[COLANGELO Francesco].MareMagnum
4,875 results
Napoli, presso Vincenzo Orsino, 1817, in-8, legatura di poco successiva in mezza pelle verde scuro, dorso liscio con titolo in oro su tassello in pelle rossa e altri fregi dorati impressi a piccoli ferri, tagli gialli, pp. 129, [1]. Raro: solo 3 esemplari censiti in ICCU (per l'attribuzione d'autore cfr. scheda in ICCU e E. Weller "Lexicon pseudonymorum: Wörterbuch der Pseudonymen aller Zeiten und [...]", Regensburg, 1886, p. 196).
in-4 oblong, 40 pages + 2 x 14 planches prEdEcoupees, broche, couverture illustree. COMME NEUF [PLC-11] kalos (beau) + eidos (aspect) + kuklos (cercle)
1825ref. 35810Berlin, Georg Reimer, 1825. 8°. Mit 2 gefalt. lithogr. Tafeln. V (1), 78 S., Mod. marmor. Ppbd.
ref. 200615058Paris, Librairie classique d f-e andré-guedon, 1884 ; in-8, 392 pp., toilé titre apparent.
ref. 200615056Paris, Hachette classique, 1954 ; in-8, 199 pp., cartonnage de l'éditeur.
ref. 201101260Paris, Eyrolles éditeur, 1949 ; in-12, 315 pp., broché, couverture illustr. Bon état.
ref. 200917049Paris, Librairie Vuibert, vers 1920 ; in-8, 272-2, broché. A l'usage des élèves de mathématiques et des candidats au baccalauréat et aux écoles - 7e edition.
ref. 200711359Paris, Librairie Hachette, 1873 ; in-8, 23-206 pp., broché. 1ere partie - planches / texte.
ref. 201901663Paris, Ch. delagrave et cie , 1873 ; in-8, 428 pp., cartonnage de l'éditeur. Quinzieme edition, cartonnage d'attente demi toilé.
ref. 114244India Jumadi 1284 AH 1867 AD. . Single volume illuminated manuscript on thin polished Indian laid paper text-block sprinkled in red and pink in Farsi Persian manuscript on paper black ink on paper 34 leaves 268 x 160 mm; 16 lines bold nasta'liq verging on shekasteh text-block ruled in gilt numerous diagrams in the text and adorning the margins most of these in gold some contemporary annotations to margins a few spots to preliminary leaves gilt ruling to text-block oxidised and caused closed tears in come instances mostly to inner ruling close to gutter some margins repaired; contemporary red sheep over pasteboards covers ruled in blind with central stamped motifs also in blind rebacked and edges repaired new endpapers and pastedowns covers rubbed. An attractive treatise on geometry and astronomy likely copied in India for a certain Alim al-Din Hussayn bin Abd'Allah al-Ansari in 1867 AD. The work includes many diagrams in the text showing various geometrical shapes diagrams of stars and planets and diagrams of various eclipses and spheres in orbit. India, Jumadi 1284 AH (1867 AD). hardcover
1679ref. 99767In Torino, Nella Stamperia degli Heredi di Carlo Gianelli 1679 In-16 17 x 11 cm. Reliure de l’époque vélin; dos à nerfs muet, 176-[46] pp.. Reliure défraîchie, partiellement restaurée amateur, intérieur correct. En l’état.
ref. 201309568Paris, Ellipses, 1987 ; in-8, 189 pp., br. Oral maths mines/ponts.
1803ref. 99764Paris, Chez Courcier, Imprimeur-Libraire 1803 In-8 20,5 x 12,5 cm. Reliure d’époque demi-basane havane, dos lisse orné de petits fers dorés encadré de roulettes dorées, XXIV-265 pp., 5 planches repliées in fine. Reliure frottée, mors fendillés, pied de dos épidermé, intérieur correct.
