ENU (Henri-Jean).Livre Rare Book
6 341 résultats
réf. 1305Composition à l’huile sur rhodoïds superposés et collés. Signée et datée 1988 en haut à droite (56/76 cm).
réf. 1302Huile sur papier, signée et datée 1984 en haut à droite (44,5/64 cm).
réf. L8107San Francisco. Collection complète du n° 1 au n° 11, 1977-1979. In folio plié en deux de 16 à 24 pages pour la première série. Périodique punk fondé par V. Vale avec l'aide de certains écrivains de la Beat Generation. Les premiers numéros de Search & Destroy (1977), nommé ainsi d'après la chanson des Stooges , portait de la scène punk. Une seconde série prendra le nom de RE/Search Publications et sera publiée en 1980. Du n° 1 au n° 3, 1980-1981. In folio plié en deux de 16 à 24 p. Nombreuses contributions, interviews, chroniques, etc. Très rare collection complète de cette publication abondamment illustrée. Après le troisième numéro, les numéros 4 et 5, 1982, ont été réunis en un seul volume : numéro spécial sous forme de magazine, axé sur William S. Burroughs , Brion Gysin et Throbbing Gristle, que nous joignons à l'ensemble.
2007réf. SONG1599800098Brand: Nathaniel Max Rock 2007-07-01. paperback. Used: Good. 8.25x1.00x11.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: Nathaniel Max Rock paperback
1989Signed by Frank Zappa beneath his photo on page 116. 352 pages. Black and white illustrations and reproductions of photos. "The legendary Frank Zappa, one of the most influential, innovative, and controversial musicians of the past twenty years, takes us on a wild, funny, outrageous trip through his life and times. Here is how he became the state of the art in weirdness, as only he can tell it." - from dust jacket. Unmarked. Average wear and soiling. Board tips rubbed open. Binding intact. Narrow 2.5" faded patch along dust jack spine corresponds to security strip on verso. A wonderful Zappa memento. (Bonus: includes ticket stub for Zappa's May 10, 1980 concert at the Tower Theater in Upper Darby, PA) Book
2000"The basic purposes of this book are simple: to distinguish between the various original printings and reprints of the four series [Family Dog, Bill Graham, Russ Gibb/Grande Ballroom, Neon Rose], to locate prints listing specific performers and to give credit to the correct artists and photographers who created this material." - Introduction. This vastly improved and expanded 642 page edition contains 185 pages more than the 1996 first edition. Hundreds of small grainy black and white illustrations. Appendices list Family Dog and Bill Graham numbered posters by artist and by performer. Index of Gibb/Grande artists/posters. Clean, bright and unmarked with negligible wear. An exceptional copy of this indispensable reference. Book
réf. 67785, Taschen, 2019 Edition of 100 ; Hardcover in clamshell box, 26.9 x 37.4 cm, 6.42 kg, 296 pages, numbered and signed by Patti Smith and Lynn Goldsmith; with the archival pigment print 'NYC, 1976' on Epson Legacy Baryta paper, 30.5 x 46 cm, signed by Goldsmith. ISBN 9783836573887.
