PETRICONI (J. L. de).Livre Rare Book
3.181 Ergebnisse
1816Best.-Nr. 123712Bastia Impr. d'Etienne Battini 1816 1 vol. en feuilles placard in-4, format 30,5 x 20,5 cm. Poème anacréontique (et un brin flagorneur) du "très-humble et très-obéissant serviteur" J. L. de Petriconi, juge, composé à l'occasion de la fête donnée par le conseil municipal et plusieurs notables de la ville de Bastia en l'honneur du Marquis de Rivière, envoyé par Louis XVIII afin de calmer les troubles insurrectionnels sur l'île. Document rare, en belle condition.
1835Best.-Nr. GITf702Paris Imprimerie Royale 1835. In-4 1 feuillet non chiffré (titre) 458pp. Exemplaire sans sa reliure, brochage solide, sans rousseurs, bien complet de tout son texte. RARE.
1891Best.-Nr. 180141891. Paris chez l'auteur 1891 - Reliure moderne demi basane rouge à cons renforcés pièce de auteur en basane noire couv. conservée sur beau papier non justifié grandes marges 23 cm x 29 cm XI+ 273 pages 6 planches hors-texte (1 fac-similé et 5 héliogravures - Texte du Prince Roland Bonaparte signature de l'auteur importante bibliographie - Non coupé très bon état
1580View taken from La Raccolta di le piu illustri et famose citta di tutto il mondo, published by Francesco Valegio in Venice towards the end of the XVI century, containing about 322 plans and views of the main cities of the World. There are different examples of this work, every one with a different number of plates and without an index. Many of these plates have been afterwards included in Donato Rasciotti's Nuova raccolta di tutte le più illustri et famose città di tutto il mondo, printed at the end of the XVI century. It is still, however, quite unclear whether Valegio or Rasciotti published first his collection. Francesco Valegio was born in Bologna around 1560, even though some say he might have been born in Verona; as engraver and calcographer, he worked in Venice, very often in association with other publishers. The plates of his series, which can be considered his most important work, do not bear any date, except for those of Algeri, Costantinopoli and Rodi, signed by Martino Rota, dated 1572. The city plans signed by Rota, (engraver born in Sebenico who worked in Venice until 1573), are the most ancient core of the work, which make us think that this work has been planned by Rota himself. Many plates recall the figurative models of the Civitates Orbis Terrarum printed between 1572 and 1588 (afterwards reissued until 1617) by Georg Braun and Franz Hogenberg. It is possible that Valegio started to select the plates by Rota around 1580 and afterwards enlarged his collection at the end of the century. 112 plates bear Valegio's signature or monogram and as many can be ascribed to him; 69 have been ascribed to an unkwown artist. The collection was extremely successful and became the base for the following copies. Valegio's plate have been reissued by Raffaello Savonarola (Lasor a Varea) in the Universus Terrarum Orbis in 1 713. There are 52 plates depicting the peninsula. A distinctive element of this corpus is the presence of a number (from 1 to 60) with ancient ink, on the white upper margin; that makes us presume that these examples come from another collection of Valegio, Raccolta delle più famose Città di Italia, which he created by changing the front page of his previuos publication. Copper engraving, particularly rich and with good contrast, in excellent condition. Very rare.
1767Best.-Nr. 18416Amsterdam 1767 Deux parties en 1 volume in-12, demi-veau blond à petits coins, dos à nerfs, filets bruns et doré, 6- 158- 8- 28 pp. 9 planches dépliantes gravées sur cuivre. La pièce de titre manque, charnières usées fragiles, coiffes usées. Int. frais.
1855Best.-Nr. 217573London: Thomas Constable 1855. First of this translation. "Constable's Miscellany of Foreign Literature Vol. V. Translated from the German by Alexander Muir. Frontispiece engraved map printed in color. vii 326 2ads; viii 290 2 4adspp. 2 vols. 8vo. Original gilt-stamped brown cloth covers stamped with wreath around a globe. Covers a little faded small nick to fore-edge of title-page else very good. First of this translation. "Constable's Miscellany of Foreign Literature Vol. V". Translated from the German by Alexander Muir. Frontispiece engraved map printed in color. vii 326 2ads; viii 290 2 4adspp. 2 vols. 8vo. Published the year after the first edition the work begins with a historical overview before describing the authors travels on the island. Oddly enough three translations of Gregorovius' work on Corsica 1853 were published in 1855: Muir's; Russell Martineau's Longman's; and Edward J. Morris' Phila. Parry. Thomas Constable unknown
1735Incisione in rame (mm 293x452 e margini). Curiosa composizione che raffigura le linee costiere di Corsica e Sardegna. Tratta dall' atlante nautico "Recueil de plusieurs Plans des Ports et Rades et de quelques Cartes particulières de la Mer Méditerranée, avec les figures des Terres remarquables pour les reconnoissances des Atterrages", edito tra il 1732 ed ll 1746. Jacques Ayrouard, idrografo francese, risulta attivo tra il 1730 ed il 1750; il raro atlante dei porti del Mediterraneo rimane la sua unica opera. Questo atlante nautico sarebbe stato successivamente disegnato da numerosi idrografi, in particolare William Heather che cita Ayrouard nel suo "New Mediterranean Pilot" del 1802. L'incisore, Louis Corne, è noto a Tooley esclusivamente da questo lavoro. Bell'esemplare in buono stato di conservazione, numerata a mano nell'angolo superiore sinistro, qualche piccola macchietta rossa.. The Map Collector, Issue 24, p.49..
