49 075 résultats
réf. B303146-1Paris 1975. 2 vols. 30pp. 30pp. Illus. 4to. Wraps. The names of the curators have been blackened out in the colophon. Paris, 1975. paperback books
réf. B267477-2Paris 1973. 107pp. Prof. illus. Tall 4to. Wraps. Paris, 1973. paperback books
réf. B303076-1Paris/Toronto Hazan/ Jeu de Paume/ Ryerson Research Centre 2012. 223 1pp. Prof. illus. 4to. Stiff wraps. Paris/Toronto (Hazan/ Jeu de Paume/ Ryerson Research Centre), 2012. paperback books
réf. 11030Woodcut coat-of-arms & woodcut headpiece. 56 pp. & one leaf of ms. Early 19th-cent. marbled semi-stiff wrappers 149 x 95 mm. leather lettering-piece on spine. Paris: veuve Herissant 1781. Scarce livret for the 1781 Paris Salon with a manuscript addendum detailing eight more works that were displayed. Ca. 87 artists exhibited at least 318 paintings sculptures engravings drawings etc. Artists such as Doyen Brenet Taraval Vernet Renou Casanova Guerin Robert Huet Vallayer-Coster Wailly Pérignon Suvée Callet Parrocel Pajou Berruer Houdon Boizot Julien Cochin etc. participated in this year’s Salon. In fine condition. â§ Documenting the Salon: Paris Salon Catalogs 1673-1945 National Gallery of Art Library: 2016. unknown books
réf. 1103496 pp. 12mo 157 x 93 mm. 19th-cent. green sheep maroquiné-backed marbled boards spine gilt. Paris: veuve Hérissant 1795. An uncommon Salon livret from the Revolutionary period; WorldCat records only two examples in North America the National Gallery of Art Library also has one. This copy was once part of the library of comte L. Clément de Ris 1820-82 a prominent museum curator who amassed one of the finest collections of art exhibition catalogues. With entries for paintings numbered 1-535; Sculpture 1001-1089; Architecture 2001-2063; and Gravure 3001-3048. Fine copy with distinguished provenance. Small marginal tear to pp. 83-84. â§ Documenting the Salon: Paris Salon Catalogs 1673-1945 National Gallery of Art Library: 2016. unknown books
réf. 110402 p.l. 100 pp. 12mo 160 x 98 mm. 19th cent. patterned cloth leather lettering-piece on spine cont. paste-paper wrappers bound-in. Paris: L’Imprimerie des Sciences et Arts An VI i.e. 1798. Scarce Revolutionary-era Salon livret; WorldCat locates just three examples in North American libraries. Some sources date this Salon as taking place in 1797 as does the text of the lettering-piece on our volume. In very good condition; foxing throughout. â§ Documenting the Salon: Paris Salon Catalogs 1673-1945 National Gallery of Art Library: 2016. unknown books
réf. 11028Woodcut royal coat-of-arms to title & two woodcut head-pieces. 40 pp. 12mo 160 x 96 mm. late 19th-cent. green morocco-backed marbled boards spine gilt. Paris: J. T. Herissant 1763. A scarce mid-18th century livret for the Paris Salon from the library of museum curator comte L. Clément de Ris 1820-82 with his dated ownership inscriptions “1864” to the first blank leaf and the title-page. These ephemeral publications were distributed at the Salons and have become exceedingly scarce on the market. The first Salon livret was produced in 1673–only three copies of this inaugural booklet are known. The catalogue has 208 entries of paintings sculptures engravings and one tapestry contributed by ca. 76 artists including C. & L. M. Vanloo Boucher Nattier Vien Chardin Millet Vernet Mme. Vien Casanova Greuze Adam Fessard Lempereur Moitte etc. etc. It is notable to see a woman included Marie Thérèse Vien 1735-1805 née Reboul; some of the paintings shown at this Salon were acquired by empress Catherine II. A fine copy formerly in the library of an important art historian. â§ Documenting the Salon: Paris Salon Catalogs 1673-1945 National Gallery of Art Library: 2016. unknown books
