Douglas Sirk (director); Charles Grayson, Vincent B Evans (screenwriter); Rock Hudson (starring)Biblio.com
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1956rif. 142863Universal City: Universal Pictures 1956. Second Revised Final Draft script for the 1957 film. Specially bound copy belonging to producer Ross Hunter bound in navy full calf with gilt titles on cover and spine with Hunter's name on the front board. Based on the 1956 autobiography of the same name by Colonel Dean E. Hess a real-life United States Air Force fighter pilot in the Korean War. Hess was a technical advisor for the film and the gold flying helmet Rock Hudson wears was his personal possession. A poster for "Battle Hymn" appears outside the movie theater in the 1959 pilot episode of The Twilight Zone "Where Is Everybody" Set in 1950s Westhampton Ohio and Seoul shot on location in Seoul South Korea and Nogales AZ. Navy full calf binding without paper wrappers as issued. Title page present noted as Second Revised Final with credits for screenwriter Charles Grayson. 137 leaves with last page of text numbered 123-A. Multilith duplication with pink blue white revision pages throughout dated variously between 2/29/56 and 4/23/56. Pages Near Fine presentation binding Near Fine. Universal Pictures unknown
1956rif. 142863Universal City: Universal Pictures 1956. Second Revised Final Draft script for the 1957 film. Specially bound copy belonging to producer Ross Hunter bound in navy full calf with gilt titles on cover and spine with Hunter's name on the front board. Based on the 1956 autobiography of the same name by Colonel Dean E. Hess a real-life United States Air Force fighter pilot in the Korean War. Hess was a technical advisor for the film and the gold flying helmet Rock Hudson wears was his personal possession. A poster for "Battle Hymn" appears outside the movie theater in the 1959 pilot episode of The Twilight Zone "Where Is Everybody" Set in 1950s Westhampton Ohio and Seoul shot on location in Seoul South Korea and Nogales AZ. Navy full calf binding without paper wrappers as issued. Title page present noted as Second Revised Final with credits for screenwriter Charles Grayson. 137 leaves with last page of text numbered 123-A. Multilith duplication with pink blue white revision pages throughout dated variously between 2/29/56 and 4/23/56. Pages Near Fine presentation binding Near Fine. Universal Pictures unknown books
1997rif. 20547EBoston: Little Brown 1997. First Edition. Signed and inscribed by the author / photographer Jim Marshall to the great comedian and actor Billy Crystal. Inscribed on the front free endpaper: “For Billy Crystal - Please enjoy. Jim Marshall 3-9-99.” With two autograph letters signed by Marshall to Mr. Crystal on Marshall’s personal printed stationery. The first is dated 3-9-99 and accompanied this copy of the book. It reads in full: “Dear Billy Your phone call meant so much to me & Kirk - not many people take the time. Please accept my own very humble picture of Joe DiMaggio and the not so humble ‘Not Fade Away’ - my first major book. I look forward to meeting you & showing you the photos in jazz set. Also thanks for all the laughs all these years. Take care Jim Marshall.” The second letter is dated 5-May-01 and reads: “Dear Billy Talk about a home run - 61 was out of the park. Thank you so very much for the way you did it on every level & the love you put into it. Please accept these 3 photographs of Joe DiMaggio that I took after he had retired much after for you and 1 each for the men who played Mickey & Roger. It’s my very humble way to say thank you. Jim Marshall.” 61 is the baseball film directed by Billy Crystal about the 1961 season in which Roger Maris and Mickey Mantle competed to break Babe Ruth’s single-season home run record. In it Roger Maris is portrayed by Barry Pepper and Mickey Mantle by Thomas Jane. Fine fresh copy in a fine dust jacket. Little Brown unknown
