Grand Opera in Three ActsBiblio.com
19 992 résultats
réf. 1334479127.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2006Stagione d'Opera 2005 - 2006 Collana I LIBRETTI 76 Legatura brossura Formato Ottavo Num Pagine 189 Illustrazioni a colori e in b/n fuori testo Prima Edizione
1982279p., illus. Hardcover Very good condition good
1817réf. AQ35026London: s.n. 1817. Single leaf broadside. Browning and staining to edges with very small loss to lower right corner small hole and tear to title slightly obscuring final letters. A scarce playbill recording an early effort by London's Lyceum Theatre renamed The English Opera House in the summer of 1817 to present an illumination of the 'audience part of the theatre' during a performance of 'Free and Easy' a comic opera. Although the use of gaslight in street-lamps had first been demonstrated a decade prior in 1807 the goal to introduce gaslighting to the commercial stage took years to evolve into the competitive landscape of 1817 where three of London's premier West End venues the Theatre Royal Covent Garden Theatre Royal Drury Lane and the Lyceum Theatre entered into a rapid race to produce the first fully-gaslit public performances in a West End venue. The Royalty an East End theatre later renamed The East London Theatre had previously installed gas piping and lighting fixtures across both the auditorium and the stage in 1816 demonstrating the viability of such a project. The English Opera House led by director Samuel Arnold proudly boasted on August 6 1817 that 'Gas Lighting will this evening be introduced over the whole stage' seemingly claiming themselves the winners of the century's most contested technical theatre contest. Despite this the lack of an illuminated auditorium meant that the theatre's audience remained in candlelight until a month later when the venue opened fully illuminated for the first time. The Theatre Royal Drury Lane despite only revealing its gaslit stage on the 6th September 1817 was able to argue that due to their introduction of gaslighting into the auditorium several weeks prior they were in fact the first of the three theatres to achieve the much vied- for feat. On the same night The Theatre Royal Covent Garden also offered a demonstration of gaslight on their stage finally concluding the rivalry and introducing a vital element of technical staging into London's leading venues for the remainder of the century. Rare; COPAC records no copies in the UK OCLC adds a single copy overseas Yale. . Dimensions 170 x 340 mm. [s.n.] unknown
1950Octavo in grey DJ; 167 p, b&w music ; 22 cm. Play; Drama. || Thomas Stearns Eliot (1888 ñ 1965) was a publisher, playwright, literary and social critic and "arguably the most important English-language poet of the 20th century." Although he was born an American, he moved to the United Kingdom in 1914 (at age 25) and was naturalised as a British subject in 1927 at age 39.
1989No marks or inscriptions. A lovely clean very tight copy with bright unmarked boards and no bumping to corners. Dust jacket not price clipped or marked or torn or creased with very minor traces of storage. 416pp. This volume covers what is commonly thought of as the centre of the Western musical tradition - the Viennese Classics, culminating in the music of Haydn and Mozart.
1998réf. 137624Thames and Hudson 1998 Livre en anglais. In-4 cartonnage éditeur sous jaquette 28,7 cm sur 22,5. 256 pages. Jaquette en bon état. Très bon état d’occasion.
réf. 036685223X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 63-9096New York: Children's Asthma Research Institute and Hospital 1959. Program. 8vo. Soft covers 18 pp. Good: Loose Unbound Pages with marginal tears minor losses creasing. Illustrated. Scarce. New York: Children's Asthma Research Institute and Hospital, 1959. paperback
1975This is a very good softcover copy with almost no wear. Completely clean inside and out. Spine not creased, binding firm. This is a reprint of Heriot's 1956 original. 10 black & white illustrations. Bibliography. 8" high X 5" wide, 243 pages.
1977224pp. 23 cm. Hardcover Very good condition good
19961474 p.; 28,5 cm. Legatura editoriale in similpelle. Manca probabilmente la sovraccoperta, buono per il resto
1990réf. 73206Novosti-Moscou 1990 In-8 relié sous jaquette illustrée en couleurs; 279 pages.Nombreuses photographies couleurs et illustrations. bon état.
1882réf. biblio669Wrapper good has some tears and small pieces missing around the edges. Book has some creased and bent page corners. First four pages have a half inch closed tear along the bottom edge. 238 pp. approx. 10" X 7". Oliver Diston Co. paperback
réf. 0266006779.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
5 S. Gr.-4°. Gestochen. Randfleckig. Titel mit Porträt der Sängerin.
1923pp. xix, 344 + Illustrations. Stamped ownership. Top edge gilt. 8vo. Pictorial decorated cloth binding. PA 26
19228 p., 14 plates (in portfolio) 27 cm. Hardcover Very good condition, in worn portfoilio
1961réf. 47891N.Y., Larchmont, Argonaut Books, 1961. origi.Halbkunstlederband im Schuber, kl.4°, ca.120 Seiten.
1937122p. + full page lithographs by Mariette Lydis and pulled by Mourlot Freres. Top edge gold. Designed by Giuseppe Govone; printed by Marius Audin; hand-set in Inkunabula type; Rives gray hand-made paper; bound by Russell-Rutter Company in full blue buckram, stamped blind and gold from design by C. P. Hornung. Slight spotting on covers. 9 1/2 x 13 1/2 inches. Folio. Slip case bumped at top edges. Includes the Monthly Letter. Number 1465 of an edition limited to only 1500 copies, signed in pencil by the artist, Mariette Lydis. The books published by the Limited Editions Club are justly treasured for the quality of the texts, the beauty and artistry of the illustrations, the creativity of design, and the overall excellence of the paper, presswork, and binding. Each book would make a wonderful gift for any occasion. W37
1790Sm. 8vo., with engraved portrait frontispiece, some mild age-soiling throughout; modern grey boards, upper board with printed paper label, a very good, bright copy. The frontispiece depicts Vernon as Mackheath.
CHINE, China Today Press - 1997 - In-4 - Cartonnage éditeur illustré aux 1 & 4 Plats - Illustrations en couleurs - Texte en chinois & en anglais - 123 pages - Exemplaire neuf
réf. 22813CHINE, China Today Press - 1997 - In-4 - Cartonnage éditeur illustré aux 1 & 4 Plats - Illustrations en couleurs - Texte en chinois & en anglais - 123 pages - Exemplaire neuf
1997Book is in excellent condition with two lightly bumped corners, slight wear at bottom edge. Binding is solid and square, exterior shows no other blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears. Black cloth covers with a photo-illustrated dustjacket. Lavishly illustrated with full page mostly colour photographs, including endpapers. Published posthumously as an ode to Versace and his art collection just after his death in July 1997; it was the last book he worked on. Works from his art collection are included in close-ups with fashion shots of male and female models. About 150 pages, unpaginated.
1978réf. RO80213627Thomas Jenkins. 1978. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Environ 50 pages. Nombreuses illustrations en noir et blanc dans et hors texte. Texte en langue anglaise.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
