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2010As New English Paperback. Roy. 8vo (24 x 17 cm). In English and Italian with abstracts in Turkish. [Liii], 272 p., ills. With a CD in it end-pocket. Giuseppe Donizetti Pasha: Musical and historical trajectories between Italy and Turkey.= Giuseppe Donizetti Pascia: Traiettorie musicali e storiche tra Italia e Turchia (Saggi E Monografie 7). [With a CD].
2000rif. Q-8875926670Ricordi 2000-05-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Ricordi paperback
1840rif. 31312Roma: Scip. De Rossi e C. 1840. Oblong folio. Sewn. 11 1 blank pp. Lithographed. From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981. Slightly worn and browned; corners creased; minor foxing and staining throughout. An early edition published after the 1840 performance in Rome. Inzaghi IN. 35 p. 151. The lithographer of the present edition Filippo Martelli was one of a number of lithographers active in Rome in the 1840s; he executed lithographic editions of a number of works for the publisher Scipione De Rossi. See Twyman: Early Lithographed Music p. 458. Anna Bolena to a libretto by Felice Romani after Ippolito Pindemonte's Enrico VIII ossia Anna Bolena 1816 and Alessandro Pepoli's Anna Bolena 1788 was first performed in Milan at the Teatro Carcano on December 26 1830. The duet "S'ei t'abbore" between Percy Riccardo and Anna comes near the end of the first Act and was sometimes replaced in performances. Ashbrook: Donizetti and his Operas pp. 617-618. "This was Donizetti's first great international success giving him his initial exposure to Paris and London audiences. Pasta Anne and Rubini Percy sang in the première. Immensely popular for almost half a century it re-entered the modern repertory following a triumphant revival at La Scala with Callas in 1957. Since then the work has proved a favourite vehicle for such bel canto specialists as Sutherland Sills and Caballé." William Ashbrook in Grove Music Online. Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. Scip. De Rossi e C. unknown books
1837rif. 33497Milano: Gio. Ricordi 1837. 5 numbers. Oblong folio. Disbound. Engraved. - Cavatina nell'Introduzione: Cruda funesta smania PN 8986. 8 pp. - Cavatina: Regnava nel silenzio PN 8987. 9 1 blank pp. - Duetto: Il pallor funesto orrendo PN 8989 / 10083. 16 pp. - Aria: Ah cedi o piu seiagure PN 8990. 6 pp. - Recit e Cavatina: Regnava nel silenzio PN 10079. 11 1 blank pp. A revised edition of PN 8987. From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981. Slightly worn and soiled; spines frayed; "Il pallor." more heavily worn. From the plates of the first edition. Inzaghi IN. 55 pp. 173. Lucia di Lammermoor to a libretto by Salvadore Cammarano after Walter Scott's novel The Bride of Lammermoor 1819 premiered in Naples at the Teatro San Carlo on 26 September 26 1835. "Both historically and artistically Lucia deserves its reputation. When it was new it was regarded as the apogee of high Romantic sensibility. The clear plot which trims away much of Scott's accessory detail possesses the stark tautness of a tale by Poe. It is no coincidence that Flaubert employed it as an important point of reference in the downward course of Emma Bovary that quintessential victim of Romantic illusions." "Although all the principal roles are vocally challenging their music is uniformly grateful. The score contains scant sign of the unevenness that afflicts a number of Donizetti's works. Cammarano's libretto moved him deeply and inspired by his recent first exposure to Paris Donizetti produced what is certainly his masterpiece." William Ashbrook in Grove Music Online. Gio. Ricordi unknown books