1914rif. 12233445674The Sole UK printing published by John J. Wilson London in 1914. The book is complete and is in Very Good condition ; Light pushing to the spine and corners and the pages are age toned; moderate spotting in places with light annotations in a few places. A neat previous owners name to front end-paper. The cover design is attributed to Charles Rennie Mackintosh and Rock herself attested to this attribution when she presented a copy of the book to the Hunterian Museum in Glasgow before her death Bonhams. The book has been signed without dedication by the author. The book is protected in a removable Mylar archival cover. Madeleine and her sister Dorothea were both Suffragettes and were imprisoned more than once for causing damage to property - At one stage they were sentenced to hard labour. Rock subsequently contributed in 1918 to the W.S.P.U publication 'Holloway Jingles'. A very good copy of an elusive title. JSIC lists only 6 copies held in institutions. Rare with such attributes. More images available on request. Ashton Rare Books welcome direct contact. John J. Wilson, London hardcover
2001rif. 180332Guildford: Genesis Publications Limited 2001. The man who named Pink Floyd First edition number 733 of 950 copies signed by the photographer photographs of Barret Pink Floyd's founding member and original frontman. Rock met Barrett in Cambridge in the mid-1960s and they then lived together in London from 1969 to 1971. Quarto. Full page photographs by Mick Rock. Original quarter orange leather with blue boards lettering to front cover and spine gilt all edges gilt. Housed in the publisher's illustrated slipcase. Fine. hardcover
rif. 1305Composition à l’huile sur rhodoïds superposés et collés. Signée et datée 1988 en haut à droite (56/76 cm).
rif. 1302Huile sur papier, signée et datée 1984 en haut à droite (44,5/64 cm).
rif. L8107San Francisco. Collection complète du n° 1 au n° 11, 1977-1979. In folio plié en deux de 16 à 24 pages pour la première série. Périodique punk fondé par V. Vale avec l'aide de certains écrivains de la Beat Generation. Les premiers numéros de Search & Destroy (1977), nommé ainsi d'après la chanson des Stooges , portait de la scène punk. Une seconde série prendra le nom de RE/Search Publications et sera publiée en 1980. Du n° 1 au n° 3, 1980-1981. In folio plié en deux de 16 à 24 p. Nombreuses contributions, interviews, chroniques, etc. Très rare collection complète de cette publication abondamment illustrée. Après le troisième numéro, les numéros 4 et 5, 1982, ont été réunis en un seul volume : numéro spécial sous forme de magazine, axé sur William S. Burroughs , Brion Gysin et Throbbing Gristle, que nous joignons à l'ensemble.
2007rif. SONG1599800098Brand: Nathaniel Max Rock 2007-07-01. paperback. Used: Good. 8.25x1.00x11.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: Nathaniel Max Rock paperback
1989Signed by Frank Zappa beneath his photo on page 116. 352 pages. Black and white illustrations and reproductions of photos. "The legendary Frank Zappa, one of the most influential, innovative, and controversial musicians of the past twenty years, takes us on a wild, funny, outrageous trip through his life and times. Here is how he became the state of the art in weirdness, as only he can tell it." - from dust jacket. Unmarked. Average wear and soiling. Board tips rubbed open. Binding intact. Narrow 2.5" faded patch along dust jack spine corresponds to security strip on verso. A wonderful Zappa memento. (Bonus: includes ticket stub for Zappa's May 10, 1980 concert at the Tower Theater in Upper Darby, PA) Book
2000"The basic purposes of this book are simple: to distinguish between the various original printings and reprints of the four series [Family Dog, Bill Graham, Russ Gibb/Grande Ballroom, Neon Rose], to locate prints listing specific performers and to give credit to the correct artists and photographers who created this material." - Introduction. This vastly improved and expanded 642 page edition contains 185 pages more than the 1996 first edition. Hundreds of small grainy black and white illustrations. Appendices list Family Dog and Bill Graham numbered posters by artist and by performer. Index of Gibb/Grande artists/posters. Clean, bright and unmarked with negligible wear. An exceptional copy of this indispensable reference. Book
rif. 67785, Taschen, 2019 Edition of 100 ; Hardcover in clamshell box, 26.9 x 37.4 cm, 6.42 kg, 296 pages, numbered and signed by Patti Smith and Lynn Goldsmith; with the archival pigment print 'NYC, 1976' on Epson Legacy Baryta paper, 30.5 x 46 cm, signed by Goldsmith. ISBN 9783836573887.