réf. 11031Woodcut royal coat-of-arms to title. 59 pp. 12mo 164 x 98 mm. 20th-cent. green morocco-backed marbled boards by Blanchetière spine ornately gilt t.e.g. Paris: l’Imprimerie des Bâtimens du Roi & de l’Académie Royale de Peinture 1787. Scarce livret produced for the 1787 Salon in Paris. Ca. 115 artists exhibited 327 paintings drawings sculptures engravings etc. The exhibition presented the work of Brenet Suvée Vernet Weyler Callet Vigée-Lebrun pp. 19-20 Labille-Guiard pp. 21-22 David Wertmuller Peyron Perrin Hall Bilcoq Pajou Bridan Boizot Houdon Comte de Parois Porporati Venon Monot etc. A finely bound copy of this rarity livrets of the Paris Salon are now rare on the market. â§ Documenting the Salon: Paris Salon Catalogs 1673-1945 National Gallery of Art Library: 2016. unknown books
réf. 11032Woodcut royal coat-of-arms to title. 60 pp. 12mo 172 x 103 mm. 20th-cent. half-green morocco over marbled boards by Blanchetière spine ornately gilt t.e.g with cont. decorative wrappers bound-in. Paris: l’Imprimerie des Bâtimens du Roi & de l’Académie Royale de Peinture 1789. Scarce 18th-century Salon livret; WorldCat records only three examples in North America. Ca. 117 artists participated and presented a total of 335 works. The artists present for this year’s Salon included Rameau Vallayer-Coster pp. 13-14 Vigée-Lebrun pp. 19-20 Labille Guiard David Houdon Moitte Saint-Aubin etc. An exquisitely bound copy in fine condition. â§ Documenting the Salon: Paris Salon Catalogs 1673-1945 National Gallery of Art Library: 2016. unknown books
réf. B303046-1Paris 1991. 325 3pp. Prof. illus. Lrg. 4to. Stiff wraps. Paris, 1991. paperback books
1914réf. 8876Paris: Imprimerie de la Samaritaine 1914. Booklet stapled in wrappers 24 x 15.5 cm. 15 pages. Illustrated throughout. Text in French. FIRST EDITION. A small trade catalogue featuring aprons of every type offered by Paris' famous Samaritaine department store. The aprons are divided into men's and women's. Women's aprons include those for trade kitchen nurse and baker. For men the aprons include those for gardener valet military grocer wine merchant chef doctor and veterinarian. Small aprons for valet boys and dining room boys are also included. Illustrated wrappers with 2 cm. stamp on front panel "Collection Debuisson Paris". Mme Roxane Debuisson 1927-2018 assembled one of the great collections of materials related to the history of Paris. Much of it resides at Stanford University though some was sold at Drouot in March of 2019. Pages lightly age-toned otherwise fine. Near fine. OCLC locates no copies. Imprimerie de la Samaritaine unknown books
réf. 8371Paris: J. Barreau Imp. Edit.; Paris Lyons and Mediterranean Railway No Date. Quarto-sized booklet stapled in wrappers 26.5 x 19 cm. 19 1 pages. Illustrated with two maps in black and red and with two color plates and many black and white illustrations in the text. The text is a review of towns and cities in the Jura and Burgundy with small inset photographic images of famous buildings in each. In illustrated beige wrappers decorated and titled in dark green burgundy and gilt. Fine. J. Barreau, Imp. Edit.; Paris, Lyons and Mediterranean Railway unknown books
1940réf. 8413Paris: Editions Paul-Martial; Laboratoire Midy 1940. Octavo 21 x 13.5 cm. 47 1 pages. Illustrated with woodcut frontispiece and vignettes throughout by L. Danet. FIRST EDITION. Another promotional "cookbook" from the famous medical doctor gastronome and radio personality Edouard de Pomiane author of Vingt Plats qui Donnent la Goutte. This work is in the service of Thioderazine Midy a product of the French pharmaceutical firm Midy. Publisher's tan wrappers with French flaps printed in red and yellow; wrappers toned. Internally clean and sound. Very good. Editions Paul-Martial]; Laboratoire Midy unknown books
1965réf. 571548New York: Doubleday and Company 1965. Hardcover. Fine/Fine. First edition. Decorated by Erica Ducornet. Fine in slightest spine-toned still fine dust jacket. Doubleday and Company hardcover books
