Keystone View CompanyBiblio.com
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1900ref. H15335Meadville PA: Keystone View Company 1900. Near Fine. 6 stereoviews in excellent condition images clear and bright. Keystone View Company unknown
1984xi, 754 pp. Bibliography. Generously illustrated with black and white maps and reproductions of archival photos. A very informative local history and genealogical reference for this township located west of Picton in Prince Edward County, Ontario. Clean and unmarked with light wear to publisher's blue cloth which is lettered in gilt. Binding tight. No dust jacket, presumably as issued. A quality copy of this very informative local history. Book
ref. 98491aaf‘Musée du Cartonnier’ N° 1. / Sinnett édit. Passage Colbert, Rotonde 10, s.d., (ca. 1850), feuilles in-folio (9.5 x 6 cm chaque image), Ein Blatt mit 8 kol. Ansichten.
ref. 260106006Audio CD. New. 5x4x0. Brand new factory sealed condition. unknown
1833ref. 55106Wien, Artaria, 1833 (Abzug des 20. Jhds.). Kolorierte Umrißradierung (Blattgröße 47,5 x 59,5 cm, Darstellung 26,2 x 39,8 cm).
1810ref. 55109Wien, Tranquillo Mollo, o. J. (um 1810). Getönte kolorierte Aquatinta-Radierung von Wilhelm Friedrich Schlotterbeck (Blattgröße 38,5 x 51,5 cm, Ansicht 32 x 46 cm).
1810ref. 56020Wien, Tranquillo Mollo, o. J. (um 1810). Umrißradierung von L. Mohn (Blattgröße ca. 44 x 56,5 cm, Ansicht 22 x 30,2 cm).
1842ref. 39500Darmstadt, Gustav Georg Lange, 1842. Blattgröße 14,8 x 23,5 cm, Bildausschnitt 9 x 15,5 cm.
1810ref. 56005Wien, F. X. Stöckl, o. J. (um 1810; event. späterer Abzug). Kolor. Umrißradierung von Johann Ziegler nach Friedrich Ferdinand Runk (Blattgröße ca. 39,5 x 51 cm, Ansicht 26,7 x 40,5 cm).
1810ref. 55058Wien, Artaria, o. J. (um 1810). Altkolorierte Umrißradierung. ?Nach der Natur gezeichnet und gestochen von C. Schütz?. (Blattgröße ca. 41 x 53 cm, Ansicht 26,9 x 41,1 cm).
1850ref. 43402Hildburghausen, Bibliographisches Institut, o. J. (um 1850). Orig.-Stahlstich. Blattgröße 17,5 x 24,5 cm; Darstellung 10,2 x 15,4 cm.
1845Very Good French A fine original chromo-lithograph print from "Souvenirs de Constantinople" by Brindesi, printed in 1845. Framed, but will be sent no frame. 52x49 cm / 39x 44 cm print area. Stains on right bottom margins of the paper. The Ottoman navy, stationed in front of the Tophane Artillery barracks, is preparing to sail under the leadership of Kapudan Pasha's ship "Amiraute". Jean Brindesi was born in 1826 and worked primarily as a watercolour artist. During the Abdulmecid period (1831-1861), he worked on scenes involving soldiers in Istanbul. Two albums of lithographs after his drawings were produced by Lemercier in Paris: Elbicei Atika - Musee des Anciens Costumes Turcs de Constantinople, 1855, and Souvenirs de Constantinople, 1860; these two works are collections of picturesque views of the city of Constantinople. The originals are kept at the Istanbul Topkapi Palace Museum and at the University of Istanbul. (Source: Levantine Heritage).
ref. 015927[Dessin romantique] Vue romantique avec ruines et lac. Crayon dans un cadre environ 90*60mm, collé sur une feuille plus grande, ca.1830, non signé. [229]
ref. 015928[Dessin romantique] Vue romantique dans un cadre de dentelle de papier. Crayon, environ 75*120mm, contrecollé sur une feuille plus grande. Très beau dessin. [229]
1770ref. 24136A Coutances et se vend à Paris, chez Esnauts & Rapilly, s.d. [circa 1770]. Dimensions (à vue) : 528 x 352 mm + passe-partout + cadre.
