Gluck, LouiseBiblio.com
1 405 résultats
2001réf. 50492New York: Ecco Press 2001. First printing. Fine in near fine jacket. Signed first edition of the Pulitzer- and Nobel-winning poet's ninth poetry collection a striking sequence of nature- and mythology-inflected verses. 9'' x 6''. Original quarter black cloth with grey boards. In original unclipped $23.00 dust jacket. 68 pages. Signed by Glück on title page crossing out her printed name. Some light marginal toning to jacket. Book clean and tight. Ecco Press unknown
1956réf. 3222DEUTSCHE GRAMMOPHON GESELLSCHAFT 07/1956. 1. hardcover. Sung in German! DEUTSCHE GRAMMOPHON GESELLSCHAFT hardcover
2024réf. SKU1714243West Academic Publishing 2024-07-18. hardcover. New. 0x0x0. New Book Ships with Tracking West Academic Publishing hardcover
2016réf. Adhya-9781319154059FREEMAN MACMILLAN 2016. HB. New. FREEMAN MACMILLAN hardcover
2016réf. Adhya-9781319154059FREEMAN MACMILLAN 2016. HB. New. FREEMAN MACMILLAN hardcover
1795réf. 36809Paris: Des Lauriers 1795. Folio. Quarter dark green calf with green cloth boards spine in decorative compartments gilt titling gilt marbled edges. 1f. recto title verso blank 1f. recto publisher's catalogue verso blank 211 pp. Engraved. Occasional performance markings in blue pencil. Some browning foxing and soiling; light dampstaining to upper portion of leaves; final leaves slightly creased at lower outer corners; small handstamp to upper margin of title. Second Edition. Hopkinson 46 A c the present copy is presumably from an earlier issue without plate number and with fewer items in the catalogue. Loewenberg 371. Sonneck p. 56. Lesure p. 239. BUC p. 386. RISM G2816. With this opera "Gluck foreshadowed most clearly the musical achievement of Wagner. For it was not until Iphigenie en Tauride that he contrived a balance between musical and dramatic interest which was of its school a perfect one . Iphigenie en Tauride is the one indisputable masterpiece produced by Gluck the one composition which can be measured against the very highest productions in its own or any other branch of musical expression." Cooper: Gluck p. 260. Des Lauriers unknown
1783réf. 40431Paris: Chez Des Lauriers Md. de Papiers Rue St. Honoré à côté de celle des Provaires 1783. Folio. Early full dark brown leather with double rule gilt to edges of boards spine in compartments gilt with titling gilt marbled endpapers. 1f. recto title verso blank 1f. recto dedication verso "Argument" 217 pp. Bound with an extra title that of Hopkinson 41Ak. 1f. recto title verso blank 1f. recto blank verso "Argument" pp. Binding quite worn rubbed and bumped with loss to spine. Occasional minor soiling to blank outer margins; paper repairs to blank inner margins of approximately fifteen leaves; small binder's holes to blank inner margin of numerous leaves; occasional staining; worming to blank inner margin of final third of volume; extra title and Argument worn and soiling with worming to blank margins. Second edition of the French version. Wotquenne 41. A variant issue of Hopkinson 41Ai but with the price of 36 instead of 24 tt. Lesure p. 240. RISM G2853. First performed in Vienna at the Burgtheater on 5 October 1762 in Italian to a libretto by Ranieri de' Calzabigi and in Paris at the Opéra on 2 August 1774 in French to a libretto by Pierre Louis Moline after Calzabigi. "More successfully than any of his contemporaries Gluck translated the widespread agitation for reform of opera and theatrical dance on the part of European intellectuals into actual works for the stage first in pantomime ballets and Italian serious operas for Vienna and then in operas of various sorts for Paris." Bruce Alan Brown and Julian Rushton in Grove Music Online "The classical orientation of Calzabigi evident in Orfeo ed Euridice from the moment the curtain rose on the almost archaeologically recreated ancient funerary ritual e.g. the threefold calling of the name of the deceased coloured the entirety of his collaboration with Gluck. Despite the ambiguous attributions of the prefaces signed by the composer it is clear that Gluck largely shared his librettist's classical enthusiasms. . It is revealing that Gluck sought out subject matter from Greek tragedy independently of Calzabigi after the latter's departure from Vienna - most probably with his inner conviction mixing with a desire to exploit the goût grec then prevailing in France. . Calzabigi's poetry was almost completely devoid of metaphors and similes and placed a mere three characters in a fluid context of dances and choruses or both simultaneously. The action was reduced to