4.028 Ergebnisse
1968Best.-Nr. 109803Club Français du Livre 1968 Club Français du Livre, 1968, 319 p., cartonnage éditeur, exemplaire numéroté, bon état.
Best.-Nr. 22802Bath: 'taken and made' on 26 and 27 March 1841. 11pp folio. In good condition lightly aged and worn. Folded twice into the conventional packet. Ten-page inventory followed by full page valuation neatly written out on six leaves which are stitched together with the reverse of the last leaf carrying the title written lengthwise in conventional style for the outside of the packet: 'Inventory & Valuation of the several effects of the late Thos. Harward Gardiner Esq deceased at No. 14 Brock Street Bath Amount £574. 8. 6' along with the word 'Copy' in red. Also on this page in pencil in an early twentieth century hand: ' Gainsborough painter relation' this suggestion seemingly based on the first entry in the inventory under the heading 'Plate': 'Large 2 handled Vase richly ornamented & chased originally a present from the Royal Academy to Margaret Gainsborough' this being the painter's wife 1728-1797 born Margaret Burr an illegitimate daughter of the Duke of Beaufort. The full title at the head of the first page reads: 'An Inventory of the Household Goods & Furniture Plate Plated Ware Linen China & Glass Books Wearing Apparel Jewels & Ornaments. of the Person Wines &c. at No. 14 Brock Street Bath late the property of Thomas Harward Gardiner Esq decd. who died Jan. 14th: 1841 It was taken and made for the purposes of Administration March 26th. & 27th. 1841 by Benjn. Bartrum Bath'. See the two men's wills in the PCC files in the National Archives: Bartrum 'Auctioneer and Upholsterer of No 5 Norfolk Crescent Bath' 18 March 1846; and Gardiner 'Common Brewer of Northgate Street Bath' 17 May 1841. An inventory of the home of a conventional middle-class tradesman in early Victorian Bath giving an interesting insight into the social history of period and place. Harward's collection of books is valued at £30 18 6d and the inventory lists on two-thirds of a page works of mostly devotional nature. In contrast the brewer's wines sherry 'Ginger Wine' and 'Bottles Various' are valued at three times as much £91 1s 6d. No paintings appear to be present. The inventory's headings begin by listing the contents of the house by room before starting half-way through to group items by type: Left Hand Back Garret; Right hand Back Garret; Right hand front Garret; Left hand front Garret; Back Attic; Front Attick sic; Drawing room Bedroom; Front Drawing Room; Stairs & Passages; Dinner Room; Front Parlour; Servants Hall & Pantry; Kitchen Scullery & Lower Offices; Plate; Plated; Linen; China; Glass; Books subdivided into 2to and Octavo; The Whole of the Wearing Apparel nothing in this section; Jewels Trinkets & Ornaments of the Person; Wines. The valuation is presented as an itemised list in nine categories with signature or copy of signature dated: 'March 26th & 27th. 1841 by Benjn. Bartrum Appraiser Bath'. The list is preceded by this note: 'The foregoing Articles were valued at the Sum of Five Hundred and Seventy four Pounds Eight Shillings & 6d. of which the following are particulars viz.' Not quite the Bath of Jane Austen but not too far off. Bath: 'taken and made' on 26 and 27 March 1841. unknown
1895Best.-Nr. 835601895 Saint-Etienne, Théolier, 1895, plaquette in 8° brochée, 18 pages ; portrait en frontispice.
1992247 pages. Blames 'permissiveness', an ideology which holds that common sense and limits on behaviour will stunt a child's development and creativity, for a range of problems with today's children and young people. Provides timely advice and case studies showing children need a balance between freedom and structure to equip them for happy, secure and successful lives. Author is a professor at York University. Book
1962Best.-Nr. 111091962 plaquette (booklet) in-octavo, couverture illustrée (cover illustrated), illustrations in texte (illustrations in text), 32 pages, 1962 Grasse Imprimerie Merle et Compagnie,
Best.-Nr. 95548Paris, Boulanger, s. d. in-12, 30 pp., ill. in-t., broché.
1886Best.-Nr. 10351886 Paris, Librairie H. Le Soudier, 1886. 22,5 x 14,5 cm (R), in-8, 128 (pp.), reliure de l'époque en demi-chagrin brun, dos à 5 faux nerfs, titre doré.
2010Best.-Nr. DADAX1165931958Kessinger Publishing 2010-09-10. paperback. New. 6.00x0.78x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
Best.-Nr. 133580Leather Bound. Condition: Very Fine. Japan Bible Society JBS Printed in Japan 1996. In Japanese. ix 1502 480 55 pages. In Leather or Faux Leather. Page ends all Gold. In slipcase box. Nice Firm Clean copy ! Unmarked. Size: 8vo 7.75 - 9.75'' tall. Bible The New Interconfessional Translation in Leather. Religion::Bible Study Religion::Christian Japanese 6087 hardcover
1976Best.-Nr. 025349Detlev Auvermann KG, Glashütten Im Taunus 1976. Leinen Neuwertig
Best.-Nr. 118093aafEinwohnergemeinde Mellingen, 1996, in-4to, Original-Pappband mit OU.
