3,697 results
ref. 1333901984.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 30007aafDietikon-Zürich, Bibliophile Drucke von Josef Stocker, 1971, gr. in-Fol. (52.5 x 38 cm), 110 p., mit 4 in den Text montierten Porträts und Ansicht-Reproduktionen, 1 reichlich dekor. farb. Titelblatt, und 23 Ansichtentafeln, Titelblatt äusserst links gering lädiert, Halbpergamentband, mit schönem Filzpapier auf den Deckeln, Schutzumschlag und Pappfutteral.
ref. DADAX4770018487New unknown
ref. DADAX0132145626New unknown
ref. DADAX0789320886New unknown
19501 Vol. In-8 t. editoriale, con doppia sovracpt ill pag. VIII-197 numerosiss. disegni PROG 21716 CATT_ATT 33
ref. DADAX0198506783New unknown
1977ref. 2091202133001845Kawade Shobo Shinsha 1977. Soft Cover. Fine. Number of books: 1 Kawade Shobo Shinsha paperback
ref. 91040aafBern, J. Dalph (K. Schmid), 1876, 19.5x160 cm, ohne Umschlag.
ref. 132172aaf1548, Ansicht: 13.8x16.7 cm. Gravure sur bois / Holzschnitt aus Gemeiner loblicher Eydgnoschafft Steeten, Landen und Völckern Chronick, Blattn°. 255, 1 Blatt / feuille (27.8x22 cm.).
ref. 1588.1aaf1548, 13.8x17.2 cm. Gravure sur bois / Holzschnitt aus Stumpf-chrronique, légèrement coloriée par endroit, 1 Blatt / feuille (32.6x31.2 cm.)
1966ref. 288936London: Studio Vista Limited 1966. First. hardcover. very good/good. Illustrated b/w and color. 161 pages 12 pages of advertisers' announcements. 4to. Orange boards spine slightly cocked dust wrapper shows tear with some image loss at top edge d.w. now protected from further damage with mylar. First edition. London: Studio Vista Ltd. 1966. A very good copy in a good wrapper. Studio Vista Limited unknown
ref. 69-3964New York New York: George Braziller Inc 1965. 4to. Hardcover Clothbound. 205 pp. B&W plates. Very Good Fourth Printing New York, New York: George Braziller Inc, 1965 hardcover
1966ref. 288936London: Studio Vista Limited 1966. First. hardcover. very good/good. Illustrated b/w and color. 161 pages 12 pages of advertisers' announcements. 4to. Orange boards spine slightly cocked dust wrapper shows tear with some image loss at top edge d.w. now protected from further damage with mylar. First edition. London: Studio Vista Ltd. 1966. A very good copy in a good wrapper. Studio Vista Limited unknown books
1978ref. 3121354London: Studio Vista 1978. 112 Seiten. Mit zahlreichen Illustrationen. 4° (25-35 cm). Orig.-Pappband mit illustriertem Orig.-Schutzumschlag. [Hardcover / fest gebunden].
1998160 pages. Features: Snowy, Starry Nights; Hand-Carved Holidays - the personal touch through eraser carving; A Cut Above the Rest - Jesse Cornwell turns cards into collages; Create colorful gift bags and tags; Phlox Icona; Putting Your Stamp on Recipes; How to host a mail art exhibit; Tri-fold Universe - a view from the window; and more. Moderate wear. Unmarked. A sound copy. Magazine
1896ref. 56277ABStuttgart, Verlag von Robert Lutz, 1896. 4° (33x24), (VIII), 132 S., mit 100 Zinkographien (teils ganzseitige, 1 doppelt gefaltete) und 3 lithographierten doppelseitigen Stadtplänen, Oln (Kaliko) mit ornamentPräg, Deckelbild und goldTitel, SchmuckVorsätze, etwas angestaubt/angeschmutzt, kaum gelesen, gutes Exemplar,
1912ref. 54606ABStuttgart, Druck und Verlag von Carl Ebner : Kunstanstalt, [1912]. gr2°quer / gr Folio quer (34x51), 2 Bl. (Text/Inhalt), 26 teils farb Tafeln [so komplett], blaue Oln-Mappe mit goldTitel, [4 Warenabbildungen] etwas angestaut, Blätter sauber und gepflegt,
1853ref. 77570Hamburg, [ca. 1853]. (= Hamburg's Vergangenheit in bildlichen Darstellungen. Gesammelt, gezeichnet, gedruckt und herausgegeben von Peter Suhr, Teil I, Bl. 14). 21,2 x 30,5 cm.
1958Approximately 48 one-side pages. Includes photos and biographies, activities, literary and sports. Average wear. Unmarked. Clipping from front cover has been patched. Binding intact. A sound vintage copy. Book
1990Very Good French Paperback. Roy. 8vo. (24 x 17 cm). In French. 350 p. L'univers Balzacien sous le double point de vue narratologique et semiotique.
