2 627 résultats
1999réf. BN717872Leipzig: Evang. Verlagsanstalt 1999. 1999. Wie ihn Gott geführet und auf die Wege der Inspiration gebracht habe. Autobiographische Schriften. Von Johann Friedrich Rock. = Kleine Texte des Pietismus 1. Wie ihn Gott geführet und auf die Wege der Inspiration gebracht habe. Autobiographische Schriften. Von Johann Friedrich Rock. = Kleine Texte des Pietismus 1. Rock Johann Friedrich Verf. und Ulf-Michael Schneider Hrsg. Leipzig: Evang. Verlagsanstalt unknown
2021réf. x-147448011XEdinburgh Univ Pr 2021. Hardcover. New. 272 pages. 8.50x5.43x0.75 inches. Edinburgh Univ Pr hardcover
réf. 30583715-nnew. unknown
réf. 30583715like new. unknown
2020réf. x-1108840485Cambridge University Press 2020. Hardcover. New. 290 pages. 9.25x6.25x1.00 inches. Cambridge University Press hardcover
réf. 651001106New York University Press NYU Press . Hardback. New. pp. 1108 New York University Press NYU Press hardcover
1956réf. I5065Roma: White Lotus 1956. Paperback. Good/no dj. 1.40. Amnye Ma-Chhen Range and Adjacent Regions The White Lotus paperback
réf. DADAX0801448549New unknown
réf. ria9780826420305_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
réf. DADAX0128151501New unknown
1999réf. x-1571819592Berghahn Books 1999. Hardcover. New. 262 pages. 8.75x5.75x0.75 inches. Berghahn Books hardcover
2002réf. x-1571817182Berghahn Books 2002. Hardcover. New. 1st edition. 256 pages. 9.00x6.00x0.50 inches. Berghahn Books hardcover
2012réf. x-0814717314New York Univ Pr 2012. Hardcover. New. box edition. 1000 pages. 9.75x6.75x3.50 inches. New York Univ Pr hardcover
réf. 46748651-nnew. unknown
réf. 46748651like new. unknown
2014réf. BN430042Duncker & Humblot Verlag 2014. 2014. Perspektiven der Metaphysik im "postmetaphysischen" Zeitalter. Metaphysik und Ontologie; Bd. 1. Perspektiven der Metaphysik im "postmetaphysischen" Zeitalter. Metaphysik und Ontologie; Bd. 1. Coriando Paola L. und Tina Röck Duncker & Humblot Verlag unknown
1995réf. BN730218Pinewood Studios 1995. 1995. Hardcover. Mick Rock: A Photographic Record 1969-1980 Mick Rock: A Photographic Record 1969-1980 Mick Rock Pinewood Studios hardcover
1999réf. BN429545Lippincott Williams and Wilkins 1999. 1999. The Practical Management of Low-Grade Primary Brain Tumors The Practical Management of Low-Grade Primary Brain Tumors Rock Jack P. M. L. Rosenblum and Edward G. Shaw Lippincott Williams and Wilkins unknown
réf. 512aaOrig. Aquarell 1900/01 26 cm x 43 cm. unknown
1955réf. 237812New York: The Museum of Modern Art 1955. Brossura wrappers. Ottimo Fine. The Greatest Photographic Exhibition of All Time: 503 Pictures from 68 Countries. A cura di Edward Steichen per il Museum of Modern Art. Prologo di Carl Sandburg. Editor: Jerry Mason. Didascalie: Dorothy Norman. Assistente di Edward Steichen: Wayne Miller. Allegato un foglio sciolto ripiegato in tre parti stampato su carta vergatina con la traduzione francese di tutti i testi e le didascalie "La grande famille des hommes" e una introduzione di André Chamson Conservateur du Musée du Petit Palais. Cm 28x215. pp. 192. Ottimo Fine. Prima edizione First Edition. The Museum of Modern Art, unknown
réf. DADAX0930948025New unknown
1957réf. 173039Los Angeles: Twentieth Century-Fox 1957. Five vintage hand-tinted British front-of-house cards from the 1957 film. Based on Ernest Hemingway's 1929 semi-autobiographical novel about an American soldier stationed in Italy whose romance with a Red Cross nurse becomes his only joy amidst the horrors of war. The second film adaptation of Hemingway's novel and the final film produced by David O. Selznick. Set in Italy and Switzerland shot on location in Italy. 8 x 10 inches. About Near Fine. Twentieth Century-Fox unknown
1957réf. 136403Los Angeles: Twentieth Century-Fox 1957. Draft script for the 1957 film. In Selznick Studio wrappers with the insignia on the front wrapper. An original production script with a perforated distribution leaf preceding the title page. The second film version of Ernest Hemingway's 1929 novel and also the last film produced by David O. Selznick. Frederick Henry Hudson is an American serving in the Italian Army during WWI where he meets Catherine Barkley Jones a Red cross nurse. They have a torrid affair which results in pregnancy. The two gradually lose contact with one another. But Henry makes it to Switzerland where Barkley is hospitalized. The baby is stillborn and Barkley dies shortly afterward. Set in Europe shot on location in Italy. White titled wrappers with credits for screenwriter Hecht original director Vidor and producer Selznick. Title page present dated 1957 with a credit for screenwriter Hecht. 177 leaves with last page of text numbered 173. Mimeograph on eye-rest green stock. Pages and wrapper Near Fine bound with two gold brads. Davenport p. 122. Twentieth Century-Fox unknown
