DONIZETTI, Gaetano 1797-1848Biblio.com
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1833rif. 31313Milano: G. Ricordi e Co. PN 6755 1833. Oblong folio. Red marbled paper wrappers. Sewn. 11 1 blank pp. Engraved. From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981. Wrappers slightly worn and faded. Slightly worn and browned; partially detached at lower inner margin; minor foxing and staining throughout; occasional small tears; some corners creased;. First Edition. Inzaghi IN. 44 pp. 158-9. Il Furioso nell'isola di San Domingo to a libretto by Jacopo Ferretti based on a play of the same name after Don Quixote was first performed at the Teatro Valle in Rome on January 2 1833. The duet "Di quegli occhi" between Cardenio and Kaidamà comes near the end of the first Act. "Il furioso is sometimes described as an opera semiseria because of the presence in the cast of a buffo character - Kaidamà who is a 'natural' defective and therefore a foil to Cardenio's delusions; but he is a figure of pathos rather than fun. It is in fact a Romantic melodramma through and through and is so described in the original libretto. The score contains some finely wrought arias and moving ensembles." William Ashbrook in Grove Music Online. Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. G. Ricordi e Co. [PN 6755] unknown
1860rif. 33930Roma: Tipografia Menicanti 1860. Octavo. Plain yellow wrappers. 1f. recto title verso named cast list 3-6 named list of chorus and orchestra 7-36 pp. Cast list includes Gaetano Giovannini Euginio Corsi Giovanni Bernardoni "N.N." Roberto Bompiani Luigi Martellotti Angela Monghini Giuseppe Giannoli and Giuseppe Crosanti. Wrappers slightly worn and soiled; "18" in faint manuscript to upper. Light uniform browning; corners slightly creased. "A dominant figure in Italian opera Donizetti was equally successful in comic and serious genres and an important precursor of Verdi." Mary Ann Smart and Julian Budden in Grove Music Online. Tipografia Menicanti unknown books
1833rif. 31313Milano: G. Ricordi e Co. PN 6755 1833. Oblong folio. Red marbled paper wrappers. Sewn. 11 1 blank pp. Engraved. From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981. Wrappers slightly worn and faded. Slightly worn and browned; partially detached at lower inner margin; minor foxing and staining throughout; occasional small tears; some corners creased;. First Edition. Inzaghi IN. 44 pp. 158-9. Il Furioso nell'isola di San Domingo to a libretto by Jacopo Ferretti based on a play of the same name after Don Quixote was first performed at the Teatro Valle in Rome on January 2 1833. The duet "Di quegli occhi" between Cardenio and Kaidamà comes near the end of the first Act. "Il furioso is sometimes described as an opera semiseria because of the presence in the cast of a buffo character - Kaidamà who is a 'natural' defective and therefore a foil to Cardenio's delusions; but he is a figure of pathos rather than fun. It is in fact a Romantic melodramma through and through and is so described in the original libretto. The score contains some finely wrought arias and moving ensembles." William Ashbrook in Grove Music Online. Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. G. Ricordi e Co. [PN 6755] unknown books
rif. RO50063871Léon Grus éditeur. Non daté. In-8. Relié demi-cuir. Bon état, Couv. convenable, Dos abîmé, Intérieur frais. 254 pages de partitions en noir et blanc.Tampon encreur sur la page de titre.. . . . Classification Dewey : 780.26-Partitions
rif. RO50059719ENOCH PERE & FILS. NON DATE. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 44 pages de partitions. Page de titre illustrée en noir et blanc.. . . . Classification Dewey : 780.26-Partitions
rif. R200054294TALLANDIER. NON DATE. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 340 pages de phrases musicales. . . . Classification Dewey : 780.26-Partitions
rif. RO50049727EDMOND MAYAUD. NON DATE. In-8. Relié. Etat d'usage, Plats abîmés, Dos frotté, Quelques rousseurs. 189 pages de partitions. Page de titre illustré en noir et blanc. Tampons sur le premier plat. 2° édition. Coins des plats frottés.. . . . Classification Dewey : 780.26-Partitions
rif. RO30096210HENRY LEMOINE. non daté. In-4. Relié demi-cuir. Etat d'usage, Coins frottés, Dos satisfaisant, Intérieur frais. 218 pages de partitions. Titre, auteur, filets dorés sur le dos cuir marron. Reliure signée Montarion. Tampon en page de titre.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