1923ref. 239071923. Southern California community mausoleum photo archive c. 1923 to 1935 documenting when burial was recast as a modern architectural commercial and consumer enterprise. Centered on Cecil E. Bryan Clarence L. Jay Sunnyside Mausoleum in Long Beach and Mountain View Mausoleum in Altadena the photographs show how architecture landscaping publicity and office administration turned the communal mausoleum into a purchasable alternative to the traditional cemetery. Bryan entered the community mausoleum business in 1912 and became one of its principal national advocates ultimately designing more than eighty mausoleums while promoting aboveground entombment as sanitary permanent economical and modern. This archive documents the transition of American burial conventions showing the architecture real estate administration and salesmanship behind the development of California community mausoleums. Photo archive of 31 silver gelatin photographs mostly 7.5 x 9.5 inches though some measure approximately 7.5 x 8.5 inches Southern California c. 1923 to 1935. The photographs show Bryan at his desk; administrative offices lined with card files; architectural perspectives and site plans; a scale model labeled "Sunnyside Memorial Park"; landscaped courts arcades galleries entrances reception rooms and richly furnished interiors. One rendering identifies "Cecil E. Bryan executive vice president" and "Clarence L. Jay architect." Versos carry stamps for Hiller Studio W. Albert Martin Padilla Company Photography and the Mountain View Mausoleum Association as well as "file copy" notations crop marks print numbers and reproduction instructions. The rapid development of community mausoleums was in part due to advent of reinforced concrete construction and an aggressive new business model for death. Builders across the country solicited crypt buyers before construction sometimes tying installment payments directly to completion of the foundation walls roof and finished building; a 1920 Detroit project had sold $160900 in crypt contracts by the end of the following year. In Long Beach Pacific Builders Company operating as the Sunnyside Mausoleum Association commissioned Bryan in 1922 for a $300000 Spanish style complex planned for 1000 crypts and 1000 niches while Architectural Digest later presented Sunnyside in 1929 with Jay as architect Bryan as engineer and Padilla photography. Long Beach Historic Cemeteries The enterprise belonged squarely to 1920s Southern California where speculative development planned landscapes Spanish revival architecture professional advertising and rapid metropolitan growth were reshaping ordinary life; here the same machinery was applied to death packaging permanence beauty sanitation and status as something a family could purchase. Light surface wear handling marks occasional curling and contemporary working annotations. Overall in very good condition. unknown
1923ref. 239071923. Southern California community mausoleum photo archive c. 1923 to 1935 documenting when burial was recast as a modern architectural commercial and consumer enterprise. Centered on Cecil E. Bryan Clarence L. Jay Sunnyside Mausoleum in Long Beach and Mountain View Mausoleum in Altadena the photographs show how architecture landscaping publicity and office administration turned the communal mausoleum into a purchasable alternative to the traditional cemetery. Bryan entered the community mausoleum business in 1912 and became one of its principal national advocates ultimately designing more than eighty mausoleums while promoting aboveground entombment as sanitary permanent economical and modern. This archive documents the transition of American burial conventions showing the architecture real estate administration and salesmanship behind the development of California community mausoleums. Photo archive of 31 silver gelatin photographs mostly 7.5 x 9.5 inches though some measure approximately 7.5 x 8.5 inches Southern California c. 1923 to 1935. The photographs show Bryan at his desk; administrative offices lined with card files; architectural perspectives and site plans; a scale model labeled "Sunnyside Memorial Park"; landscaped courts arcades galleries entrances reception rooms and richly furnished interiors. One rendering identifies "Cecil E. Bryan executive vice president" and "Clarence L. Jay architect." Versos carry stamps for Hiller Studio W. Albert Martin Padilla Company Photography and the Mountain View Mausoleum Association as well as "file copy" notations crop marks print numbers and reproduction instructions. The rapid development of community mausoleums was in part due to advent of reinforced concrete construction and an aggressive new business model for death. Builders across the country solicited crypt buyers before construction sometimes tying installment payments directly to completion of the foundation walls roof and finished building; a 1920 Detroit project had sold $160900 in crypt contracts by the end of the following year. In Long Beach Pacific Builders Company operating as the Sunnyside Mausoleum Association commissioned Bryan in 1922 for a $300000 Spanish style complex planned for 1000 crypts and 1000 niches while Architectural Digest later presented Sunnyside in 1929 with Jay as architect Bryan as engineer and Padilla photography. Long Beach Historic Cemeteries The enterprise belonged squarely to 1920s Southern California where speculative development planned landscapes Spanish revival architecture professional advertising and rapid metropolitan growth were reshaping ordinary life; here the same machinery was applied to death packaging permanence beauty sanitation and status as something a family could purchase. Light surface wear handling marks occasional curling and contemporary working annotations. Overall in very good condition. unknown books
ref. DADAX0387202870New unknown
London, The Catholic Book Club, 1950. 4to. alargado; 240 pp. Encuadernación original en tela. El periplo español del célebre médico católico ingles que se opuso frontalmente al "birth control" propugnado y abanderado por Marie Stopes (1880-1958).
