- Riffaud Léon -Livre Rare Book
4 819 résultats
1920réf. 31814Marchetti 1920
1929réf. 30659Durand et Cie 1929
1932réf. 27072Partitions sur les Instruments de musique Salabert 1932
1927réf. 110293Wright Laurence 1927
1924réf. 108691Berlin Irving 1924
1938réf. 29880Witmark 1938
1936réf. 94596Robbins Music Corporation 1936
1946réf. 30266Famous Chappell 1946
1955réf. 191581955. Paris Hot Club de France années 1955 et 1956 complètes dont n° spécial « 20ème anniversaire » ; on joint les n°s 124 127 à 133 inclus 139 140 et 142 soient 33 numéros - Agrafés 21 cm x 27 cm 34 pages à 48 pages par numéro - Textes de Boris Vian André Hodeir Gérard Pochonet Michel de Villers Gérard Conte Marcel Zanini Charles Delaunay Carlos de Radzitzky Henri Olier Jack Denjean Frank Ténot Lucien Malson ...; photos noir discographie publicités - Bon état
1979réf. 177681979. Paris Marge mai 1979 - Plié 28 cm x 38 5 cm 10 pages - Directeur de la Rédaction: Pascal Roubaud textes de Michel Lhomme Pascal Roubaud Jacques Lesage de la Haye Patrice Hemmond Dominique Daveau Dominique Mansour Bob Nadoulec Ma Bensa Yves Maraux ... - Très bon état dernier numéro paru
1967In 8, pp. (18) con molte foto in b/n n.t. a piena pagina raff. Ella Fitzgerald e Duke Ellington. Br. ed. Con testi di presentazione di Leonard Feather. Pubblicazione in occasione del tour europeo del 1967.
réf. 203651o.J. Heft Nr. 876. Zürich, Du Kulturmedien AG, Juni / Juli 2017. Fol. Durchgehend mit teils farbigen Abbildungen. 82 S. Illustrierter Or.-Kart.; leichte Gebrauchsspuren. - Erste Seite mit privatem Besitzvermerk
réf. SONG0769230032Used: Good unknown
réf. DADAX0769297900New unknown
1942réf. 13qqeNew York: Republic Music Corp. 1942. Book. Very Good. Hardcover. Inscribed By Sammy Kaye. 8vo. Sammy Kaye 1910 - 1987 was an American bandleader and songwriter whose tag line "Swing and sway with Sammy Kaye" became one of the most famous of the Big Band Era. His signature tune was "Harbor Lights". A leader of one of the so-called "Sweet" bands of the Big Band Era he made a large number of records for the top labels including RCA Victor and Columbia. He was also huge on radio and on the concert touring circuit. Handsome set of this popular anthology compiled by the popular Big Band leader . Custom slipcase approx.6x9 inches and cloth covered with the original front label retained. Dust jackets have negligible chipping at the edges elsethe volumes are clean square sharp and tight. Both volumes are inscribed on the frontis by Sammy Kaye. Overall a very nice collectible set. Republic Music Corp. Hardcover
1966réf. 2111902156002108Not Available 1966. Soft Cover. Fine. The book is in fine condition. Not Available paperback
réf. 3122Affiche originale. 1972. Impression en offset. Dim: 534 x 534 mm. Excepté deux petites taches bords partie sup, en très bon état.
réf. 3122Affiche originale. 1972. Impression en offset. Dim: 534 x 534 mm. Excepté deux petites taches bords partie sup, en très bon état.
1921réf. 51295Scranton PA: International Textbook Co. 1921. Thick 8vo. vii 1 approx 450 pp sections separately paginated ix-xxi 1 pp. With 100s of text illustrations diagrams colour plates. Publisher’s three-quarter red buckram over green gilt lettering & ruling on spine marbled endpapers minor shelfwear dustsoiling to spine still VG copy. First editions of this very scarce and lavishly illustrated educational course on how to design construct and arrange window displays and floor displays of men and women’s clothing during the Jazz Age. Koerber 1871-1937 was an Hungarian-American designer and amazingly successful Display Manager for the Strawbridge & Clothier Department Store in Philadelphia at their five-story edifice flagship at Market & 8th. He emphasized and promoted the use of elaborate window displays with wax mannequins often with a particular theme and these needed to be constantly refreshed by the design department. In addition he highlighted the staging of merchandise on the floor such as putting men’s ties with their multi-coloured silks drawing shoppers to the men’s department and arranging women’s undergarments silks and evening wear in prominent positions to draw women further into specified sections. This work provides technical and practical information on wooden display forms flooring how to construct mannequins draperies holiday themes floor displays how to paint backdrops and more. The hundreds of photo images of window displays and floor displays provide an invaluable historical record for marketing during the Roaring 20s as well as offering a methodology of how these could be repeated and successful for other designers. Of particular interest is the extensive section on animatronics and motorized displays filled with information on lighting automatons and creating special effects. No copies located in Worldcat. International Textbook Co., hardcover
1921réf. 82277New York: Palmetto Music Pub. Co 1921. First Edition. Slim quarto 30.5cm; original pictorial wrappers; 6pp. Moderate wear handling and dust-soil to wrappers some creases and edge-tears with inner spine-fold archivally reinforced with a patch of paper tape remnant to upper end of same; complete Good to Very Good. One of the earliest hits by African American songwriter and composer Thomas Henry Delaney 1889-1963. Born in Charleston SC he would eventually become one of the most popular jazz and blues composers on Tin Pan Alley. The front wrapper reproduces a photograph of Lucille Nelson Hegamin 1894-1970 backed by the band Albury's Blues and Jazz Seven. In 1920 she became the second African American blues singer to record following Mamie Smith and Perry Bradford's August 1920 recording of "Crazy Blues." She recorded "Jazz-Me Blues" in 1921 backed by her husband Bill and his band the Blue Flame Syncopators; thanks to her recording Delaney's song would go on to become a jazz standard. OCLC notes a scant 8 holdings. 82277. Palmetto Music Pub. Co unknown
