Gaetano DonizettiBiblio.com
859 risultati
2000rif. 1-8875926670Ricordi - Bmg Ricordi 2000. Paperback. New. 495 pages. 10.75x8.00x1.25 inches. Ricordi - Bmg Ricordi paperback
2005rif. Q-1423403487RICORDI 2005-12-01. Paperback. New. In shrink wrap. Looks like an interesting title! RICORDI paperback
2010As New English Paperback. Roy. 8vo (24 x 17 cm). In English and Italian with abstracts in Turkish. [Liii], 272 p., ills. With a CD in it end-pocket. Giuseppe Donizetti Pasha: Musical and historical trajectories between Italy and Turkey.= Giuseppe Donizetti Pascia: Traiettorie musicali e storiche tra Italia e Turchia (Saggi E Monografie 7). [With a CD].
2000rif. Q-8875926670Ricordi 2000-05-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Ricordi paperback
2007rif. 1-8875927529Ricordi - Bmg Ricordi 2007. Hardcover. New. bilingual edition. 980 pages. Italian language. 14.25x10.50x3.00 inches. Ricordi - Bmg Ricordi hardcover
rif. RO50053353LEON GRUS. NON DATE. In-8. En feuillets. Etat d'usage, Couv. convenable, Coiffe en tête abîmée, Quelques rousseurs. 254 pages de partitions. Page de titre illustrée en noir et blanc par Barbizet. Couverture illustré en couleur par De Longprez. Manque sur les coiffes, au dos de l'ouvrage. Cahier désolidarisés.. . . . Classification Dewey : 780.26-Partitions
rif. RO50038764LEON GRUS. non daté. In-8. Relié toilé. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 252 pages. Partiton pour Piano et chant + paroles. Tampon sur la page titre n'altérant pas la lecture de la partiton. Titre et filets en doré sur le dos. Illustration en noir et blanc de BARBIZET en page titre.. . . . Classification Dewey : 780.26-Partitions
rif. RO50049633G. RICORDI & C.. NON DATE. In-8. Broché. Etat d'usage, Plats abîmés, Dos abîmé, Quelques rousseurs. 240 pages de partitions. Portrait de Gaetano Donizetti en noir et blanc sur le premier plat. Annotations au dos de l'ouvrage. Premier plat et page de titre désolidarisés. Petites déchirures aux extrémités des pages, sans conséquences sur la lecture. Tampon sur la page de titre.. . . . Classification Dewey : 780.26-Partitions
rif. 21281Paris: chez Pacini,reliure epoque demi basane dos lisse titré usé,avec manque de 8cm en pied,Plate no.: 3591. Vocal score.ca. 1832?; 209 p.gravées.Partition entièrement gravée.TRES RARE
1948cm. 24 x 33, 18 fascicoli in grande formato (indivisibili). 243 gr.
1840rif. 31312Roma: Scip. De Rossi e C. 1840. Oblong folio. Sewn. 11 1 blank pp. Lithographed. From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981. Slightly worn and browned; corners creased; minor foxing and staining throughout. An early edition published after the 1840 performance in Rome. Inzaghi IN. 35 p. 151. The lithographer of the present edition Filippo Martelli was one of a number of lithographers active in Rome in the 1840s; he executed lithographic editions of a number of works for the publisher Scipione De Rossi. See Twyman: Early Lithographed Music p. 458. Anna Bolena to a libretto by Felice Romani after Ippolito Pindemonte's Enrico VIII ossia Anna Bolena 1816 and Alessandro Pepoli's Anna Bolena 1788 was first performed in Milan at the Teatro Carcano on December 26 1830. The duet "S'ei t'abbore" between Percy Riccardo and Anna comes near the end of the first Act and was sometimes replaced in performances. Ashbrook: Donizetti and his Operas pp. 617-618. "This was Donizetti's first great international success giving him his initial exposure to Paris and London audiences. Pasta Anne and Rubini Percy sang in the première. Immensely popular for almost half a century it re-entered the modern repertory following a triumphant revival at La Scala with Callas in 1957. Since then the work has proved a favourite vehicle for such bel canto specialists as Sutherland Sills and Caballé." William Ashbrook in Grove Music Online. Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. Scip. De Rossi e C. unknown
