787 résultats
1985réf. 29196New York: Belwin-Mills PN A607 1985. Octavo. Original publisher's decorative wrappers printed in colour. 1f. recto title verso copyright statement 2ff. notes synopsis biographical notes 1f. recto cast list and contents verso blank 1 half title 2-49 i blank pp. Named cast includes Cécile Gregoire Esther Gregoire Adèle Cuinet Daubray and Sanson. A re-issue of the Choudens edition. Pierrette et Jacquot to a libretto by Noriac and Gille was first performed in Paris at the Bouffes-Parisiens on 13 October 1876. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Belwin-Mills [PN A607] unknown books
1947réf. 29206Paris: Choudens PN A. C. 2692 1947. Large octavo. Original publisher's decorative gray wrappers. 1f. recto title within decorative border verso blank i recto named cast list and contents 2-79 i blank pp. Named cast includes Théo Dartaux and Daubray. Short splits to wrappers at joints. Printed from first edition plates. Pomme d'api to a libretto by Halévy and Busnach was first performed in Paris at the Renaissance on 4 September 1873. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens [PN A. C. 2692] unknown books
1864réf. 29224Paris: G. Brandus et S. Dufour PN 11600 1864. Large octavo. Quarter black pebbled cloth with black pebbled cloth boards blank octagonal title label to upper. 1f. recto title within ruled border verso blank 1f. recto named cast list and contents verso blank 52 pp. Lithographed. Named cast includes Zulma Bouffar and Désiré. Spine reinforced with dark red tape with titling in black; Occasional minor foxing; small publisher's facsimile signature handstamp to lower margin of title; small tear to outer margin of pp. 41/42 with repaired. First Edition later issue. Lischen et Fritzchen to a libretto by Dubois P. Boisselot was first performed in Bad Ems on 21 July 1863 and in Paris at the Bouffes-Parisiens on 5 January 1864. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. G. Brandus et S. Dufour [PN 11,600] unknown books
1971réf. 29193New York: G. Schirmer PN 46699 1971. Large octavo. Original publisher's red and yellow decorative wrappers. i title ii-v introduction and notes vi cast list and contents 114 pp. Titling to spine in manuscript. Ba-ta-clan to a libretto by Halévy was first performed in Paris at the Bouffes-Parisiens on 29 December 1855. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. G. Schirmer [PN 46699] unknown books
1900réf. 29220Paris: Ménestrel Heugel et Cie. PN H. 2447 1900. Large octavo. Original publisher's dark ivory wrappers with title within decorative border. 1f. recto title within decorative border verso blank 1f. recto notes on first performance named cast list and contents verso blank 74 pp. Named cast includes Guyot Geoffroy Tautin and Geoffroy. Annotations to cast list in pencil. Wrappers worn soiled and slightly chipped; spine with small tears and minor loss; detached; publisher's handstamp to lower margin. Browned; small circular publisher's handstamps to lower margin of title; former owner's handstamp to upper margin of second leaf. Re-issue from first edition plates. Le mari à la porte to a libretto by Delacour was first performed in Paris at the Bouffes-Parisiens on 22 June 1859. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Ménestrel, Heugel et Cie. [PN H. 2447] unknown books
1895réf. 29089Paris: Maquet B. et Cie. 12614 1895. 1f. recto title with first performance information named cast list and contents within decorative border verso copyright 1f. blank 56 pp. Named cast includes Berthelier Darcier and Schneide. Printed from Brandus plates. Browned. First performed to a libretto by Mestépès and Chevalet in Paris at the Bouffes-Parisiens Salle Marigny on 31 August 1955. Bound with: Planquette Robert 1848-1903. Les Chevau-Légers Opérette en un acte. Piano-vocal score Paris: Ch. Egrot PN Ch. E. 1009 ca. 1881.1f. recto notes on first performance named cast list and contents verso blank 118 pp. Lithographed. Named cast includes Perrin Gaillard Antony Villé Chretienno d'Estrées Mazedier Briot Liovent Boulard and Lucy. Lacking title. First Edition. First performed in Paris at the Eldorado on 1December 1881. Large octavo. Quarter dark brown cloth with marbled boards spine in gilt-ruled compartments titling gilt. Binding slightly worn rubbed and bumped; annotation in blue crayon to upper margin of free front endpaper. Rectangular publisher's handstamp to lower margin of free front endpaper title and following blank leaf; minor to moderate foxing; occasional browning; former owner's signature to lower margin of title; free rear endpaper torn and mostly lacking. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Maquet [B. et Cie. 12614] unknown books
