4,805 results
1990ref. 47277New Haven, London : Yale University Press, 1990. 375 Seiten : zahlr. Ill. ; Sprache: Englisch Leinen
1966H. T. Flint The quantum equation and the theory of fields. , Methuen and Co. 1966, Buono stato. Rilegato. Le pagine sono lievemente ingiallite con piccole macchie di umidità. La sovraccoperta è ombrata e molto sporca con piccoli tagli ai margini. Buono (Good) . 146
1999ref. 858259Reading, Mass. [u.a.]: Addison-Wesley. 1999. XXV, 554 S. 24 cm. Zustand: Gut bis Sehr Gut (Innen); Besitzerstempel (Innen); Einband Außen hat geringe Gebrauchsspuren; Archivex. mit Klebestreifenrest (Außen); Besitzerstempel auf Schnitt, oben gering angestaubt; Buch wurde wahrscheinlich nachgebunden; 4. printing Leinen (Blauer Leinen)
1991ref. 50347Ithaca ; London : Cornell University Press, 1991. 319 Seiten ; Ill. ; Sprache: Englisch Pp.
1954In-8°, pp. XIII, 244, (15) di catalogo editoriale, copert. edit. Firma di appart. erasa al frontesp. Con testo a fronte in francese riproducente l'edizione cartesiana del 1637.
1954René Descartes The geometry of René Descartes. U.S.A, Dover 1954 italian, 243 BTT47 Brossura editoriale volume in buone condizioni, segni di usura causati dal fattore tempo sulla copertina, interno in ottimo stato, legatura salda, testo in inglese 243 pagine circa Copertina come da foto
2001ref. 312379Cambridge, Cambridge University Press, 2001. XXIV, 666 Seiten. Originalbroschur in transparente Folie eingebunden . / Wrappers 26 cm
1997ref. 74184Cambridge: Cambridge University Press, 1997. An introduction XXII, 654 S. (25,5 cm) Broschierte Ausgabe
1987ref. 61863Cambridge : Cambridge University Press (Cambridge Tracts in Mathematics, 85), 1987. XIV, 162 S. (23 cm) Broschierte Ausgabe
2001ref. 294626New York, NY : Springer New York, 2001. XXVI, 777 S. : 336 Illustrations. 24 cm Originalpappband.
2004ref. 306752Verlag: Cambridge University Press, 2004. X,78 pages. Originalbroschur. 22 cm
1979ref. 237510London: Chapman and Hall. 1979. XVI.; 279. 23cm. Zustand: Gut bis Sehr Gut min. gebräunt (Innen); Einband (Außen) hat geringe bis leichte Gebrauchsspuren; Schnitt oben gering angestaubt; Buchrücken gering lesespurig; Buchrücken etwas lichtrandig; Repr. Broschiert
1983ref. 123666W. H. Freeman & Co., New York 1983. 468 pp. with a lot of illustrations, Groß 8°, Original-Pappband (Hardcover), Bibliotheks-Exemplar (ordnungsgemäß entwidmet) mit leichten Rückständen vom Rückenschild, Stempel auf Titel, insgesamt gutes und innen sauberes Exemplar, (library copy in good condition),
1983455 pages plus section of black and white plates. "As a prelude to her analysis of modern art in France, Italy, Russia, Holland, and America, author provides a history of the popularization of the n-dimensional and non-Euclidean geometries during the nineteenth century. In particular, discusses writers who developed the philosophical and mystical implications of higher spatial dimensions and traces their influence on the major art movements of the period. The fourth dimension and non-Euclidean geometry captured the imagination of the contemporary public. This lost tradition of spatial concepts, as resurrected and presented here, supplies a critical and long-neglected element in the history of twentieth-century art." - from back cover. Prior owner's name atop first blank leaf. Average external wear and soiling. Binding tight and square. A sound copy of this important work. Book
1955ref. 6710New York: Robert S. Beard 1955. 14 Posters/Blueprints 12 are printed in white on blueprint paper and 2 are printed in black on white paper generally 13x19." One is trimmed along top edge few others with fading and corner wear. generally very good. Ownership signature and address of Margaret Sutton on verso of one manuscript sketch of parallel lines on another. Robert S. Beard's stamp appears on the verso of another and few have manuscript captions or corrections on the front. Beautiful and intriguing set of designs owned by New York artist Margaret Sutton 1905-1990 who had a long and varied career in engineering art and design. These blueprints were created by an interesting figure in his own right Col. Robert S. Beard 1883-1974 author of many