'There is no warmth / Here in the woods / Only the tremendous fire / Only the frustrating fever / The scattered tombs of thought / Presaging the will to die.' / Anaïs Nin." The House of Incest is a prose poem "a book of dreams fantasies half-realities visions interior monologues and journeys; an esoteric description of a progress through experiences and relationships that actually represent the unnamed narrator dealing with her own multifaceted self". Franklin and Schneider p. 4. Tall octavo. Original cream wrappers lettered in black edges untrimmed. With remnants of original glassine. Spine creased from reading ends slightly chipped wrappers a little damp stained edges toned: a very good copy. Wendy M. DuBow Conversations with Anaïs Nin 1994; Benjamin Franklin & Duane Schneider Anaïs Nin: An Introduction 1979; Carl Rollyson Rebecca West and the God That Failed 2005. unknown
1740réf. 48618Nürnberg, (Lorenz Bieling für) Johann Adam Schmidt, 1740. Fol. Titel in Rot u. Schwarz m. gest. Vignette. Mit 51 Wappenkupfern u. zahlr. tlw. doppelblattgr. Stammtafeln im Text. 10 Bll., 505 (1) S., 17 Bll., HLdr. d. Zt. a. 5 Bünden m. Rückenverg., goldgepr. Rückenschild u. dreiseitigem Rotschnitt.
réf. 24841BERTELSMANN CARL. 1. hardcover. Nur für Mitglieder! BERTELSMANN, CARL hardcover