1735Best.-Nr. 1000347AGNürnberg, Homann Erben, 1735. Kupferstich mit Grenz- und Flächenkolorit nach Wieland und Schubarth, oben links figürlich allegorische Titelkartusche oben rechts Legende 1-38, unten links Entfernungskartusche. Bildformat 55 x 48 cm, unter Passepartout und Glas in Holzrahmen mit Schnitzereien 73 x 66 cm, [6 Warenabbildungen] einzelne grössere aber schwache Stockflecken, etwas fliegenverschmutzt, der Rahmen fußseitig etwas bestossen, grosses dekoratives Blatt,
1906Best.-Nr. 9830Paris, Librairie L. Conquet, L. Carteret et Cie, 1906. In-4 de [8]-XI-41-[7] pages, pleine basane façon croco bordeaux, dos lisse avec titre doré écrit à la verticale, imposantes roulettes dorées ornant les plat et le dos, couvertures et dos conservés, tête dorée, gardes façon batik. Dos et second plat insolés. Reliure de René Kieffer.
1955Roy. 8vo. First Edition thus with a frontispiece 7 plates and endpaper maps; navy buckram vellum back black label lettered in gilt gilt top uncut silk marker a very good bright clean copy in publisher's card slip-case the latter mildly worn at edges and c EDITION LIMITED TO 400 COPIES. Published in 'The Yale Edition of the Private Papers of James Boswell'.
Best.-Nr. 6438Bastia, Batini, an X(1802). In 8 couverture dominotée muette de l’époque (mouillure pâle tout du long).
19122 voll. in 4, cm. 24,5 x 33, pp. (8) + 620 con 29 tavole fuori testo in fotocalcografia (in volume a parte). Mezza pelle coeva. Il Corpus Nummorum Italicorum noto anche come CNI, e' stato scritto da Vittorio Emanuele III di Savoia coadiuvato dai piu' esperti numismatici dell'epoca. Primo tentativo di un catalogo generale delle monete medievali e moderne coniate in Italia o da Italiani in altri Paesi. È ancora oggi fondamentale per lo studio e la classificazione delle emissioni delle diverse Zecche italiane a partire dal Medioevo.
Best.-Nr. 552241Librairie Ernest Leroux Paris 1939 In-8 ( 250 X 165 mm ) de 223 pages, pleine toile verte, dos lisse janséniste avec pièce de titre et d'ordre de maroquin rouge, couverture conservée. 5 cartes dépliantes hors-texte. Edition originale très rare. Tampons sur les premiers feuillets de l'ancienne bibliothèque de "l'Assemblée de L'union Française" dissoute en 1958. Bel exemplaire.
1860Best.-Nr. 3096Bastia Imp. Fabiani 1860 in-4 de 2 ff.n.ch. et pp. [3] à 16 bradel demi-perc. grise, titre or en long au dos, couv. cons. [Rel. post.]
1771Best.-Nr. 412EDITION ORIGINALE. Ed. Chez Herissant, Paris :1771. 2 vol. In -12 ( 17 X 10 cm) , pleine reliure de l’époque de basane fauve mouchetée, dos à nerfs et à caissons ornés et dorés. Pièces de titre de maroquin grenat , pièces de tomaison de maroquin vert à caractères et filets dorés. T1 : 329 p.p., 4 p. De corrections et additions. T2 : 316 p.p.2 p. De corrections et additions , 2 p. Approbation et privilège du Roi.