1947réf. 28484Paris: Choudens PN A.C. 4740 1947. Large octavo. Original publisher's gray wrappers with title within decorative border. 1f. recto title within decorative border by Buval verso blank 1 notes on first performance named cast list and contents 2-232 1f. blank pp. Named cast includes Simon-Girard Girard Vernon Lestrade Reval Luco Lepers Simon-Max Maugé Bartel and Henriot. Wrappers partially detached; spine reinforced with tape. Some signatures split; minor chipping to upper margins. Reprint from first edition plates. La fille du tambour-major to a libretto by Chivot and Duru was first performed in Paris at the Folies-Dramatiques on 13 December 1879. Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens [PN A.C. 4740] unknown books
1890réf. 29223Paris: Choudens Fils PN A.C. 3825 1890. Large octavo. Quarter dark red calf with red textured blindstamped cloth boards spine in decorative compartments gilt titling gilt marbled endpapers. 1f. recto title within decorative border verso blank 1f. recto notes on first performance named cast list and contents verso blank 224 pp. Named cast includes J. Girard Gélabert Lepers Luco Simon Max Maugé Octave and Speck. Binding slightly worn rubbed and bumped. Occasional light foxing; some signatures split; light browning to edges of title; horizontal tear to pp. 35-38 with tape repairs; minor paper loss to blank upper margin of pp. 63/64 & 149/150 not affecting music. Madame Favart to a libretto by Chivot and Duru was first performed at the Folies-Dramatiques on 28 December 1878. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens Fils [PN A.C. 3825] unknown books
1866réf. 25827Paris: E. Heu PN E.H. 742 1866. Octavo. Dark red morocco-backed red textured cloth with blindstamped panel raised bands on spine in ruled compartments gilt with titling gilt marbled endpapers. 1f. recto title printed in sepia within decorative border verso blank 1f. recto named cast list and table of contents verso blank 1 blank 2-291 i blank pp. Lithographed. Named cast includes Brasseur Hyacinthe Gil Pérès Priston Lassouche Martal and Ferdinand Zulma Bouffar C. Montaland Honorine Thierret Paurelle Massin Bedard Breton and Henry. Publisher's and musicseller's handstamps to lower portion of title. Binding slightly worn rubbed bumped and soiled. Some signs of internal wear; browned; light to moderate foxing; some dampstaining to outer margins; trimmed. First Edition first issue. Lesure II p. 218. OCLC 82470995. La vie parisienne to a libretto by Henri Meilhac and Ludovic Halévy was first performed in Paris at the Théâtre du Palais-Royal on 31 October 1866. "The work was written in anticipation of the crowds visiting Paris for the 1867 Exhibition and proved one of the hits of the season. It was composed not for Offenbach's usual company but for that of the Palais-Royal which comprised actors as much as singers - strengthened for the occasion by one of Offenbach's favourite players Zulma Bouffar as the glovemaker Gabrielle. The piece recognizes the company's limitations with music that is vocally less extensive and demanding than that Offenbach wrote for the Théâtre de la Gaîté. The musical strength lies rather in the sparkling orchestral melodies - above all waltzes galops and can-cans which allied to a humorous libretto that was Meilhac and Halévy at their best has made the work a perpetual favourite as a symbol of Second Empire gaiety. By the time the piece was revived at the Théâtre des Variétés on 25 September 1873 the fourth of the five acts had been dropped but it is still sometimes included as for instance at Sadler's Wells Theatre in 1961." Andrew Lamb in Grove Music Online. E. Heu [PN E.H. 742] unknown books
1867réf. 25833Paris: G. Brandus & S. Dufour PN B. et D. 11211 1867. Large octavo. Quarter contemporary red morocco with red textured paper boards raised bands on spine in compartments gilt titling gilt marbled endpapers. 1f. illustrated lithographic title by Pastelot printed in black by Thierry frères in Paris 1f. named cast list and table of contents 300 pp. Lithographed. Pp. 298-300 comprise a supplement of cuts changes and transpositions. Publisher's handstamp to lower margin of title; "Imprimerie Centrale des Chemins de Fer. - A. Chaix et Ce. Rue Bergère 20 A Paris. - 2 68-8." printed to lower margin of cast list/table of contents. Binding slightly worn rubbed bumped and chipped; joints split. Slightly browned; occasional light foxing and creasing to inner margins; title cast list table of contents and first 60 pp. lightly dampstained at outer margins. First Edition of the first version. Lesure II pp. 77-78. OCLC no.1096790. La Grande-Duchesse de Gérolstein to a libretto by Henri Meilhac and Ludovic Halévy was first performed in Paris at the Théâtre des Variétés on 12 April 1867. "After the first night Offenbach cut moved or replaced several numbers to strengthen the second half of the piece. The work was written for Hortense Schneider as the Grand-Duchess and José Dupuis as Fritz." Offenbach was "with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written." Andrew Lamb in Grove Music Online. G. Brandus & S. Dufour [PN B. et D. 11211] unknown books
1957réf. 174587New York: Greenwood Press 1957. Very Good. Reprint. Very good. Faint small stains on cover and front end paper. Name of former owner has been written on the inside of the front cover. Greenwood Press unknown books
