Liszt, Franz [Composer]Biblio.com
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1986Best.-Nr. Q-3795762189SCHOTT MUSIK INTL MAINZ 1986-06-01. Paperback. New. In shrink wrap. Looks like an interesting title! SCHOTT MUSIK INTL MAINZ paperback
Best.-Nr. 2711623157.Gperfect. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
Best.-Nr. 3658210222.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 55718Berlin - Paris, Otto Liebmann - Pedone-Lauriel 1894, 265x175mm, XXVI- 706pages, demi-basane, dos à nerfs, pièce de titres rouge et verte, cuir par endroit frotté, cachet de bibliothèque sur la page de titre, cuir taché sur un bord.
Best.-Nr. 1326424963.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1801387532.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1976Best.-Nr. biblio1001Annees De Pelerinage I - 130 pages; Annees De Pelerinage II - 124 pages; Annees De Pelerinage III - 48 pages. Editio Musica paperback
1973Best.-Nr. RO80213941G. Henle. 1973. In-Folio. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 25 pages de partitions en facsimilé . Texte en langue allemande.. . . . Classification Dewey : 780.26-Partitions
1982Best.-Nr. RO50046697MUSICA. 1982. In-4. Broché. Bon état, Couv. défraîchie, Dos fané, Intérieur frais. 166 pages de partitions.. . . . Classification Dewey : 790.133-Les jouets
1908Best.-Nr. R320080745C.F. KAHNT NACHFOLGER. VERS 1908. In-4. Broché. Etat d'usage, Plats abîmés, Dos abîmé, Intérieur frais. 75 + 103 + 79 pages de partition - Volume 2 / Ouvrage partiellement desolidarisé - Renfort en reliure interieure du Volume I - Plats defraichis et salis. TExte en allemand - Couvertures conservés. OUVRAGES COMPLETS.. . . . Classification Dewey : 780.26-Partitions
1923Best.-Nr. RO50043385BUFFET - CRAMPON ET CIE. 1923. In-4. Broché. Bon état, Couv. partiel. décollorée, Dos satisfaisant, Papier jauni. 7 pages de partitions pour piano + 2 pages de partitions pour 1er violon + 2 pages de partitions pour 2ème violon + 2 pages de partitions pour alto + 2 pages de partitions pour clarinette Si b + 2 pages de partitions pour Basson + 1 page de partition pour Contrebasse + 1 page de partition pour Trompette ou Cornet Si b + 1 page de partition pour Violoncelle + 1 page de partition pour flûte + 1 page de partition pour Hautbois + 1 page de partition pour 1er et 2è Cors en Fa + 1 page de partition pour Trombone + 1 page de partition pour Timbales Si b Mi b. Transcription de Ch. H. Laurent. Couverture de protection en couleur.. . . . Classification Dewey : 780.26-Partitions
Best.-Nr. 0486431177.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
197650 pages. Features: Full-page ad for 'Barry Lyndon'; Full-page ad for 'Jaws'; Full-page ad for 'The Man Who Would Be King'; Ad for 'Lenny'; Review of book on Basil Rathbone; Photo-illustrated interview with Ann-Margret; 'The Man Who Would Be King' - photos; 'The Beloved' - photos; The Tender Touch - concluding an appreciation of the work of Fredric March - article with photos; Films and Filming Honours for 1975; Reviews - 'Jaws', 'Lisztomania and the Loves of Liszt', 'Dog Day Afternoon', 'La Caza', 'Hester Street', 'The Cannibals', 'The Streetfighter', 'The Man from Hong Kong', 'Innocents with Dirty Hands', 'Permission to Kill'; 'The Adventure of Sherlock Holmes' Smarter Brother' - photos and ad; Article on Dancing; Many photos on location with 'Won Ton Ton the Dog Who Saved Hollywood; and more. Average wear. Unmarked. A sound vintage copy. Magazine
2018Best.-Nr. x-3658210222Springer 2018. Paperback. New. 471 pages. German language. 8.27x5.83x1.07 inches. Springer paperback
1932Best.-Nr. 50-17163Edition Peters 1932-01-01. Paperback. New. Edited by Emil Von Sauer. Edition Peters paperback
1932Best.-Nr. 50-17215Edition Peters 1932-01-01. Paperback. New. Edited by Emil Von Sauer. Edition Peters paperback
1986Best.-Nr. 50-02823Belwin Mills Distributed By Columbia Pictures Publications 1986-01-01. Paperback. Very Good. Very good condition with light wear on edges and spine. Belwin Mills, Distributed By Columbia Pictures Publications paperback
Best.-Nr. 3752526653.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2013Best.-Nr. 2-2070771008Editions Gallimard 2013. Paperback. New. 1344 pages. French language. 9.45x6.14x1.81 inches. Editions Gallimard paperback
Best.-Nr. 100-21671G. Schirmer Inc. Paperback. Good. Good condition with wear and markings. G. Schirmer, Inc paperback