1682ref. 16024A Paris, Sur le quay des Augustins joignant la porte de l'Eglise, à l'Image Nostre-Dame, 1682. In-12 de [8]-188-[8] pages, plein veau brun, dos à nerfs orné de filets et fleurons dorés, pièce de titre bordeaux.
ref. 240053S.l., s.d. (janvier-avril 1828) 7 parties en un vol. in-4, titre, [111] ff. n. ch., dont certains vierges entre les cahiers, écriture fine, cursive, mais lisible, environ 30 lignes par page, biffures et ratures occasionnelles, avec des figures géométriques dans le texte, demi-basane fauve modeste, dos lisse orné de filets dorés, titre poussé sur le dos "Analyse & mécanique I", coins en vélin rigide (reliure de l'époque). Dos très frotté.
ref. 175832 ouvrages en 1 vol in-8,VIII + 330 6 pl. VII-352 pp. 9 pl., demi-basane fauve de l'époque, pièce rouge comportant le nom de l'auteur doré, pièce de titre verte (mors fendus, coiffe arasée, épidermures, quelques rousseurs et petites taches)
1835ref. 57591No place 1835. old sheep and marbled boards. Binding rubbed; tight and sound. 8vo. The owner's dated signature appears inside the front cover. hardcover
1814ref. 47988Boston: T.B. Wait and Sons 1814. Second American Edition With Improvements. Octavo 23cm.; contemporary calf recently rebacked new red morocco spine label retaining original endpapers; 2xxviii4315152pp. Boards rather rubbed small dampspot to upper cover some browning to endpapers a few tiny holes to rear free endpaper else Good or better internally sound. Provenance: Copy of seventeen-year-old Samuel Joseph May 1797-1871 future reformer abolitionist and women's rights advocate with his ownership signature dated November 4 1814 to title page front pastedown p. 1 together with his gift inscription to fellow Harvard student Warren Goddard to rear flyleaf verso with Goddard's lengthy ownership inscription as a student at Harvard on front free endpaper a second ownership inscription of Goddard's on front flyleaf noting that the book was actually bought off of May. May graduated from Harvard in 1817 and went on to serve as a Unitarian clergyman collaborating with his friend William Lloyd Garrison in co-founding the New England Anti-Slavery Society the American Anti-Slavery Society and the pacifist New England Non-Resistance Society. SHAW & SHOEMAKER 32520. T.B. Wait and Sons unknown
1669ref. 113Renowned italian treatise on mathematic and Practical geometry the use of the "Squadro Geometrico" Set Square the multiplication "per crocetta" and the first mention of the surveyor's cross Feliciano Francesco. Scala Grimaldelli libro di aritmetica e geometria speculatiua e pratticale di M. Francesco Feliciano Veronese. Diuiso in tre libri. Nel primo si tratta di cose pertinenti a Mercatanti . Nel secondo si tratta dell'arte maggiore di algebra .accresciuto in quest'vltima impressione di dottissimi problemi . Nel terzo & vltimo si dimostra il misurar della Terra . i nuovo ristampato e da molti errori corretto e accresciuto di molte cose da M. Filippo Macario Veronese . Venetia : presso Gio. Giacomo Hertz 1669. 4to 188 x 120 mm contemporary paper board handwrtten titles at front board in sepia ink pp. 8 240 printer device with Galleon at title page xylographic head-letters head-pieces and end-pieces. Last printed edition of this milestone in the history of mathematic The Scala Grmaldelli is a work of outstanding importance in the history of mathematics and more than any other work influenced the teaching of this science in the sixteenth century. The book deals with commercial arithmetic treatment of roots the rule of false position algebra and a section on practical geometry. At leaf d2 recto Feliciano illustrates the method of multiplication "Per Crocetta" one of several methods that were in use in the Italian Renaissance. It is noteworthy in the part dealing with practical geometry the constant use of the "Squadro Geometrico" geometric square which appears to have been practiced in Italy since the XV century. The Scala Grimaldelli when first published was the first book describing the use of the Surveyor's Cross a simple instrument made of two bars forming a right-angled cross with sights at each end and used in setting out right angles in surveying an innovative tool at a time when long distances were often merely estimated by sight. The book was so important in the teaching of elementary mathematics that he was reprintd in numerous editions including this last one in 1669 143 years after the original edition. "Few books had greater influence on the subsequent teaching of elementary mathematics" Smith. The symbology expressed in the title is fascinating: just as you need a ladder to attack a fortress and a lockpick to open a lock in the same way to approach complex mathematics you need this book.<!