2014rif. 107388Museum. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer--; Northwest Perspective . 2014. 0924335408 . Museum hardcover
2013rif. 107362Museum. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . 2013. 0924335386 . Museum hardcover
2004rif. 63801University of Washington Press. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 80 pp. With 99 ills. 55 col. . 28 x 22 cm. -- with a bonus offer-- . 2004. 029598404X . University of Washington Press paperback
2010rif. 88172Museum. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 80 pages; 37 color illustrations. -- with a bonus offer--; Northwest landscape painter Victoria Adams is equally committed to the landscape tradition and the creation of exquisite scenes that address the contemporary desire for the sublime. Adams depicts idealized landscapes that evoke virgin terrain untouched by human intervention and devoid of degradation. Through her reworking of landscape traditions and conventions her paintings reveal the inextricable connections between beauty and the sublime and melancholia. Her paintings evoke the deep desire for the perfect moment and heighten awareness of the psychological impact of the idealized landscape. Adams presents the landscape as a solitary experience with the immense and infinite sublime-a magnificent solitude. Where Earth Meets Sky is the first museum survey exhibition of Victoria Adam's work and is part of the Tacoma Art Museum's Northwest Perspective Series. Adams' work is held in private and museum collections throughout the United States. Rock Hushka is Tacoma Art Museum's curator of contemporary and Northwest art. . 2010. 0924335300 . Museum paperback
2015rif. 114763University of Washington Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . 2015. 0295994940 . University of Washington Press hardcover
2012rif. 98999Insight Editions. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 156 pp. -- with a bonus offer--; The Art of Madagascar 3 provides a fascinating look at the character design development art and special effects that make up this stunning CG movie from the artists at DreamWorks Animation. In the third installment of the Madagascar series Alex the lion Marty the zebra Gloria the hippopotamus and Melman the giraffe set out to return to New York. Dependent on the mechanical know-how of the notorious Penguins their plan inevitably goes awry and they find themselves stranded in Monte Carlo where they join up with a traveling circus by chance. Led by the venerable tiger Vitaly the animal-centered circus has seen better days. During the course of a tour through Europe that ends in a fabulous big top in the heart of London Alex Marty Gloria and Melman help Vitaly Gia the jaguar and Stefano the sea lion rediscover their passion for show business and reinvent the circus while being chased by the notorius animal control officer Madame Dubois. A treat for fans of all ages The Art of Madagascar 3 is a joyous celebration of these lovable characters and the artistry that brought them to life. . 2012. 1608870758 . Insight Editions hardcover
2001rif. 83216Columbia University Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 445 pages 787 illus. small 4to. -- with a bonus offer--; Neither a conventional history of the city nor simply a collection of illustrations and photographs this ground-breaking work weaves together diverse historical works -from political and economic analyses to ethnic and gender studies -with visual evidence from each period. Through almost 800 images Cityscapes tells the story of the city from its origins in the early seventeenth century through the end of the twentieth century. In lithographs paintings drawings and broadsides New York is portrayed as rising from a small Dutch outpost to a republican seaport whose life was framed by the American Revolution. The visual evidence changes to etchings photographs and lithographs as Cityscapes depicts a mid-nineteenth-century city torn by dislocations caused by a multiethnic society amid the turmoil of the industrial revolution. Documenting the turn of the last century a wealth of photographs shows the new five-borough metropolis taking in waves of immigrants and portrays the evolution of the immigrant metropolis into the cosmopolitan city of mid-century. In its final chapter Cityscapes looks at the global village and takes stock of New York´s role as the world economic and artistic capital of the late twentieth century. This lavish volume shows how New York produced contemporary understandings of what makes a city from a distinctive skyline to a democratic street grid to diverse ethnic neighborhoods. From the depths of poverty to the heights of conspicuous consumption images of New York illustrate how we comprehend the urban past and imagine its future. . 2001. 0231106246 . Columbia University Press hardcover
