2,936 results
ref. 67335180 x 230 mm. Original etching with margins bottom margin cut on the edge of platemark. unknown
ref. 67333170 x 220 mm. Original etching without margins plate nr. 29. unknown
ref. 67283180 x 230 mm. Original etching and engraving on laid paper with margins Bottom margin narrow. unknown
ref. 67340180 x 230 mm. Original etching with margins top margin cut on the edge of platemark plate nr. 42. unknown
ref. 67338180 x 220 mm. Original etching with margins top margin cut on the edge of platemark plate nr. 66. unknown
ref. 67291180 x 230 mm. Original etching and engraving on laid paper with margins. unknown
ref. 67347300 x 205 mm. Copperengraving pasted on cardboard narrow margins. Severe browning. Plublished in Ollefert Dapper Historische Beschrijving der Stadt Amsterdam Amsterdam 1663. unknown
ref. 67346Total: 200x230 mm. Platemark 170 x 200 mm. Original etching without margins pasted on cardboard passepartout plate nr. 67. unknown
ref. DADAX0932087035Brand: Sound View Press 0000-00-00. hardcover. New. 8.75x1.50x11.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: Sound View Press hardcover
1932ref. 220844東京. Tokyo.: 大日本雄弁会講談社. Dainihon Yūbenkai Kōdansha. Showa 7 1932. Attractive colour folding bird's-eye view map with black and white photographic illustrations on the reverse. 39 x 53.5cm. Very good condition. This colourful bird’s-eye view map of Manchuria by Ito Kikuzo 1901–1985 a popular graphic artist in the early Showa period covers the entire region showing railway lines cities local produce and natural resources. Although a few small human figures appear the map largely presents Manchuria as a treasure trove of agricultural produce and natural resources. The reverse features agricultural produce and natural resources including soya beans sheep and coal with accompanying explanations. A list of products at the lower left reinforces this emphasis on Manchuria’s abundant resources while making no mention of its inhabitants. . 大日本雄弁会講談社. [Dainihon Yūbenkai Kōdansha]. unknown
1945ref. VIEW001252New York. December 1945. First edition. Quarto. Wrappers. Cover design by Andr� Masson. Contributors include Paul Bowles "The Scorpion" Roman J. Sender and reviews by Parker Tyler and Paul Goodman; also an editorial "Ezra Pound: A Point of View" in which the editor states: 'Maybe we wish to suggest it would be better to give Ezra Pound his martyrdom of a traitor's death.'; reproductions of work by Yves Tanguy Mark Tobey and others.Slightly creased at spine. Very good indeed. New York. December, unknown
1945ref. VIEW001106New York. May 1945. First edition. Quarto. 48 pages. Wrappers. Cover design by Wilfredo Lam. Contributors include Paul Bowles Roman J. Sender and reviews by Parker Tyler and Edouard Roditi; also an editorial "Ezra Pound: A Point of View" in which the editor states: 'Maybe we wish to suggest it would be better to give Ezra Pound his martyrdom of a traitor's death.'; reproductions of work by Yves Tanguy Mark Tobey and others.Rear cover a bit creased. Near fine. New York. May, unknown
1942ref. VIEW016418New York. Feb.-March 1942. First edition. Double issue. Broadsheet format: 10 pages. Contributors include Lionel Abel Robert Melville Kurt Seligmann Henry Miller Leonora Carrington Parker Tyler.Horizontal fold crease. Very good indeed. New York. Feb.-March, unknown
1942ref. VIEW016424New York. October 1942. First edition. Royal octavo. 32 pages. Contributors include Roger Caillois Parker Tyler Nicolas Calas William Carlos Williams Wallace Stevens et al. The illustrations include Mallarm�'s double-portrait of Baudelaire and Poe.On the front cover is a faint library stamp. Near fine. New York. October, unknown
1941ref. VIEW016416New York. June 1941. First edition. Broadsheet format: 4 pages. Loosely inserted is the single-sheet View Poets folio 4. Contributions by Nicolas Calas an attack on Dali Parker Tyler and Troy Garrison. Drawings by Tanguy and Seligmann. Among the poets are Thomas James Merton Norman McCaig and Tom Scott.Horizontal fold crease. Short tear to fore-edge of front page which is slightly marked. Very good. New York. June, unknown
2013ref. DADAX162396105XInformation Age Publishing 2013-03-01. Illustrated. paperback. New. 6.14x0.44x9.21. Buy with confidence. Excellent Customer Service & Return policy. Information Age Publishing paperback
1785ref. 41977Helmstädt und Leipzig J.G. Müllerschen Budhhandlung 1785. Small 8vo. Orig. printed blue wrappers to both issues. no backstrip. In: "Chemische Annalen.von Lorenz Crell" 1785:1. Bd. 3. Stück. a. 1785: 1.Bd. Stück 4. 2 whole issues = Stück3-4. 2196-288 a. 2291-384 a. 1 engraved plate. - Scheele's papers: pp. 229-38 a. pp. 291-299. First appearance of these importent papers by the discoverer of oxygen. "In 1785 Scheele revised his views on the nature of air and fire the papers offered as a result of Lavoisier's observations on the increase in weight on burning phosphorus in air. He says he had also often observed the formation of water on the explosion of a mixture of inflammable air hydrogen and fire air in a bottle but had thought that the moisture was in the gases as Priestly had done in 1781.Parkinson III:p.228. "It is only the exact observation of Lavoisier which had helped me out of the dream."Scheele. unknown
1880ref. 54523Solothurn n.d. ca. 1880. Leporello 165 x 148 cm. in orig. clothcovers with ties. Original printed pictorial wrapper on frontboard. Tinted lithography by X. Amiet Solothurn. On foot "Vom Weissenstein aufgenommen". Clean and fine. hardcover