1880Best.-Nr. 105651880 demi-basane bleue (frottée). in-8, 556pp., illustré, P. Librairie Illustrée (ca. 1880),
Best.-Nr. 244577Paris, en vente chez tous les libraires [Imprimerie de E. Perreau], 1885 in-8, 62 pp., avec un portrait-frontispice, broché. Dos abîmé, déchirure à la couverture.
1847Best.-Nr. 24351Jules Labitte | Paris 1847 | 11.50 x 16.50 cm | broché
Best.-Nr. 1334692114.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1867Best.-Nr. 15731A. Faure | Paris 1867 | 9.50 x 15.50 cm | broché
Best.-Nr. 95557Paris, Ed. Domat Montchrestien, 1947 gr. in-8, XVII-180 pp., index, broché.
Best.-Nr. 234884Paris, Ed. Domat Montchrestien, 1947 gr. in-8, XVII-180 pp., index, broché. Couverture plastifiée.
Best.-Nr. 115006aafMontoire, Librairie Jamet, 1987, 94, in-8vo, 1) 36 p., richement ill. d’armoriaux en couleurs, 2) env. 30 p. n. n., richement ill. d’armoriaux n./b., brochure originale.
Best.-Nr. 18213Paris;Librairie générale 1873,1vol In12 reliure epoque demi chagrin rouge,dos orne, de 310 pages. Bon état
2000Best.-Nr. 1509241095xbvkTokyo, Kowa Printing, 2000. Ca. 140 unnumbered pages on different papers, colour-illustrated almost throughout. - Publisher's grey-titled silver hardcover with colour-illustr. dustjacket and matching slipcase; 4to.(ca. 30 x 30 cm; ca. 1,8 kg.).
Best.-Nr. 1880892901.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 11588vo. 186x 119 mm. 7 ¼ x 4 ½ inches. 1-14 1 15-19 21-24 1 25-29 1 30-36 1 37-90; folios 74 and 83-90 blank except for page numbers and 4 lines on fol. 85 verso; plus 18 blank leaves at the end followed by 1 leaves containing 3 index pages and 1 final blank leaf. Manuscript section tiles in outline capitals on separate leaves included in foliation. Complete the gap between folios 19 and 21 is a foliation error. Ruled borders throughout. Text in brown ink in a flowing cursive hand varying lines numerous insertions and deletions. The manuscript on wove paper is illustrated with 20 pen-and-ink drawings of which 7 full-page on rectos with verso blank the first five not included in the foliation and 13 half-page or smaller plus 2 small ornaments. Bound in black straight-grain morocco covers gilt paneled central panel with arabesque tooling at corners smooth spine with gilt title cartouche lettered “Bluettes” from which extend triple gilt fillets terminating in ornaments at head and tail gilt edges with moiré satin endleaves; binding a bit rubbed with corners bumped. A manuscript of poems and short prose pieces all in a romantic vein illustrated with quite accomplished pen-and-ink drawings presumably by the author whose name and the date of the manuscript are supplied on the verso of the front free endpaper: “Le Baron Achille de Cholet / Officier á l’Etat-Major / 1836”. In the first poem Aux Dames the poet calls himself a “novice Ecolier” implying youthfulness and the date of 1836 on the front fly leaf is probably at the time of writing although some of the many corrections and deletions may have been added later. The titles of the other poems or groups of poems are : Le Rin Le Déserteur L’Isolement L’Impiété Un Croix sur la Montagne La Mère du Prisonnier L’Avenir / á Melle Francine d’Hurbal Rheyms Séparation L’Enfant perdu L’Adieu au Plaisir La Campagne / á Mr le Vicomte Alfred de R. . . Le Cloches du Soir La Neige Les Pauvres and Le Jour des Rois . . . These stolid sentimental poems and prose impressions reflect the prevailing Romanticism of the period as do the far more skillfully executed pen-and-ink drawings that illustrate them. Somber or dreamlike with dark cross-hatching contrasting with lighter areas the drawings show a dark tunnel under a rocky mountainside a soldier in a garret or prison a cloaked barefoot man an emblematic trophy with musical instruments and weaponry a raven perched on ruined tombstones and columns a domestic scene of father and daughter a women on her knees the façade of Reims Cathedral surrounded by swirling clouds architectural details of cathedrals several surrounded by decaying facades and vignettes of crumbling chateaux pastoral churches and snow-covered gatehouses all of which reflect the vogue for l’ancienne France and the “pittoresque” as notably popularized by Nodier and Taylor in their Voyage pittoresque et romantiques dans l’Ancienne France 23 volumes 1820-1878. Achille de Cholet was descended from an ancient Anjou noble family according to his obituary in 1888 in the Bulletin héraldique de France vol. 7 235-6. He became an officer in the Légion d’honneur and was well known for his important topographic researches in the south of France. A few of the pieces in the manuscript are dedicated to aristocrats mainly female. It seems likely that the Baron shared his family’s Royalist views: his father had died in exile and his brother whose first name is not given in the obituary was an “ardent champion of the Royalists press” and author of a book title Madame en Vendée relating the attempted coup in 1832 of the duchesse de Berry mother of the Prentender the Comte de Chambord which was pursued and effectively banned by the tribunals indeed the work appears not be recorded in OCLC or other online OPACs. Thanks to Nina Musinsky for this description. . unknown