1850rif. 33587Napoli: B. Girard e Ci. PNs 2691 2693 2697 2833 4550-67 1850. Oblong folio. Dark red leather-backed dark green cloth boards spine in decorative compartments gilt titling gilt. 190 pp. Each number with separate caption title and secondary pagination. Engraved. Title with catalogue of pieces from the opera including 5 alternative arrangements. Re-engraved with Girard's later address Largo S. Ferdinando 49. Handstamp "Scuola di Canto dei Mo. Lombardini" to title and several pages throughout. From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981. Binding somewhat worn scuffed and bumped; remnants of paper label to spine; free front endpaper lacking; shaken Rather worn throughout; moderately thumbed and foxed; creases and fraying to some corners; ape repairs to title and several leaves. An early edition later issue. Inzaghi IN. 53 p. 169. Gemma di Vergy a tragedia lirica in two acts to a libretto by Giovanni Emanuele Bidera after the play Charles VII by Alexandre Dumas premiered in Milan at the Teatro alla Scala on 26 December 1834. "Although Gemma is perhaps vocally the most daunting role Donizetti ever composed for a soprano being designed for Giuseppina Ronzi De Begnis Donizetti's favourite prima donna during the 1830s the opera retained its popularity in Italy until well into the 1860s. Musically the score has great merits. Gemma's aria finale - consisting of a prayer of imprecation on her husband's second marriage succeeded by a change of heart and her resolution to enter a convent which in turn leads into the eloquent Larghetto 'Un altare ed unabenda' and the despairing cabaletta 'Ah chi m'accusa' forms a classic test for a dramatic soprano d'agilità. The role of the Saracen Tamas composed for Domenico Reina is dramatically effective and his Allegro giusto in Act 1 'Mi toglieste a un sole ardente' was long a popular showpiece for tenors; on more than one occasion its libertarian sentiments prompted demonstrations against repression." William Ashbrook in Grove Dictionary of Opera. B. Girard e Ci. [PNs 2691, 2693, 2697, 2833, 4550-67] unknown books
1830rif. 33412Milan: Epimaque et Pascal Artaria PNs 58-67 1830. TROMBETTA Giuseppe arranger. Oblong octavo. Vellum-backed marbled boards with decorative rectangular paper label with manuscript titling to upper manuscript titling to spine. 96 pp. total in various paginations. Engraved. On wove paper. With small embossed crown with initials "FG" beneath to upper blank margin of title. From the collection of Luigi Ricci 1893-1981 Italian conductor vocal coach and close associate of Puccini and Mascagni. Binding somewhat worn rubbed and scuffed; head of spine chipped; free front endpaper lacking. Scattered light foxing. First Edition of this arrangement later issue. Rare. OCLC no copies in North American libraries. Inzaghi IN. 23 p. 143. Bergamo Catalogue p. 133 27. An opera romantica in 3 acts to a libretto by Domenico Gilardoni after La fille de l'exilé 1819 by Pixérécourt Otto premiered in Naples at the Teatro Nuovo on 13 May 1827. Epimaque et Pascal Artaria [PNs 58-67] unknown books
rif. RO50049633G. RICORDI & C.. NON DATE. In-8. Broché. Etat d'usage, Plats abîmés, Dos abîmé, Quelques rousseurs. 240 pages de partitions. Portrait de Gaetano Donizetti en noir et blanc sur le premier plat. Annotations au dos de l'ouvrage. Premier plat et page de titre désolidarisés. Petites déchirures aux extrémités des pages, sans conséquences sur la lecture. Tampon sur la page de titre.. . . . Classification Dewey : 780.26-Partitions
rif. RO50038764LEON GRUS. non daté. In-8. Relié toilé. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 252 pages. Partiton pour Piano et chant + paroles. Tampon sur la page titre n'altérant pas la lecture de la partiton. Titre et filets en doré sur le dos. Illustration en noir et blanc de BARBIZET en page titre.. . . . Classification Dewey : 780.26-Partitions
