4.916 Ergebnisse
1992247 pages. Blames 'permissiveness', an ideology which holds that common sense and limits on behaviour will stunt a child's development and creativity, for a range of problems with today's children and young people. Provides timely advice and case studies showing children need a balance between freedom and structure to equip them for happy, secure and successful lives. Author is a professor at York University. Book
2010Best.-Nr. DADAX1165931958Kessinger Publishing 2010-09-10. paperback. New. 6.00x0.78x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
Best.-Nr. 1104624087.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1104703750.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 1165931958.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 133580Leather Bound. Condition: Very Fine. Japan Bible Society JBS Printed in Japan 1996. In Japanese. ix 1502 480 55 pages. In Leather or Faux Leather. Page ends all Gold. In slipcase box. Nice Firm Clean copy ! Unmarked. Size: 8vo 7.75 - 9.75'' tall. Bible The New Interconfessional Translation in Leather. Religion::Bible Study Religion::Christian Japanese 6087 hardcover
1976Best.-Nr. 025349Detlev Auvermann KG, Glashütten Im Taunus 1976. Leinen Neuwertig
1886Best.-Nr. 10351886 Paris, Librairie H. Le Soudier, 1886. 22,5 x 14,5 cm (R), in-8, 128 (pp.), reliure de l'époque en demi-chagrin brun, dos à 5 faux nerfs, titre doré.
1962Best.-Nr. 111091962 plaquette (booklet) in-octavo, couverture illustrée (cover illustrated), illustrations in texte (illustrations in text), 32 pages, 1962 Grasse Imprimerie Merle et Compagnie,
Best.-Nr. 95548Paris, Boulanger, s. d. in-12, 30 pp., ill. in-t., broché.
Best.-Nr. 118093aafEinwohnergemeinde Mellingen, 1996, in-4to, Original-Pappband mit OU.
Best.-Nr. 244577Paris, en vente chez tous les libraires [Imprimerie de E. Perreau], 1885 in-8, 62 pp., avec un portrait-frontispice, broché. Dos abîmé, déchirure à la couverture.
1880Best.-Nr. 105651880 demi-basane bleue (frottée). in-8, 556pp., illustré, P. Librairie Illustrée (ca. 1880),
Best.-Nr. 1334692114.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1867Best.-Nr. 15731A. Faure | Paris 1867 | 9.50 x 15.50 cm | broché
Best.-Nr. 95557Paris, Ed. Domat Montchrestien, 1947 gr. in-8, XVII-180 pp., index, broché.
Best.-Nr. 234884Paris, Ed. Domat Montchrestien, 1947 gr. in-8, XVII-180 pp., index, broché. Couverture plastifiée.
1947Best.-Nr. 103731Paris, Domat-Montchrestien, coll. « Histoire sociale, 10 » 1947 In-4 25 x 16 cm. Broché, couverture beige, report du titre en noir sur le dos et le premier plat, XVII-180 pp., bibliographie, index des noms de personnes et de lieux, table des matières. Couverture poussiéreuse
Best.-Nr. 115006aafMontoire, Librairie Jamet, 1987, 94, in-8vo, 1) 36 p., richement ill. d’armoriaux en couleurs, 2) env. 30 p. n. n., richement ill. d’armoriaux n./b., brochure originale.
Best.-Nr. 18213Paris;Librairie générale 1873,1vol In12 reliure epoque demi chagrin rouge,dos orne, de 310 pages. Bon état
2000Best.-Nr. 1509241095xbvkTokyo, Kowa Printing, 2000. Ca. 140 unnumbered pages on different papers, colour-illustrated almost throughout. - Publisher's grey-titled silver hardcover with colour-illustr. dustjacket and matching slipcase; 4to.(ca. 30 x 30 cm; ca. 1,8 kg.).
Best.-Nr. 1880892901.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 11588vo. 186x 119 mm. 7 ¼ x 4 ½ inches. 1-14 1 15-19 21-24 1 25-29 1 30-36 1 37-90; folios 74 and 83-90 blank except for page numbers and 4 lines on fol. 85 verso; plus 18 blank leaves at the end followed by 1 leaves containing 3 index pages and 1 final blank leaf. Manuscript section tiles in outline capitals on separate leaves included in foliation. Complete the gap between folios 19 and 21 is a foliation error. Ruled borders throughout. Text in brown ink in a flowing cursive hand varying lines numerous insertions and deletions. The manuscript on wove paper is illustrated with 20 pen-and-ink drawings of which 7 full-page on rectos with verso blank the first five not included in the foliation and 13 half-page or smaller plus 2 small ornaments. Bound in black straight-grain morocco covers gilt paneled central panel with arabesque tooling at corners smooth spine with gilt title cartouche lettered “Bluettes” from which extend triple gilt fillets terminating in ornaments at head and tail gilt edges with moiré satin endleaves; binding a bit rubbed with corners bumped. A manuscript of poems and short prose pieces all in a romantic vein illustrated with quite accomplished pen-and-ink drawings presumably by the author whose name and the date of the manuscript are supplied on the verso of the front free endpaper: “Le Baron Achille de Cholet / Officier á l’Etat-Major / 1836”. In the first poem Aux Dames the poet calls himself a “novice Ecolier” implying youthfulness and the date of 1836 on the front fly leaf is probably at the time of writing although some of the many corrections and deletions may have been added later. The titles of the other poems or groups of poems are : Le Rin Le Déserteur L’Isolement L’Impiété Un Croix sur la Montagne La Mère du Prisonnier L’Avenir / á Melle Francine d’Hurbal Rheyms Séparation L’Enfant perdu L’Adieu au Plaisir La Campagne / á Mr le Vicomte Alfred de R. . . Le Cloches du Soir La Neige Les Pauvres and Le Jour des Rois . . . These stolid sentimental poems and prose impressions reflect the prevailing Romanticism of the period as do the far more skillfully executed pen-and-ink drawings that illustrate them. Somber or dreamlike with dark cross-hatching contrasting with lighter