van Fulpen HarLivre Rare Book
7.270 Ergebnisse
1983Best.-Nr. R100059460Artefact. 1983. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 183 pages - nombreuses photographies en noir et blanc dans et hors texte.. . . . Classification Dewey : 781.66-Rock
2021ril. Piero Pelù il rocker, l'attivista, l'anarcoide, il brado, Piero Pelù il cantante, "el diablo", il pugile, il gigante: ebbene, dimenticatevi tutto questo e preparatevi a partire. Sì, perché in questo libro P. scende dal palco, spegne i riflettori e ci invita a viaggiare insieme a lui, con il coraggio di aprire la porta della memoria e di avventurarsi fino a dove tutto ha avuto inizio. E appena si ferma per un momento a riposare, ecco che accanto a lui appare un ragazzino intraprendente, originale, pieno di domande. Seguendo il dialogo tra l'uomo e il bambino attraversiamo la storia italiana - dalle trincee della prima guerra mondiale agli anni del fascismo, da quelli della Guerra fredda fino al disorientamento dei nostri giorni - e quella di un ragazzo pieno di sogni, che in uno scantinato sul Lungarno ha cominciato a credere in se stesso e da allora è andato lontano. A ogni pagina incontriamo personaggi indimenticabili, sorridiamo, ci commuoviamo, e ogni volta che cala la sera sentiamo di aver raggiunto una consapevolezza nuova: chi non si arrende riesce sempre a conquistare ciò che conta davvero; chi sa affrontare le difficoltà con determinazione e ironia non ne esce mai davvero sconfitto, e se anche imbocca una strada sbagliata, quella lo porterà a scoprire qualcosa di sorprendente. Ma soprattutto, questo libro ci racconta una vita vissuta al fianco di una delle innamorate più esigenti: la dea musica, che va amata e alimentata ogni giorno, perché la routine è la sua peggiore nemica. E perché la musica, come l'amore, è uno dei modi più strepitosi per cambiare il mondo. Al bambino che è stato P. confessa: "Se mi fossi dimenticato di te non sarei stato felice nemmeno un minuto". Così "Spacca l'infinito" non è solo il verso di una canzone, ma anche l'invito rivolto a tutti a non perdere lo stupore e la fiducia in un universo dove tutto, a saperlo ascoltare, canta insieme a noi.
2012Best.-Nr. 102006Burchfield Penney Art Center, Buffalo & Last Gasp Books, San Francisco, 2012. 28 cm ; kart.
2006Best.-Nr. 35672Schnitzel Records, 2006. SRCD1255213 1 CD CD
1993Best.-Nr. 29482Windmill Music, 1993. WMCD12 CD CD
1992Best.-Nr. 31233Polydor, 1992. 513545-2 1 CD CD
2015ill., br. "Il sogno di un hippie" è stato un grande successo di pubblico e di critica e Neil Young ci ha preso gusto a scrivere libri di memorie. In questo nuovo volume, ci racconta la sua grande passione per le automobili, facendo rivivere attraverso la galleria delle sue vetture (che appaiono nei suoi acquerelli all'inizio di ogni capitolo) i ricordi che non hanno trovato posto nel primo libro: dalla Monarch Business Coupé verde del 1948 dentro cui si partiva per i weekend di famiglia, alla Lincvolt, la sua Lincoln modificata e completamente elettrica, dalla infanzia canadese alla vita on the road e rock and roll.
1967Best.-Nr. 5094Paris, Albin Michel, (1967). Mit 860 z.T. farbigen Fotoabbildungen und 100 Abbildungen nach Zeichnungen. 4°. 360 S. Farb. ill. OKaron. Recht schön.