articles and a book Patterns in Space 1973 on aspects of geometric design. The influence of Beard's work is seen in a wide variety of disciplines from mathematics and cosmology to art and economics. His designs made a great impact on American mathematician Magnus Wenninger who wrote the first book on constructing polyhedron models. Dr. Jerome Baumring of the Institute of Cosmological Economics who is said to be the first known person to crack the complete esoteric trading system of W.D. Gann cites Beard's book as "one of the greatest cosmological treatises ever written." Patterns in Space is also listed alongside books by Mandelbrot in the study of fractals. Margaret Sutton likely became acquainted with Beard's works in the New York arts scene Beard teaching at Yeshiva University and Sutton receiving degrees at Columbia University where a set of Beard's models were on permanent display as of the publishing of his book in 1973. Included in this set are: The Golden Rectangle The Pentacle The Nesting Squares; Key of the Cosmos and Numbers; The Five Pointed Star series of 2; The Value of 2π; Patterns for Segments of Cubes; The Rhombic Dodecahedron; Patterns for the Honeycomb Dodecahedron; Seven Polyhedron Families Having 5" Cube Members; Table showing Face Polygons and Solids trimmed; Geometrical Construction for Regular Polygons; and Drawing the Polygons series of 3. What is so fascinating about this set is it shows a clear influence on Sutton's career and artistic trajectories. After taking drafting and engineering classes at Columbia she worked for Grumman Aircraft and then as a technical illustrator for the Merganthaler Linotype Company. She studied art at the Arts Students League likely with George Grosz and with Hans Hofmann at his school. She completed some 4000 paintings and drawings in her lifetime. In 1993 her friend and partner painter Alfred Levitt gave her body of work to the University of Mary Washington where it is now on display. The online exhibition from 2020 Margaret's Menagerie: The Animal Imagery of Margaret Sutton gives a good look at her varied works many of which use geometric patterns lines and shapes often in combination with her other love of animals and nature. The final photo in this listing is one of Sutton's works for reference not included in the sale. As of cataloguing we have not been able to locate any Beard designs elsewhere other than those mentioned in the preface of his book at Columbia and Berkeley. This set is a trove of beautiful design that blurs the lines between art and math showcasing the career path of a woman artist of the Greenwich Village scene who should be more well known. . Robert S. Beard unknown books
1955ref. 6710New York: Robert S. Beard 1955. 14 Posters/Blueprints 12 are printed in white on blueprint paper and 2 are printed in black on white paper generally 13x19." One is trimmed along top edge few others with fading and corner wear. generally very good. Ownership signature and address of Margaret Sutton on verso of one manuscript sketch of parallel lines on another. Robert S. Beard's stamp appears on the verso of another and few have manuscript captions or corrections on the front. Beautiful and intriguing set of designs owned by New York artist Margaret Sutton 1905-1990 who had a long and varied career in engineering art and design. These blueprints were created by an interesting figure in his own right Col. Robert S. Beard 1883-1974 author of many articles and a book Patterns in Space 1973 on aspects of geometric design. The influence of Beard's work is seen in a wide variety of disciplines from mathematics and cosmology to art and economics. His designs made a great impact on American mathematician Magnus Wenninger who wrote the first book on constructing polyhedron models. Dr. Jerome Baumring of the Institute of Cosmological Economics who is said to be the first known person to crack the complete esoteric trading system of W.D. Gann cites Beard's book as "one of the greatest cosmological treatises ever written." Patterns in Space is also listed alongside books by Mandelbrot in the study of fractals. Margaret Sutton likely became acquainted with Beard's works