Magistrat der Stadt Offenbach (Hrsg)Biblio.com
788 résultats
réf. 2b8680Druck Scanner Repro Hanau 1983. 112 S. mit zahlreichen Abb. im Text kartonierter Einband. - gutes Exemplar - unknown
réf. 2a2481975 - 1980. 64 Ansichtskarten. Davon 32 Karten von Fahrzeugen der Verkehrsbetriebe Offenbach. Dazu 34 original Fotographien sowie zahlreiche Prospekte und Broschüren in Aktenordner. unknown
réf. 1R251um 1640. Maße: ca. 15 cm x 105 cm im Passepartout in schwarzer Holzleiste hinter Glas gerahmt leicht fleckig. - Eingedruckter Text: Pennarum timidé levipes fulpendia vitat. Subdola et incurrit retia sponte lepus. "Der haaß förchtet die federleyhn Und lauffet zu dem garn hinein. Wass nicht zu förchten förcht er sehr Wass zu förchten nit förchtet er" / Aus Thesaurus Philopoliticus der berühmten Serie von Stichen mit Stadtlandschaften; Co-Autor Daniel Meisner geb. 1585 in Komotau Böhmen; gest. 11. März 1625 in Frankfurt am Main - unknown
réf. 1a5326Akkord-Radio Gerätebau Offenbach ca. 1962-1968. Insgesamt ca. 100 S. mit einigen Abb. gelocht broschiert quart leichte Gebrauchsspuren/Mappe berieben und Ränder teils eingerissen. unknown
réf. 1e11242scanner repro Offenbach 1986. 144 S. mit zahlreichen Abb. kartoniert Einband mit mehreren Eckknickspuren/ leicht berieben. unknown
réf. 4d4125Akkord-Radio GmbH Offenbach am Main 1950-1957. Insgesamt ca. 40 Blatt gelocht einige beidseitig bedruckt mit Original-Trennblättern mit Daumenregister zu den Jahrgängen in privatem Ringordner quart teils leichte Gebrauchsspuren. - sonst gute Erhaltung / Enthalten: Schaltbild: Koffer-Super "Offenbach 51" 1023 / Schaltbild: Offenbach 52 NB 5 1021 / Schaltbild: Offenbach 53 1019 / Schaltbild: Offenbach-Junior 1032 / Schaltbild: Pinguin M 54 1028 / Schaltbild: Picknick 1017 / Schaltbild: Offenbach U 53-54 m. PU-Anschluß 1016 / Schaltbild: Bambi NB-54 MW/LW 1014 / Schaltbild: Transola-E / Ersatzteile für "Transola E" Baujahr 1956 / Schaltbild: Pinguette U 56 1034 / Schaltbild: Zerhacker AKZ 103/6/12 / Schaltbild: Jonny M 56 u. M 57 1004 / Ersatzteile für "Jonny M 56 und M 57" / Ersatzteile für "Pinguin M 57" / Ersatzteile für "Pinguin U 57" / Schaltbild: Peggie 57 1050 u.a. - unknown
réf. 2C10480Selbstverlag Offenbach 1988. 140 S. mit Abb. kartonierter Einband. - gutes Exemplar/ Ausstellung im Stadtmuseum Offenbach 26. November 1987 - 1. Mai 1988 - unknown
réf. 5c6650Gebr. Klingspor Offenbach a. M. um 1920. 36 Musterseiten bzw. Beispielseiten zur Schrift kartonierter Einband mit aufgezogenem Deckeltitel quart-quer etwas fleckig und gebräunt/Deckeltitel Ecke mit kleiner Fehlstelle/Einband gering berieben. unknown
réf. 2084aaum 1980. Motivmaße: ca. 28 x 327 cm unten links numeriert '69/100' unten mittig betitelt unten rechts signiert. unknown
réf. 39683Over 65 measures. 2 pp. Oblong octavo 157 x 235 mm. Notated on both sides of the leaf in black ink and pencil on 6-stave rastrum-ruled paper. Marked "g mol - c" at head. Unsigned and undated. With some passages with notation for two instruments on one stave and indications including letter names which may be bass notes and key names. Worn and soiled; creased at folds; half of blank outer margin lacking; edges slightly frayed and with small tears. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. His opera Les contes d'Hoffmann has retained a place in the international repertory but his most significant achievements lie in the field of operetta. Orphée aux enfers La belle Hélène La vie parisienne La Grande-Duchesse de Gérolstein and La Périchole remain outstanding examples of the French and international operetta repertory." Andrew Lamb in Grove Music Online. unknown
2019réf. x-0367209543Taylor & Francis 2019. Hardcover. New. 200 pages. 9.25x6.00x0.50 inches. Taylor & Francis hardcover
