4071 risultati
186032mo., small neat contemporary inscriptions on front free endpaper and blank preliminary; original full calf, sides with brass frame enclosing multiple frame border in blind, back with five raised bands, second compartment lettered in gilt, , all edges gilt, chocolate endpapers, original and elaborate brass clasp, a near fine copy in wholly unrestored publisher's binding. A BRIGHT, CRISP COPY.
184848mo., contemporary full roan, sides with double frame border in blind, back with four raised bands, second compartment lettered in gilt, gilt edges, ivory endpapers, multiple silk markers, corners lightly bruised else a remarkably well-preserved, bright, clean copy in wholly unrestored period binding. This scarce edition measures just 3.75 x 2.0 inches (approx. 85 x 55 cms).
187216mo., blank preliminaries very lightly spotted; original black full calf, sides with double Oxford frame in blind, back with four raised bands, second compartment lettered in gilt ['Church Services'], all other compartments tooled and ruled in blind, all edges red, marbled endpapers, a near fine copy. A remarkably well-preserved, bright, crisp copy.
188048mo., Diamond text in double column, nineteenth century name elaborately calligraphed in colour on front free endpaper, upper hinge partially exposed (but binding entirely sound); original faux-ivory boards framed in brass, leather back lettered and tooled in gilt, gilt edges (dust-soiled), primrose endpapers, ORIGINAL BRASS CLASP PRESENT), a bright, crisp copy. Printing code: Diamond 48mo. SCARCE IN THIS CONDITION.
184848mo., Minion text, nineteenth century and later signatures on front free endpaper; full roan, boards framed in brass, back with flat bands lettered in gilt, gilt edges, primrose endpapers, upper and lower portions of clasp present (wanting striker as often), a remarkably bright, crisp copy. Printing code: Minion 32g. SCARCE IN THIS CONDITION.
1854rif. 255549Philadelphia: Lippincott Grambo & Co 1854. Chromolithograph frontispiece and additional chromolithograph title page. xxxii 552; 252 pp. 1 vols. 12mo. Bound in full black velvet covers with borders of golden wire in filigree spine lettered with gold metal in gothic script velvet endsheets edges gilt golden metallic clasp. Fine. Gift inscription to institution on flyleaf; bookplate on front free endpaper. Chromolithograph frontispiece and additional chromolithograph title page. xxxii 552; 252 pp. 1 vols. 12mo. Griffiths 1854: 39 Lippincott, Grambo & Co unknown books
1853rif. 257859New York: Appleton & Company 1853. Engraved frontispiece and 3 engraved plates additional hand-colored lithograph title by T. Sinclair. 670 237 3 pp. 12mo. Bound in full contemporary dark purple velvet covers overlaid with gilt metal outer frame surrounding a thin gilt metal filligree border front cover with central gilt cross clasp a.e.g. fine. Engraved frontispiece and 3 engraved plates additional hand-colored lithograph title by T. Sinclair. 670 237 3 pp. 12mo. Griffiths 1853:27 Appleton & Company unknown books
1714rif. 37200London: Printed by John Baskett. Printer to the Kings most Excellent Majesty and by the assigns of Thomas Newcomb and Henry Hills Deceased 1714. Engraved title page. Printed in black and red ruled in red. 1 vols. Folio. Bound in full red morocco richly gilt spine six panels raised bands gilt dentelles marbled endpapers a.e.g. Engraved title page. Printed in black and red ruled in red. 1 vols. Folio. Printed by John Baskett. Printer to the Kings most Excellent Majesty, and by the assigns of Thomas Newcomb and Henry Hills, Dece unknown books
1893rif. 254927New York: Printed for the Convention 1893. First edition according to the Standard of 1892. 28 566 2 pp. Title printed in red and black with floriated borders by Bertram Grosvenor Goodhue title in black letter. 1 vols. Folio. Original heavily gilt decorated vellum over boards with brass fore-clasps t.e.g. others untrimmed ribbon marker. Binding a bit dust soiled with bruises to foretips and small chip from lower corner of front pastedown front inner hinge cracked but webbing sound some occasional dust and finger smudging to the margins of the early leaves bookplate and small label on front pastedown some bleed-through on the title from the array of original ink signatures on the verso otherwise about very good. First edition according to the Standard of 1892. 