in the New York arts scene Beard teaching at Yeshiva University and Sutton receiving degrees at Columbia University where a set of Beard's models were on permanent display as of the publishing of his book in 1973. Included in this set are: The Golden Rectangle The Pentacle The Nesting Squares; Key of the Cosmos and Numbers; The Five Pointed Star series of 2; The Value of 2π; Patterns for Segments of Cubes; The Rhombic Dodecahedron; Patterns for the Honeycomb Dodecahedron; Seven Polyhedron Families Having 5" Cube Members; Table showing Face Polygons and Solids trimmed; Geometrical Construction for Regular Polygons; and Drawing the Polygons series of 3. What is so fascinating about this set is it shows a clear influence on Sutton's career and artistic trajectories. After taking drafting and engineering classes at Columbia she worked for Grumman Aircraft and then as a technical illustrator for the Merganthaler Linotype Company. She studied art at the Arts Students League likely with George Grosz and with Hans Hofmann at his school. She completed some 4000 paintings and drawings in her lifetime. In 1993 her friend and partner painter Alfred Levitt gave her body of work to the University of Mary Washington where it is now on display. The online exhibition from 2020 Margaret's Menagerie: The Animal Imagery of Margaret Sutton gives a good look at her varied works many of which use geometric patterns lines and shapes often in combination with her other love of animals and nature. The final photo in this listing is one of Sutton's works for reference not included in the sale. As of cataloguing we have not been able to locate any Beard designs elsewhere other than those mentioned in the preface of his book at Columbia and Berkeley. This set is a trove of beautiful design that blurs the lines between art and math showcasing the career path of a woman artist of the Greenwich Village scene who should be more well known. . Robert S. Beard unknown
1763In-8°, tre volumi in uno, viii, 184pp, XIV carte di tavola ripiegate; iv, 32; (viii), 240pp, VIII carte di tavola ripiegate. Legatura in piena pelle coeva, titolo in oro al dorso su tassello in marocchino, nervature. Prima edizione, buona copia. In-8 °, three volumes in one, viii, 184pp, XIV folding plates; iv, 32; viii, 240pp, VIII folding plates. Contemporary calf binding, gilt title on the back on a morocco label, bands. First edition, good copy.
1995ref. 60008Basel : Birkhäuser (Lectures in Mathematics ETH Zürich), 1995. VI, 160 S. (24 cm) Broschierte Ausgabe
1767In-8°, 3 libri in uno iv, 44, una carta di tavola ripiegata; i, 225, XXXIII carte di tavola ripiegate; iv, VIII, 116, 1c di errata. Legatura coeva in piena pelle, titolo in oro al dorso, tassello in marocchino, nervature, prima edizione, copia freschissima. Questo testo, come altri di Emerson, venne scritto come manuale ad uso di studenti, che diventarono ben presto molto richiesti per la loro accuratezza. In-8, three books in one, iv, 44, one folding table; i, 225, xxxiii folding plates; iv, viii, 116, 1c of errata. Contemporary calf binding, gilt title at the spine, morocco label, bands, first edition, fair copy. This text, like others by Emerson, was written as a textbook for the use of students, which soon became much in demand for their accuracy.
1966Eden-Landshoff-Olive-Polkinghorne The analytic S-Matrix. , Cambridge University Press 1966, Sovraccoperta cartacea con segni d'uso. Copertina cartonata rigida. Dorso con impressioni in oro. Tagli con fioriture. Buono (Good) . Copertina rigida 287
1887ref. PHO-9171887, Paris, Gauthier-Villars , in-8 ,XVIII-294 pp demi-cuir époque, dos lisse avec auteur , titre et date, cachet , inscription sur le plat , bon exemplaire
1810ref. 16741810 1810 BECHET 1810-
1944ref. PHO-824London, Macmillan, 1944 , in-8° (220x130) , 1 volume sur 2 , VII-540pp , relié pleine percale éditeur avec jaquette , très bon état
1558ref. 11535Paris Andréas Wechel 1558 in-4 demi-veau marron, dos à faux nerfs, orné, pièce de titre rouge [Rel. mod. à l'imitation], légères mouillures et restaurations intérieures, accroc au titre
1990A clean, unmarked book with a tight binding. Creases on spine. 432 pages.