1908ref. 28728Jumilhac] 1908 1 photographie albuminée : format : 15,5 x 11 cm, collection SAY Jean-Baptiste , fils de SUCRIERS NANTAIS, EXPLORATEUR, PROPRIETAIRE à l'époque du Chateau de Jumilhac, 1908,
1780ref. LBW-6283[circa 1780]. 266 x 383 mm.
ref. 020077[Vue d'optique, Paris] Vue de la porte Saint Denis prise du boulevard du même nom. Gravure aquarellée, Paris, Basset, ca.1820, environ 160*205mm. Jolie gravure, probablement sur acier. [481]
ref. 020076[Vue d'optique, Paris] Vue du pont au change et du pont Notre-Dame. Gravure aquarellée, Paris, Basset, ca.1820, environ 160*205mm. Jolie gravure, probablement sur acier. [481]
1787ref. 27487Paris 1787 Une Estampe Originale, eau-forte au burin gravée en noir par Berthault d'après LE SAGE, format de la gravure seule : 30 cm de haut par 44 cm de large, gravure sur papier épais blanc, légères rousseurs, [Paris] [1787],
1969ref. 2083002116206031Edited by Mochida Seiyaku Medical View Co. Ltd. 1969. Soft Cover. Fine. The book is in fine condition. Edited by Mochida Seiyaku Medical View Co., Ltd. paperback
1836ref. 3781Thomas Hookham 1836. 1836 4to. vi 155 p. Eighteen litho plates by Hullmandel on India paper mounted. First edition. Publisher's green cloth with spine ends and corners expertly restored. Original paper label present but chipped. Author's presentation inscription on front endpaper. Occasional faint spotting to the tissue guards. A very good copy of a scarce title. Thomas Hookham, hardcover
ref. 052110N. p. : N. p. 18-19th century. Soft cover. Very Good. 8vo - over 7¾ - 9¾" tall. Original b/w lithographer print of Medina. 215x175 cm. In Arabic. 1 p. A FINE LITHOGRAPHED MEDINA Medina al-Munawwara ali sâhibhâ afzal al-tahiyya. It shows Medina city with its building and walls besides its environment. Medina is the capital of the Al-Madinah Region in Saudi Arabia. At the city's heart is al-Masjid an-Nabawi 'The Prophet's Mosque' which is the burial place of the Islamic prophet Muhammad. Medina is one of the three holiest cities in Islam the other two being Mecca and Jerusalem. Medina was Muhammad's destination in his Hijrah migration from Makkah and became the capital of a rapidly increasing Muslim Empire under Muhammad's leadership serving as the power base of Islam and where Muhammad's Ummah Community composed of both locals and immigrants from Muhammad's original home of Mecca developed. Medina is home to three prominent mosques namely al-Masjid an-Nabawi Quba Mosque and Masjid al-Qiblatayn 'The mosque of the two Qiblas'. Muslims believe that the chronologically final surahs of the Quran were revealed to Muhammad in Medina and are called Medinan surahs in contrast to the earlier Meccan surahs. N. p. (18-19th century) paperback
New York, The Hispanic Society of America, 1938 ["Poetry Series"]. 4to.; X pp., 2 hs., 267 pp. Excelente impresión. Encuadernación original en tela estampada. Contiene, íntegra, la traducción al inglés del Poema del Cid, y la serie "Rebuznos".
1760ref. 14001London 1760. 315x445mm. 12½x17½". Grabado. London 1760. 287 x 448mm. Grabado al cobre. Coloreado a mano de época. Vista óptica de la ciudad de Lisboa Portugal desde el río. Publicado según acta del Parlamento en 1760. Se trata de la reedición de un grabado de Henry Overton II publicado originalmente en Londres por Robert Sayer en 1752. El mapa pertenece a una de las ediciones realizadas tras el terremoto de Lisboa de 1755. Suele identificarse como una edición londinense pero por sus características puede que haya sido impreso en París al estilo de Maillet de la misma época probablemente imitando las ediciones inglesas. Este mismo grabado fue copiado en muchas ediciones posteriores solo o en libros siendo una de las vistas más conocidas de Lisboa antes del Terremoto. unknown