1840rif. 31312Roma: Scip. De Rossi e C. 1840. Oblong folio. Sewn. 11 1 blank pp. Lithographed. From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981. Slightly worn and browned; corners creased; minor foxing and staining throughout. An early edition published after the 1840 performance in Rome. Inzaghi IN. 35 p. 151. The lithographer of the present edition Filippo Martelli was one of a number of lithographers active in Rome in the 1840s; he executed lithographic editions of a number of works for the publisher Scipione De Rossi. See Twyman: Early Lithographed Music p. 458. Anna Bolena to a libretto by Felice Romani after Ippolito Pindemonte's Enrico VIII ossia Anna Bolena 1816 and Alessandro Pepoli's Anna Bolena 1788 was first performed in Milan at the Teatro Carcano on December 26 1830. The duet "S'ei t'abbore" between Percy Riccardo and Anna comes near the end of the first Act and was sometimes replaced in performances. Ashbrook: Donizetti and his Operas pp. 617-618. "This was Donizetti's first great international success giving him his initial exposure to Paris and London audiences. Pasta Anne and Rubini Percy sang in the première. Immensely popular for almost half a century it re-entered the modern repertory following a triumphant revival at La Scala with Callas in 1957. Since then the work has proved a favourite vehicle for such bel canto specialists as Sutherland Sills and Caballé." William Ashbrook in Grove Music Online. Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. Scip. De Rossi e C. unknown books
rif. 9788597009620-11-05458Atlas. New. Atlas unknown
2017rif. __1520550898Independently published 2017. Paperback. New. 813 pages. Portuguese language. 9.00x6.00x1.84 inches. Independently published paperback
rif. 0486271137.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1-93759Couverture rigide. Assez bon . Léon Grus unknown
1987rif. DADAX0634072056Ricordi 1987-05-01. hardcover. New. 8.00x0.98x10.75. Buy with confidence. Excellent Customer Service & Return policy. Ricordi hardcover
rif. 4002New Orleans:: Michon & Schweitzer . Not illustrated; 21 pp. uncut. Large 8vo ochre printed wrappers; a trimming error has resulted in the top of the advertisements on the back outer cover lacking some letters; text block side-stitched but the wrappers never were sewn to the text which is simply laid into them. OCLC lists four New Orleans institutions and Harvard. The inside front wrapper and both sides of the back wrapper contain small advertisements of local firms. Dating is based on two of the advertisers who only appear in New Orleans City Directories in the 1870s. [New Orleans]:: Michon & Schweitzer, ,. unknown
rif. 4002New Orleans:: Michon & Schweitzer . Not illustrated; 21 pp. uncut. Large 8vo ochre printed wrappers; a trimming error has resulted in the top of the advertisements on the back outer cover lacking some letters; text block side-stitched but the wrappers never were sewn to the text which is simply laid into them. OCLC lists four New Orleans institutions and Harvard. The inside front wrapper and both sides of the back wrapper contain small advertisements of local firms. Dating is based on two of the advertisers who only appear in New Orleans City Directories in the 1870s. [New Orleans]:: Michon & Schweitzer, ,. unknown books
