GRAVURE - MARSEILLE - Deuxième vue (connue) de MarseilleLivre Rare Book
3 686 résultats
1552réf. 23754Bâle 1552 Format (12,5 x 15 cm), dans une feuille (23 x 37 cm) avec texte en gothique en dessous. (Papier un peu jauni).
1729réf. 24011(1729). Format (16 x 20 cm), avec vitre et cadre doré moderne (27 x 31 cm).
1650réf. 23704(vers 1650) Format 140 x 315 mm, avec marges 200 x 390 mm..
réf. 23758Paris, Futuropolis, Collection X Futuropolis, 1986, in-12 oblong, cartonnage éditeur illustré en couleurs, auteur et titre en long sur le dos plat.
1722réf. 1219631722 A Paris, rue de la Harpe, Chez Laurent d'Houry - M.DCC.XXII (1722) - In-duodecimo, reliure plein cuir brun, dos à cinq nerfs, caissons et titre en doré, petit signet vert - 668 pages
1985réf. 24466L'Atelier Renault 1985 L'Atelier Renault, Paris, Vue sur la Ville, 1993, in-8, Leporello, couverture pelliculée, titre imprimé en rose, sous étui transparent, 22 pages.
1740Incisione da matrice in rame (mm.300x400 e margini), abilmente colorata da mano coeva: veduta prospettica animata da numerosi personaggi. Titolo lungo il margine inferiore . Queste «vues d'optique», dai colori molto vivaci, se opportunamente predisposte con intagli, forature e controffondature, erano presentate al pubblico all'interno di apparecchi ottici semplificati dal pantoscopio, allo zogroscopio, dalla lanterna magica al mondo novo. . Cfr. Maria Adriana Prolo - Luigi Carluccio. Il Museo Nazionale del Cinema di Torino. 1978, la ricercata prima pubblicazione relativa al nascente Museo della Mole Antonelliana. C.A. Minici Zotti, Il Mondo Nuovo. Le meraviglie della visione dal '700 alla nascita del Cinema, 1988..
réf. ORD-14682A Paris. chez Daumont rue St Martin. s.d. (fin XVIII°, vers 1780). Dimensions de la feuille 461 x 290mm, dimensions de la gravure 426 x 273mm, cuvette comprise. Estampe couleurs, Petit accident à un coin, pli à un autre sans atteinte à la gravure, qq. petits trous de vers visibles seulement à la lumière. Image très animée.
2021réf. SKU0612035Vista Higher Learning 2021. loose_leaf. New. 10x8x0. New Textbook Ships with Tracking Vista Higher Learning unknown
réf. 1226.1aaf17.5x26 cm Aquarelle signée.
réf. DADAX0367290545New unknown
1864réf. 10253New York: the photographer; John D. Chase Optician 1864. Albumen silver print stereograph 8.5 x 17.5 cm. Two prints mounted on card. The photographer is identified in a copyright registration statement. "The New England Kitchen" in The Brooklyn & Long Island Sanitary Fair February 22 1864 pages 72-78 states that this demonstration kitchen not of contemporary cooking methods but of old fashioned hearth cooking was a hit with the crowds at the fair and a significant financial success. An experiment in cooking education by example The New England Kitchen was aimed at weaning immigrants off of their food traditions and toward a "New England diet" see Laura Shapiro's excellent Perfection Salad pages 147 ff. Apparently the plans for the New England Kitchen began before the fair plans been begun. The image offered here labeled "Interior View" was one of a series of twelve photographs taken by W.E. James of 247 Fulton Steet. We have located no sets of the photographs in any institution collection. the photographer; John D. Chase, Optician unknown
1864réf. 10253New York: the photographer; John D. Chase Optician 1864. Albumen silver print stereograph 8.5 x 17.5 cm. Two prints mounted on card. The photographer is identified in a copyright registration statement. "The New England Kitchen" in The Brooklyn & Long Island Sanitary Fair February 22 1864 pages 72-78 states that this demonstration kitchen not of contemporary cooking methods but of old fashioned hearth cooking was a hit with the crowds at the fair and a significant financial success. An experiment in cooking education by example The New England Kitchen was aimed at weaning immigrants off of their food traditions and toward a "New England diet" see Laura Shapiro's excellent Perfection Salad pages 147 ff. Apparently the plans for the New England Kitchen began before the fair plans been begun. The image offered here labeled "Interior View" was one of a series of twelve photographs taken by W.E. James of 247 Fulton Steet. We have located no sets of the photographs in any institution collection. the photographer; John D. Chase, Optician unknown books