rif. RO50053353LEON GRUS. NON DATE. In-8. En feuillets. Etat d'usage, Couv. convenable, Coiffe en tête abîmée, Quelques rousseurs. 254 pages de partitions. Page de titre illustrée en noir et blanc par Barbizet. Couverture illustré en couleur par De Longprez. Manque sur les coiffes, au dos de l'ouvrage. Cahier désolidarisés.. . . . Classification Dewey : 780.26-Partitions
2007rif. 1-8875927529Ricordi - Bmg Ricordi 2007. Hardcover. New. bilingual edition. 980 pages. Italian language. 14.25x10.50x3.00 inches. Ricordi - Bmg Ricordi hardcover
rif. 21281Paris: chez Pacini,reliure epoque demi basane dos lisse titré usé,avec manque de 8cm en pied,Plate no.: 3591. Vocal score.ca. 1832?; 209 p.gravées.Partition entièrement gravée.TRES RARE
rif. 3004LC083Drama Lyrico em 5 actos para se representar no R.T. de S. Carlos Typographia de P.A. Borges. Lisboa. 1845. De 15x10 cm. Com 119 págs. Brochado. Exemplar com falta da capa posterior da brochura e com defeitos na capa anterior da brochura. Contém texto bilingue em italiano e português do libreto da ópera de Donizetti sobre o rei D. Debastião. I-99-D-30 unknown
1948cm. 24 x 33, 18 fascicoli in grande formato (indivisibili). 243 gr.
rif. 3639897048.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1840rif. 31312Roma: Scip. De Rossi e C. 1840. Oblong folio. Sewn. 11 1 blank pp. Lithographed. From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981. Slightly worn and browned; corners creased; minor foxing and staining throughout. An early edition published after the 1840 performance in Rome. Inzaghi IN. 35 p. 151. The lithographer of the present edition Filippo Martelli was one of a number of lithographers active in Rome in the 1840s; he executed lithographic editions of a number of works for the publisher Scipione De Rossi. See Twyman: Early Lithographed Music p. 458. Anna Bolena to a libretto by Felice Romani after Ippolito Pindemonte's Enrico VIII ossia Anna Bolena 1816 and Alessandro Pepoli's Anna Bolena 1788 was first performed in Milan at the Teatro Carcano on December 26 1830. The duet "S'ei t'abbore" between Percy Riccardo and Anna comes near the end of the first Act and was sometimes replaced in performances. Ashbrook: Donizetti and his Operas pp. 617-618. "This was Donizetti's first great international success giving him his initial exposure to Paris and London audiences. Pasta Anne and Rubini Percy sang in the première. Immensely popular for almost half a century it re-entered the modern repertory following a triumphant revival at La Scala with Callas in 1957. Since then the work has proved a favourite vehicle for such bel canto specialists as Sutherland Sills and Caballé." William Ashbrook in Grove Music Online. Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. Scip. De Rossi e C. unknown
rif. 9788597009620-11-05458Atlas. New. Atlas unknown
1838rif. 33430Paris: Marquerie Frères 1838. Octavo. Half brown morocco with matching cloth boards raised bands on spine decorative devices and titling gilt. 1f. title 1f. contents 240 pp. Engraved. Text in Italian. With an elaborate engraved title page by Hibon and A. Lafon. Former owner's name "S.L. Norris" gilt to upper board. Binding slightly rubbed. Sligthly browned and foxed; trimmed within platemark. An early edition. Inzaghi IN. 41 p. 156. L'elisir d'amore a melodramma giocoso in 2 acts to a libretto by Felice Romani after Scribe's Le philtre 1831 premiered in Milan at the Teatro alla Cannobiana on 12 May 1832. Donizetti arrived in Paris on 21 October 1838 and the work was first performed at the Théâtre-Italien there on 17 December 1839 to great acclaim "Donizetti's score is a study in shrewd contrasts: from the fairly florid lines of the duet 'Chiedi all'aura' - florid yet always rhetorically tidy - to the bumptious 3/8 stretta of the Act 1 finale or from the sharply differentiated tones of Nemorino and Belcore in the 'Venti scudi' duet to the comic irony in the duet for Adina and Dulcamara 'Quanto