Best.-Nr. 3278786-6Elsevier. Used - Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Elsevier unknown
2012Best.-Nr. 18610Strange Ways, 2012. 1 CD Audio CD
1992Best.-Nr. 219601992. Underground Music Indie Rock Zines Edited and largely written by Scott Rutherford the zine reflects a unique moment in American subcultural publishing when punk indie rock and vintage car culture collided in the DIY scene. Three issues of Speed Kills! a hybrid indie rock and automotive zine published in Chicago in the early 1990s. Each issue is a vivid chronicle of underground musical and visual culture with strong regional ties to Chicago and national relevance through its coverage of touring bands and scenes. The archive includes issues #2 Spring 1992 #5 and #7 all printed in black-and-white with screen-printed or offset color covers each approximately 8.5 x 11 inches. 1 Rutherford Scott ed. Speed Kills! No. 2. Chicago: Self-published 1992. This early issue includes coverage of the Richmond band Breadwinner East Coast drag racing the Australian noise-punk group Cosmic Psychos and a profile of Detroit drag legend Ed "Big Boss Man" Milhizer. As noted on the cover the zine delivers "Breadwinner! Unrest! Cosmic Psychos! Drag Racing! Lotsa Reviews!" The editorial notes refer to coverage from the "'92 Bedroom Nats" combining punk show reportage with drag strip atmosphere. The design incorporates full-bleed photo reproductions hand-lettering and found collage. 2 Rutherford Scott ed. Speed Kills! No. 5. Chicago: Self-published 1993. This issue includes a contributor list of more than two dozen names from the underground music and zine world including members of Gaunt Cherubs Pitchblende Don Caballero and Steadkaddy Six. The zine comes with a bonus 7" record featuring Gaunt and includes a faux-survey titled "Favorite Car Survey Yes." Interviewees include Merge Records co-founder Laura Ballance and record engineer Steve Albini who describes his favorite ride as "any van with over 250000 miles." One page advertises a music zine marketplace with the slogan "your needle is distorting sound by as much as 85%" blending fidelity humor with hardline DIY ethics. 3 Rutherford Scott ed. Speed Kills! No. 7. Chicago: Self-published 1994. Labeled the "Art & Science Special" this issue includes a piece titled "Futurism: Proto Punk" by Karen Pinkus linking early 20th-century Italian Futurism with the energy and aesthetic of punk rock. Includes contributions by indie rock standouts like Mac McCaughan Superchunk and Rachel Brook Flying Saucer Attack . A profile of the band Unwound is presented under the title "smashing the work ethic OR everyday is yesterday" while reviews cover artists including Don Caballero Cherubs and Labradford. The layout remains resolutely cut-and-paste incorporating xerox collage screen print textures and handwritten text. Speed Kills was a Chicago-based fanzine launched in 1991 by editor Scott Rutherford uniquely blending the worlds of underground indie rock and vintage drag racing culture. Emerging during a time when fanzines served as vital connectors within DIY music communities Speed Kills stood out by juxtaposing interviews and reviews of bands like Nirvana Pavement and Superchunk with in-depth features on 1960s drag racing legends and hot rod culture. Its pages often featured hand-screened covers vintage auto parts advertisements and detailed discussions on car mechanics reflecting a deep enthusiasm for both music and automotive subcultures. This fusion offered readers a tactile and immersive experience highlighting the shared spirit of creativity and rebellion in both scenes. Light toning to page edges. Minor staple rust and occasional handling creases. Covers bright and intact. Overall very good condition. Speed Kills! stands as a rare and distinctive zine that merged the grease-stained Americana of hot rod nostalgia with the avant-garde ethos of noise rock and punk embodying the collision of speed sound and subculture in the 1990s musical underground. unknown
