3.697 Ergebnisse
Madrid, Imprenta Repullés, 1836. 8vo.; 2 hs., 48 pp. Cubiertas mudas en cartulina.
1982Best.-Nr. 1161091982 Bimestriel N° 25 - Nov 1982 - In-4 broché - 46 pages - De nombreuses illustrations
1981Best.-Nr. 1161141981 Bimestriel N° 16 - Mars 1981 - In-4 broché - 32 pages - De nombreuses illustrations
Best.-Nr. GF21159Authentique lithographie en noir représentant Orange telle qu'elle était dans la première moitié du XIXème siècle - planche extraite du célèbre ouvrage " l'Album du Dauphiné ou recueil de dessins représentant les sites les plus pittoresques, les villes, bourgs et principaux villages..." paru à Grenoble en 1836-1839 - lithographie de 22cm x15cm (sans les marges) - dimensions totales du document: 21,5cm X 29,50cm -
Best.-Nr. 9810PARISImp. cavel & cie - Grand In-4 - sans date 1920 (?) - Collection Nationale des chants de France - Frontispice ; Napoléon I à Friedland - 11 + 11 + 11 + 11 Pages - Propre
1917Best.-Nr. 1971Paris, Flammarion, 1917 ; in-8, broché ; (2) feuillets (faux-titre, titre), 331 pages (275 à 606), (1) feuillet (table), couverture grise imprimée.
1962Best.-Nr. 99914198Masson Société Française d'Ophtalmologie / Paris Masson et Cie 1962, trés fort et grand In-8 broché, 535 pages. 165 figures + 5 planches en couleurs. Trés bon état.
1962Société Française d'Ophtalmologie / Paris Masson et Cie 1962, trés fort et grand In-8 broché, 535 pages. 165 figures + 5 planches en couleurs. Trés bon état.
Málaga, Universidad, 2007. 4to.; 472 pp. Ilustraciones. Cubiertas originales.
1945Best.-Nr. 14952Paris, Payot (Lausanne, Imprimerie Réunies), 1945 ; in-8, broché ; 178, (2) pp., couverture jaune imprimée en rouge et noir.
Best.-Nr. 65640CBo.J. [4 Warenabbildungen] (John Jackson, geb. 1801 in Ovingham, Northumberland, gest. 1848 in London, britischer Holzschneider, Ausbildung bei Tho
1985Best.-Nr. 108463Milano. Comune di Milano. 1985. 8 text pages and 25 plates with 25 facs. views in colour. Original cloth binding (Rear spine spotted). 31x40 cm
1954Best.-Nr. 99914194Masson Société Française d'Ophtalmologie / Paris Masson et Cie 1954, trés fort et grand In-8 broché, 730 pages. 169 figures + 39 tableaux . Trés bon état.
1954Société Française d'Ophtalmologie / Paris Masson et Cie 1954, trés fort et grand In-8 broché, 730 pages. 169 figures + 39 tableaux . Trés bon état.
1951Société Française d'Ophtalmologie / Paris Masson et Cie 1951, trés fort et grand In-8 broché, 580 pages. 290 figures. Trés bon état.
2005Best.-Nr. 1660FBHeidelberg, Edition Braus, 2005. 4°. 31 x 25 cm. 191 Seiten. Original-Pappband. Original-Schutzumschlag.
Paris, Librairie Plon, 1937. 4to.; 3 hs., 254 pp., 1 h. Cubiertas originales.
Best.-Nr. 0666271887.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 0243919034.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1894Best.-Nr. 519101B.T. Batsford London 1894. 1st Edition. Unframed Photograph Print. Very Good Condition. Apethorpe Hall's courtyard was rebuilt c.1623 for royal visits; James I stayed here frequently. Charles Latham was one of the most influential architectural photographers of the late Victorian and Edwardian periods renowned for his evocative images of country houses and formal gardens across Britain and Italy. His work helped define the visual language of architectural publishing and preservation. His first major commission was for J. Alfred Gotch's Architecture of the Renaissance in England 1894 from which this photograph is taken where his collotype plates captured the texture and grandeur of Elizabethan and Jacobean houses with remarkable clarity. Latham later helped shape the visual identity of Country Life magazine which we always have in stock photographing both historic estates and newly built homes. His images became central to the magazine's appeal combining editorial elegance with technical innovation in print reproduction. Each of Charles Latham's architectural photographs captures a singular moment of craftsmanship patronage or domestic ambition from heraldic chimney-pieces to formal garden fronts. Whether collegiate civic or aristocratic these buildings speak to the stylistic confidence of their age. Many remain inhabited studied or preserved today making each image not just a historical record but a quietly resonant portrait of continuity. Published in 1894 this fine Victorian-period image has been carefully removed from Gotch's monumental work. Printed in Leipzig Germany by Sinsel & Co. on thick cream-coloured paper this image reflects the firm's hallmark clarity and tonal depth featuring the building's name in sepia ink below a ruled border with Latham's beautifully composed black-and-white photograph taking centre place. POSTED ROLLED. Size: 34 x 47 cms. Category: Architecture; English Country House Photographs; J. Alfred Gotch's Architecture; Charles Latham Photographs. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. B.T. Batsford unknown