--endif--> Francesco Feliciano was a mathematician of Lazesio Veronese who lived in the second half of the century. XV and in the first quarter of the XVI. He published in 1517 Libro di abbaco printed in several editions but he is best known for the book of arithmetic and speculative and practical geometry described here: Scala Grimaldelli 1526 whose subsequent editions reached the end of the XVII century. This important treatise disseminated outside Italy the ideas the notions and the methods in the field of arithmetic geometry algebra and their applications that were first exposed by Leonardo Pisano and then cultivated in italian schools. Conditions: this book was meant to be heavily used so it's rare find a copy in good condition as despite few marls of use this copy in its original binding can be defined. Provenance: I. Faded handwriten ownership signature at title page II. Contemporary handwrtten annotations and calculations on margins. Reference: Honeyman IV 1288; Michel-Michel III-29; Riccardi II-22. Giacomo Hertz
1814ref. 47988Boston: T.B. Wait and Sons 1814. Second American Edition With Improvements. Octavo 23cm.; contemporary calf recently rebacked new red morocco spine label retaining original endpapers; 2xxviii4315152pp. Boards rather rubbed small dampspot to upper cover some browning to endpapers a few tiny holes to rear free endpaper else Good or better internally sound. Provenance: Copy of seventeen-year-old Samuel Joseph May 1797-1871 future reformer abolitionist and women's rights advocate with his ownership signature dated November 4 1814 to title page front pastedown p. 1 together with his gift inscription to fellow Harvard student Warren Goddard to rear flyleaf verso with Goddard's lengthy ownership inscription as a student at Harvard on front free endpaper a second ownership inscription of Goddard's on front flyleaf noting that the book was actually bought off of May. May graduated from Harvard in 1817 and went on to serve as a Unitarian clergyman collaborating with his friend William Lloyd Garrison in co-founding the New England Anti-Slavery Society the American Anti-Slavery Society and the pacifist New England Non-Resistance Society. SHAW & SHOEMAKER 32520. T.B. Wait and Sons unknown books
1873ref. 46785Niederwalluf bei Wiesbaden, Martin Sändig, 1971 (Nachdruck der Ausgabe Halle a. S., 1873). 8°. 2 Bll., 307 S., OLwd.
1955ref. 6710New York: Robert S. Beard 1955. 14 Posters/Blueprints 12 are printed in white on blueprint paper and 2 are printed in black on white paper generally 13x19." One is trimmed along top edge few others with fading and corner wear. generally very good. Ownership signature and address of Margaret Sutton on verso of one manuscript sketch of parallel lines on another. Robert S. Beard's stamp appears on the verso of another and few have manuscript captions or corrections on the front. Beautiful and intriguing set of designs owned by New York artist Margaret Sutton 1905-1990 who had a long and varied career in engineering art and design. These blueprints were created by an interesting figure in his own right Col. Robert S. Beard 1883-1974 author of many articles and a book Patterns in Space 1973 on aspects of geometric design. The influence of Beard's work is seen in a wide variety of disciplines from mathematics and cosmology to art and economics. His designs made a great impact on American mathematician Magnus Wenninger who wrote the first book on constructing polyhedron models. Dr. Jerome Baumring of the Institute of Cosmological Economics who is said to be the first known person to crack the complete esoteric trading system of W.D. Gann cites Beard's book as "one of the greatest cosmological treatises ever written." Patterns in Space is also listed alongside books by Mandelbrot in the study of fractals. Margaret Sutton likely became acquainted with Beard's works in the New York arts scene Beard teaching at Yeshiva University and Sutton receiving degrees at Columbia University where a set of Beard's models were on permanent display as of the publishing of his book in 1973. Included in this set are: The Golden Rectangle The Pentacle The Nesting Squares; Key of the Cosmos and Numbers; The Five Pointed Star series of 2; The Value of 2π; Patterns for Segments of Cubes; The Rhombic Dodecahedron; Patterns for the Honeycomb Dodecahedron; Seven Polyhedron Families Having 5" Cube Members; Table showing Face Polygons and Solids trimmed; Geometrical Construction for Regular Polygons; and Drawing the Polygons series of 3. What is so fascinating about this set is it shows a clear influence on Sutton's career and artistic trajectories. After taking drafting and engineering classes at Columbia she worked for Grumman Aircraft and then as a technical illustrator