1992Best.-Nr. 219601992. Underground Music Indie Rock Zines Edited and largely written by Scott Rutherford the zine reflects a unique moment in American subcultural publishing when punk indie rock and vintage car culture collided in the DIY scene. Three issues of Speed Kills! a hybrid indie rock and automotive zine published in Chicago in the early 1990s. Each issue is a vivid chronicle of underground musical and visual culture with strong regional ties to Chicago and national relevance through its coverage of touring bands and scenes. The archive includes issues #2 Spring 1992 #5 and #7 all printed in black-and-white with screen-printed or offset color covers each approximately 8.5 x 11 inches. 1 Rutherford Scott ed. Speed Kills! No. 2. Chicago: Self-published 1992. This early issue includes coverage of the Richmond band Breadwinner East Coast drag racing the Australian noise-punk group Cosmic Psychos and a profile of Detroit drag legend Ed "Big Boss Man" Milhizer. As noted on the cover the zine delivers "Breadwinner! Unrest! Cosmic Psychos! Drag Racing! Lotsa Reviews!" The editorial notes refer to coverage from the "'92 Bedroom Nats" combining punk show reportage with drag strip atmosphere. The design incorporates full-bleed photo reproductions hand-lettering and found collage. 2 Rutherford Scott ed. Speed Kills! No. 5. Chicago: Self-published 1993. This issue includes a contributor list of more than two dozen names from the underground music and zine world including members of Gaunt Cherubs Pitchblende Don Caballero and Steadkaddy Six. The zine comes with a bonus 7" record featuring Gaunt and includes a faux-survey titled "Favorite Car Survey Yes." Interviewees include Merge Records co-founder Laura Ballance and record engineer Steve Albini who describes his favorite ride as "any van with over 250000 miles." One page advertises a music zine marketplace with the slogan "your needle is distorting sound by as much as 85%" blending fidelity humor with hardline DIY ethics. 3 Rutherford Scott ed. Speed Kills! No. 7. Chicago: Self-published 1994. Labeled the "Art & Science Special" this issue includes a piece titled "Futurism: Proto Punk" by Karen Pinkus linking early 20th-century Italian Futurism with the energy and aesthetic of punk rock. Includes contributions by indie rock standouts like Mac McCaughan Superchunk and Rachel Brook Flying Saucer Attack . A profile of the band Unwound is presented under the title "smashing the work ethic OR everyday is yesterday" while reviews cover artists including Don Caballero Cherubs and Labradford. The layout remains resolutely cut-and-paste incorporating xerox collage screen print textures and handwritten text. Speed Kills was a Chicago-based fanzine launched in 1991 by editor Scott Rutherford uniquely blending the worlds of underground indie rock and vintage drag racing culture. Emerging during a time when fanzines served as vital connectors within DIY music communities Speed Kills stood out by juxtaposing interviews and reviews of bands like Nirvana Pavement and Superchunk with in-depth features on 1960s drag racing legends and hot rod culture. Its pages often featured hand-screened covers vintage auto parts advertisements and detailed discussions on car mechanics reflecting a deep enthusiasm for both music and automotive subcultures. This fusion offered readers a tactile and immersive experience highlighting the shared spirit of creativity and rebellion in both scenes. Light toning to page edges. Minor staple rust and occasional handling creases. Covers bright and intact. Overall very good condition. Speed Kills! stands as a rare and distinctive zine that merged the grease-stained Americana of hot rod nostalgia with the avant-garde ethos of noise rock and punk embodying the collision of speed sound and subculture in the 1990s musical underground. unknown books
1985Best.-Nr. Z-480-1264Köln, Spex Verlagsgesellschaft, 1985. 55 Seiten mit zahlreichen Abbildungen. Ca. 34 x 24,4 cm, geheftete Broschur. [3 Warenabbildungen]
Best.-Nr. 74909Paris, éd. Hors Collection, 1998, in-4 carré, cartonnage souple, couv. photos en noir et décor en coul. éditeur, 96 pp., papier glacé, très nb. photos en coul. et en noir, texte en français, La première édition officielle des photographies de Dean Freeman du film des Spice Girls. Le texte est en français. RARE Très bon état du papier; la couverture est très légèrement défraîchie
1991Best.-Nr. 39051Line, 1991. BRCD 9.01140 O 1 CD CD
1998Best.-Nr. 33294ABBoulder, CO, Spin Magazine, 1998. 4°, 133 S. mit sehr zahlr. Farb- und s/w-Abb., Illustr., Anzeigenwerbung etc., Text: englisch, illusr. original Heft, das Cover etwas knickspurig, sonst ein gutes, sauberes Exemplar (hhreg)
1976Best.-Nr. 32971ENGELBERT 1976. 1. hardcover. Alarm im Weltraum ENGELBERT hardcover
1997Best.-Nr. wv59HSRC 1997. Soft cover. Very Good. 0x0x0. signed. Inscribed by one of the contributors Sheila Miller.Wraps are rubbed and marked.Tightly bound.09-01-2026. Our orders are shipped using tracked courier delivery services. HSRC paperback
Best.-Nr. 010720013Script Format reprint. Like New. / STORY BY CHAKE VAN LEEUWEN & STENS CHRISTENSEN / 1993 DRAFT / I HAVE MORE TITLES LET ME KNOW IF YOU ARE LOOKING FOR OTHER TITLES /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS/. unknown
2017Best.-Nr. 4781London, Gonzo Multimedia 2017. Somptueux coffret au format 38 x 5 x 29 cm, contenant un CD scellé, un livret illustré au format 15,5 x 23,5 cm, avec tous les textes des chansons, écrites par Michael Moorcock, ainsi que le certificat faisant office de justificatif de tirage. Contient aussi une chemise illustrée avec un autocollant et 4 cartes postales. Illustrations du CD et du livret par Jilaen Sherwood et Karen Anderson. Photographies par Linda Moorcock, Lesa O'Connell, Brian Tawn et Manuel Deiller. Fond du coffret en toile noire. Titre argenté. Etat de neuf. Edition originale tirée uniquement à 250 exemplaires ( n° 179 ). Ce nouvel album de Spirits Burning & Michael Moorcock est une adaptation du roman de Michael « An Alien Heat ». Il réunit pour la première fois Michael Moorcock, et Albert Bouchard, membre fondateur du Blue Öyster Cult. Le groupe est formé par un aréopage de musiciens : Don Falcone, Albert Bouchard (BÖC), Michael Moorcock. Joe Bouchard, Richie Castellano, Donald "Buck Dharma" Roeser, Harvey Bainbridge, Adrian Shaw, Mick Slattery, Bridget Wishart, Andy Dalby, Monty Oxymoron, Ken Pustelnik, Jonathan Segel, Lux Vibratus (Nektar). Spirits Burning met en musique " An Alien Heat ", publiée en France sous le titre de " Une chaleur venue d'ailleurs ", premier volume de la trilogie " The Dancers at the End of Time / Les Danseurs de la fin des temps ". Rarissime et totalement épuisé.
19854to, photographs by Philip Kamin. eng
2012br. Cos'è questa terra chiamata America? Ci prenderemo cura l'uno dell'altro perché hanno distrutto le nostre fabbriche e seminato morte nella mia città. Questo mondo complicato scioglie lentamente i sogni: badiamo solo a noi stessi. È la mia confessione, ho bisogno del tuo cuore, tutte le mie preghiere sono state vane. Ho affrontato questi viali fino a che le mie gambe si sono fatte pietra, sdraiato sul letto non prendo sonno. Allora andiamo in città in cerca di soldi facili. Sono l'uomo di ghiaccio, combatto per il diritto di vivere, ho una Smith & Wesson calibro 38, fatevi avanti con la vostra palla da demolizione. Cresci i tuoi figli e insegni loro a camminare fieri e sicuri, preghi che i tempi difficili non tornino più. Siamo stati ingoiati, siamo scomparsi dal mondo, ma stanotte tutti i morti sono qui, e se posassimo l'orecchio sulle lapidi sentiremmo cantare questa canzone. Così, amico, trovatene una e cantala fino alla fine, perché questo è l'ultimo ballo, l'ultima possibilità concessa ai cuori di pietra. Salite sul treno, preparatevi: è un viaggio lungo, senza soste né riparo. Un altro bacio, fratello, e poi avanti. Ho cercato la mappa che mi riporti a casa. Siamo vivi.
1992Best.-Nr. 29530Editions IMPV 1992. In-4 agrafé, non paginé, de 16 pages au format 29,5 x 21 cm. Couvertures illustrées. Plats et intérieur frais. Magazine entièrement consacré à Madonna Louise Ciccone dite " Madonna ", avec album souvenir photographique, dont de nombreuses en concert. Complet du poster géant encarté. Etat superbe, proche du neuf. Rare édition originale de ce magazine dont c'est ici le seul numéro paru.
VG pbk with plan and folded section. 12381. eng
Best.-Nr. 1627851216-8-1Twenty-Third Publications. Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible with all pages included. It may have slight markings and/or highlighting. Twenty-Third Publications unknown