1921réf. 82277New York: Palmetto Music Pub. Co 1921. First Edition. Slim quarto 30.5cm; original pictorial wrappers; 6pp. Moderate wear handling and dust-soil to wrappers some creases and edge-tears with inner spine-fold archivally reinforced with a patch of paper tape remnant to upper end of same; complete Good to Very Good. One of the earliest hits by African American songwriter and composer Thomas Henry Delaney 1889-1963. Born in Charleston SC he would eventually become one of the most popular jazz and blues composers on Tin Pan Alley. The front wrapper reproduces a photograph of Lucille Nelson Hegamin 1894-1970 backed by the band Albury's Blues and Jazz Seven. In 1920 she became the second African American blues singer to record following Mamie Smith and Perry Bradford's August 1920 recording of "Crazy Blues." She recorded "Jazz-Me Blues" in 1921 backed by her husband Bill and his band the Blue Flame Syncopators; thanks to her recording Delaney's song would go on to become a jazz standard. OCLC notes a scant 8 holdings. 82277. Palmetto Music Pub. Co unknown books
1950réf. List2914Unknown location 1950. 7 x 11 inch poster. Some small marginal tears overall excellent. A small poster for Pearl Bailey with the Louie Bellson Quartet presented by the United Service Organizations and Department of Defense. Bailey 1918–1990 was a singer dancer and actress; she started her career performing at Black nightclubs on the east coast and later performed in several Broadway hits including an all-Black version of Hello Dolly! Louie Bellson 1924–2009 was Bailey’s husband a composer bandleader and jazz drummer credited with inventing the double bass drum setup. Bailey toured regularly with the USO beginning in 1941 though this poster is likely from later; the DOD was called the Department of War until 1949 and the USO was inactive between 1945 and 1950. unknown
1920réf. List3817Chicago Illinois: Chicago Amusement Service Corporation 1920. Silver gelatin photograph measuring 8 x 10 inches. Photograph shows Jimmie Wade and his Club Alabam Orchestra posed in tuxedos before a curtain with drums banjo brass reeds and string bass beneath a printed sign reading "Chicago Amusement Service Corporation Presents / Jimmie Wade and his Club Alabam Orchestra / Chicago / Vocalion Records. Some wear toning and soiling; verso with staining; very good. A large promotional photograph of Jimmie Wade and his Club Alabam Orchestra. Wade was an African American jazz trumpeter and bandleader active in Chicago from the 1910s through the early 1930s. His orchestra appeared at major Chicago venues and recorded for Vocalion in 1928. Club Alabam opened at 747 Rush Street in 1927 during Prohibition and operated as a cabaret-style nightclub under showman Dan Blanco who had previously worked in saloons amusement parks vaudeville and Chicago cabarets. The club belonged to the city's late-1920s nightlife world of floor shows dance orchestras illicit liquor and entertainment promotion. The sign in this photograph identifies Wade's orchestra Club Alabam Chicago Amusement Service Corporation and Vocalion Records. A strong Jazz Age photograph of an African American Chicago bandleader and his orchestra with connections to the Chicago nightlife scene of the period. Chicago Amusement Service Corporation unknown
1932réf. List3818New York City 1932. Silver gelatin photograph measuring 8 x 10 inches. Stage photograph of Cab Calloway and His Cotton Club Orchestra with Calloway at center before the band brass and reed sections drums bass guitar and stage lighting visible. Verso with mounting residue and manuscript note reading in part "from Irondome Bessemer album" or similar. Some wear creasing toning and mounting residue; very good. A large stage photograph of Cab Calloway and His Cotton Club Orchestra corresponding to a known 1932 image of the band made to mark the arrival of trumpeter Doc Cheatham. The photograph shows Calloway at center bending forward in his characteristic theatrical posture with the orchestra arranged behind him on the Cotton Club stage. By 1932 Calloway had become one of the defining entertainers of the Cotton Club era. He had taken over the Missourians in 1930 and the success of "Minnie the Moocher" in 1931 helped make him a national figure. The orchestra was also being reshaped during these years with musicians such as Doc Cheatham Morris White Walter "Foots" Thomas Benny Payne and others forming the sound and stage presentation of Calloway's early 1930s band.1 Mills Music used this same image in another press photograph indicating that it functioned as a promotional view of Calloway and the orchestra rather than merely as a private stage snapshot. 1 Jean-François Pitet "Morris 'Fruit' White: from the Missourians' banjo to Calloway's guitar" The Hi de Ho Blog May 20 2021 accessed July 21 2026 https://www.thehidehoblog.com/blog/2021/05/morris-fruit-white-from-the-missourians-banjo-to-calloways-guitar. . unknown