1957réf. 124289Bloomington: Indiana University Press 1957. hardcover. very good/very good. Illustrated. 195pp. 8vo cloth d.w.; dust wrapper price clipped lightly worn. Bloomington: Indiana University Press 1957. A very good copy in a very good dust wrapper. Indiana University Press unknown books
1958réf. 47676London: Hamish Hamilton 1958. First Edition. Alajalov. 8vo pp. vii 136. Notes bibliography. Illustrated wtih reproductions and with drawings by Alajalov. Translated by Lander MacClintock. Red cloth. Donor's presentation or just owner's note on flyleaf. A VG tight copy. Hamish Hamilton unknown books
1877réf. 539518New York: G.W. Carleton & Co. Publishers 1877. Hardcover. Near Fine. First American edition. Octavo. 211 4 ads pp. Purple endpapers. Green cloth stamped in gilt and blind. A couple of tiny tears at the crown very near fine. A scarce title likely pirated. G.W. Carleton & Co. Publishers hardcover books
1945réf. 29228Paris: Choudens PN A. C. 2744 1945. Large octavo. Original publisher's decorative dark ivory wrappers. 1f. recto decorative title verso blank i named cast list and contents 4-223 i blank pp. Named cast includes Théo Grivot Fonti Lyon Castello Jane Eyre Bonnet Daubray and Troy. Wrappers slightly worn and soiled; spine reinforced with tape. Slightly worn; title browned at margins; tape repair to upper margin of pp. 203/204 not affecting music. La jolie parfumeuse to a libretto by Crémieux and E. Blum was first performed in Paris at the Renaissance on 29 November 1873. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written." Andrew Lamb in Grove Music Online. Choudens [PN A. C. 2744] unknown books
1890réf. 28870Paris: C. Joubert PN B. & Cie. 12614 1890. Large octavo. Original publisher's brown cloth-backed dark ivory wrappers with title within decorative border. 1f. recto title within decorative border verso notes 56 pp. Wrappers somewhat worn with minor soiling and staining. Some signatures split or partially split; minor soiling. Le violoneux to a libretto by Mestépès and Chevalet was first performed in Paris at the Bouffes-Parisiens Salle Marigny on 31 August 1955. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written." Andrew Lamb in Grove Music Online. C. Joubert [PN B. & Cie. 12614] unknown books
1887réf. 26622Paris: Choudens A.C. 3825. 1887. Large octavo. Contemporary quarter dark red morocco with dark red paper boards spine with gilt rules and titling; marbled endpapers. 1f. title printed within pictorial border 1f. named cast list for the first performance and table of contents 224 pp. Lithographed. Binding slightly worn and soiled. Browned. First Edition. OCLC 19727866. Madame Favart to a libretto by Alfred Duru and Henri Charles Chivot premiered at the Folies-Dramatiques in Paris on 28 December 1878. Performed nearly 200 times in Paris it was a welcome success for Offenbach. "A satire on 18th-century manners and morals with a lively and varied score the work featured Juliette Simon-Girard as Madame Favart and her husband Simon-Max as the police official Hector de Boispréau tenor." Andrew Lamb in Grove Music Online. Choudens [A.C. 3825.] unknown books
1957réf. 388880Bloomington: Indiana University Press 1957. Hardcover. Fine/Near Fine. First American edition. 200pp. Translated by Lander MacClinktock. Drawings by Constantin Alajalov. Fine in a near fine dustwrapper with rubbing and edgewear. Indiana University Press hardcover books
réf. 1154London: Hamish Hamilton 1958. . 8vo bright red cloth; dust jacket showing very slight wear on bottom edge of spine and back London: Hamish Hamilton, 1958. hardcover books
réf. 14424BLOOMINGTON IN UN 1957. FIRST EDITION VERY GOOD. F. BLOOMINGTON, IN UN, 1957 unknown books
réf. 14426NY KNOPF 1938. FIRST AMERICAN EDITION VERY GOOD. 1st Edition. NY, KNOPF, 1938 unknown books
réf. 14425LONDON HAMILTON 1958. FIRST EDITION THUS VERY GOOD. F. LONDON, HAMILTON, 1958 unknown books
réf. 6j1860Ohne Vrelag und Ort um 1990. CD in original Kunststoffhülle. - neuwertig/original verlagsfrisch verschweißt/gespielt vom Chor und Sinfonieorchester des Bayerischen Rundfunks unter der Leitung von Rudolf Moralt - unknown
réf. 2a2481975 - 1980. 64 Ansichtskarten. Davon 32 Karten von Fahrzeugen der Verkehrsbetriebe Offenbach. Dazu 34 original Fotographien sowie zahlreiche Prospekte und Broschüren in Aktenordner. unknown
réf. 1R251um 1640. Maße: ca. 15 cm x 105 cm im Passepartout in schwarzer Holzleiste hinter Glas gerahmt leicht fleckig. - Eingedruckter Text: Pennarum timidé levipes fulpendia vitat. Subdola et incurrit retia sponte lepus. "Der haaß förchtet die federleyhn Und lauffet zu dem garn hinein. Wass nicht zu förchten förcht er sehr Wass zu förchten nit förchtet er" / Aus Thesaurus Philopoliticus der berühmten Serie von Stichen mit Stadtlandschaften; Co-Autor Daniel Meisner geb. 1585 in Komotau Böhmen; gest. 11. März 1625 in Frankfurt am Main - unknown