Best.-Nr. 849298Buisson Ferney - Paris 1789 3 volumes in-12 ( 185 X 105 mm ) de XII-315 335 et 288 pages, cartonnage de papier marbré à la bradel, superbe papier dattente de lépoque conservé à lintérieur de louvrage ( Reliures signées de LOBSTEIN LAURENCHET ). EDITION ORIGINALE. Mouillure claire à quelques feuillets, quelques déchirures en marge sans atteinte au texte. Beaux exemplaires agréablement reliés. ( Attribué à RETIF DE LA BRETONNE par Barbier "Dictionnaire des ouvrages anonymes et pseudonymes" ).
1580Best.-Nr. 1000184AGum 1580. Altkolorierter Kupferstich aus Cosmographia, Bildformat 31 x 36 cm, [6 Warenabbildungen]
1584Best.-Nr. 1000170AGAntwerpen, 1584. Altkolorierte Kupferstich aus Ortelius, Theatrum Orbis Terrarum. rückseitig lateinischer Text. Bildformat 33 x 49 cm, [Van den Broecke, Ortelius Atlas Maps; 137], [5 Warenabbildungen] Mittelfalte, kräftiges Kolorit,
1731Carta geografica della Sardegna edita ad Amsterdam verso la metà del XVIII secolo. Incisione in rame, bella coloritura coeva, in ottimo stato di conservazione. Rara. Carta geografica della Sardegna edita ad Amsterdam verso la metà del XVIII secolo. Incisione in rame, bella coloritura coeva, in ottimo stato di conservazione. Rara.
Best.-Nr. 23589Aquarelle sur papier, 21 x 28.7 cm.
1836Best.-Nr. GITf270Paris Furne 1839. 4 volumes in-8 XVI 384, 416, 430, 375pp. Veau glacé bleu nuit, dos à 4 nerfs élégamment orné de cadres de filets gras-maigres et de grandes pastilles dorés, plats encadrés d'un double filet doré gras-maigre, coupes filetées, dentelle dorée sur bordure intérieure, tranches marbrées, reliure de l'époque (Brigandat). Orné de 57 planches hors texte représentant des portraits, des vues ou scènes de batailles et des cartes (6 de celles-ci dépliantes). Quelques rousseurs par endroits. Exemplaire bien complet, conforme à la description de Vicaire VI, colonnes 224 à 226.
Best.-Nr. 174747Caen, A. Hardel ; F. Poisson ; B. de Laporte, 1843-1847 6 pièces en un vol. in-8, demi-chagrin noir, dos à nerfs fleuronné (rel. de la fin du XIXe s.). Coiffe sup. presque arasée mais bon exemplaire.
1720La carta proviene dall'Urbis terrarum veteribus cogniti del 1720. La scritta col titolo è circondata da nove medaglioni colorati che ricordano altrettante monete antiche. In alto a sinistra in una cornice quadrangolare è inserito il disegno di una parte della Corsica e l'isola d'Elba che non sono comprese nella carta generale. In basso a sinistra, in un'altra cornice, è l'isola di Malta, qui col nome latino Melita. La semiologia è la stessa nei vari disegni delle isole: l'orografia è rappresentata con mucchi di talpa ombreggiati, i fiumi con un tratto marcato, le coste tratteggiate esternamente. La vegetazione è indicata con alberelli; le città con diversi simboli a seconda della loro importanza. Sono anche ricordati i nomi latini delle antiche popolazioni.Incisione in rame, bellissima coloritura coeva, in ottimo stato di conservazione. Unusual historical map showing Sardinia and Corsica together with a cartouche depicting Malta. Taken from the "Descriptio Orbis Antiqui" edited in Nuremberg. Copperplate, beautiful contemporary colour, in very good conditions.
1799Best.-Nr. 37904London: Peter Elmsly Printer To the Royal Society. Good with no dust jacket. 1799. Hardcover. Late 19th century morocco backed library cloth with library stamps and bookplate. Vi 348 8pp. 21 engraved plates some folding. Front board detached included. Includes a paper by Everard Home: An account of the Dissection of an Hemraphrodite Dog. To Which are Prefixed some observations on Hermaphrodites in General pp. 157-178. Other papers included. Contents are VG. ; Large 8vo 9" - 10" tall; 348 pages . Peter Elmsly, Printer To the Royal Society hardcover
1700Best.-Nr. 1377PARIS. L'AUTEUR. 1700. GRANDE CARTE IN-PLANO DE 64 X 50 CENTIMETRES ENVIRON, GRAVEE EN NOIR, LIMITES COLORIEES D'EPOQUE (MARGES 74 X 53), DANS UN CADRE BAGUETTE ACAJOU ET DORE. DEFAUTS AU CADRE, SINON CARTE EN BEL ETAT.