1949réf. 550190Shreveport Louisiana: The Venture Group at Centenary College of Louisiana 1949. Softcover. Very Good. Vol. 1 No. 2. Printed brown wrappers. Light creasing on one page and rear wrap ink notation and faint soil spot on cover very good. Includes contributions by: Cleanth Brooks Robert Penn Warren Richard Kirk J.C. Crews Julia B. Meyer Mary Adair Brown and more. The Venture Group at Centenary College of Louisiana) unknown books
1822réf. 27531822. Lithograph published by Gihaut. Delteil 47 ii/iv before the no. 2 is added. École nationale supériore des Beaux-Arts 1997-1998 E.45. Slight foxing. Image: 8¼ x 9¼. Margins: 10 x 14¼. Designed for the series of twelve lithographs entitled Études de Chevaux Lithographiés created by the artist soon after his return to France from England. Printed for the artist by Godefroy Engelmann I 1788 - Mulhouse - 1839. Gihaut books
1915réf. 5121Watercolor with colored pencil and pen and ink drawing. 9 1/8 x 10 1/2. Signed by Gaston de Latenay lower right. Framed. books
réf. B302329-1Paris 1999. Book-object of 32pp. of colored photographic plates without text. Oblong 8vo. Photo-illustrated self-wraps. with black plastic horizontal handles. Vincent Beaurin and Fabrice Domercq became part of the museums programs with various video installations including 7 images projected on the museums facade for a related exhibition March-May 1999. Paris, 1999. paperback books
réf. B208534-3Paris 1935. 34pp. 15 plates. 4to. Wraps. chipped. Cover title: Art Oriental. Collection de M. Emile Tabbagh. Paris, 1935. paperback books
réf. B301621-1Paris 2009. 6 vols. Guide dexposition. 107 3pp. I. Art impressionniste et moderne. 281pp. II. Tableaux et dessins anciens et du XIXème siècle. 157pp. III. Orfèvrerie miniatures et objets de vertu. 271pp. IV. Arts décoratifs du XXeme siècle. 431pp. V. Sculptures objets dart art dAsie archéologie et mobilier. 677 1pp. Prof. illus. in color throughout. Lrg. 4to. Wraps. Publisherss dec. box. Includes color folder with CD as issued. 6pp. auction results loosely inserted. Paris, 2009. paperback books
réf. B170928-2Paris 1908. 37 1pp. 8 phototype plates with tissue guards. 4to. Wraps. worn. The illustrated edition of the catalogue. Blue ink markings and annotations on title-page and front cover. Paris, 1908. paperback books
1974réf. 269763Milwaukee: Liberation Publications 1974. Magazine. 24p. includes covers 8.5x11 inches news art poetry services & resources ads events directory very good newsletter in stapled wraps. Paul Mariah: Notes from my Workbooks on Sex and a review of his book. Supreme Court upholds gay firing. Updates on local activities discussions of the Movement ads photos services etc. Literary reviews. Issues for Oct. 1971 - Nov. 1974 lack volume and issue numbering but constitute v.1 #1 - v.4 #2. Volume numbering begins with v.4 #3 Dec. 1974. The Gay People's Academic Union grew out of a University of a Wisconsin-Milwaukee student organization the Gay Liberation Organization which first met in 1970. The GPU was founded in 1971 and opened the first Gay & Lesbian Community Center. Liberation Publications unknown books
réf. B269325-3Paris 2008. 120pp. Prof. illus. 4to. Boards. Paris, 2008. hardcover books
1743réf. 37021743. Woodcut royal arms on title. 1 p.l. 34 pp. Small folio cont. French red morocco panelled in gilt in the style of the “cabinet du Roi” gilt arms & ciphers Olivier 2495 fer 2 on covers with ciphers on spine a.e.g. Paris: de l’Imprimerie Royale 1743. First edition and very uncommon. This catalogue the splendid Han Fürstenberg — Otto Schäfer — Jacques Bemberg copy lists the plates made of the collections of the king including paintings medals royal chateaux fountains grottoes statues busts tapestries and jewels along with records of festivals entrances battles etc. etc. “Colbert understanding that engraving