Best.-Nr. 50-16993Edward B Marks Music Co. Paperback. Good. Edited by Paolo Gallico. Good condition with light wear on covers and spine. Edward B Marks Music Co paperback
1945Best.-Nr. 50-02835Edward Schuberth & Col 1945-01-01. Paperback. Acceptable. Edited by Samuel Spivak. Acceptable condition with some wear on covers and spine and markings on covers. Edward Schuberth & Col paperback
Best.-Nr. 40-18031Shunjusha. Paperback. Good. Paperback songbook in good condition with minor spine tear and wear. Shunjusha paperback
1839Best.-Nr. 40937Berlin: Ad. Mr. Schlesinger PN S. 2224 1839. Folio. Disbound. 1f. recto title verso blank i blank 4-13 i blank pp. Engraved. With secondary pagination to rectos in manuscript. Formerly in the collection of the Forbes Library in Northampton Massachusetts with their handstamp to upper outer corner of title and several pages. Slightly worn and browned; outer leaf separated at spine; narrow strip of early paper tape to inner margin of title. First Edition later issue. Searle 470. Raabe 134. Ad. Mr. Schlesinger [PN S. 2224] unknown
1874Best.-Nr. 41065Leipzig: Breitkopf & Härtel PN 9056 1874. Octavo. Original publisher's dark ivory wrappers. 1f. recto title verso blank 1f. recto preface in German verso preface in French 1f. recto composer's note in German on performance practice verso same note in French dated "Weimar Mars 1856" 97 i blank pp. Title preface and note lithographed; music engraved. Small B & H stamp to lower outer corner of title. With publisher's catalogue to verso of lower wrapper. Wrappers slightly worn and soiled; spine lacking. Occasional small stains; dampstaining to lower outer corners of first leaves; one signature partiallky detached. Re-issue from first edition plates. Searle 97. Raabe 414. Sonneck p. 266. Liszt was a distinguished Hungarian composer pianist conductor and writer. "Sketchbook evidence points to 1846-7 as the years when Liszt began to conceive the idea of a series of programmatic orchestral works. Of the four works he named all based on French poetry Ce qu'on entend sur la montagne and Les Préludes eventually became symphonic poems. . Liszt's concentration on the symphonic poem largely coincided with his tenure as Kapellmeister in Weimar where he had an orchestra at his disposal and provided music for performances at the Court Theatre. The Grand Duke commissioned Liszt's 'overtures' to preface specific dramas which thereby determined the subject matter of what were to become a number of his symphonic poems. Cormac F2017 argues that Liszt's approach to the overtures and their transformation into symphonic poems was influenced by his experience of an array of dramatic media opera plays melodramas tableaux vivants and by his interaction with staff and actors involved in the dramatic productions in Weimar. A New German School acolyte Felix Draeseke writing about the symphonic poems in a series of essays from the late 1850s acknowledged the influence of dramatic music especially opera on Liszt's Festklänge. Draeseke also addressed the issue that continues to interest scholars - the symphonic poems' engagement with sonata form. . Looking at the 12 Weimar symphonic poems Vande Moortele . views all but three Orpheus Héroide funèbre and Hunnenschlacht as using sonata form as one of the central principles guiding their large-scale organization. Furthermore Liszt seems to have attempted the same merging of sonata form and sonata cycle evident in the B Minor Sonata in Tasso Les préludes and Die Ideale and possibly Ce qu'on entend sur la montagne. . Some of the symphonic poems include mimetic representation of scenes and actions such as Hunnenschlacht's depiction of a battle and Prometheus's evocation of a voice followed by a storm. The inclusion of such passages drew criticism that a number of the symphonic poems seemed formless and could not be understood without access to a programme. In other symphonic poems such as Les Préludes and Orpheus Liszt responded to a philosophical programme without compromising musical logic. In these cases critics recognized Liszt the 'tone poet' who could capture a poetic stimulus in an expressive evocative musical flow unified by a single theme that underwent transformations. In general Liszt's sumptuous orchestral colorings were the dominant focus of critics' positive reception of his symphonic poems and programme symphonies." Dolores Pesce Maria Eckhardt and Rena Charnin Mueller in Grove Music Online. Breitkopf & Härtel [PN 9056] unknown