essentials: a demonstration of the persuasive powers of music and a cautionary tale on the dangers of curiosity with Orpheus bewailing the loss of his wife already as the curtain rose. Gluck's approach as composer was no less radical particularly in his near-complete elimination of coloratura and of opening ritornellos in the solo numbers. Above all the opera was remarkable in its emphasis on continuity which was achieved chiefly through the enchaining of harmonically open-ended sections of music and through the complete avoidance of recitativo semplice in favour of orchestrally accompanied recitatives so as to avoid sharp contrasts of texture with the set pieces. This continuity and the nearly syllabic vocal writing were calculated to prevent applause and thus also to promote the audience's absorption in the spectacle." Bruce Alan Brown and Julian Rushton in Grove Music Online. Chez Des Lauriers, Md. de Papiers, Rue St. Honoré à côté de celle des Provaires unknown
réf. Discovery-9781806017317BRILLIANCE 2027. Hardcover. New. BRILLIANCE hardcover
réf. Discovery-9781806017317BRILLIANCE 2027. Hardcover. New. BRILLIANCE hardcover
1985réf. 58047New York: Ecco Press. Near Fine in Near Fine dust jacket. 1985. First Edition; First Printing. Hardcover. 0880010819 . 8vo 8" - 9" tall; 60 pages; SIGNED 1985 Ecco Press. HC/DJ. First edition first printing. Inscribed by Glück to a fellow poet on the verso of the half-title page and signed again at the head of the title page. Snugly bound and fresh in a crisp-edged uniformly bright title-lettered dust jacket with the publisher's $13.50 issue price intact to unclipped front flap. Just a hint of dust soiling to the top edge and a superficial tap to the top front corners. Feels and appears generally unread. An especially appealing signed copy of Glück's breakthrough fourth collection winner of the 1985 National Book Critics Circle Award. NF/NF. ; Signed by Author . Ecco Press hardcover
réf. BN126341Müller C.F. Hardcover. Wärmetechnisches Raummodell. Wärmetechnisches Raummodell. Bernd Glück Müller C.F. hardcover
2001réf. mon0001006989Ecco Pr 01/04/2001 00:00:01. hardcover. Very Good. 1.1891 in x 23.5821 in x 16.1178 in. First edition. Pages clean and bright no markings light wear to edges. Binding tight. Ecco Pr hardcover
1990réf. 138219New York: The Ecco Press 1990. First edition of the Nobel Prize-winning author's collection of poetry prompted by the death of her father. Octavo original half cloth. Presentation copy inscribed by the author opposite the half-title page "For ____ ____ with best wishes Louise Gluck." Fine in a fine dust jacket. Jacket illustration by Michaela Sullivan. Jacket illustration by Christa Näher. In 1984 Glück joined the faculty of Williams College in Massachusetts as a senior lecturer in the English Department. The following year her father died. The loss prompted her to begin a new collection of poems Ararat 1990 the title of which references the mountain of the Genesis flood narrative. Writing in The New York Times in 2012 the critic Dwight Garner called it "the most brutal and sorrow-filled book of American poetry published in the last 25 years" The Ecco Press hardcover
1999réf. 522652Portland Oregon: Charles Seluzicki / Printed by Stern & Faye 1999. Unbound. Fine. First separate edition. Broadside poem. Single sheet printed on Arches Cover paper Measuring 9.5" x 15.5". Fine. Housed in a custom blue cloth portfolio. Prints the poem "The Mystery" in eight stanzas. One of 100 numbered copies Signed by Glück. OCLC lists 10 holdings. Charles Seluzicki / Printed by Stern & Faye unknown
2008réf. 465198Iowa City Iowa: University of Iowa Center for the Book 2008. Unbound. Fine. Broadside. Measuring 12" x 26". Fine. Limited to 150 copies. This is copy 129. Signed by the poet. Issued in honor of Glück's visit to the Iowa Writers Workshop in April 2008. University of Iowa Center for the Book unknown
1980réf. 522588New York: The Ecco Press 1980. Softcover. Fine. First wrappered edition issued simultaneous with the hardcover edition. 12mo. 52p. Fine in glossy wrappers. Inscribed by Glück: "for Scott Elledge recent sounds with warm good wishes Louise Glück." Elledge authored the E.B. White biographer and was a poetry anthologist who edited a collection of poetry for children Wider than the Sky. The Ecco Press unknown
