[CHINESE OPERA MASKS].Biblio.com
20 178 résultats
1986réf. 223029Sichuan.: 四川美术出版社. Sichuan meishu chubanshe. 1986. Poster showing 56 captioned Chinese Sichuan Opera facepaint masks. Text in simplified Chinese characters 76 x 52.5cm occasional light creasing corner pinholes in very good and bright condition. In Chinese opera individual characters are distinguished by highly codified facial make-up often described as painted “masks” and in some regional traditions particularly Sichuan opera by the use of actual masks. These visual conventions function as an interpretive guide for audiences signalling a character’s identity personality and moral attributes. Musical style facial design and costume vary markedly between regional operatic forms including Beijing opera Sichuan opera Yue opera and Cantonese opera reflecting distinct local performance traditions and aesthetic systems. . 四川美术出版社. [Sichuan meishu chubanshe]. unknown
réf. 13249Paris, Aljanvic Publicité, 1945. 1 booklet, in-4, soft illustrated covers, 20 pp., with large portraits of Docteur Sun-Yat-Sen and Président Tchang-Kai-Chek, issued for the 34th anniversary of the Republic of China founding. Good condition. Very rare document published in limites numbers. This one number 18.
Gr. In-8, 551p. Avec un cahier photographique hors texte. Exemplaire en parfaite condition.
1983réf. 4230Flammarion 1983 Traduit de l’italien par Isabelle Reinharez. In-8 broché. Illustrations en noir. 349 pages. Très bon état d’occasion.
réf. 552744P., Enoch & Cie, 1900. In-8, broché, couv. ill. en couleurs, 318 pp., illustrations tirées en bistre, vert, bleu ou brun, musique notée.
1808réf. 354London: Lowndes Printer 1808. First Edition. Broadside. Fine. Broadside approximately 11 1/2 x 8 1/2 inches untrimmed. Portion of bottom line of text unprinted. Small remnants of paper tape on verso else fine. Broadside advertising the twelfth performance of the opera KAIS OR LOVE IN THE DESERTS at Drury Lane starring and produced by the renowned English tenor John Braham. John Braham ca. 1774-1856 rose from poverty and orphanhood in London to the heights of European opera where he celebrated as one of the great voices of his age. As a British Jew he also represented a major shift in Jewish status and social potential in the late Georgian era becoming not only an artist of acclaim but also eventually the father-in-law of several English aristocrats. KAIS was based on the ancient Arabian love story of Layla and Majnun which had been adapted into a famous work by Persian Poet Nizami Ganjavi in the 12th century which in turn became the source for numerous later poets and mystics throughout the Middle East and Central and South Asia. The story gained great popularity in Europe after Isaac DIsraeli published an English translation in the early 19th century. It was upon this translation that Isaac Brandon based the libretto for KAIS. Braham and William Reeve composed the music for the opera which opened in 1807. Lowndes, Printer books
1808réf. 354London: Lowndes Printer 1808. First Edition. Broadside. Fine. Broadside approximately 11 1/2 x 8 1/2 inches untrimmed. Portion of bottom line of text unprinted. Small remnants of paper tape on verso else fine. Broadside advertising the twelfth performance of the opera KAIS OR LOVE IN THE DESERTS at Drury Lane starring and produced by the renowned English tenor John Braham. John Braham ca. 1774-1856 rose from poverty and orphanhood in London to the heights of European opera where he celebrated as one of the great voices of his age. As a British Jew he also represented a major shift in Jewish status and social potential in the late Georgian era becoming not only an artist of acclaim but also eventually the father-in-law of several English aristocrats. KAIS was based on the ancient Arabian love story of Layla and Majnun which had been adapted into a famous work by Persian Poet Nizami Ganjavi in the 12th century which in turn became the source for numerous later poets and mystics throughout the Middle East and Central and South Asia. The story gained great popularity in Europe after Isaac DIsraeli published an English translation in the early 19th century. It was upon this translation that Isaac Brandon based the libretto for KAIS. Braham and William Reeve composed the music for the opera which opened in 1807. Lowndes, Printer
2018réf. 97751Intesa Sanpaolo, Mondadori Electa e Musicom, , coll. « Vox Imago » 2018 2 volumes. In-4 29 x 26 cm. Sous étui : cartonnage éditeur sous jaquette illustrée, 143 pp., illustrations et documents d’époque en noir & blanc et en couleurs, bibliographie - Portefeuille carton illustré contenant 3 CD. Exemplaire en très bon état.
réf. 201408019Besancon, Imprimerie Bosssanne Frère , 1943 ; in-8, 47 pp., cartonnage de l'éditeur. Demi-cuir bordeau a coins 4 nerfs - en bel état - exemplaire n°15 signé de l'auteur - et dédicacé de même en bel état.