2014réf. 107388Museum. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer--; Northwest Perspective . 2014. 0924335408 . Museum hardcover
2013réf. 107362Museum. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . 2013. 0924335386 . Museum hardcover
2004réf. 63801University of Washington Press. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 80 pp. With 99 ills. 55 col. . 28 x 22 cm. -- with a bonus offer-- . 2004. 029598404X . University of Washington Press paperback
2010réf. 88172Museum. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 80 pages; 37 color illustrations. -- with a bonus offer--; Northwest landscape painter Victoria Adams is equally committed to the landscape tradition and the creation of exquisite scenes that address the contemporary desire for the sublime. Adams depicts idealized landscapes that evoke virgin terrain untouched by human intervention and devoid of degradation. Through her reworking of landscape traditions and conventions her paintings reveal the inextricable connections between beauty and the sublime and melancholia. Her paintings evoke the deep desire for the perfect moment and heighten awareness of the psychological impact of the idealized landscape. Adams presents the landscape as a solitary experience with the immense and infinite sublime-a magnificent solitude. Where Earth Meets Sky is the first museum survey exhibition of Victoria Adam's work and is part of the Tacoma Art Museum's Northwest Perspective Series. Adams' work is held in private and museum collections throughout the United States. Rock Hushka is Tacoma Art Museum's curator of contemporary and Northwest art. . 2010. 0924335300 . Museum paperback
2015réf. 114763University of Washington Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . 2015. 0295994940 . University of Washington Press hardcover
2012réf. 98999Insight Editions. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 156 pp. -- with a bonus offer--; The Art of Madagascar 3 provides a fascinating look at the character design development art and special effects that make up this stunning CG movie from the artists at DreamWorks Animation. In the third installment of the Madagascar series Alex the lion Marty the zebra Gloria the hippopotamus and Melman the giraffe set out to return to New York. Dependent on the mechanical know-how of the notorious Penguins their plan inevitably goes awry and they find themselves stranded in Monte Carlo where they join up with a traveling circus by chance. Led by the venerable tiger Vitaly the animal-centered circus has seen better days. During the course of a tour through Europe that ends in a fabulous big top in the heart of London Alex Marty Gloria and Melman help Vitaly Gia the jaguar and Stefano the sea lion rediscover their passion for show business and reinvent the circus while being chased by the notorius animal control officer Madame Dubois. A treat for fans of all ages The Art of Madagascar 3 is a joyous celebration of these lovable characters and the artistry that brought them to life. . 2012. 1608870758 . Insight Editions hardcover
2001réf. 83216Columbia University Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 445 pages 787 illus. small 4to. -- with a bonus offer--; Neither a conventional history of the city nor simply a collection of illustrations and photographs this ground-breaking work weaves together diverse historical works -from political and economic analyses to ethnic and gender studies -with visual evidence from each period. Through almost 800 images Cityscapes tells the story of the city from its origins in the early seventeenth century through the end of the twentieth century. In lithographs paintings drawings and broadsides New York is portrayed as rising from a small Dutch outpost to a republican seaport whose life was framed by the American Revolution. The visual evidence changes to etchings photographs and lithographs as Cityscapes depicts a mid-nineteenth-century city torn by dislocations caused by a multiethnic society amid the turmoil of the industrial revolution. Documenting the turn of the last century a wealth of photographs shows the new five-borough metropolis taking in waves of immigrants and portrays the evolution of the immigrant metropolis into the cosmopolitan city of mid-century. In its final chapter Cityscapes looks at the global village and takes stock of New York´s role as the world economic and artistic capital of the late twentieth century. This lavish volume shows how New York produced contemporary understandings of what makes a city from a distinctive skyline to a democratic street grid to diverse ethnic neighborhoods. From the depths of poverty to the heights of conspicuous consumption images of New York illustrate how we comprehend the urban past and imagine its future. . 2001. 0231106246 . Columbia University Press hardcover
1985réf. 53926MIT Press. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- 365 pages. -- with a bonus offer-- . 1985. 0262680459 . MIT Press paperback
1966réf. 70941Basic Books. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - -- with a bonus offer-- . 1966. Basic Books hardcover
1985réf. 28823Westport Connecticut U.S.A.: Greenwood Pub Group. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- with a bonus offer--; T-Rockro; AMERICAN LITERATURE HISTORY CRITICISM BIBLIOGRAPHY . 1985. 0313245509 . Greenwood Pub Group hardcover
