49 075 résultats
réf. B128302-3Paris 1961. 2pp. 19 plates. Tall 8vo. Wraps. with pochoir illus. by the artist. Paris, [1961]. paperback books
réf. B305743-2Paris Éditions du Centre Pompidou 2008. 455pp. Prof. illus. Lrg. 4to. Boards 1/4 cloth. Paris (Éditions du Centre Pompidou), 2008. hardcover books
réf. B116533-4Paris 1993. 174pp. Prof. illus. 4to. Stiff wraps. Paris, 1993. paperback books
réf. B172099-1Paris 1924. 4pp. 16 woodcut plates. All contents loose as issued. Lrg. 8vo. PublisherÂ's chemise. New fitted cloth clamshell case. Edition of 160 numbered copies on Chine with all plates signed and titled in pencil by the 16 participating artists among them P.-E. Colin P.-E. Vibert Gabriel-Belot E. Boizot Picart-le-Doux and P. Gusman. Loosely inserted printed correspondence from the Société to a member and 1 postcard printed from a block in this series. Paris, 1924. hardcover books
1982réf. 27197Paris: Atelier de l'Olivette 1982. First edition. Paris Gabriel. Wrappers 23x 23 cm in publisher's chemise and slipcase. Etched portrait of the author and eight silkscreen illustrations some double-page. One of 10 copies signed and numbered by the author and artist with a page of the author's manuscript an original drawing and a suite of the prints printed on vergé Romana from a total edition of 75 copies printed by hand on Arches paper. 13 poems organized according to the seasons of life. Fine. Atelier de l'Olivette unknown books
réf. B145540-4Paris 1925. 8 2pp. Wraps. light wear. Paris, 1925. paperback books
réf. B145540-3Paris 1925. 8 2pp. Wraps. Rare: OCLC lists only 1 copy at the Frick. Paris, 1925. paperback books
1990réf. 108615Atlanta: SOLINET Preservation Program Southeastern Library Network 1990. stiff paper wrappers. 8vo. stiff paper wrappers. vii 24 pages. Guidebook to choosing a conservator. Information about making contacts and what to expect after a conservator is retained. Bibliography and biographical skecth of the author. Information about resources training programs and conservation centers. Black and white illustrations. SOLINET Preservation Program, Southeastern Library Network unknown books
réf. WALTER-FILM007472Walery Paris. No binding. About Fine. Paris France: Walery Paris ca. 1927. Vintage original 3 3/4 x 5 1/5" 10 x 13 cm sepia-tinted postcard. Fabrication française par Walery Paris. Minor crease at bottom right corner about fine. A provocative pose of the entertainer Josephine Baker who banned in America made her mark in entertainment history presenting her innovative dance and costuming to Paris of the 1920s. During her early career Baker was among the most celebrated performers to headline the revues of the Folies Bergère in Paris. Her performance in its 1927 revue Un vent de folie caused a sensation in the city. Her costume consisting only of a short skirt of artificial bananas and a beaded necklace became an iconic image and a symbol both of the Jazz Age and the Roaring Twenties. Walery, Paris unknown books
1861réf. 42240Paris: Maison Martinet 1861. Oblong folio. 10 1/2 x 14 1/4 inches. Lithographed title page with a view of the Palais de l'Industrie and 25 tinted lithographed plates haphazardly numbered but complete. Finely bound in full brown morocco spine with raised bands forming six compartments boards and spine ruled gilt. Marbled endpapers gilt dentelles. All edges gilt A striking portfolio of mid-19th-century Parisian views produced during a period of intense visual and infrastructural transformation. A rare album documenting the architectural and urban transformation of Paris during the Second Empire. Issued by Martinet a leading publisher of illustrated works in mid-19th-century France the album captures many of the city's most recognizable monuments and public spaces as they appeared during Baron Haussmann's radical redesign of Paris. Among the views included are the Arc de Triomphe the Panthéon the Jardin du Palais Royal the Colonne de la Place Vendôme the newly rebuilt Louvre and the Palais de l'Industrie erected for the 1855 Exposition Universelle and a signature project of Napoleon III's modernization campaign. Published at a time when Paris was being refashioned into a model imperial capital the present work offers a compelling visual record of the city's architectural self-image. The use of tinted lithography lends the scenes a quiet almost romantic clarity emphasizing both the monumental and the picturesque. Maison Martinet unknown books
1996réf. 291998San Francisco: Alternate Publishing Co 1996. Magazine. 98p 8.5x11 inches erotic fiction photos drawings ads wraps lightly soiled else very good gay male rough trade and SM magazine in stapled pictorial wraps. Alternate Publishing Co unknown books