1985rif. 53926MIT Press. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- 365 pages. -- with a bonus offer-- . 1985. 0262680459 . MIT Press paperback
1966rif. 70941Basic Books. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - -- with a bonus offer-- . 1966. Basic Books hardcover
1985rif. 28823Westport Connecticut U.S.A.: Greenwood Pub Group. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- with a bonus offer--; T-Rockro; AMERICAN LITERATURE HISTORY CRITICISM BIBLIOGRAPHY . 1985. 0313245509 . Greenwood Pub Group hardcover
1969rif. 55917New York: Vantage Press 1969. First edition. Very good plus in a very good jacket. Garrulously inscribed first edition of this scarce self-published first-person account of life on the road with the Chicago Outlaws. Unassuming factory worker George "Rock Conte" Mitchell falls in with the notorious Chicago Outlaws seemingly out of nothing but curiosity: "I had never met or encountered anything which split my imagination as this group did." He published this account with Vantage Press at his own expense reporting credulously and forgivingly on the gang "many of the stunts they pulled off just didn't seem to make any sense . I had seen only one member smoke marijuana" some of whom were also seen and heard from in Danny Lyon's THE BIKERIDERS. Inscribing the book six years after publication Conte echoes the also presumably self-penned jacket copy in comparing his mission to that of John Howard Griffin in BLACK LIKE ME but OUTLAWS FOREVER brought no publicity to the divide between the straight world and that of the riders. Perhaps because HELL'S ANGELS had already claimed it all for Hunter S. Thompson several years before. OCLC locates just six scattered holdings. 8'' x 5.5''. Original black cloth boards silver stamped spine. In original unclipped $4.50 pictorial jacket. 8 pages of black-and-white photographs. 216 pages. Inscribed to front free endpaper: "To / Rob & Sue: / I feel like 'John / Howard Griffin' author of / 'Black Like Me'. There is / always another side to a story. / Sometimes one may pay a / dear price & suffer but one / should never give up. / I wish the two of you the best of everything and hope / your dearest dreams come true. / Sincerely Your friend / Always / Rock Conte / 5-24th-75." Jacket lightly toned with minor soil and few small chips. Faint toning to text block. Bit of pushing to spine tail. Overall sound and clean. Vantage Press unknown
1969rif. 55917New York: Vantage Press 1969. First edition. Very good plus in a very good jacket. Garrulously inscribed first edition of this scarce self-published first-person account of life on the road with the Chicago Outlaws. Unassuming factory worker George "Rock Conte" Mitchell falls in with the notorious Chicago Outlaws seemingly out of nothing but curiosity: "I had never met or encountered anything which split my imagination as this group did." He published this account with Vantage Press at his own expense reporting credulously and forgivingly on the gang "many of the stunts they pulled off just didn't seem to make any sense . I had seen only one member smoke marijuana" some of whom were also seen and heard from in Danny Lyon's THE BIKERIDERS. Inscribing the book six years after publication Conte echoes the also presumably self-penned jacket copy in comparing his mission to that of John Howard Griffin in BLACK LIKE ME but OUTLAWS FOREVER brought no publicity to the divide between the straight world and that of the riders. Perhaps because HELL'S ANGELS had already claimed it all for Hunter S. Thompson several years before. OCLC locates just six scattered holdings. 8'' x 5.5''. Original black cloth boards silver stamped spine. In original unclipped $4.50 pictorial jacket. 8 pages of black-and-white photographs. 216 pages. Inscribed to front free endpaper: "To / Rob & Sue: / I feel like 'John / Howard Griffin' author of / 'Black Like Me'. There is / always another side to a story. / Sometimes one may pay a / dear price & suffer but one / should never give up. / I wish the two of you the best of everything and hope / your dearest dreams come true. / Sincerely Your friend / Always / Rock Conte / 5-24th-75." Jacket lightly toned with minor soil and few small chips. Faint toning to text block. Bit of pushing to spine tail. Overall sound and clean. Vantage Press unknown books