1969réf. 55917New York: Vantage Press 1969. First edition. Very good plus in a very good jacket. Garrulously inscribed first edition of this scarce self-published first-person account of life on the road with the Chicago Outlaws. Unassuming factory worker George "Rock Conte" Mitchell falls in with the notorious Chicago Outlaws seemingly out of nothing but curiosity: "I had never met or encountered anything which split my imagination as this group did." He published this account with Vantage Press at his own expense reporting credulously and forgivingly on the gang "many of the stunts they pulled off just didn't seem to make any sense . I had seen only one member smoke marijuana" some of whom were also seen and heard from in Danny Lyon's THE BIKERIDERS. Inscribing the book six years after publication Conte echoes the also presumably self-penned jacket copy in comparing his mission to that of John Howard Griffin in BLACK LIKE ME but OUTLAWS FOREVER brought no publicity to the divide between the straight world and that of the riders. Perhaps because HELL'S ANGELS had already claimed it all for Hunter S. Thompson several years before. OCLC locates just six scattered holdings. 8'' x 5.5''. Original black cloth boards silver stamped spine. In original unclipped $4.50 pictorial jacket. 8 pages of black-and-white photographs. 216 pages. Inscribed to front free endpaper: "To / Rob & Sue: / I feel like 'John / Howard Griffin' author of / 'Black Like Me'. There is / always another side to a story. / Sometimes one may pay a / dear price & suffer but one / should never give up. / I wish the two of you the best of everything and hope / your dearest dreams come true. / Sincerely Your friend / Always / Rock Conte / 5-24th-75." Jacket lightly toned with minor soil and few small chips. Faint toning to text block. Bit of pushing to spine tail. Overall sound and clean. Vantage Press unknown
1969réf. 55917New York: Vantage Press 1969. First edition. Very good plus in a very good jacket. Garrulously inscribed first edition of this scarce self-published first-person account of life on the road with the Chicago Outlaws. Unassuming factory worker George "Rock Conte" Mitchell falls in with the notorious Chicago Outlaws seemingly out of nothing but curiosity: "I had never met or encountered anything which split my imagination as this group did." He published this account with Vantage Press at his own expense reporting credulously and forgivingly on the gang "many of the stunts they pulled off just didn't seem to make any sense . I had seen only one member smoke marijuana" some of whom were also seen and heard from in Danny Lyon's THE BIKERIDERS. Inscribing the book six years after publication Conte echoes the also presumably self-penned jacket copy in comparing his mission to that of John Howard Griffin in BLACK LIKE ME but OUTLAWS FOREVER brought no publicity to the divide between the straight world and that of the riders. Perhaps because HELL'S ANGELS had already claimed it all for Hunter S. Thompson several years before. OCLC locates just six scattered holdings. 8'' x 5.5''. Original black cloth boards silver stamped spine. In original unclipped $4.50 pictorial jacket. 8 pages of black-and-white photographs. 216 pages. Inscribed to front free endpaper: "To / Rob & Sue: / I feel like 'John / Howard Griffin' author of / 'Black Like Me'. There is / always another side to a story. / Sometimes one may pay a / dear price & suffer but one / should never give up. / I wish the two of you the best of everything and hope / your dearest dreams come true. / Sincerely Your friend / Always / Rock Conte / 5-24th-75." Jacket lightly toned with minor soil and few small chips. Faint toning to text block. Bit of pushing to spine tail. Overall sound and clean. Vantage Press unknown books
réf. awd-749IX-99, carte postale manuscrite envoyée de New York : « I hope September works out. I’m working frantically, getting out the new C42 book and Sheelagh and I are going for a two weeks getaway road trip (to console us for losing France). I can’t wait to see the Mississipi from behind a steering wheel again. I wish you get emails. Where’s Theresa ? (Theresa Stern, pseudonyme utilisé par Richard Hell et Tom Verlaine en 1973 pour Wanna go out ?, un recueil de poésies). 9-VII-99, lettre tapuscrite signée (1 p.), abordant la traduction et la publication en France de ce livre en édition bilingue (titre français : On décolle ?, traduit par Michel Bulteau, Anna Polèrica Éditions, 1999) : « I hear you’ve agreed totranslate Theresa Stern’s ‘Wanna Go Out ?’ I’m happy to hear that. Incidentally, when Raymond Foye saw your POEMES among my books, he rhapsodized over your accomplishments, and an endorsement from Raymond is a meaningful thing… I also hear you asked about my novel so I’m sending it here. The French translation rights have been bought by Editions d’Olivier, though I don’t know yet who they have in mind to translate it. » (Voir L’Oeil du lézard, Éditions de l’Olivier, 1996.) 