1686réf. 4982Toulouse: Chez Jean Boude 1686. Soft cover. Very Good. 4to - over 9¾ - 12" tall. 8 pp. Bound in marbled wrappers and housed in a fine red morocco case. $3850 Extremely rare first and only edition of this detailed popular newsletter concerning the contemporary reception of three Siamese ambassadors in Paris in September of 1686. The report gives a full description of their entrance their itinerary and the names and qualities of the individual ambassadors - whose 9-month stay in northern France between 1686 and 1687 must have provoked enormous interest. Providing the reader with some background the work notes that the King of Siam having been only recently convinced of the greatness of Louis XIV and the French nation has decided to send three more mandarins as envoys. "Ces Mandarins sont tres-honnestes les meilleures gens du monde doux civils & complaisans de tres-bonne & agreeable humeur .". According to this account they arrived at Brest on the 18th of June and reached Paris only on the 12th August. On the 'first day of this month of September' the delegation was officially presented to Louis XIV. Its centerpiece was the King of Siam's letter to Louis written on a blade of gold encased in a golden boëte bottle and poised atop a golden chalice all of which was carried aloft on a machine by 12 Swiss guards. The ambassadors themselves it is recorded took care to cover the machine with their parasols. Upon meeting the king "ils firent une profonde reverence en leur maniere se prosterant & mettant leurs mains sur leur vissage". The gifts presented by the envoys are notable for their overwhelming Japanese provenance a closed center of trade to the French and are accompanied here by occasional offhand remarks. Two vases of tombac a flexible alloy similar to brass are thought "presque aussi précieux que l'or" and are imputed to be "what the ancients called electrum"; two samurai swords presented by the King of Japan to the King of Siam are accompanied by the remark "they say that those who know how to handle these swords properly can cut a man's body in half; it's this that makes them beyond price"; etc. An antique marble sculpture apparently depicts a Chinese man whom the Siamese call To inghoing; "we belivee that this is the same as he whom we call Confuscius". The writer of the newsletter seems surprisingly well-informed and is certainly aware of the plans of the official retinue suggesting a source perhaps close to the court. "They are presently busy seeing the beauties and the riches of the Capital of our Kingdom. Around February after they have had their final royal audience they will return and recount all that they have seen and assuredly they will not forget what they have learned and understood of the suprising reunion of Protestants to the Roman religion for the King of Siam having proposed Louis le Grand as a model in all things and desiring to be able to make his entire kingdom French.has demanded that the King send him missionaries persons experienced in warfare wise men and men learned in many arts." Following this account of the ambassadors' visit is a brief 'Description du Royaume de Siam' - with much reference to Arab and Moorish settlements to the Siamese love of music to their 'superbly-dressed women' etc. Thanks to royal decree Siam enjoys public schools in which laws and religion are taught in the vernacular but the sciences are reserved for a learned tongue. Inspired no doubt by the Chinese rites controversty the commentator notes that despite their plural deities the Siamese do believe in one Creator of the Earth and the Heavens and they do maintain that the world will end in fire. The final leaf of the work is occupied with a discussion of the 'names and qualities' of the amabassadors. OCLC records only the copy at Cornell. OCLC 64004509 Chez Jean Boude paperback books
réf. B305137-2Paris 1936. 8pp. 3 plates. Tall 8vo. Orig. wraps. Catalogue of 27 paintings and an unspecified number of drawings. Paris, 1936. paperback books
réf. B10447-6Paris 1975. 248 4pp. Prof. illus. Sq. 4to. Wraps. Paris, 1975. paperback books
réf. B10447-7Paris 1975. 248 4pp. Prof. illus. Sq. 4to. Wraps. Paris, 1975. paperback books
réf. 1404893Photograph w. 9 15/16 in. x h. 8 in. In Very Good condition. Color photograph of George W. Bush and Laura Bush with tailor Georges de Paris; inscribed in black ink at bottom edge: "To George de Paris with best wishes" and signed by George W. Bush and Laura Bush. Shelved in Case 1 1/2 Binder. Georges de Paris was a French tailor who is often referred to as having been the President of the United States' unofficial tailor. Paris fashioned suits for every American President from Lyndon Johnson to Barack Obama. Wikipedia. 1404893. Shelved Dupont Bookstore. unknown books
réf. 11090Woodcut royal coat-of-arms to title. 46 2 pp. 12mo 157 x 98 mm. 19th-cent. blue morocco-backed marbled boards spine gilt. Paris: Herissant pere 1769. Scarce Salon livret from the library of prominent museum curator comte L. Clément de Ris 1820-82. Ca. 92 artists exhibited 259 paintings drawings sculptures engravings etc. We note the participation of Boucher Vien Lagrenée Vanloo Chardin De la Tour Vernet Baudoin Leprince Robert Amand Lépicié Huet Greuze Hall Le Bas Tardieu Wille etc. etc. A two-page Arret from 1714 regarding the counterfeiting of artists’ prints is bound-in at the end. In excellent condition with notable provenance. de Ris amassed one of the greatest collections of art exhibition catalogues and he has added the year he acquired this volume — “1859” — alongside his ownership inscription to the recto of the first blank leaf. â§ Documenting the Salon: Paris Salon Catalogs 1673-1945 National Gallery of Art Library: 2016. unknown books