1965réf. 167758N.p.: N.p. 1965. Two vintage color transparencies from the 1965 film showing actor Gina Lollobrigida preparing for a turn as a blonde Lady Godiva. A well-to-do American businessman and a free-spirited Italian woman meet in London and impulsively marry but soon realize they have little in common and truly dislike each other. 3.25 x 5 inches. Near Fine. N.p. unknown
1992réf. 219601992. Underground Music Indie Rock Zines Edited and largely written by Scott Rutherford the zine reflects a unique moment in American subcultural publishing when punk indie rock and vintage car culture collided in the DIY scene. Three issues of Speed Kills! a hybrid indie rock and automotive zine published in Chicago in the early 1990s. Each issue is a vivid chronicle of underground musical and visual culture with strong regional ties to Chicago and national relevance through its coverage of touring bands and scenes. The archive includes issues #2 Spring 1992 #5 and #7 all printed in black-and-white with screen-printed or offset color covers each approximately 8.5 x 11 inches. 1 Rutherford Scott ed. Speed Kills! No. 2. Chicago: Self-published 1992. This early issue includes coverage of the Richmond band Breadwinner East Coast drag racing the Australian noise-punk group Cosmic Psychos and a profile of Detroit drag legend Ed "Big Boss Man" Milhizer. As noted on the cover the zine delivers "Breadwinner! Unrest! Cosmic Psychos! Drag Racing! Lotsa Reviews!" The editorial notes refer to coverage from the "'92 Bedroom Nats" combining punk show reportage with drag strip atmosphere. The design incorporates full-bleed photo reproductions hand-lettering and found collage. 2 Rutherford Scott ed. Speed Kills! No. 5. Chicago: Self-published 1993. This issue includes a contributor list of more than two dozen names from the underground music and zine world including members of Gaunt Cherubs Pitchblende Don Caballero and Steadkaddy Six. The zine comes with a bonus 7" record featuring Gaunt and includes a faux-survey titled "Favorite Car Survey Yes." Interviewees include Merge Records co-founder Laura Ballance and record engineer Steve Albini who describes his favorite ride as "any van with over 250000 miles." One page advertises a music zine marketplace with the slogan "your needle is distorting sound by as much as 85%" blending fidelity humor with hardline DIY ethics. 3 Rutherford Scott ed. Speed Kills! No. 7. Chicago: Self-published 1994. Labeled the "Art & Science Special" this issue includes a piece titled "Futurism: Proto Punk" by Karen Pinkus linking early 20th-century Italian Futurism with the energy and aesthetic of punk rock. Includes contributions by indie rock standouts like Mac McCaughan Superchunk and Rachel Brook Flying Saucer Attack . A profile of the band Unwound is presented under the title "smashing the work ethic OR everyday is yesterday" while reviews cover artists including Don Caballero Cherubs and Labradford. The layout remains resolutely cut-and-paste incorporating xerox collage screen print textures and handwritten text. Speed Kills was a Chicago-based fanzine launched in 1991 by editor Scott Rutherford uniquely blending the worlds of underground indie rock and vintage drag racing culture. Emerging during a time when fanzines served as vital connectors within DIY music communities Speed Kills stood out by juxtaposing interviews and reviews of bands like Nirvana Pavement and Superchunk with in-depth features on 1960s drag racing legends and hot rod culture. Its pages often featured hand-screened covers vintage auto parts advertisements and detailed discussions on car mechanics reflecting a deep enthusiasm for both music and automotive subcultures. This fusion offered readers a tactile and immersive experience highlighting the shared spirit of creativity and rebellion in both scenes. Light toning to page edges. Minor staple rust and occasional handling creases. Covers bright and intact. Overall very good condition. Speed Kills! stands as a rare and distinctive zine that merged the grease-stained Americana of hot rod nostalgia with the avant-garde ethos of noise rock and punk embodying the collision of speed sound and subculture in the 1990s musical underground. unknown