1809ref. 45298Örebro Nils Magnus Lindh 1809. Stor8vo. Indbundet helt ubeskåret i et senere pragtfuldt hldrbd. med overdådig rygforgyldning Nanna Grönvall. 4336 pp. 32 delvist foldede kobberstukne plancher prospekter portrætter genrer etc. Enkelte kobberstik med en svag fugtskjold på bagsiden. Trykt på skrivepapir. Et yderst attraktivt eksemplar. With folded engraved plate of Port Royal Kingston Harbour Jamaica with 10 pp. of description of Jamaica 2 engraved plates of Vesuv and Etna eruptions and many other engraved plates. unknown
ref. DADAX1617677426Brand: 126.56 0000-00-00. 4th. hardcover. New. 9.00x1.00x12.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: 126.56 hardcover
ref. SONG0932087035Brand: Sound View Press 0000-00-00. hardcover. Used: Good. 8.75x1.50x11.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: Sound View Press hardcover
1923ref. 239071923. Southern California community mausoleum photo archive c. 1923 to 1935 documenting when burial was recast as a modern architectural commercial and consumer enterprise. Centered on Cecil E. Bryan Clarence L. Jay Sunnyside Mausoleum in Long Beach and Mountain View Mausoleum in Altadena the photographs show how architecture landscaping publicity and office administration turned the communal mausoleum into a purchasable alternative to the traditional cemetery. Bryan entered the community mausoleum business in 1912 and became one of its principal national advocates ultimately designing more than eighty mausoleums while promoting aboveground entombment as sanitary permanent economical and modern. This archive documents the transition of American burial conventions showing the architecture real estate administration and salesmanship behind the development of California community mausoleums. Photo archive of 31 silver gelatin photographs mostly 7.5 x 9.5 inches though some measure approximately 7.5 x 8.5 inches Southern California c. 1923 to 1935. The photographs show Bryan at his desk; administrative offices lined with card files; architectural perspectives and site plans; a scale model labeled "Sunnyside Memorial Park"; landscaped courts arcades galleries entrances reception rooms and richly furnished interiors. One rendering identifies "Cecil E. Bryan executive vice president" and "Clarence L. Jay architect." Versos carry stamps for Hiller Studio W. Albert Martin Padilla Company Photography and the Mountain View Mausoleum Association as well as "file copy" notations crop marks print numbers and reproduction instructions. The rapid development of community mausoleums was in part due to advent of reinforced concrete construction and an aggressive new business model for death. Builders across the country solicited crypt buyers before construction sometimes tying installment payments directly to completion of the foundation walls roof and finished building; a 1920 Detroit project had sold $160900 in crypt contracts by the end of the following year. In Long Beach Pacific Builders Company operating as the Sunnyside Mausoleum Association commissioned Bryan in 1922 for a $300000 Spanish style complex planned for 1000 crypts and 1000 niches while Architectural Digest later presented Sunnyside in 1929 with Jay as architect Bryan as engineer and Padilla photography. Long Beach Historic Cemeteries The enterprise belonged squarely to 1920s Southern California where speculative development planned landscapes Spanish revival architecture professional advertising and rapid metropolitan growth were reshaping ordinary life; here the same machinery was applied to death packaging permanence beauty sanitation and status as something a family could purchase. Light surface wear handling marks occasional curling and contemporary working annotations. Overall in very good condition. unknown
2023ref. SONG1543357911Vista Learning 2023-01-01. hardcover. Used: Good. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Vista Learning hardcover
1660ref. ABC_49405Amsterdam 1660. In a passe partout framed in a modern wooden frame. Engraving: ca. 38.5 x 50 cm; frame: 66.5 x 76 cm. Rare large engraved view of Amsterdam as seen from the inlet known as the IJ. The work is captioned in French and includes a numbered legend for the buildings in the background. According to d'Ailly it must have been engraved between 1660 and 1668 as it shows the Oost-Indisch Zeemagazijn a large warehouse built by the Dutch East India Company between 1660-1663 but not the Lutheran Church which was built in 1668. The present engraving is not signed but is very similar to a slightly later view of Amsterdam by French engraver Pierre-Alexandre Aveline 1656-1722. It bears the same caption and legend and has a nearly identical background but differs in the typography cartouche and the amount of ships in the foreground. The present state is exceptionally rare as we have not been able to trace any other copies of it in sales records and only three in literature.The engraving is slightly creased the upper right corner has been professionally repaired. Otherwise in very good condition.l D'Ailly E. A. Repertorium van de profielen der stad Amsterdam en van de plattegronden der schutterswijken 98 3 copies; cf. d'Ailly 101 and 102 Aveline view. unknown
1770ref. 3428Amsterdam 1770. Engraved view 21.5 x 36 cm with caption below the image. Nice bird's-eye view of Paramaribo and Fort Zelandia Surinam with several ships in the harbour. The view was published in Hartsinck's important Beschryving van Guiana of the Wilde Kust van Zuid-America Amsterdam 1770. With a manuscript note on Paramaribo on the back copied from De Aardbol. Magazijn van hedendaagsche land- en volkendekunde IX 1854 pp. 656-658.Some soiling and waterstaining. A good copy.l JCB Archive of Early American Images 34362; Klooster The Dutch in the Americas pl. 6.5; V. d. Krogt Advertenties 1292. AMERICAS CARTOGRAPHY GEOGRAPHY & TOPOGRAPHY DRAWINGS PRINTS & WATERCOLOURS MARITIME HISTORY City Plans Topography & Views Fortification & Military Architecture Prints & Print Series South America Surinam unknown