28 566 2 pp. Title printed in red and black with floriated borders by Bertram Grosvenor Goodhue title in black letter. 1 vols. Folio. Copy #12 of the limited issue of the revised Book of Common Prayer overseen by D.B. Updike and signed in ink on the verso of the title of many of the principals associated with the revision approved at the 1892 General Convention including financier J.P. Morgan who helped fund the edition's publication. The limited edition was prepared in two forms one being this form intended for distribution to each diocese and jurisdiction within the Church with original signatures on the verso of the title and with a variant title all in black letter without border. The standard limited edition of 500 copies on handmade paper has the signatures of the principals in printed facsimile and a foliated border around the title resembling those around the main text and the central "Laudate Dominum" device and the two lines: "Together with the Psalter or Psalms of David." Updike comments at length on this project in his introduction to NOTES ON THE MERRYMOUNT PRESS and about his role in the attempted rescue of an ill-conceived attempt to produce a decorated edition from the plates of the 1892 printing: "The best things about the book were the cover and charming end-papers which Goodhue designed for it. Sad to relate the edition had an immediate and resounding success! We were congratulated and we blushed. Our shame was taken for modesty and we were congratulated more! While the book is indeed a strange one it is by no means so strange as the designs originally made for it" see pp. 9-10. Nonetheless the experience was an important prelude to the production in 1928 of Updike's own edition widely regarded as his finest work. Laid into this copy is a photocopy of the 4pp. leaflet ON THE DECORATIONS OF THE LIMITED EDITION OF THE STANDARD PRAYER BOOK OF MDCCCXCII. Griffths 1893; Updike Notes on the Merrymouth Press & Its Work p. 9; John Clyde Osborn Catalogue of Work of The De Vinne Press Exhibited at the Grolier Club p. 15 Printed for the Convention unknown
1636rif. 371746London: Printed by Robert Barker Printer to the Kings most Excellent Majestie: And by the Assignes of John Bill 1636. Title within ornamental border. 1 vols. 4to. Bound in contemporary gold-tooled leather rubbed missing ties. Later marbled endpapers with Myers & Co. sticker rubbed at margins; interior front spine cracked. Ownership signature "John Walker" in pencil on title page with several additional holograph ink notations. Paper flaw on D6 with loss to a few words. Title within ornamental border. 1 vols. 4to. Printed in Roman type double columns. Includes the Whole Book of Psalms printed at the "Universitie of Cambridge" 1634 with a 1635 Apocrypha extracted from a Bible printed by Tho: Buck & Roger Daniel printers to the University of Cambridge. Additionally the fifth line of the heading on B1r has: "reade" while another edition STC 2nd 16404.3 has "read." Provenance: Gift of the Rev. Christina K. Wible. Griffiths 1636 5; Pollard 2nd ed. 16404.4; ESTC S2781 Printed by Robert Barker, Printer to the Kings most Excellent Majestie: And by the Assignes of John Bill unknown
1852rif. 005031Oxford: The University Press 1852 1852. 1 vol. 5-3/4" x 3-3/4". Bound in full elaborately blind tooled light brown morocco raised bands gilt title to spine elaborate chased brass clasp and corner pieces all edges gilt ad goffered marbled pastedowns and endpapers internally clean and bright head and foot of spine fine hinges fine no previous ownership markings or inscriptions in VERY GOOD condition. Oxford: The University Press, 1852 hardcover