rif. 3385078636.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. R320140288Alexandre Grus. 19e. In-4. Relié demi-cuir. Etat d'usage, Coins frottés, Dos frotté, Quelques rousseurs. 254 pages de partitions - auteur, titre, filet dorés sur le dos - coins, tranches et plats frottés - annotations sur le 1er contre plat - tampons sur la page de titre - quelques rousseurs sans réelle conséquence sur la lecture - quelques pages désolidarisées - 3 photos disponibles.. . . . Classification Dewey : 780.26-Partitions
1983rif. 026345Milano Italy: Ricordi / Associated Music Publishers 1983. Fine condition. Flat uncreased spine. Sharp corners. Bright shiny clean square and tight. NO owner's name or bookplate. NOT a remainder. Pages are fresh crisp clean and unmarked - apparently seldom if ever read. Musical notation. The title page reads: "Gaetano Donizetti / Il Campanello / Melodrama giocoso in un atto / Prima rappresentazione: / Napoli Teatro Nuovo 1o giugno 1836 / Opera completa per canto e pianoforte / Ricordi." Bound in the original full color pictorial wraps. 7.75" wide by 10.5" tall. . Softcover. Fine condition. Illus. by NOT a library discard. iv 152pp. Great Packaging Fast Shipping. Ricordi / Associated Music Publishers Paperback
rif. C1782Italian Opera Rarities. Like New. 3 CDs case liner and booklet all in Excellent condition. Italian Opera Rarities unknown
rif. 19410Édition Bijou in8. Sans date. reliure editeur pleine toile tranches dorées. 3 volume(s).
1852rif. 26482Paris: Schonenberger PNs S. 1828 1188 1852. Octavo. 1f. title i thematic table of contents i publisher's catalog 162 pp. Engraved. Vendor's handstamp to lower margin of title. Lacking wrappers with remnants of modern green paper to spine. Moderately foxed; some leaves stained; repairs to margins of some leaves affecting several measures of music. Later edition. Lesure II pp. 395-396. OCLC no. 7618582. Poliuto a tragedia lirica to a libretto by Salvadore Cammarano after Pierre Corneille's play Polyeucte was first performed at the Teatro San Carlo in Naples on November 30 1848. "Never very successful in Paris Les Martyrs enjoyed some circulation in an Italian translation as I martiri but in Italy the more compact three-act Poliuto was generally preferred. Its performance history there began in 1848 when it received its première in Naples soon after Donizetti's death; the recent granting of a constitution there made the mounting of the banned work seem a political gesture as well as an artistic one. Throughout the 19th century it was put on periodically as a vehicle for such dramatic tenors as Tamberlik and Tamagno. It has had some notable revivals: at La Scala in 1940 with Gigli and Caniglia and in 1960 with Corelli and Callas; in 1977 at the S Carlo; and in Vienna in 1986 with Carreras. A Rome revival in 1988 followed a text that removed many years' editorial accretions. Les martyrs too has been revived notably in Venice in 1978." William Ashbrook in Grove Music Online. Schonenberger [PNs S. 1828, 1188] unknown
1852rif. 26482Paris: Schonenberger PNs S. 1828 1188 1852. Octavo. 1f. title i thematic table of contents i publisher's catalog 162 pp. Engraved. Vendor's handstamp to lower margin of title. Lacking wrappers with remnants of modern green paper to spine. Moderately foxed; some leaves stained; repairs to margins of some leaves affecting several measures of music. Later edition. Lesure II pp. 395-396. OCLC no. 7618582. Poliuto a tragedia lirica to a libretto by Salvadore Cammarano after Pierre Corneille's play Polyeucte was first performed at the Teatro San Carlo in Naples on November 30 1848. "Never very successful in Paris Les Martyrs enjoyed some circulation in an Italian translation as I martiri but in Italy the more compact three-act Poliuto was generally preferred. Its performance history there began in 1848 when it received its première in Naples soon after Donizetti's death; the recent granting of a constitution there made the mounting of the banned work seem a political gesture as well as an artistic one. Throughout the 19th century it was put on periodically as a vehicle for such dramatic tenors as Tamberlik and Tamagno. It has had some notable revivals: at La Scala in 1940 with Gigli and Caniglia and in 1960 with Corelli and Callas; in 1977 at the S Carlo; and in Vienna in 1986 with Carreras. A Rome revival in 1988 followed a text that removed many years' editorial accretions. Les martyrs too has been revived notably in Venice in 1978." William Ashbrook in Grove Music Online. Schonenberger [PNs S. 1828, 1188] unknown books