areas the drawings show a dark tunnel under a rocky mountainside a soldier in a garret or prison a cloaked barefoot man an emblematic trophy with musical instruments and weaponry a raven perched on ruined tombstones and columns a domestic scene of father and daughter a women on her knees the façade of Reims Cathedral surrounded by swirling clouds architectural details of cathedrals several surrounded by decaying facades and vignettes of crumbling chateaux pastoral churches and snow-covered gatehouses all of which reflect the vogue for l’ancienne France and the “pittoresque” as notably popularized by Nodier and Taylor in their Voyage pittoresque et romantiques dans l’Ancienne France 23 volumes 1820-1878. Achille de Cholet was descended from an ancient Anjou noble family according to his obituary in 1888 in the Bulletin héraldique de France vol. 7 235-6. He became an officer in the Légion d’honneur and was well known for his important topographic researches in the south of France. A few of the pieces in the manuscript are dedicated to aristocrats mainly female. It seems likely that the Baron shared his family’s Royalist views: his father had died in exile and his brother whose first name is not given in the obituary was an “ardent champion of the Royalists press” and author of a book title Madame en Vendée relating the attempted coup in 1832 of the duchesse de Berry mother of the Prentender the Comte de Chambord which was pursued and effectively banned by the tribunals indeed the work appears not be recorded in OCLC or other online OPACs. Thanks to Nina Musinsky for this description. . unknown
Best.-Nr. 11588vo. 186x 119 mm. 7 ¼ x 4 ½ inches. 1-14 1 15-19 21-24 1 25-29 1 30-36 1 37-90; folios 74 and 83-90 blank except for page numbers and 4 lines on fol. 85 verso; plus 18 blank leaves at the end followed by 1 leaves containing 3 index pages and 1 final blank leaf. Manuscript section tiles in outline capitals on separate leaves included in foliation. Complete the gap between folios 19 and 21 is a foliation error. Ruled borders throughout. Text in brown ink in a flowing cursive hand varying lines numerous insertions and deletions. The manuscript on wove paper is illustrated with 20 pen-and-ink drawings of which 7 full-page on rectos with verso blank the first five not included in the foliation and 13 half-page or smaller plus 2 small ornaments. Bound in black straight-grain morocco covers gilt paneled central panel with arabesque tooling at corners smooth spine with gilt title cartouche lettered “Bluettes” from which extend triple gilt fillets terminating in ornaments at head and tail gilt edges with moiré satin endleaves; binding a bit rubbed with corners bumped. A manuscript of poems and short prose pieces all in a romantic vein illustrated with quite accomplished pen-and-ink drawings presumably by the author whose name and the date of the manuscript are supplied on the verso of the front free endpaper: “Le Baron Achille de Cholet / Officier á l’Etat-Major / 1836”. In the first poem Aux Dames the poet calls himself a “novice Ecolier” implying youthfulness and the date of 1836 on the front fly leaf is probably at the time of writing although some of the many corrections and deletions may have been added later. The titles of the other poems or groups of poems are : Le Rin Le Déserteur L’Isolement L’Impiété Un Croix sur la Montagne La Mère du Prisonnier L’Avenir / á Melle Francine d’Hurbal Rheyms Séparation L’Enfant perdu L’Adieu au Plaisir La Campagne / á Mr le Vicomte Alfred de R. . . Le Cloches du Soir La Neige Les Pauvres and Le Jour des Rois . . . These stolid sentimental poems and prose impressions reflect the prevailing Romanticism of the period as do the far more skillfully executed pen-and-ink drawings that illustrate them. Somber or dreamlike with dark cross-hatching contrasting with lighter areas the drawings show a dark tunnel under a rocky mountainside a soldier in a garret or prison a cloaked barefoot man an emblematic trophy with musical instruments and weaponry a raven perched on ruined tombstones and columns a domestic scene of father and daughter a women on her knees the façade of Reims Cathedral surrounded by swirling clouds architectural details of cathedrals several surrounded by decaying facades and vignettes of crumbling chateaux pastoral churches and snow-covered gatehouses all of which reflect the vogue for l’ancienne France and the “pittoresque” as notably popularized by Nodier and Taylor in their Voyage pittoresque et romantiques dans l’Ancienne France 23 volumes 1820-1878. Achille de Cholet was descended from an ancient Anjou noble family according to his obituary in 1888 in the Bulletin héraldique de France vol. 7 235-6. He became an officer in the Légion d’honneur and was well known for his important topographic researches in the south of France. A few of the pieces in the manuscript are dedicated to aristocrats mainly female. It seems likely that the Baron shared his family’s Royalist views: his father had died in exile and his brother whose first name is not given in the obituary was an “ardent champion of the Royalists press” and author of a book title Madame en Vendée relating the attempted coup in 1832 of the duchesse de Berry mother of the Prentender the Comte de Chambord which was pursued and effectively banned by the tribunals indeed the work appears not be recorded in OCLC or other online OPACs. Thanks to Nina Musinsky for this description. . unknown books
Best.-Nr. 61775aafBern, Stämpfli & Cie, 1982, gr. in-8vo, 452 S., ill., Original-Leinenband, mit Orig.-Umschlag.