rif. awd-749IX-99, carte postale manuscrite envoyée de New York : « I hope September works out. I’m working frantically, getting out the new C42 book and Sheelagh and I are going for a two weeks getaway road trip (to console us for losing France). I can’t wait to see the Mississipi from behind a steering wheel again. I wish you get emails. Where’s Theresa ? (Theresa Stern, pseudonyme utilisé par Richard Hell et Tom Verlaine en 1973 pour Wanna go out ?, un recueil de poésies). 9-VII-99, lettre tapuscrite signée (1 p.), abordant la traduction et la publication en France de ce livre en édition bilingue (titre français : On décolle ?, traduit par Michel Bulteau, Anna Polèrica Éditions, 1999) : « I hear you’ve agreed totranslate Theresa Stern’s ‘Wanna Go Out ?’ I’m happy to hear that. Incidentally, when Raymond Foye saw your POEMES among my books, he rhapsodized over your accomplishments, and an endorsement from Raymond is a meaningful thing… I also hear you asked about my novel so I’m sending it here. The French translation rights have been bought by Editions d’Olivier, though I don’t know yet who they have in mind to translate it. » (Voir L’Oeil du lézard, Éditions de l’Olivier, 1996.) 11-VIII-99 : « (…) Thanks for your note. It looks like ‘Wanna go out’ is definite. I do wish we could speech a few days (or even one !) talking about it, but I’ll try to organize the things I’d like to tell you about certain difficult lines. When are you planning to be working on the translation ? » 13-XI-99, après un passage à Paris : « (…) In fact Paris made me so happy it had an effect I’d never known before. The happiness was so strong and genuine that It even made me like New York more ! I’m not ridding or being ironic or sarcastic. I just felt so refreshed by my time in Paris that everything in life seems better for it. (…) I’m going to do a book by Ron Padgett in the CUZ series. It’s called ‘Poems I think I wrote.’ » I-00 : What the hell is with Anna Polèrica ? Do you think they have lost their minds ? I did get the ten more books but they will not communicate with me. I don’t understand it at all. I could help them get the book distributed in the U.S. but they refuse to reply to me. I miss Paris. It will be the big sadness of my life if I don’t live there. » 27-II-02, mail imprimé : « This file is the text of three poems I used in video ‘poemokes’ (poem karaokes). They’re compilations of images with a musical soundtrack (by me and my band The Dime Stars, which includes Thurston Moore and Steve Shelley of Sonic Youth) that have the words of these poems scrolling at the bottom of the screen as in a karaoke. If Michel has the time and the inclination to translate these, I’d like to screen these videos with Michel reading into a microphone his French translations. » 16-III-04, court mail imprimé : « My beautiful old friend Lizzie, who was more or less the model for Chrissa in ‘Go Now’- and a picture of whom lying in bed smoking a cigarette with her pants half off can be seen in ‘Hot and Cold’ - is dying of cancer. I’ll be staying at the Hotel I like, the Baudin, in Bastille. » 3-I-05, lettre tapuscrite (2 pp.) : « Here you have the galley proofs I just received from the publisher of my new novel, ‘Godlike’. I am fixing punctuation or changing a word or just making a pest of myself on about every other page of it still, but these proofs are a fair representation of the book. (…) I’m working pretty hard and that’s all I’m aware of. The political situation is horrendous of course and makes for a steady underlying anxiety, but it’s so bad that it’s at that point where resistance seems almost purposeless. We just wait it out. In the beginning I was marching and writing letters and contributing money to activist organizations, but not lately. » On joint un faire-part du mariage de Richard Hell avec Bevan, et une photo couleurs. Bon état.