Torino, presso Onorato Derossi Libraio della Societa de' Signori Cavalieri sotto i primi Portici della Contrada di Po, [1778], in-12, cartonatura muta coeva (lievi difetti), pp. 60. In fine: nella stamperia Mairesse. Contiene i nomi dei cantanti, dei ballerini e dei figuranti. Libretto con il testo di Giovanni Bertati. La musica, qui non presente, era di Pasquale Anfossi. Firma di possesso coeva sulla controcopertina anteriore: Giuseppe Pangella.
In Firenze, appresso Anton-Giuseppe Pagani librajo alle Scalere di Badia, 1778, in-8 piccolo, magnifica cartonatura coeva in carta dorata e goffrata con disegno a racemi floreali lilla su fondo oro, pp. 68. Con emblema xilografico dell'Accademia degli Infuocati (motto: A tempo infuocati) raffigurante una bomba che esplode sul frontespizio. Reca anche i nomi degli attori. Una sola copia censita in ICCU. Magnifico esemplare.
1912réf. 846671912 Paris, Plon, 1906, in 12 relié demi-percaline marron à la bradel, XII-543 pages ; ex-libris gravé sur le premier contre-plat ; complet des 3 portraits annoncés
1912réf. 846661912 Paris, Plon, 1912, in 12 broché, 711 pages ; couverture illustrée (petit défaut au dos).
réf. 16267P., Costallat, (1910), petit in 12 broché, 71 pages ; portrait en frontispice ; couverture fanée.
2025réf. MUSIQUE4646460226Paris, Editions Honoré Champion, "Romantisme et modernités" n° 215, 2025, 15,5 x 23,5, 570 pages sous couverture souple illustrée. "Le corpus des textes écrits par Hector Berlioz au long de sa vie est considérable : nombreuses lettres, quelque 6 000 pages d'articles de critique musicale, des nouvelles, des Mémoires, et aussi les livrets de plusieurs de ses ouvrages lyriques. La présente étude montre la richesse de ce corpus, sa variété, son inventivité verbale, son lyrisme, sa sentimentalité dans le cas des lettres intimes, son ironie et son humour vengeurs dans les textes critiques, tous révélateurs du génie de cet esprit supérieur et de son talent d'écrivain."
Firenze , dalla Tipografia Tofani, 1850, in-16, br. editoriale con titolo entro cornice decorativa sulla copertina anteriore, pp. 39, [1]. Libretto d'opera. Un leggero alone alle prime carte.
In-8, broché, couverture de papier gris moderne, 56 p., plusieurs pages de partition avec musique notée et paroles. Edition originale de cet opéra-comique, paroles et musique notée, composé en collaboration par Gabriel-Charles De Lattaignant et Jacques Fleury, representé pour la première fois au théâtre de Rouen le 8 octobre 1751. Page de tire un peu roussi. Quelques auréoles claires. Bon exemplaire.
1752réf. 38401In-8, broché, couverture de papier gris moderne, 56 p., plusieurs pages de partition avec musique notée et paroles. Rouen, E.V. Machuel, 1752.
réf. 201113943Paris, L'avant scène opéra - opérette, 1989 ; in-8, 210-16 pp., br. Très bon état broché - n°27/28.
In-8, broché, couverture de papier moderne, tranches rouges, 33 p. Edition originale de cette version. "According to a handwritten note in a copy of the score, this opéra comique, variously attributed to Audinot or Gossec, is in fact a pasticcio by Gossec, Alexandre, Philidor, Schobert, J.-C. Trial, Kohaut and Ciapalanti. This work was preceded by another opéra comique of the same title (1761), for which Audinot wrote both text and music" (Grove Music Online). Bon exemplaire.
réf. 32168In-8, broché, couverture de papier moderne, tranches rouges, 33 p. Paris, Veuve Duchesne, 1765.
réf. 30740P., Tresse, 1869, in 12 relié demi-basane bleue, dos lisse orné , 86pp.
réf. 4588Edition d'Architecture, d'industrie et d'économie rurale, Strasbourg, s.d. Un volume in-8 broché, titre manuscrit au dos, 1f. titre, 1f. texte, 23 ff. d'illustrations en n&b, 7 ff. catalogue. Tampon d'ex-libris en couverture, bel état. Envoi de Gaston Castel.
réf. 72448Middletown (Connecticut), Wesleyan University Press, 1968, grand in 8° relié pleine percaline de l'éditeur, XV-242 pages.
In-8, débroché, tranches rouges, 32 p. de musique entièrement gravé. Louis Anseaume (1720-1784) contribua à la naissance de l'Opéra-Comique dont il fut le sous-directeur de 1753 à 1757. La musique du 'Docteur Sangrado' est de Duni et Laruette.