Best.-Nr. 11588vo. 186x 119 mm. 7 ¼ x 4 ½ inches. 1-14 1 15-19 21-24 1 25-29 1 30-36 1 37-90; folios 74 and 83-90 blank except for page numbers and 4 lines on fol. 85 verso; plus 18 blank leaves at the end followed by 1 leaves containing 3 index pages and 1 final blank leaf. Manuscript section tiles in outline capitals on separate leaves included in foliation. Complete the gap between folios 19 and 21 is a foliation error. Ruled borders throughout. Text in brown ink in a flowing cursive hand varying lines numerous insertions and deletions. The manuscript on wove paper is illustrated with 20 pen-and-ink drawings of which 7 full-page on rectos with verso blank the first five not included in the foliation and 13 half-page or smaller plus 2 small ornaments. Bound in black straight-grain morocco covers gilt paneled central panel with arabesque tooling at corners smooth spine with gilt title cartouche lettered “Bluettes” from which extend triple gilt fillets terminating in ornaments at head and tail gilt edges with moiré satin endleaves; binding a bit rubbed with corners bumped. A manuscript of poems and short prose pieces all in a romantic vein illustrated with quite accomplished pen-and-ink drawings presumably by the author whose name and the date of the manuscript are supplied on the verso of the front free endpaper: “Le Baron Achille de Cholet / Officier á l’Etat-Major / 1836”. In the first poem Aux Dames the poet calls himself a “novice Ecolier” implying youthfulness and the date of 1836 on the front fly leaf is probably at the time of writing although some of the many corrections and deletions may have been added later. The titles of the other poems or groups of poems are : Le Rin Le Déserteur L’Isolement L’Impiété Un Croix sur la Montagne La Mère du Prisonnier L’Avenir / á Melle Francine d’Hurbal Rheyms Séparation L’Enfant perdu L’Adieu au Plaisir La Campagne / á Mr le Vicomte Alfred de R. . . Le Cloches du Soir La Neige Les Pauvres and Le Jour des Rois . . . These stolid sentimental poems and prose impressions reflect the prevailing Romanticism of the period as do the far more skillfully executed pen-and-ink drawings that illustrate them. Somber or dreamlike with dark cross-hatching contrasting with lighter areas the drawings show a dark tunnel under a rocky mountainside a soldier in a garret or prison a cloaked barefoot man an emblematic trophy with musical instruments and weaponry a raven perched on ruined tombstones and columns a domestic scene of father and daughter a women on her knees the façade of Reims Cathedral surrounded by swirling clouds architectural details of cathedrals several surrounded by decaying facades and vignettes of crumbling chateaux pastoral churches and snow-covered gatehouses all of which reflect the vogue for l’ancienne France and the “pittoresque” as notably popularized by Nodier and Taylor in their Voyage pittoresque et romantiques dans l’Ancienne France 23 volumes 1820-1878. Achille de Cholet was descended from an ancient Anjou noble family according to his obituary in 1888 in the Bulletin héraldique de France vol. 7 235-6. He became an officer in the Légion d’honneur and was well known for his important topographic researches in the south of France. A few of the pieces in the manuscript are dedicated to aristocrats mainly female. It seems likely that the Baron shared his family’s Royalist views: his father had died in exile and his brother whose first name is not given in the obituary was an “ardent champion of the Royalists press” and author of a book title Madame en Vendée relating the attempted coup in 1832 of the duchesse de Berry mother of the Prentender the Comte de Chambord which was pursued and effectively banned by the tribunals indeed the work appears not be recorded in OCLC or other online OPACs. Thanks to Nina Musinsky for this description. . unknown books
Best.-Nr. 61775aafBern, Stämpfli & Cie, 1982, gr. in-8vo, 452 S., ill., Original-Leinenband, mit Orig.-Umschlag.