amore!' which sets off the potion as charm against the charm of Adina herself. The apparently effortless outpouring of melody arouses wonder especially as it is never melodiousness for its own sake but always describes some aspect of character; moreover there are those moments of genuine pathos 'Adina credimi' and 'Una furtiva lagrima' for instance that keep this comedy from seeming merely heartless or cruel. Ultimately the continuing appeal of L'elisir lies in the appropriateness of Donizetti's music to this bucolic variant of the 'male Cinderella' myth. Nemorino's good-heartedness and his singleness of purpose win out in spite of potions and unforeseen inheritances." William Ashbrook in Grove Music Online. Marquerie Frères unknown books
rif. 0486271137.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2017rif. __1520550898Independently published 2017. Paperback. New. 813 pages. Portuguese language. 9.00x6.00x1.84 inches. Independently published paperback
rif. 1-93759Couverture rigide. Assez bon . Léon Grus unknown
1987rif. DADAX0634072056Ricordi 1987-05-01. hardcover. New. 8.00x0.98x10.75. Buy with confidence. Excellent Customer Service & Return policy. Ricordi hardcover
rif. 4002New Orleans:: Michon & Schweitzer . Not illustrated; 21 pp. uncut. Large 8vo ochre printed wrappers; a trimming error has resulted in the top of the advertisements on the back outer cover lacking some letters; text block side-stitched but the wrappers never were sewn to the text which is simply laid into them. OCLC lists four New Orleans institutions and Harvard. The inside front wrapper and both sides of the back wrapper contain small advertisements of local firms. Dating is based on two of the advertisers who only appear in New Orleans City Directories in the 1870s. [New Orleans]:: Michon & Schweitzer, ,. unknown
rif. M2446Königstadt 1843. . Broadsheet. Uncut. As Giustinano sgr Giuseppe Bien as Belisario sgr Cleto Capitini as Antonia debut by Ersilia Ranzi. unknown
1875rif. 456451London : Cramer Beale & Co. ; R. Cocks & Co. ; T. Boosey & Co. ; Chappell ; etc 1875. First Edition. Hardcover. Good copy only in contemporary half maroon leather over marble boards with surface loss to the marbled coverings on the bottom portion of both boards. Gilt-blocked titles and compartment decorations to spine with raised bands. Panel edges spine bands and joints somewhat rubbed. Marbled edges somewhat dust-dulled and faded. Binding starting to separate along the bottom in one location before the first composition ""Home Sweet Home Polka"" but holding at the top. Text otherwise tight throughout and clean with marginal dust-dulling only. An internally strong and very serviceable copy overall. Physical description; 1 volume in various paginations : music ; 35 cm. Notes; A bound collection of engraved sheet music for piano published in London c.1850-1875. Contains popular dances and operatic arrangements of the period including: Madame Oury's 'Home sweet home' polka with illustrated title page; Camille Schubert's quadrille 'Les joyeux enfants de Paris'; Rudolph Nordmann's piano duet arrangement of Donizetti's tyrolienne 'In questo semplice'; Adolph Marschan's 'Alpenlieder' waltz; Charles d'Albert's 'Faust' waltz for piano four-hands; and others. Subjects; Piano music - 19th century - Scores Dance music - England - 19th century - Scores Waltzes - Scores Polkas - Scores Quadrilles - Scores Operas - Excerpts Arranged - Scores Sheet music - England - London - 19th century. London : Cramer, Beale & Co. ; R. Cocks & Co. ; T. Boosey & Co. ; Chappell ; [etc] hardcover
rif. 8416Macon GA: John C. Schreiner & Son 186_. Good binding. Folio. 4 pp. Confederate imprint. Single bifolium never bound. Early staining; fore-edge of the first leaf is somewhat ragged; light foxing/toning. Parrish & Willingham 6899. John C. Schreiner & Son unknown