rif. M2446Königstadt 1843. . Broadsheet. Uncut. As Giustinano sgr Giuseppe Bien as Belisario sgr Cleto Capitini as Antonia debut by Ersilia Ranzi. unknown
1875rif. 456451London : Cramer Beale & Co. ; R. Cocks & Co. ; T. Boosey & Co. ; Chappell ; etc 1875. First Edition. Hardcover. Good copy only in contemporary half maroon leather over marble boards with surface loss to the marbled coverings on the bottom portion of both boards. Gilt-blocked titles and compartment decorations to spine with raised bands. Panel edges spine bands and joints somewhat rubbed. Marbled edges somewhat dust-dulled and faded. Binding starting to separate along the bottom in one location before the first composition ""Home Sweet Home Polka"" but holding at the top. Text otherwise tight throughout and clean with marginal dust-dulling only. An internally strong and very serviceable copy overall. Physical description; 1 volume in various paginations : music ; 35 cm. Notes; A bound collection of engraved sheet music for piano published in London c.1850-1875. Contains popular dances and operatic arrangements of the period including: Madame Oury's 'Home sweet home' polka with illustrated title page; Camille Schubert's quadrille 'Les joyeux enfants de Paris'; Rudolph Nordmann's piano duet arrangement of Donizetti's tyrolienne 'In questo semplice'; Adolph Marschan's 'Alpenlieder' waltz; Charles d'Albert's 'Faust' waltz for piano four-hands; and others. Subjects; Piano music - 19th century - Scores Dance music - England - 19th century - Scores Waltzes - Scores Polkas - Scores Quadrilles - Scores Operas - Excerpts Arranged - Scores Sheet music - England - London - 19th century. London : Cramer, Beale & Co. ; R. Cocks & Co. ; T. Boosey & Co. ; Chappell ; [etc] hardcover
rif. 8416Macon GA: John C. Schreiner & Son 186_. Good binding. Folio. 4 pp. Confederate imprint. Single bifolium never bound. Early staining; fore-edge of the first leaf is somewhat ragged; light foxing/toning. Parrish & Willingham 6899. John C. Schreiner & Son unknown
1833In-16° (17,1 x 10,1 cm), pp. 47, (1), copertina editoriale con titoli entro cornice decorata. Qualche normale segno d'uso e del tempo alla copertina. Alla copertina anteriore, firma d'appartenenza e data scritte da mano coeva; vignetta al frontespizio. Sempre al frontespizio, nella parte inferiore, nota a matita scritta da mano coeva e, nel bordo superiore, piccolissima macchia d'inchiostro, macchia che, diminuendo progressivamente nella grandezza, interessa anche il bordo superiore delle pagine successive. Qualche segno d'umido alle pagine, segni più numerosi ed evidenti alle pp. 19-22; per il resto ben conservato. La première dell'opera di Donizetti, nella sua prima versione in tre atti, fu rappresentata al Teatro Valle di Roma il 2 gennaio 1833. Il presente libretto è quello della prima al Teatro alla Scala di Milano, in cui, il 1° ottobre 1833, andò in scena la seconda versione definitiva, in due atti. Da pagina 3: "Parole del sig. Giacopo Ferretti. Musica del Maestro sig. Gaetano Donizzetti [sic!]