1907réf. 36787Paris: Choudens PN A.C. 5100 1907. Large octavo. Quarter mid-tan calf with marbled boards dark brown leather title label gilt to spine marbled endpapers. 1f. recto title verso blank 1f. recto cast list and contents verso blank 327 pp. Binding very slightly worn rubbed and bumped. Minor internal browning; publisher's stamp to lower outer corner of title. Les contes d'Hoffmann to a libretto by J. Barbier completed by Guirard was first performed in Paris at the Opéra-Comique on 10 February 1881. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. His opera Les contes d'Hoffmann has retained a place in the international repertory . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens [PN A.C. 5100] unknown
1963réf. 28775n.p.: Galliard PN 18682R 1963. Folio. Original publisher's white illustrated wrappers printed in red and black with preface to verso of upper. 1f. recto title verso production notes 22 pp. With an autograph letter from Joseph Horovitz addressed to "Colin" regarding the possibility of performing the work in London. Undated. "If you like my adaptation of the enclosed we might indeed join forces one day and mount an evening of Offenbach one-acters ." Upper wrapper stamped "Professional Copy." Wrappers slightly soiled. Les deux aveugles to a libretto by Moinaux was first performed in Paris at the Bouffes-Parisiens Salle Marigny on 5 July 1855. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Joseph Horovitz b. 1926 an Austrian-born British composer conductor and pianist was a student of Nadia Boulanger in Paris. "He is a composer of remarkable versatility graceful wit and an enviable ability to communicate whether in his refreshingly light or more serious styles." Ernest Bradbury and Malcolm Miller in Grove Music Online. Galliard [PN 18682R] unknown
1900réf. 28863Paris: C. Joubert & Cie. PN B. et Cie. 12542 1900. 1f. recto title illustrated by Buttiner-Thierry with images of guitarist and trombonist verso copyright statement 1f. notes on first performance named cast list and contents verso blank vi 22 pp. Named cast includes Pradeau and Berthelier. First performed to a libretto by Moinaux in Paris at the Bouffes-Parisiens on July 5 1855. A re-issue from Brandus plates. Bound with: Offenbach. Une Nuit Blanche Opéra comique en un acte Paroles de E. Plouvier . Répertoire des Bouffes Parisiens . Pr: 6: net. Piano-vocal score. Paris: G. Brandus Dufour et Cie. PN B. et Cie. 9579 ca. 1890. 1f. blank 1f. recto title verso blank 1f. recto named cast list and contents verso blank 56 pp. Named cast includes Darcier Berthelier and Macé. First performed to a libretto by Plouvier in Paris at the Bouffes-Parisiens Salle Marigny on July 5 1855. A re-issue of the first edition. Bound with: Offenbach. Mesdames de la Halle . Paroles de Lapointe. Piano-vocal score. Paris: Brandus & Dufour PN B. et. D. 9956 ca. 1890. 124 pp. Upper outer corner of title lacking just affecting text. First performed to a libretto by Lapointe in Paris at the Bouffes-Parisiens on March 3 1858. Large octavo. Quarter dark green leather with marbled boards spine with raised bands in decorative compartments gilt titling gilt marbled endpapers. Binding slightly worn rubbed and bumped. Annotations in pencil to verso of free front endpaper. Occasional signs of wear; some browning; some signatures split; mall circular publisher's handstamps to several titles. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. C. Joubert & Cie. [PN B. et Cie. 12542] unknown
1970réf. 28861Berlin: Bote & Bock PN B & B 15516 531 1970. Folio. Original publisher's light gray printed wrappers. 1f. recto title verso copyright statement 1f. recto cast list and orchestration verso contents 230 pp. Text in German and French. Second version. La vie parisienne to a libretto by Meilhac and Halévy was first performed in Paris at the Palais-Royal on October 31 1866. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Bote & Bock [ PN B & B 15516 (531)] unknown