1894Best.-Nr. 519118B.T. Batsford London 1894. 1st Edition. Unframed Photograph Print. Very Good Condition. Burford Priory built on a medieval hospital site was remodelled c.1634 by William Lenthall; now a private residence. Charles Latham was one of the most influential architectural photographers of the late Victorian and Edwardian periods renowned for his evocative images of country houses and formal gardens across Britain and Italy. His work helped define the visual language of architectural publishing and preservation. His first major commission was for J. Alfred Gotch's Architecture of the Renaissance in England 1894 from which this photograph is taken where his collotype plates captured the texture and grandeur of Elizabethan and Jacobean houses with remarkable clarity. Latham later helped shape the visual identity of Country Life magazine which we always have in stock photographing both historic estates and newly built homes. His images became central to the magazine's appeal combining editorial elegance with technical innovation in print reproduction. Each of Charles Latham's architectural photographs captures a singular moment of craftsmanship patronage or domestic ambition from heraldic chimney-pieces to formal garden fronts. Whether collegiate civic or aristocratic these buildings speak to the stylistic confidence of their age. Many remain inhabited studied or preserved today making each image not just a historical record but a quietly resonant portrait of continuity. Published in 1894 this fine Victorian-period image has been carefully removed from Gotch's monumental work. Printed in Leipzig Germany by Sinsel & Co. on thick cream-coloured paper this image reflects the firm's hallmark clarity and tonal depth featuring the building's name in sepia ink below a ruled border with Latham's beautifully composed black-and-white photograph taking centre place. POSTED ROLLED. Size: 34 x 47 cms. Category: Architecture; English Country House Photographs; J. Alfred Gotch's Architecture; Charles Latham Photographs. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. B.T. Batsford unknown
1894Best.-Nr. 519091B.T. Batsford London 1894. 1st Edition. Unframed Photograph Print. Very Good Condition. Hardwick Hall built for Bess of Hardwick in 1590-97 is famed for its vast windows—“more glass than wall”. Charles Latham was one of the most influential architectural photographers of the late Victorian and Edwardian periods renowned for his evocative images of country houses and formal gardens across Britain and Italy. His work helped define the visual language of architectural publishing and preservation. His first major commission was for J. Alfred Gotch's Architecture of the Renaissance in England 1894 from which this photograph is taken where his collotype plates captured the texture and grandeur of Elizabethan and Jacobean houses with remarkable clarity. Latham later helped shape the visual identity of Country Life magazine which we always have in stock photographing both historic estates and newly built homes. His images became central to the magazine's appeal combining editorial elegance with technical innovation in print reproduction. Each of Charles Latham's architectural photographs captures a singular moment of craftsmanship patronage or domestic ambition from heraldic chimney-pieces to formal garden fronts. Whether collegiate civic or aristocratic these buildings speak to the stylistic confidence of their age. Many remain inhabited studied or preserved today making each image not just a historical record but a quietly resonant portrait of continuity. Published in 1894 this fine Victorian-period image has been carefully removed from Gotch's monumental work. Printed in Leipzig Germany by Sinsel & Co. on thick cream-coloured paper this image reflects the firm's hallmark clarity and tonal depth featuring the building's name in sepia ink below a ruled border with Latham's beautifully composed black-and-white photograph taking centre place. POSTED ROLLED. Size: 34 x 47 cms. Category: Architecture; English Country House Photographs; J. Alfred Gotch's Architecture; Charles Latham Photographs. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. B.T. Batsford unknown
1894Best.-Nr. 519140B.T. Batsford London 1894. 1st Edition. Unframed Photograph Print. Very Good Condition. Lilford Hall begun 1495 and enlarged in 1635; Jacobean exterior with Georgian interiors by Henry Flitcroft; now privately owned. Charles Latham was one of the most influential architectural photographers of the late Victorian and Edwardian periods renowned for his evocative images of country houses and formal gardens across Britain and Italy. His work helped define the visual language of architectural publishing and preservation. His first major commission was for J. Alfred Gotch's Architecture of the Renaissance in England 1894 from which this photograph is taken where his collotype plates captured the texture and grandeur of Elizabethan and Jacobean houses with remarkable clarity. Latham later helped shape the visual identity of Country Life magazine which we always have in stock photographing both historic estates and newly built homes. His images became central to the magazine's appeal combining editorial elegance with technical innovation in print reproduction. Each of Charles Latham's architectural photographs captures a singular moment of craftsmanship patronage or domestic ambition from heraldic chimney-pieces to formal garden fronts. Whether collegiate civic or aristocratic these buildings speak to the stylistic confidence of their age. Many remain inhabited studied or preserved today making each image not just a historical record but a quietly resonant portrait of continuity. Published in 1894 this fine Victorian-period image has been carefully removed from Gotch's monumental work. Printed in Leipzig Germany by Sinsel & Co. on thick cream-coloured paper this image reflects the firm's hallmark clarity and tonal depth featuring the building's name in sepia ink below a ruled border with Latham's beautifully composed black-and-white photograph taking centre place. POSTED ROLLED. Size: 34 x 47 cms. Category: Architecture; English Country House Photographs; J. Alfred Gotch's Architecture; Charles Latham Photographs. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. B.T. Batsford unknown
Best.-Nr. 1600072534.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover