20 178 résultats
réf. 219368Tianjin.: 毓順成 芳記. Yushuncheng fangji. Early 20th Century. Four handbills showing popular images two 13.2 x 18.4 are images of characters from Peking Opera and two 12.2 x 16.5cm depict themes important in Chinese society at the time. Text in traditional Chinese characters. Light even browning tiny closed tears at margin of one sheet repaired with washi. Very good. Chinese opera characters in the style of traditional woodblock prints were popular in the late Qing dynasty and early Republican period. Handbills of characters from Beijing opera were sold as collectible items that also helped to familiarise people with the characters of different operas; their costumes make up weapons and names. In this case there are two characters from the opera 白水灘 on one handbill and three characters from the opera 落馬湖 on the other. Images with social themes also made popular handbills especially in places such as Tianjin where the influence of foreigners was pronounced. In 福壽財源 we see an immortal carrying a peach of longevity surrounded by images of fertility - a young woman and boys carry fruit and flowers as well as other items symbolic of wealth - a coin a vase gold ingots and so on probably issued for New Year. The final handbill of the four 娶大媳婦 tells the tale of a girl of eighteen married to a boy of seven. The Chinese custom of marrying a young boy to an older girl adopted into the family is thus open for discussion - everyone in the image clearly has a different opinion of the situation; from the young husband the older farmer in the background and the two men in long scholars robes to the modern young man in a western suit with leather shoes as well as the girl herself. The practice of adopting a girl to bring up as a future wife for a male child was made illegal in 1949. The text mentions some of the ways in which the girl would be expected to help in her adoptive family's home. . 毓順成 芳記. [Yushuncheng fangji] hardcover
1753réf. 8910[sans lieu], [sans nom], [1753]. In-8 broché de 1 frontispice, 56 pages, couverture de papier marbré (XIXe), quelques petits manques de papier sur les plats, mouillure en tête.
In Bologna, per il Saffi Successore del Benacci, [1755], in-12 piccolo, brossura in carta settecentesca dorata e goffrata con disegno di fiori in rilievo su fondo oro (qualche consunzione), pp. 60. Prima edizione. Con i nomi degli attori e dei ballerini. "La musica è tutta nuovamente composta dal celebre Sig. Baldassare Galuppi, detto Buranello". Raro, non censito in ICCU.
In-12, broché, couverture de papier ancien, (4), 53 p. Edition originale et unique. Critique d'un ballet que les jésuites montèrent pour leurs élèves au collège royal Archiépiscopal de Rouen en août 1750. Le ballet s'intitulait: "Le plaisir sage et réglé". "Cette pièce fut condamnée à être brûlée par l'exécuteur de la haute justice, d'après un arrêt du Parlement de Paris, en date du 6 août 1761" (Frère, 'Manuel du bibliographe normand', II, 12). (Soleinne, V, p. 114, n°476. Sommervogel, VII, 229, n°69). Bon exemplaire.
2004réf. ARCHIPATRIMOINE30924Paris, Editions du Patrimoine/Centre des Monuments Nationaux, 2004, 24 x 28, 190 pages cousues sous couverture rempliée illustrée. Iconographie couleurs - Photographies de Jean-Pierre Delagarde et Jacques Moatti. "En 2000, la restauration de la façade principale de l'Opéra de Paris nous a permis de redécouvrir son décor extérieur dans sa beauté originelle. Quatre ans plus tard, la restauration du grand foyer renouvelle notre émerveillement. Gérard Fontaine nous invite à pénétrer dans l'édifice pour y parcourir un chemin initiatique pavé de matériaux venus d'ailleurs et ponctué d'aperçus vertigineux, d'obstacles et de franchissements. Du vestibule d'entrée où nous accueillent des sculptures à l'effigie de Lully, Haendel, Gluck, Rameau, nous nous orientons vers la rotonde des Abonnés sous le regard de La Pythonisse de Marcello. Nous gravissons les degrés du grand escalier éclairé par les statues-torchères de Carrier- Belleuse, où se dressent, somptueuses et solennelles, les Cariatides en marbre polychrome de Jules Thomas. Puis nous gagnons les espaces destinés au public : la rotonde du Glacier et ses Bacchanales peintes par Clairin, l'avant-foyer où règne la mosaïque, les salons de la Lune et du Soleil rayonnants d'or et d'argent, avec leur petit peuple de salamandres, de hiboux et de chauves-souris. Et nous découvrons le grand foyer, son ornementation restituée dans son éclat premier, chatoiement d'or et de couleurs. Murs, voussures et plafonds peints : Paul Baudry y décline en de somptueuses variations la Musique, la Comédie et la Tragédie. Les vingt statues des Qualités nécessaires aux artistes ont retrouvé leur élégance et leur sensualité. Le spectateur peut enfin s'engager dans le " chœur ", dans la salle éblouissante, aux tonalités de rouge et d'or, surmontée du célèbre plafond de Marc Chagall dont la poésie rêveuse illustre les plus belles oeuvres musicales dans un vertige de formes et de couleurs. Dans le Palais de Charles Garnier, peintures, sculptures, dorures, marbres, tentures et mosaïques fascinent par leur munificence. Ici, l'architecture et le décor sont autant de symboles annonciateurs du spectacle, mais ils sont aussi, eux-mêmes, un spectacle qui permet au public d'accéder à l'essentiel, l'œuvre d'opéra."
1949réf. 52974New York:: Metropolitan Opera House October 9 1949. original printed wrappers. . Some light creasing and use to the wrappers. 8vo. Boldly signed by Margot Fonteyn on the first text page of the program. Metropolitan Opera House, unknown
[Milano, Tipografia del Cosmorama, circa 1860], foglio di dimensioni 215 x 285 mm (controfondato su una carta più spessa) recante incisione in litografia colorata a mano in tempera all'epoca. Tratta dalla rivista milanese "Cosmorama Pittorico" che dalla sua riapertura nel 1855 fu specializzata in teatro. Qualche macchia di colore rosso.
[Milano, Tipografia del Cosmorama, circa 1860], foglio di dimensioni 215 x 310 mm (controfondato su una carta più spessa) recante incisione in litografia colorata a mano in tempera all'epoca. Tratta dalla rivista milanese "Cosmorama Pittorico" che dalla sua riapertura nel 1855 fu specializzata in teatro. Lievi tracce di ondulazione.
1965réf. 867411965 Paris, NRF, Gallimard (Encyclopédie de la Pléiade), 1965, fort volume in 12 relié plein cuir de l'éditeur, jaquette rhodoid XXI-2010 pages.
réf. GF15197Dessin original à l'encre de chine sur calque signé - format 13,5 x 10,5 cm -
1739réf. 5102Londres (Paris ?), Samuel Harding, 1739 ; in-8 ; bradel cartonnage orange, filets dorés au dos, pièce de titre vert foncé, tranches rouges (reliure du début XIXe siècle) ; (4) dont frontispice gravé, 206 pp.
1739réf. 98138Londres, Londres, Chez Samuel Harding 1739 In-16, plein maroquin cerise peigné, dos lisse orné de petits fers encadrés de résilles et de roulettes dorés, plats encadrés d’une frise de palmettes dorées, contreplats encadrés d’une frise de grecques dorées, roulette en coupe, titre noir et rouge orné d’une figure, 206- 75 pp. Coiffe usée, coins émoussés, charnières sup. fendillée fragile. Légères mouillures éparses en pied.
2000réf. 40402Fragments Editions/LVMH Moët Hennessy-Louis Vuitton 2000 Reportage photographique de Marc Deville, Olivia Savouré et Laurent Lecat. Traduction anglaise de Ian Peisch. Traduction chinoise de Jean Guy Yang. In-4, broché, couv. illustrée, photographies pleines pages en couleurs, 128 pp. En français, anglais et chinois. Très bon état d’occasion.
réf. GF253201 page in-folio - bon état -
1895réf. 236221895 une carte d'invitation fantaisie non écrite, crème double page (un feuillet plié en deux), format : 12,8 x 11,5 cm, 1ère page illustrée d'une gravure à l'eau-forte en noir, représentant un portrait de MILY-MEYER d'aprés la photographie de G. CAMUS, (format de la cuvette : 12 x 10,5 cm), sans date (1895)
1988IN-8°, PP. 105 (11), ILL. B.N. N.T., BROSS. EDIT., COP. ILL. COL. (LIEVISSIME TRACCE DI POLVERE), OTTIMO STATO (F). 635 60
réf. 564739Bruxelles, Fr.-J. Olivier, 1877. In-8 broché, IV-208 pp., catalogue de 1618 ouvrages et 36 instruments de musique.
1993réf. LFA00b06N° 497 - Juillet-août 1993 : Revue de 130 pages, format 285 x 215 mm, illustrée, brochée
réf. 71589Grenoble, Presses Universitaires de Grenoble, 1987, in 8° broché, 185 pages ; couverture illustrée ; cachets.
1992réf. 167709Chicago: Club Stodola 1992. Vintage poster for a performance by bands 3 Penny Opera Righteous Podiatrist and Boney Pile circa 1980s at Chicago's Club Stodola. Stapled to the top left corner of the poster are four tickets for the event noting a date of June 19. Poster folded twice and addressed for mailing on the verso with a postmarked date of June 10 1992. Located on Chicago's north side Club Stodola was a neighborhood Polish bar-turned-music-club in the 1980s and 1990s that frequently hosted punk bands. 17 x 11 inches folded twice vertically. Tickets 5.25 x 2.25 inches. Generally Near Fine. Club Stodola unknown books
1992réf. 167709Chicago: Club Stodola 1992. Vintage poster for a performance by bands 3 Penny Opera Righteous Podiatrist and Boney Pile circa 1980s at Chicago's Club Stodola. Stapled to the top left corner of the poster are four tickets for the event noting a date of June 19. Poster folded twice and addressed for mailing on the verso with a postmarked date of June 10 1992. Located on Chicago's north side Club Stodola was a neighborhood Polish bar-turned-music-club in the 1980s and 1990s that frequently hosted punk bands. 17 x 11 inches folded twice vertically. Tickets 5.25 x 2.25 inches. Generally Near Fine. Club Stodola unknown
Paris, au Théâtre de L'Odéon, 1814, in-8, cartonatura decorata moderna, pp. [72]. Libretto dell'opera con testo italiano e traduzione francese a fronte. Manca l'ultima carta che recava l'ultima pagina del testo in francese.
1419réf. 219549奉天. Mukden.: 滿鐵鐵道總局營業局旅客課. Mantetsutetsudōsōkyokueigyōkyokuryokakuka Hōten. Showa 14 1939. Black and white photographic illustrations 33pp 18.7 x 12.7cm original wrappers upper cover pictorial. Minor wear and light browning. Good copy. This charming tourist booklet with its delightful pictorial cover offers a comprehensive introduction to Peking Opera and Chinese vaudeville. It outlines the rules governing movement and costume in opera and describes the range of story types and productions a visitor might expect to see. The vaudeville section explains the various forms of oral entertainment performed for audiences together with the customs and rules observed in the theatre. Published in Mukden the booklet provides an accessible and informative overview of the region’s popular entertainments. . 滿鐵鐵道總局營業局旅客課. [Mantetsutetsudōsō unknown
1980réf. 34416Jamaica New York: Chung-Cheng Art Gallery 1980. Folio. Original publisher's ivory illustrated wrappers printed in dark red and black. 63 vii pp. Together with 2 programs both illustrated some in color: - The National Chinese Opera Theater 1st North American Tour September 1973 - January 1974. Folio. 32 pp. - Peking Opera. North America 1980. Folio. 34 pp. Chung-Cheng Art Gallery unknown books
réf. 2309Beijing, Peoples Art Publishing House, 1957. Edited by the Research Studio of the Northeast Drama Institute. Designs reproduced by Xia Yang, Lu Hua and Ma Qiang. 1 grand volume ef, 73 pp., bound in illustrated silk cover with original slipcase, presenting 73 coloured plates of Chinese Opera Costume. Lavishly decorated and nicely presented. This grand volume is in very good condition. Description in Chinese.