1641rif. 371384London: Robert Barker printer to the Kings most excellent Majestie and by the Assignes of John Bill 1641. Title within woodcut border. Text in two columns. 104pp. 8vo. Nineteenth-century full dark red morocco stamped in gilt. Gilt edges. Marbled endpapers with GTS bookplates on first pastedown. Pages cropped. Autograph initials on title page with additional ownership inscription on A3. Title within woodcut border. Text in two columns. 104pp. 8vo. This compact Book of Common Prayer was published during a period of particularly fractious religious tumult just prior to the start of the First English Civil War which was fueled in part by what was seen as King Charles I's pro-Catholic sympathies exemplified by his implementation of a more ceremonial sacramental version of High Anglicanism. Some of these contentious changes - as well the disquiet fomented by them - are alluded to in the Preface and "Of Ceremonies Why Some Be abolished and some retained" all of which follow "An Act for the Uniformitie of Common Prayer" on A2-A3. "Cum privilegio" printed at the foot of the title page. A gift to the General Theological Seminary from the then-Dean of Trinity Cathedral George McCormick. ESTC R37432; Griffiths Common Prayer 1641:5; Wing B3612A Robert Barker, printer to the Kings most excellent Majestie, and by the Assignes of John Bill unknown
1852rif. 002465Oxford: The University Press 1852 1852. 1 vol. 5-13/16" x 4". Bound in full elaborately blind tooled brown morocco raised bands gilt title to spine chased brass clasp all edges gilt ad goffered marbled pastedowns and endpapers internally clean and bright foot of spine fine small chip to head cap of spine hinges fine a VERY GOOD copy. Oxford: The University Press, 1852 hardcover
1795rif. 371094New York: Hugh Gaine 1795. Printed in two columns. 208pp. A-d2 A-3B2. Folio. Contemporary black morocco gilt rebacked marbled endpapers gilt edges. Staining to title and first few leaves losses at lower outer corners of A1-C2 partly supplied in early manuscript Provenance: Christ Church Baltimore in gilt on upper cover. Printed in two columns. 208pp. A-d2 A-3B2. Folio. Very rare first folio edition of the 1789 United States Book of Common Prayer the second standard American prayer book beautifully printed by Gaine and designed for lecturn use. Most extant examples with the leaves containing the morning and evening daily prayers defective from overuse A1-C2 as here. Evans 29362; Griffiths Book of Common Prayer 1795:11; ESTC W29998 Hugh Gaine unknown
1871rif. 002198Oxford: The University Press 1871 1871. 1 vol. 5-7/8" x 3-7/8". Bound in full brown morocco raised bands gilt title to spine covers blind tooled chased brass corner pieces and clasp all edges gilt marbled pastedowns and endpapers internally clean and bright head and foot of spine fine hinges fine a VERY GOOD copy. Oxford: The University Press, 1871 hardcover
1865rif. 002196London: by George E. Eyre & William Spottiswood 1865 1865. 1 vol. 5-1/8" x 3-1/2" two silk page markers. Bound in full brown morocco raised bands gilt title to spine covers blind tooled in a Romanesque style gilt tooled dentelles chased brass corner pieces and clasp all edges gilt extremely skillful calligraphy gift inscription to the front blank endleaf internally clean and bright head and foot of spine fine hinges fine a VERY GOOD copy. London: by George E. Eyre & William Spottiswood, 1865 hardcover
1791rif. 311008Oxford; and London: Printed at the Clarendon Press By W. Jackson and A. Hamilton 1791. xxii 536 pp. 1 vols. 12mo. Contemporary c. 1802 full straight-grained blue morocco covers with gilt Greek key border flat spine divided into five compartments lettered in one central panel of wavy gilt lines the rest tooled in gilt with Christogram or sunburst tool over semé of dots a.e.g. Light rubbing to extremities. xxii 536 pp. 1 vols. 12mo. bound with: The Whole Book Psalms Collected into English Metre by Thomas Sternhold John Hopkins and Others . Oxford: Printed at the Clarendon Press by Dawson Bensley and Cooke 1801. A beautiful copy in a fine contemporary binding. Griffiths 1791/7; ESTC T093069. Provenance: William Smith 1802 dated blue morocco ownership label on front pastedown Printed at the Clarendon Press, By W. Jackson and A. Hamilton unknown
1797rif. 305572Oxford: Printed at the Clarendon Press by W. Dawson T. Bensley and J. Cooke 1797. xxxii 360 pp. 8vo. Bound in contemporary red straight-grained morocco gilt spine a.e.g. Covers rubbed and soiled pages finger-soiled. xxxii 360 pp. 8vo. Bound with: A New Version of the Psalms of David . London: Company of Stationers 1798. 228 pp. Griffiths 1797:3 Printed at the Clarendon Press, by W. Dawson, T. Bensley, and J. Cooke unknown