2012réf. 8311New York: Farrar Straus and Giroux / Ecco 2012. First Edition. First Printing. Thick octavo 23.5cm; light gray paper-covered boards with titles stamped in black on spine; dustjacket; xviii45-6342pp. Signed by the author on the title page. Tiny crimp to base of spine else Fine in a Fine unclipped dustjacket priced $40.00. A substantial volume representing work from the first five decades of the Nobel Prize-winning poet's career gathering selections from her first collection Firstborn 1968 through A Village Life 2009. 8311. Farrar, Straus and Giroux / Ecco unknown
1994réf. 8051Hopewell N. J.: Ecco Press 1994. First edition. Signed by Gluck. Very fine copy. 8vo original cloth dust jacket. Very fine copy. Ecco Press unknown
1994réf. 023134Hopewell: Ecco Press / W.W. Norton 1994 First printing of the stated first edition. Signed by Louise Gluck directly on the front-free endpage. A shallow faint crease to corner of inside front flap else book and dust jacket in fine as new condition. Poet Laureate and Pulitzer Prize recipient. Ecco Press / W.W. Norton hardcover
1966réf. 41722Chapel Hill NC: Lillabulero 1966. Very Good. Chapel Hill NC: Lillabulero 1966-1974. Fourteen issues in thirteen volumes complete. The first two volumes in tall folio format 36.5cm the third through fifth issues slightly shorter 33cm and the final eight issues in octavo format 24cm; all issues bound in pictorial card wrappers yapp edges; illus. throughout. Moderate wear to margins especially to the larger format issues else a Very Good and sound set. Complete collection of this poetry and literature magazine the brain child of young Russell Banks while a student at UNC Chapel Hill. Contributors included the leading and up-and-coming poets of the day including Robert Creeley Charles Simic W.S. Merwin Wendell Berry Jim Harrison and in the final issue Louise Gluck. While some of the individual issues are quite common complete sets are rare. Lillabulero unknown
1925réf. 190773Zurich/Vienna/Leipzig: Amalthea-Verlag 1925. Hardcover. Good- heavy shelfwear and soiling to covers spine is tattered and mostly missing pages lightly age toned but otherwise clean. Oversized red cloth boards with gilt lettering; 2 preliminary leaves 155 pp text with mounted illustrations 50 mounted plates in bw and color. Text is in German. Contents: Die handschrift: die blätter des Oesterreichischen museums. Die blätter des Victoria und Albert museums. Die blätter der anderen sammlungen. Ursprünglicher umfang und herkunft.--Der roman.--Die bilder: Verhältnis von text und bild. Die gestaltenweit der bilder. The text in German translation adapted to the miniatures here reproduced is drawn from the varying versions of the Persian manuscripts of Dresden and Munich and in the Arabic manuscript of Paris.19x13x2" Amalthea-Verlag hardcover
1980réf. 613552New York: The Ecco Press 1980. Hardcover. Near Fine/Very Good. First edition clothbound issue. Octavo. 52pp. Touch of sunning at the spine ends near fine in very good dust jacket sunned at the spine and moderately worn with some tiny nicks and short creases at the spine ends and lower front corner. Inscribed by Glück on the title page: "for Peter - Louise Glück with good wishes. The Ecco Press hardcover
1985réf. 126New York: Ecco Press 1985. Hardcover. Very good/Very good. Very good condition there is a small black dot at the very end of the lower edge of the text and some age toning to the end papers. Full signature above her name on the title page with an additional personal inscription opposite which is simply signed "Louise". Dust jacket has original price of $13.50 and is in a protective sleeve. A truly lovely and signed copy by this Nobel winner. Ecco Press hardcover
réf. 13454155 pp.; 50 plates 10 in colour 48 text illus. Text: German. Zürich 1925. Hbk. Folio. Former Library copy with the associated markings. KEYWORDS: 053 India - miniaturen/ schilderingen unknown
1968réf. 501746New York: The New American Library 1968. Hardcover. Fine/Very Good. First edition. Fine in moderately toned very good or better dust jacket with a bit of nicking at the crown. Poet editor and anthologist William Cole's copy with his neat owner signature on the front fly and a couple of small notes presumably in his hand on the rear pastedown. Housed in a fine custom royal blue clamshell case with the spine titled in gilt and the author's gilt facsimile signature on the cover. Cole produced around 75 books most of them anthologies. He served as publicity director at Alfred A. Knopf publicity director and editor at Simon & Schuster and publisher of William Cole Books at Viking Press. Upon his death he was memorialized by Seamus Heaney in the poem "In Memory of Bill Cole." Glück's first book; she has won the National Book Award the Pulitzer Prize and the Nobel Prize in Literature. The New American Library hardcover