was the best means to disseminate and preserve knowledge of the undertakings of Louis XlV began to assemble a group of outstanding engravers. By 1660 they had achieved the stature of independent artists and by 1670 had become a special group under the protection of the king joined together at the Gobelins around Charles Le Brun and Sebastien Le Clerc. From 1660 André Félibien was charged with providing descriptions of maisons royales and Adam Van der Meulen and Israel Silvestre were sent to the newly conquered territories to make views of the principal chateaus and fortresses. Other commissions for the Cabinet du Roi included engravings by Chauveau of the king’s paintings at the Tuileries; copies of paintings and sculpture by Claude Mellan Rousselet and Audran in the galleries of the king; copies by Ronelet of the king’s collection of medals; and other works of art and architecture by Rousselet Silvestre Chauveau and Le Clerc. At the same time the Académie des Sciences began scholarly works commissioned by Colbert…Illustrators for these works were Abraham Bosse Sebastien Le Clerc who often made engravings for Claude Perrault Nicolas Bailly and L. de Châtillon… “From 1670 Colbert determined to join these engravings in a collection. He proposed that at the end of each year a temporary volume would be composed of all types of works with the text printed in French and Latin. At the end of ten or twelve years the collection would be subdivided by topics so that the king would have volumes separated into all the sciences and achievements of his reign… “A complete record of the king’s possessions was never achieved but the plan was continued by his successors. The engravings from the Cabinet du Roi were first published in a variety of sizes and separately. They were then collected into volumes according to Colbert’s plan but sporadically. In 1727 a new edition was published with additional plates and a catalogue. A third edition of twenty-three volumes with further additions and an index was issued in 1743. Later sets were formed with plates from various editions. The plates survive to the present day at the Chalcographie du Louvre.”–Millard French Books 46. This catalogue was issued as a guide to the contents of the fifty sets of 956 plates of the 1743 edition which were prepared as gifts see Balayé La Bibliothèque Nationale des origines à 1800 pp. 226-27. Fine copy. unknown books
1961réf. 53377Olten Switzerland: Otto Walter Olten 1961. First edition. Hardcover. Very good condition. Quarto. 26pp. Original gray quarter cloth with black stiff paper plates with white lettering on cover. Special of "New Graphic Design/ Neue Grafik" No. 9. Compilation of forty-one samples of 1920s avant-garde design in Poland including designs by Jan Jerzy Wroniecki Titus Czyzewski Anatol Stern Stanislaw Stanislaw Mlodozeniec Leon Chwistek Wladyslaw Strzeminski and numerous designs by Henryk Berlewi as well as various Polish avant-garde groups and publications including several by BLOK. The designs are presented in b/w and color some include photographic images. "Despite the opinion of those who dream of "pure art" and despite its mechanical and industrial character typography give daily evidence of its close connection with present day developments in the plastic arts and shows its dependence on them by reflecting the various tendencies which arise. More than any other form of graphic design indeed typography today plays the part of a gauge of the general aesthetic level and mirrors the culture on which it is based. It is only necessary to glance at the typography of a country to get a fairly accurate idea of the degree of aesthetic and intellectual development reached there." Berlewi. Text including captions in German English and French. With biographical notes on Henryk Berlewi at rear. Minor wear. Otto Walter Olten hardcover books