1853rif. 257859New York: Appleton & Company 1853. Engraved frontispiece and 3 engraved plates additional hand-colored lithograph title by T. Sinclair. 670 237 3 pp. 12mo. Bound in full contemporary dark purple velvet covers overlaid with gilt metal outer frame surrounding a thin gilt metal filligree border front cover with central gilt cross clasp a.e.g. fine. Engraved frontispiece and 3 engraved plates additional hand-colored lithograph title by T. Sinclair. 670 237 3 pp. 12mo. Griffiths 1853:27 Appleton & Company unknown
1794rif. 231248New York: Hugh Gaine 1794. hardcover. good. according to the use of the Protestant Episcopal Church in the United States of America: Together with the Psalter or Psalms of David. 364 171 5 pp. Thick 18mo contemporary calf spine and edges of corners worn corners bumped endpapers and title page lightly soiled some pages with very light foxing. New-York: By direction of the General Convention printed by Hugh Gaine 1794. In 1789 the Episcopal Church of the United States approved the use of text starting in 1790. It remained in use for the next 102 years. Evans 27577. Ford The Journals of Hugh Gaine Vol. I p. 170. Hugh Gaine unknown
1854rif. 255549Philadelphia: Lippincott Grambo & Co 1854. Chromolithograph frontispiece and additional chromolithograph title page. xxxii 552; 252 pp. 1 vols. 12mo. Bound in full black velvet covers with borders of golden wire in filigree spine lettered with gold metal in gothic script velvet endsheets edges gilt golden metallic clasp. Fine. Gift inscription to institution on flyleaf; bookplate on front free endpaper. Chromolithograph frontispiece and additional chromolithograph title page. xxxii 552; 252 pp. 1 vols. 12mo. Griffiths 1854: 39 Lippincott, Grambo & Co unknown
1801rif. 255003London: Published for John Reeves Printed by W. Bulmer . sold by J. Wright Piccadilly 1801. First Reeves edition. 1 vols. 8vo. Full contemporary black straight-grained morocco covers with gilt-rolled border and central gilt device of cross with "JHS" flat spine horizontally lined gilt lettered and decorated between the lines in gilt marbled endpapers a.e.g. Institutional bookplate on front pastedown shelfmark sticker at foot of spine and ghosts of markings on title--page; very slight rubbing to edges. Overall a very attractive cop. First Reeves edition. 1 vols. 8vo. "John Reeves was gazetted King's Printer in 1800 and held the appointment untyil his death in 1829. Between 1801 and 1815 he issued some 25 books of common prayer each printed by others on his behalf ." Griffiths. This is the first of Reeves' books of common prayer printed by Bulmer and a particularly attractive copy in contemporary binding. It is also apparently the first Book of Common Prayer to use the designation "United Church of England and Ireland.". Griffiths p. 215 Published for John Reeves, (Printed by W. Bulmer) ... sold by J. Wright, Piccadilly unknown
1714rif. 37200London: Printed by John Baskett. Printer to the Kings most Excellent Majesty and by the assigns of Thomas Newcomb and Henry Hills Deceased 1714. Engraved title page. Printed in black and red ruled in red. 1 vols. Folio. Bound in full red morocco richly gilt spine six panels raised bands gilt dentelles marbled endpapers a.e.g. Engraved title page. Printed in black and red ruled in red. 1 vols. Folio. Printed by John Baskett. Printer to the Kings most Excellent Majesty, and by the assigns of Thomas Newcomb and Henry Hills, Dece unknown
1717rif. 244221London: J. Sturt 1717. Shortened version of Sturt's 1717 engraved Book of Common Prayer. 85 pp. pagination irregular text and vignettes entirely engraved throughout. Lacking engraved frontispiece portrait of Queen Anne and second title-page. 1 vols. 8vo. Full contemporary vellum covers with central gilt-ruled cross. Covers bowed internally fine. Shortened version of Sturt's 1717 engraved Book of Common Prayer. 85 pp. pagination irregular text and vignettes entirely engraved throughout. Lacking engraved frontispiece portrait of Queen Anne and second title-page. 1 vols. 8vo. Griffiths 1717/4; ESTC N33764 J. Sturt unknown
1811rif. 222637Oxford: Printed at the Clarendon Press 1811. With fore-edge painting. 1 vols. 4to. Contemporary full blue straight-grained morocco sides with gilt cathedral borders gilt-stamped cornerpieces marbled endpapers a.e.g. Handsome binding. Bookplate of J. Powell Powell. With fore-edge painting. 1 vols. 4to. Beautiful and unusually elegant binding decorated with a fine painting of a cathedral along the fore-edge. Printed at the Clarendon Press unknown