. Le Scene tanto dell'Opera quanto del Ballo sono d'invenzione ed esecuzione dei signori Cavallotti Baldassare, Ferrario Carlo e Menozzi Domenico".. Personaggi ed interpreti: Cardenio, Orazio Cartagenova; Eleonora, Eugenia Tadolini; Fernando, Berardo Winter; Bartolomeo, Domenico Spiaggi; Marcella, Felicita Baylou; Kaidamà, Vincenzo Galli, Coro di Coloni, Marinari. La scena si svolge nell'isola di Santo Domingo. Musicisti. Maestro Direttore della Musica: Cesare Pugni; Al cembalo: Giacomo Panizza e Giovanni Bajetti; Primo Violino, Capo e Direttore d'Orchestra: Alessandro Rolla; Altri primi Violini, in sostituzione al sig. Rolla: Giovanni Cavinati e Eugenio Cavallini; Capi dei secondi violini a vicenda: Giacomo Buccinelli e Giuseppe Rossi; Primo Violino per i Balli: Ferdinando Pontelibero; Altri primi Violini, in sostituzione al sig. Pontelibero: Francesco De Bayllou e Giuseppe De Bayllou; Primo Violoncello al Cembalo: Vincenzo Merighi; Altro primo Violoncello in sostituzione al sig. Merighi: Giacomo Gallinotti; Primo Contrabbasso al Cembalo: Francesco Hurt; Altro primo Contrabbasso in sostituzione al sig. Hurt: Fabiano Ronchetti; Prime Viole: Carlo Maino e Pietro Tassistro; Primi Clarinetti a perfetta vicenda: Ernesto Cavallini e Felice Corrado; Primi Oboe a perfetta vicenda: Carlo Yvon e Giovanni Daelli; Primi Flauti: per l'Opera, Giuseppe Raboni, pel Ballo, Filippo Marcora; Primo Fagotto: Antonio Cantù; Primo Corno da caccia: Agostino Belloli; Prima Tromba: Giuseppe Viganò. Arpa: Antonia Zanetti. Direttore del Coro: Giulio Cesare Granatelli; Istruttore dei Cori: Filippo Luchini; Proprietarj del presente spartito e delle rinovazioni eseguite dal sig. Maestro Gaetano Donizzetti [sic!] Epimaco e Pasquale Artaria; Vestiaristi proprietarj: Briani e Figlio e Mondini; Direttore della sartoria: Giovanni Mondini; Capi sarti: Giacomo Colombo e Paolo Veronesi; Berrettonaro: Giosuè Paravicini; Sorvegliante alle ordinazioni del vestiario e guardarobiere dell'impresa: Ercole Bosisio; Attrezzista proprietario: Giuseppe Fornari; Macchinisti: Fratelli Abbiati; Parrucchiere, Innocente Bonacina; Capi illuminatori, Antonio Abbiati - Giuseppe Pozzi. Ballerini. Compositore de' Balli: Antonio Monticini; Primi Ballerini serj: Giovanni Casati e Francesca Farina Regai; Primi Ballerini: Maxime Guillet, Carolina Filippini; Primi Ballerini per le parti: Antonio Ramacini, Marietta Monticini, Angelo Lazzareschi, Giuseppe Bocci, Teresa Aman, Pietro Trigambi, Tomaso Casati, Carolina Casati, Angelo Trabattoni; Primo ballerino per le parti giocose: Ippolito Philippe; Primi ballerini di mezzo carattere e per le parti: Giovanni Baranzoni, Fedele Caldi, Carlo Della Croce, Eduardo Viganò, Antonio Caprotti, Antonio Rugali, Carlo Rugali, Francesco Villa, Antonio Rumolo, Bartolomeo Pincetti, Gaetano Croce, Leopoldo Pagliaini, Fioravanti Boresi, Costantino Ravetta, Carolina Bonalumi, Amalia Braschi, Gaetana Carcano, Rachele Cazzaniga, Giuseppina Rumolo, Eugenia Braschi, Luigia Rumolo, Silvia Angiolin, Carolina Ramacini; Imperiale Regia Scuola di Ballo. Maestri di Perfezionamento: Claudio Guillet e Anna Giuseppina Guillet; Maestro di Ballo: Carlo Villeneuve; Maestro di Mimica: Giuseppe Bocci; Allieve: Teresa Aman, Carolina Frassi, Luigia Sassi, Paola Ancement, Giuseppa Caffulli, Carolina Crippa, Rosalia Molina, Elisabetta Monti, Teresa Merli, Felicita Oggiono, Carolina Conti, Adelaide Superti, Francesca Charrier, Adelaide Beretta, Carolina Taddisi, Adelaide Frassi, Carolina De Vecchi, Angela Morlacchi, Teresa Morlacchi, Giovanna Ciocca, Francesca Zambelli, Camilla Brambilla, Adelaide Charrier, Adelaide Volpini, Giovanna Tamagnini, Luigia Viganoni, Giulia Romagnoli, Teresa Porlezza, Antonia Bussola, Antonia Visconti, Luigia Bellini, Luigia Monti; Signori: Aurelio Quattri, Solone Viganoni, Giovanni Battista Gramegna, Benigno Colombo, Pietro Oliva, Pasquale Colombo. Ballerini di Concerto: n° 12 Coppie.
1845rif. 37440[Paris] Typographie Vinchon s.d. [1845] prospectus in-8 en feuille
2014rif. G2843853133I4N00PREMIERES LOGES 2014. Unknown. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. PREMIERES LOGES unknown