1943réf. 17883Los Angeles: Wetzel Publishing Co. Inc 1943 First edition presentation copy. Thirteen copies in OCLC most located in California. Red cloth black lettering; in dust jacket. . Octavo. Mild shelf-wear to spine. Minor stain to upper fore-edge of back cover. Moderate chipping at dust jacket edges and head of spine. Inscribed by author with self-portrait cartoon to a friend shortly after publication. A very good copy of a scarce book published by an obscure Los Angeles publisher that operated in the 1920s through 1940s. Stine 1896-1965 born on a farm near Purdy MO moved to Los Angeles after World War I. The presentation in this copy is to Louise McAllister Tebbetts a friend of the author's from Missouri who became a writer and book reviewer in Chicago. Stine published fiction and worked as a gossip columnist and reporter for Hollywood Lowdown a picture trade paper from 1933-1936. Her other novels include Blood Kin The Talented Wench and Half World. Wetzel Publishing Co., Inc hardcover
1943réf. 17883Los Angeles: Wetzel Publishing Co. Inc 1943 First edition presentation copy. Thirteen copies in OCLC most located in California. Red cloth black lettering; in dust jacket. . Octavo. Mild shelf-wear to spine. Minor stain to upper fore-edge of back cover. Moderate chipping at dust jacket edges and head of spine. Inscribed by author with self-portrait cartoon to a friend shortly after publication. A very good copy of a scarce book published by an obscure Los Angeles publisher that operated in the 1920s through 1940s. Stine 1896-1965 born on a farm near Purdy MO moved to Los Angeles after World War I. The presentation in this copy is to Louise McAllister Tebbetts a friend of the author's from Missouri who became a writer and book reviewer in Chicago. Stine published fiction and worked as a gossip columnist and reporter for Hollywood Lowdown a picture trade paper from 1933-1936. Her other novels include Blood Kin The Talented Wench and Half World. Wetzel Publishing Co., Inc hardcover books
réf. DADAX0444826181New unknown
réf. 63001BBo.J. (Frans Hogenberg, geboren 1535 in Mechelen, gestorben 1590 in Köln. Kupferstecher und Radierer. Georg Braun, geboren 1541 in Köln, gestorben 1622 ebenda. Theologe, Kanoniker. Braun und Hogenberg waren in den Jahren von 1572 bis 1618 Herausgeber des Städteansichtenbuches 'Civitates Orbis Terrarum').. [3 Warenabbildungen]
1990réf. 24464Vue sur la Ville. 1990 1 in-12 Paris, Chanel, Vue sur la Ville, 1990, in-12 oblong (15 x 30 cm), couverture pelliculée sur fond noir et titrée en lettres capitales blanches dans le plus pur style Chanel, 12 pages en noir et blanc.
2006réf. 5530EBShanghai Culture Publishing House, 2006. Quer-4°. 30 x 37,5 cm. 339 Seiten. Original-Leinenband mit Original-Schutzumschlag im Original-Pappschuber.
réf. 83281aafParis, Impr. par Lemercier, publié par Jeannin: s.d.,vers 1820, 30x21 cm., lithographie originale coloriée à la main, Passepartout
réf. 1374.1aaf27.5x38 cm
réf. 1098.1aaf1822 24.5x30 cm. Sepia Aquatinta.
1870réf. 17396Genève, Braun & Cie, [1870]. In-folio de 13 planches reliées en percaline marron façon croco.
réf. 125747aafParis, Imprimé par Lemercier (London publ. by Junin - Paris publié par Jeannin - à Genève chez Razimbaud), s.d. vers 1840, Feuille 27.5x36.3 cm. lithographie en couleur, Uebereckgoldrahmen / Encadrement a la feuille d’or. (43x49 cm).
réf. 130708aafParis, Imprimé par Lemercier (London publ. by Junin - Paris publié par Jeannin - à Genève chez Razimbaud), s.d., vers 1840, 24.5x32 cm (Vue à l’int. du passepartout) lithographie en couleur, planche : Suisse N° 28, Übereckgoldrahmen / Encadrement a la feuille d’or. (43x50.5 cm).