for the Merganthaler Linotype Company. She studied art at the Arts Students League likely with George Grosz and with Hans Hofmann at his school. She completed some 4000 paintings and drawings in her lifetime. In 1993 her friend and partner painter Alfred Levitt gave her body of work to the University of Mary Washington where it is now on display. The online exhibition from 2020 Margaret's Menagerie: The Animal Imagery of Margaret Sutton gives a good look at her varied works many of which use geometric patterns lines and shapes often in combination with her other love of animals and nature. The final photo in this listing is one of Sutton's works for reference not included in the sale. As of cataloguing we have not been able to locate any Beard designs elsewhere other than those mentioned in the preface of his book at Columbia and Berkeley. This set is a trove of beautiful design that blurs the lines between art and math showcasing the career path of a woman artist of the Greenwich Village scene who should be more well known. . Robert S. Beard unknown
1955ref. 6710New York: Robert S. Beard 1955. 14 Posters/Blueprints 12 are printed in white on blueprint paper and 2 are printed in black on white paper generally 13x19." One is trimmed along top edge few others with fading and corner wear. generally very good. Ownership signature and address of Margaret Sutton on verso of one manuscript sketch of parallel lines on another. Robert S. Beard's stamp appears on the verso of another and few have manuscript captions or corrections on the front. Beautiful and intriguing set of designs owned by New York artist Margaret Sutton 1905-1990 who had a long and varied career in engineering art and design. These blueprints were created by an interesting figure in his own right Col. Robert S. Beard 1883-1974 author of many articles and a book Patterns in Space 1973 on aspects of geometric design. The influence of Beard's work is seen in a wide variety of disciplines from mathematics and cosmology to art and economics. His designs made a great impact on American mathematician Magnus Wenninger who wrote the first book on constructing polyhedron models. Dr. Jerome Baumring of the Institute of Cosmological Economics who is said to be the first known person to crack the complete esoteric trading system of W.D. Gann cites Beard's book as "one of the greatest cosmological treatises ever written." Patterns in Space is also listed alongside books by Mandelbrot in the study of fractals. Margaret Sutton likely became acquainted with Beard's works in the New York arts scene Beard teaching at Yeshiva University and Sutton receiving degrees at Columbia University where a set of Beard's models were on permanent display as of the publishing of his book in 1973. Included in this set are: The Golden Rectangle The Pentacle The Nesting Squares; Key of the Cosmos and Numbers; The Five Pointed Star series of 2; The Value of 2π; Patterns for Segments of Cubes; The Rhombic Dodecahedron; Patterns for the Honeycomb Dodecahedron; Seven Polyhedron Families Having 5" Cube Members; Table showing Face Polygons and Solids trimmed; Geometrical Construction for Regular Polygons; and Drawing the Polygons series of 3. What is so fascinating about this set is it shows a clear influence on Sutton's career and artistic trajectories. After taking drafting and engineering classes at Columbia she worked for Grumman Aircraft and then as a technical illustrator for the Merganthaler Linotype Company. She studied art at the Arts Students League likely with George Grosz and with Hans Hofmann at his school. She completed some 4000 paintings and drawings in her lifetime. In 1993 her friend and partner painter Alfred Levitt gave her body of work to the University of Mary Washington where it is now on display. The online exhibition from 2020 Margaret's Menagerie: The Animal Imagery of Margaret Sutton gives a good look at her varied works many of which use geometric patterns lines and shapes often in combination with her other love of animals and nature. The final photo in this listing is one of Sutton's works for reference not included in the sale. As of cataloguing we have not been able to locate any Beard designs elsewhere other than those mentioned in the preface of his book at Columbia and Berkeley. This set is a trove of beautiful design that blurs the lines between art and math showcasing the career path of a woman artist of the Greenwich Village scene who should be more well known. . Robert S. Beard unknown books
1900ref. 44631Stein bei Nürnberg, A. W. Faber, o. J. (um 1900). Illustr. Orig.-Plakat (70 x 55,5 cm).
2018ref. 28234S.l., RBA, (2018). Un vol. au format in-8 (238 x 163 mm) de 163 pp. Reliure d'édition de plein cartonnage illustré.