11-VIII-99 : « (…) Thanks for your note. It looks like ‘Wanna go out’ is definite. I do wish we could speech a few days (or even one !) talking about it, but I’ll try to organize the things I’d like to tell you about certain difficult lines. When are you planning to be working on the translation ? » 13-XI-99, après un passage à Paris : « (…) In fact Paris made me so happy it had an effect I’d never known before. The happiness was so strong and genuine that It even made me like New York more ! I’m not ridding or being ironic or sarcastic. I just felt so refreshed by my time in Paris that everything in life seems better for it. (…) I’m going to do a book by Ron Padgett in the CUZ series. It’s called ‘Poems I think I wrote.’ » I-00 : What the hell is with Anna Polèrica ? Do you think they have lost their minds ? I did get the ten more books but they will not communicate with me. I don’t understand it at all. I could help them get the book distributed in the U.S. but they refuse to reply to me. I miss Paris. It will be the big sadness of my life if I don’t live there. » 27-II-02, mail imprimé : « This file is the text of three poems I used in video ‘poemokes’ (poem karaokes). They’re compilations of images with a musical soundtrack (by me and my band The Dime Stars, which includes Thurston Moore and Steve Shelley of Sonic Youth) that have the words of these poems scrolling at the bottom of the screen as in a karaoke. If Michel has the time and the inclination to translate these, I’d like to screen these videos with Michel reading into a microphone his French translations. » 16-III-04, court mail imprimé : « My beautiful old friend Lizzie, who was more or less the model for Chrissa in ‘Go Now’- and a picture of whom lying in bed smoking a cigarette with her pants half off can be seen in ‘Hot and Cold’ - is dying of cancer. I’ll be staying at the Hotel I like, the Baudin, in Bastille. » 3-I-05, lettre tapuscrite (2 pp.) : « Here you have the galley proofs I just received from the publisher of my new novel, ‘Godlike’. I am fixing punctuation or changing a word or just making a pest of myself on about every other page of it still, but these proofs are a fair representation of the book. (…) I’m working pretty hard and that’s all I’m aware of. The political situation is horrendous of course and makes for a steady underlying anxiety, but it’s so bad that it’s at that point where resistance seems almost purposeless. We just wait it out. In the beginning I was marching and writing letters and contributing money to activist organizations, but not lately. » On joint un faire-part du mariage de Richard Hell avec Bevan, et une photo couleurs. Bon état.
réf. 5510Chicago: Cameron Amberg & Co. Printers ca. 1880. Illustrated chromolithographic broadside with map 21.25” x 13.125” plus margins inset map measuring 4.5” x 5.875” illus. measuring 3.25” x 12.5”. CONDITION: Very good margin chipped at upper right corner a few minor stains. A rare and striking broadside issued by the Chicago Rock Island & Pacific Railway advertising the Rock Island through-express route and promoting the railroad’s numerous destinations connections and amenities. Featuring the eye-catching mix of typefaces and colors that characterized railroad advertising in this era this attractive broadside promotes the numerous midwestern stops and destinations accessible via the Chicago Rock Island & Pacific R’y. At this time two through-express trains for Kansas and Nebraska ran daily in connection with the Atchison Topeka & Santa Fe and Union Pacific railroads. As noted here meals were served in palace dining cars for seventy-five cents each and 150 pounds of baggage were allowed on each full ticket and seventy-five pounds on each half ticket free. The line’s various destinations included Iowa City Council Bluffs Denver Salt Lake City and San Francisco as well as “all points in Kansas Nebraska Colorado Arizona New Mexico Utah Montana and California.” Showing the Rock Island R.R. in bold the inset map spans from Chicago and Lake Michigan in the east to Omaha and Council Bluffs in the west and reaches from St. Paul in the north to St. Louis and Kansas City in the south—with Lake Michigan lying in the upper-right corner. One axis of the line extends from Milwaukee and Racine Wisconsin to Leavenworth Kansas and another stretches from Chicago to Omaha. Various spurs connect to both. The lower section of the broadside features a marvelously detailed illustration of the interior of a palace dining car showing numerous fashionably dressed passengers seated and dining among African American waiters who are shown in the small kitchen and serving food. In the far-right end of the train men are depicted in drawing rooms—reading newspapers and smoking—and various railway operators and ticket-men appear at the ends of the car. Also included is a table of connections with various railroads that could be made in “Union depots.” Through-tickets via this route could be found on sale at all coupon offices in the U.S. and Canada. Those seeking additional information folders maps and times-tables are encouraged to contact any of the ten agents and managers of the Rock Island R.R. listed at the bottom who were based in New York Toronto Philadelphia Chicago etc. Established in 1847 as the Rock Island & LaSalle R.R. the company was reincorporated in 1851 as the Chicago & Rock Island R.R. Co.