réf. B68262-2Paris 1947. Poster with manuscript text and portrait drawing at the center printed on salmon-colored wove stock in offset lithography. 580 x 400 mm. 22 7/8 x 15 5/8 inches. 2 cancelled taxe daffichage stamps affixed at blank portion at lower left as usual. The extremely rare graphically riveting poster for one of the most radical exhibitions in postwar France Dubuffets art brut portraits of Parisian intellectuals at the Galerie René Drouin in 1948. Initially the series was based on personalities in the literary salon of Florence Gould to which Dubuffet had been introduced by Jean Paulhan including Paulhan himself Pierre Benoit Marcel Jouhandeau and Paul Léautaud; it was then extended to include other friends and acquaintances such as Antonin Artaud Francis Ponge Henri Michaux and Jean Fautrier. Dubuffets aggressive graffiti-style caricatural portraits of 1946-47 are in part caricature in the simplest sense a mocking variant on the pantheons of artists that had become sober clichés of even radical French art as in Surrealist group portraits. But Dubuffets portraits manifest the revolt and revulsion of intellectuals: mental energy and will are now all that matter and the body can indeed must. go to hell. His writers and intellectuals are pathetic monsters their features reduced to pop-eyed scrawls their aplomb prodded into jumping-jack spasms. Yet since grotesque harshness and imbalanced disturbance are in Dubuffets view tokens of authenticity to be portrayed by him with scar-like contours and inept anatomy is perversely to be made glamorous High and Low. A few indetectible very short clean marginal tears mended on verso; a bright unfolded copy. Paris, 1947. books
1932réf. 581586Paris: Harrison of Paris 1932. Softcover. Fine. Publisher's prospectus. One folio sheet of salmon paper folded twice to make four pages with the unused printed mailing envelope present. Prospectus measures approximately 6" x 9½" closed. Modest tanning mostly confined to the envelope else fine. A nicely printed prospectus for A Calendar of Saints for Unbelievers by Glenway Wescott with illustrations by Pavel Tchelitchew and A Typographical Commonplace-Book described as "a tour-de-force in printing"; the final page prints a "Retrospecticus" of other Harrison titles and a couple of positive blurbs. Harrison of Paris unknown books
1830réf. 10408216cm boards rebacked with black tape illustrated small publisher's catalogue laid in in front 763 pp. plus 24 pp. street index dated 1827. Boards are a bit worn at extremities top hinge is cracked one page from publisher's catalogue loose first map with some crude tape repairs at the top map is a little browned and soiled with minor chips and tears contents with a little foxing aging and browning; good overall. This is the 17th edition of this somewhat scarce Paris guidebook. The book is in English and has 15 plates and two folding maps. The title page indicates a description of Palace Park and Versailles is included and "a plan for viewing Paris in a week." OCLC. A. and W. Galigani, books
1993réf. 26186New York: William Morrow and Company Inc. Fine in Fine dj. c.1993. First Edition. Hardcover. lovely as-new copy with no discernible wear to either book or jacket. B&W photographs INSCRIBED with only the inscribee's first name and SIGNED by the author on the verso of the half-title page with some bleed-through. Bernie Schwartz of the Bronx tells his story "from his boyhood in the Depression-era New York streets -- back when he was a fast-footed quick-witted kid the son of Hungarian-Jewish immigrants -- through forty years as an eminent screen idol. The book pulls no punches: Curtis debunks myths of stardom and glamour with a raw uncensored street-honed New York bite." He rather negated the "The Autobiography" subtitle when he published another one in 2005 "American Prince" which was subtitled "My Autobiography." Signed by Author . William Morrow and Company, Inc. hardcover books
réf. 24596Paris: Gazette du Bon Ton Early 20th century. Paper. Fine. Plates are 24 x 19 cm. With image portion 15 x 13 cm. All are in fine condition in clear glassine folders. Georges Lepape a French poster artist illustrator and fashion designer. Lepape's work incorporates orientalist motifs with fluid lines bold coloration. Four are illustrated. Gazette du Bon Ton unknown books
réf. 24600Paris: Gazette du Bon Ton Earl 20th Century. Paper. Fine. Plates are 24 x 19 cm. With image portion 15 x 13 cm. Seven full page pochoir illustrations. All are in fine condition in clear glassine folders. His work appeared in bastions of elegant French cartooning like Le Rire and La Vie parisienne as well as in the sumptuous fashion plates of Lucien Vogel's Gazette du Bon Ton. Additional available on request. Gazette du Bon Ton unknown books
réf. 24598Paris: Gazette du Bon Ton Earl 20th Century. Paper. Fine. Plates are 24 x 19 cm. With image portion 15 x 13 cm. Nine full page pochoir illustrations. All are in fine condition in clear glassine folders. Mourgue was appointed house illustrator for the influential French fashion magazine Gazette du Bon Ton. Mourgue also created exceptional illustrations for the couture houses of Jacques Fath Lanvin Dior Balenciaga Balmain and Givenchy and department stores including Au Printemps Paris. Six are illustrated additional available on request. Gazette du Bon Ton unknown books
réf. 24597Paris: Gazette du Bon Ton Earl 20th Century. Paper. Fine. Plates are 24 x 19 cm. With image portion 15 x 13 cm. All are in fine condition in clear glassine folders. His presentations most against a dark background with figures composed in spectacular contrasting designs. Six are illustrated. Additional available on request. Gazette du Bon Ton unknown books