1864réf. 29224Paris: G. Brandus et S. Dufour PN 11600 1864. Large octavo. Quarter black pebbled cloth with black pebbled cloth boards blank octagonal title label to upper. 1f. recto title within ruled border verso blank 1f. recto named cast list and contents verso blank 52 pp. Lithographed. Named cast includes Zulma Bouffar and Désiré. Spine reinforced with dark red tape with titling in black; Occasional minor foxing; small publisher's facsimile signature handstamp to lower margin of title; small tear to outer margin of pp. 41/42 with repaired. First Edition later issue. Lischen et Fritzchen to a libretto by Dubois P. Boisselot was first performed in Bad Ems on 21 July 1863 and in Paris at the Bouffes-Parisiens on 5 January 1864. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. G. Brandus et S. Dufour [PN 11,600] unknown
1895réf. 29089Paris: Maquet B. et Cie. 12614 1895. 1f. recto title with first performance information named cast list and contents within decorative border verso copyright 1f. blank 56 pp. Named cast includes Berthelier Darcier and Schneide. Printed from Brandus plates. Browned. First performed to a libretto by Mestépès and Chevalet in Paris at the Bouffes-Parisiens Salle Marigny on 31 August 1955. Bound with: Planquette Robert 1848-1903. Les Chevau-Légers Opérette en un acte. Piano-vocal score Paris: Ch. Egrot PN Ch. E. 1009 ca. 1881.1f. recto notes on first performance named cast list and contents verso blank 118 pp. Lithographed. Named cast includes Perrin Gaillard Antony Villé Chretienno d'Estrées Mazedier Briot Liovent Boulard and Lucy. Lacking title. First Edition. First performed in Paris at the Eldorado on 1December 1881. Large octavo. Quarter dark brown cloth with marbled boards spine in gilt-ruled compartments titling gilt. Binding slightly worn rubbed and bumped; annotation in blue crayon to upper margin of free front endpaper. Rectangular publisher's handstamp to lower margin of free front endpaper title and following blank leaf; minor to moderate foxing; occasional browning; former owner's signature to lower margin of title; free rear endpaper torn and mostly lacking. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Maquet [B. et Cie. 12614] unknown
1890réf. 29223Paris: Choudens Fils PN A.C. 3825 1890. Large octavo. Quarter dark red calf with red textured blindstamped cloth boards spine in decorative compartments gilt titling gilt marbled endpapers. 1f. recto title within decorative border verso blank 1f. recto notes on first performance named cast list and contents verso blank 224 pp. Named cast includes J. Girard Gélabert Lepers Luco Simon Max Maugé Octave and Speck. Binding slightly worn rubbed and bumped. Occasional light foxing; some signatures split; light browning to edges of title; horizontal tear to pp. 35-38 with tape repairs; minor paper loss to blank upper margin of pp. 63/64 & 149/150 not affecting music. Madame Favart to a libretto by Chivot and Duru was first performed at the Folies-Dramatiques on 28 December 1878. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens Fils [PN A.C. 3825] unknown
1866réf. 25827Paris: E. Heu PN E.H. 742 1866. Octavo. Dark red morocco-backed red textured cloth with blindstamped panel raised bands on spine in ruled compartments gilt with titling gilt marbled endpapers. 1f. recto title printed in sepia within decorative border verso blank 1f. recto named cast list and table of contents verso blank 1 blank 2-291 i blank pp. Lithographed. Named cast includes Brasseur Hyacinthe Gil Pérès Priston Lassouche Martal and Ferdinand Zulma Bouffar C. Montaland Honorine Thierret Paurelle Massin Bedard Breton and Henry. Publisher's and musicseller's handstamps to lower portion of title. Binding slightly worn rubbed bumped and soiled. Some signs of internal wear; browned; light to moderate foxing; some dampstaining to outer margins; trimmed. First Edition first issue. Lesure II p. 218. OCLC 82470995. La vie parisienne to a libretto by Henri Meilhac and Ludovic Halévy was first performed in Paris at the Théâtre du Palais-Royal on 31 October 1866. "The work was written in anticipation of the crowds visiting Paris for the 1867 Exhibition and proved one of the hits of the season. It was composed not for Offenbach's usual company but for that of the Palais-Royal which comprised actors as much as singers - strengthened for the occasion by one of Offenbach's favourite players Zulma Bouffar as the glovemaker