—its rails during this period reaching to Morris Illinois and later Ottawa. After acquiring the Mississippi & Missouri R.R. in 1866 the company was renamed Chicago Rock Island & Pacific R.R. Co. Expanding between 1873 and 1882 the company built more branch lines that reached into Iowa as well as Kansas City. In 1880 the firm was reorganized under the name Chicago Rock Island and Pacific R’y Co. and by 1883 extended nearly to the southern boundary of Kansas. After Congress granted passage across Indian Territory in 1887 the Rock Island R.R. began developing through Texas to Galveston as well as New Mexico Territory. During the 1920s the railroad enjoyed considerable success. In 1926 the company began constructing a freight line between Amarillo Texas and Liberal Kansas which was finished in 1929 and served to make accessible a country of rich grain. While the railroad industry continued fairly steadily through 1930 between 1931 and 1935 the Depression took a toll on the Rock Island R.R. and went into decline. The company ceased operation in 1980. OCLC records just one copy held at Yale. REFERENCES: “Chicago Rock Island and Pacific Railway Records” at Kansas Historical Society online. Chicago: Cameron, Amberg & Co., Printers, [ca. 1880] unknown
réf. 5510Chicago: Cameron Amberg & Co. Printers ca. 1880. Illustrated chromolithographic broadside with map 21.25” x 13.125” plus margins inset map measuring 4.5” x 5.875” illus. measuring 3.25” x 12.5”. CONDITION: Very good margin chipped at upper right corner a few minor stains. A rare and striking broadside issued by the Chicago Rock Island & Pacific Railway advertising the Rock Island through-express route and promoting the railroad’s numerous destinations connections and amenities. Featuring the eye-catching mix of typefaces and colors that characterized railroad advertising in this era this attractive broadside promotes the numerous midwestern stops and destinations accessible via the Chicago Rock Island & Pacific R’y. At this time two through-express trains for Kansas and Nebraska ran daily in connection with the Atchison Topeka & Santa Fe and Union Pacific railroads. As noted here meals were served in palace dining cars for seventy-five cents each and 150 pounds of baggage were allowed on each full ticket and seventy-five pounds on each half ticket free. The line’s various destinations included Iowa City Council Bluffs Denver Salt Lake City and San Francisco as well as “all points in Kansas Nebraska Colorado Arizona New Mexico Utah Montana and California.” Showing the Rock Island R.R. in bold the inset map spans from Chicago and Lake Michigan in the east to Omaha and Council Bluffs in the west and reaches from St. Paul in the north to St. Louis and Kansas City in the south—with Lake Michigan lying in the upper-right corner. One axis of the line extends from Milwaukee and Racine Wisconsin to Leavenworth Kansas and another stretches from Chicago to Omaha. Various spurs connect to both. The lower section of the broadside features a marvelously detailed illustration of the interior of a palace dining car showing numerous fashionably dressed passengers seated and dining among African American waiters who are shown in the small kitchen and serving food. In the far-right end of the train men are depicted in drawing rooms—reading newspapers and smoking—and various railway operators and ticket-men appear at the ends of the car. Also included is a table of connections with various railroads that could be made in “Union depots.” Through-tickets via this route could be found on sale at all coupon offices in the U.S. and Canada. Those seeking additional information folders maps and times-tables are encouraged to contact any of the ten agents and managers of the Rock Island R.R. listed at the bottom who were based in New York Toronto Philadelphia Chicago etc. Established in 1847 as the Rock Island & LaSalle R.R. the company was reincorporated in 1851 as the Chicago & Rock Island R.R. Co.—its rails during this period reaching to Morris Illinois and later Ottawa. After acquiring the Mississippi & Missouri R.R. in 1866 the company was renamed Chicago Rock Island & Pacific R.R. Co. Expanding between 1873 and 1882 the company built more branch lines that reached into Iowa as well as Kansas City. In 1880 the firm was reorganized under the name Chicago Rock Island and Pacific R’y Co. and by 1883 extended nearly to the southern boundary of Kansas. After Congress granted passage across Indian Territory in 1887 the Rock Island R.R. began developing through Texas to Galveston as well as New Mexico Territory. During the 1920s the railroad enjoyed considerable success. In 1926 the company began constructing a freight line between Amarillo Texas and Liberal Kansas which was finished in 1929 and served to make accessible a country of rich grain. While the railroad industry continued fairly steadily through 1930 between 1931 and 1935 the Depression took a toll on the Rock Island R.R. and went into decline. The company ceased operation in 1980. OCLC records just one copy held at Yale. REFERENCES: “Chicago Rock Island and Pacific Railway Records” at Kansas Historical Society online. Chicago: Cameron, Amberg & Co., Printers, [ca. 1880] unknown books
réf. 1032731970-73 Paris novembre 1970-printemps 1973, collection complète.Fascicules 425x290mm environ, 24p., en feuilles, impression en partie en couleurs, couvertures illustrées. Quelques défauts et jaunissements.