rif. 19410Édition Bijou. Etat correct 2 ouvrages avec quelques feuilles volantes et certaines partiellement déliées intérieurs propres avec rousseurs et complets.Les extérieurs sont en bon état. in8. Sans date. reliure editeur pleine toile tranches dorées. 3 volumes. opéra opéra lyrique Édition Bijou unknown
1986rif. Q-0793553725G. Schirmer Inc 1986-11-01. Paperback. New. In shrink wrap. Looks like an interesting title! G. Schirmer, Inc paperback
1854rif. 26743Roma: Tipografia dell Rev. Cam. Apostolica 1854. Small octavo. Modern marbled wrappers. 1 title 2 "Direttori della Musica" 3-26 1f. printer's note pp. With decorative woodcut device to p. 26. The libretto to a performance incorporating music by Verdi Rossini Mercadante and Donizetti at the papal seminary in Rome to celebrate the Immaculate Conception of Mary Christ's mother on 13 December 1854 with Luigi Moroni Gaetano Capocci and Giuseppe Negri named as the "Direttori della Musica." Includes 4 works by Verdi: "Salve o Madre: un sacro patto tutti stringe i figli tuoi" from the opening chorus of La Battaglia di Legnano 1849; Silenzio misterio" from the opening chorus of I due Foscari" 1844; "Plaudiam di letizia" from the opening chorus of the Act I finale of Stiffelio 1850; and "Regina dell'alme." Other works performed include Rossini's "Pura stella-del mattino;" Mercadante's "Sacro alla pace degli eletti;" and Donizetti's cantata "Celeste un' aura dal tempio move." Minor foxing heavier to endpapers. Probable First Edition. Rare. Worldcat 2 copies only at the Universities of Chicago and Dayton. OCLC no. 57468047. An interesting source for several little-known works. Tipografia dell Rev. Cam. Apostolica unknown
1854rif. 26743Roma: Tipografia dell Rev. Cam. Apostolica 1854. Small octavo. Modern marbled wrappers. 1 title 2 "Direttori della Musica" 3-26 1f. printer's note pp. With decorative woodcut device to p. 26. The libretto to a performance incorporating music by Verdi Rossini Mercadante and Donizetti at the papal seminary in Rome to celebrate the Immaculate Conception of Mary Christ's mother on 13 December 1854 with Luigi Moroni Gaetano Capocci and Giuseppe Negri named as the "Direttori della Musica." Includes 4 works by Verdi: "Salve o Madre: un sacro patto tutti stringe i figli tuoi" from the opening chorus of La Battaglia di Legnano 1849; Silenzio misterio" from the opening chorus of I due Foscari" 1844; "Plaudiam di letizia" from the opening chorus of the Act I finale of Stiffelio 1850; and "Regina dell'alme." Other works performed include Rossini's "Pura stella-del mattino;" Mercadante's "Sacro alla pace degli eletti;" and Donizetti's cantata "Celeste un' aura dal tempio move." Minor foxing heavier to endpapers. Probable First Edition. Rare. Worldcat 2 copies only at the Universities of Chicago and Dayton. OCLC no. 57468047. An interesting source for several little-known works. Tipografia dell Rev. Cam. Apostolica unknown books
2012rif. Q-0486271137Dover Publications 2012-07-17. Paperback. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
rif. 9788597005905-11-83944Atlas. New. Atlas unknown
1992rif. I-122-830Actes Sud 1992. Paperback. Very Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations. Actes Sud paperback
rif. ANAIS-0486271137Dover Publications. paperback. Good. 9.5X6.5X1.5. Buy with confidence. Excellent Customer Service & Return policy. Dover Publications paperback
1895rif. 16739New York: G. Schirmer 1895. Hardcover. Very Good. 12 x 9 inches. Vol. I 111 pages Vol. II 99 pages. Dark green cloth with gilt lettering and decoration top edge gilt. Condition is Very Good; Exteriors are excellent musical score is very clean and unmarked bindings are tight. Music RGR G. Schirmer hardcover
rif. 2404JS156Tragedia Lirica posta in Musica e Ridotta per il Piano Forte da. Marquerie Frères. Paris. S. d. De 225x185 cm. Com iii 244 págs. Encadernação em tela encerada com ferros a ouro na lombada cortes das folhas mosqueadas e folhas de guarda decorativas. Profusamente ilustrado no texto com partituras. Exemplar com manchas de humidade nas folhas. SACO JS701-9 hardcover