Gabrielle. The piece recognizes the company's limitations with music that is vocally less extensive and demanding than that Offenbach wrote for the Théâtre de la Gaîté. The musical strength lies rather in the sparkling orchestral melodies - above all waltzes galops and can-cans which allied to a humorous libretto that was Meilhac and Halévy at their best has made the work a perpetual favourite as a symbol of Second Empire gaiety. By the time the piece was revived at the Théâtre des Variétés on 25 September 1873 the fourth of the five acts had been dropped but it is still sometimes included as for instance at Sadler's Wells Theatre in 1961." Andrew Lamb in Grove Music Online. E. Heu [PN E.H. 742] unknown
1887réf. 26622Paris: Choudens A.C. 3825. 1887. Large octavo. Contemporary quarter dark red morocco with dark red paper boards spine with gilt rules and titling; marbled endpapers. 1f. title printed within pictorial border 1f. named cast list for the first performance and table of contents 224 pp. Lithographed. Binding slightly worn and soiled. Browned. First Edition. OCLC 19727866. Madame Favart to a libretto by Alfred Duru and Henri Charles Chivot premiered at the Folies-Dramatiques in Paris on 28 December 1878. Performed nearly 200 times in Paris it was a welcome success for Offenbach. "A satire on 18th-century manners and morals with a lively and varied score the work featured Juliette Simon-Girard as Madame Favart and her husband Simon-Max as the police official Hector de Boispréau tenor." Andrew Lamb in Grove Music Online. Choudens [A.C. 3825.] unknown
1867réf. 25833Paris: G. Brandus & S. Dufour PN B. et D. 11211 1867. Large octavo. Quarter contemporary red morocco with red textured paper boards raised bands on spine in compartments gilt titling gilt marbled endpapers. 1f. illustrated lithographic title by Pastelot printed in black by Thierry frères in Paris 1f. named cast list and table of contents 300 pp. Lithographed. Pp. 298-300 comprise a supplement of cuts changes and transpositions. Publisher's handstamp to lower margin of title; "Imprimerie Centrale des Chemins de Fer. - A. Chaix et Ce. Rue Bergère 20 A Paris. - 2 68-8." printed to lower margin of cast list/table of contents. Binding slightly worn rubbed bumped and chipped; joints split. Slightly browned; occasional light foxing and creasing to inner margins; title cast list table of contents and first 60 pp. lightly dampstained at outer margins. First Edition of the first version. Lesure II pp. 77-78. OCLC no.1096790. La Grande-Duchesse de Gérolstein to a libretto by Henri Meilhac and Ludovic Halévy was first performed in Paris at the Théâtre des Variétés on 12 April 1867. "After the first night Offenbach cut moved or replaced several numbers to strengthen the second half of the piece. The work was written for Hortense Schneider as the Grand-Duchess and José Dupuis as Fritz." Offenbach was "with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written." Andrew Lamb in Grove Music Online. G. Brandus & S. Dufour [PN B. et D. 11211] unknown
réf. DADAX1890951307New unknown
1986réf. 1-079350693XG Schirmer 1986. Paperback. New. 318 pages. French language. 11.00x7.75x0.75 inches. G Schirmer paperback
1875réf. 56338Paris: Librairie Illustrée 1875. Octavo 27cm. Marbled paper over boards backed in green cloth titled in gilt on spine; iv viii 226 2pp; 6 full-page character illustrations colored in pochoir and numerous in-text wood engravings; with 7pp of printed music for songs by Offenbach. A straight sturdy copy externally rubbed corners exposed mildly foxed: just Very Good. La Vie Parisienne first produced in 1866 was one of Offenbach'st most popular operattas. This edition coincides with the 1875 revival production at the Théâtre de Variétés. Librairie Illustrée unknown
réf. N799Paris Heugel et Cie no date. Platenr. 2036. Lithogr. title leaf 2 87 lith. pp. Contemporary cloth. Bookplate: "Skottorps boksamling". Théâtre des Bouffes-Parisiens. The first performance took place in 1857. Probably the first pianoscore edition. hardcover