1916Abundant black and white illustrations and reproductions of photos. Features: Two Men's Madness - six lives and a fine ship, the Frank N. Thayer, are lost through the unaccountable frenzy of two Indians; In Wildest Ireland - A.W. Cutler describes and photographs "unspoilt" regions of the Emerald Isle - with many fascinating photos; The Guardian of the Line - the ordeal undergone by a humble railway-crossing keeper's wife in Lithuania on the Russian Front; In Search of the Unknown Land - The tragic story of the Stefansson Arctic Exploration Expedition, twelve-page article including many photos; The Tales of Golab Khan - some amusing stories of Indian life; The Airman's Escape - two British aviators raid a Bulgarian town, then one is shot down and must be rescued by his companion; From Job To Job Around the World - part VI - Two American wanderers make there way through the Holy Land to Constantinople - with photos; The Trouble at Crib No. 2 - a tug-boat fireman recounts an exciting story of a winter rescue on the Great Lakes; Australia's Water Miracle - article and photos describe how the Government of New South Wales has created a miracle of irrigation; The Story of Count Seilern - A Tragedy of the Hapsburgs; Alpine Acrobats - A vivid account, illustrated by some very remarkable photographs, of the first ascent of the needle-like "Cigar Rock" in the Italian Alps; Lovely one-page illustrated ad by Canada Steamship Lines promotes their Niagara to the Sea all-water route; and more. pp. 4 [ads], [3], 290-385, 7-32 [ads]. Unmarked with moderate wear. Soiling to back cover. Covers beginning to loosen, otherwise a sound vintage copy of this exceptional issue.. Book
18688vo., First Edition, with engraved frontispiece, 4 engraved plates and 6 illustrations in the text; attractively bound in tan half calf BY LARKINS, marbled boards, back with raised bands ruled in gilt, second and third compartments with dark brown leather labels lettered and ruled in gilt, all other compartments elaborately tooled with floral spray in gilt, gilt top, marbled endpapers, uncut, a very good, bright, clean copy. CLINTON THOMAS DENT'S COPY WITH HIS FINE ENGRAVED PICTORIAL BOOKPLATE ON FRONT PASTE-DOWN. The binding is signed on front free endpaper verso. With the trade ticket of Matthews & Brooke of Bradford and Leeds on front paste-down. Bonney was President of the Alpine Club from 1881 to 1883; Dent from 1887 to 1889. Dent made the first ascent of the Dru (1978) and visited the Caucasus several times during the last decades of the century. He was instrumental in founding the Association of British Members of the Swiss Alpine Club and became its first President in 1879; an obituary and memoir was published when the Association opened the first British hut on the Allalinhorn in 1912. A UNIQUE AND SPLENDID COPY LINKING TWO PRESIDENTS OF THE ALPINE CLUB AND WITH OUTSTANDING BRITISH AND ALPINE MOUNTAINEERING PROVENANCE. Neate *98.
