3 788 résultats
1780réf. 27937London: Robert Wilkinson 1780. First printing. Print. Very good condition. A vue optique view from a very high vantage point over Venice with period hand color featuring "eggshell" blue in the sky. Image 11 x 16" on paper 13 3/4 x 19". One small fox spot and the blue sky oxidized in one corner. Robert Wilkinson unknown
1923réf. 239071923. Southern California community mausoleum photo archive c. 1923 to 1935 documenting when burial was recast as a modern architectural commercial and consumer enterprise. Centered on Cecil E. Bryan Clarence L. Jay Sunnyside Mausoleum in Long Beach and Mountain View Mausoleum in Altadena the photographs show how architecture landscaping publicity and office administration turned the communal mausoleum into a purchasable alternative to the traditional cemetery. Bryan entered the community mausoleum business in 1912 and became one of its principal national advocates ultimately designing more than eighty mausoleums while promoting aboveground entombment as sanitary permanent economical and modern. This archive documents the transition of American burial conventions showing the architecture real estate administration and salesmanship behind the development of California community mausoleums. Photo archive of 31 silver gelatin photographs mostly 7.5 x 9.5 inches though some measure approximately 7.5 x 8.5 inches Southern California c. 1923 to 1935. The photographs show Bryan at his desk; administrative offices lined with card files; architectural perspectives and site plans; a scale model labeled "Sunnyside Memorial Park"; landscaped courts arcades galleries entrances reception rooms and richly furnished interiors. One rendering identifies "Cecil E. Bryan executive vice president" and "Clarence L. Jay architect." Versos carry stamps for Hiller Studio W. Albert Martin Padilla Company Photography and the Mountain View Mausoleum Association as well as "file copy" notations crop marks print numbers and reproduction instructions. The rapid development of community mausoleums was in part due to advent of reinforced concrete construction and an aggressive new business model for death. Builders across the country solicited crypt buyers before construction sometimes tying installment payments directly to completion of the foundation walls roof and finished building; a 1920 Detroit project had sold $160900 in crypt contracts by the end of the following year. In Long Beach Pacific Builders Company operating as the Sunnyside Mausoleum Association commissioned Bryan in 1922 for a $300000 Spanish style complex planned for 1000 crypts and 1000 niches while Architectural Digest later presented Sunnyside in 1929 with Jay as architect Bryan as engineer and Padilla photography. Long Beach Historic Cemeteries The enterprise belonged squarely to 1920s Southern California where speculative development planned landscapes Spanish revival architecture professional advertising and rapid metropolitan growth were reshaping ordinary life; here the same machinery was applied to death packaging permanence beauty sanitation and status as something a family could purchase. Light surface wear handling marks occasional curling and contemporary working annotations. Overall in very good condition. unknown
1923réf. 239071923. Southern California community mausoleum photo archive c. 1923 to 1935 documenting when burial was recast as a modern architectural commercial and consumer enterprise. Centered on Cecil E. Bryan Clarence L. Jay Sunnyside Mausoleum in Long Beach and Mountain View Mausoleum in Altadena the photographs show how architecture landscaping publicity and office administration turned the communal mausoleum into a purchasable alternative to the traditional cemetery. Bryan entered the community mausoleum business in 1912 and became one of its principal national advocates ultimately designing more than eighty mausoleums while promoting aboveground entombment as sanitary permanent economical and modern. This archive documents the transition of American burial conventions showing the architecture real estate administration and salesmanship behind the development of California community mausoleums. Photo archive of 31 silver gelatin photographs mostly 7.5 x 9.5 inches though some measure approximately 7.5 x 8.5 inches Southern California c. 1923 to 1935. The photographs show Bryan at his desk; administrative offices lined with card files; architectural perspectives and site plans; a scale model labeled "Sunnyside Memorial Park"; landscaped courts arcades galleries entrances reception rooms and richly furnished interiors. One rendering identifies "Cecil E. Bryan executive vice president" and "Clarence L. Jay architect." Versos carry stamps for Hiller Studio W. Albert Martin Padilla Company Photography and the Mountain View Mausoleum Association as well as "file copy" notations crop marks print numbers and reproduction instructions. The rapid development of community mausoleums was in part due to advent of reinforced concrete construction and an aggressive new business model for death. Builders across the country solicited crypt buyers before construction sometimes tying installment payments directly to completion of the foundation walls roof and finished building; a 1920 Detroit project had sold $160900 in crypt contracts by the end of the following year. In Long Beach Pacific Builders Company operating as the Sunnyside Mausoleum Association commissioned Bryan in 1922 for a $300000 Spanish style complex planned for 1000 crypts and 1000 niches while Architectural Digest later presented Sunnyside in 1929 with Jay as architect Bryan as engineer and Padilla photography. Long Beach Historic Cemeteries The enterprise belonged squarely to 1920s Southern California where speculative development planned landscapes Spanish revival architecture professional advertising and rapid metropolitan growth were reshaping ordinary life; here the same machinery was applied to death packaging permanence beauty sanitation and status as something a family could purchase. Light surface wear handling marks occasional curling and contemporary working annotations. Overall in very good condition. unknown books
réf. DADAX1860648312New unknown
réf. DADAX0765616378New unknown
1810réf. 56020Wien, Tranquillo Mollo, o. J. (um 1810). Umrißradierung von L. Mohn (Blattgröße ca. 44 x 56,5 cm, Ansicht 22 x 30,2 cm).
1762réf. 46405503A Paris chez Basset rue St. Jacques, [vers 1762] ; 30 x 42 cm. sur une feuille de 32 x 47 cm., Belle eau-forte aquarellé montrant l’incendie de la Foire Saint-Germain. Des chiffres gravés sur l’épreuve renvoient à des légendes imprimées sous l’image : Porte Guisarde, Porte de la rue du Four, Porte du Concièrge, lieu où on sert les pompes, charettes qui voiturent l’eau... On trouve généralement cette estampe à l’adresse de Chéreau fils. Cachet dans une marge.
1730réf. 24057(vers 1730). Format (22 x 47 cm) sous vitre et cadré doré Xxe avec petits manques (37 x 63 cm).
1880réf. 24128(vers 1880) Format 20 x 36 cm sous vitre et cadre doré moderne.
1850réf. 23692(vers 1850). Format 320 x 450 mm, avec marges 440 x 590 mm. (Papier uniformément jauni).
1830réf. 24037(vers 1830) Format (18 x 29 cm) sous vitre et cadre doré XXe (38 x 47 cm). Rousseurs.
réf. 51651Coffret en bois blond naturel doublé de soie.Compartiments.Verres concaves,convexes,prismatiques,cylindriques.Verres.Montures.Echelle graduée.Centimètre en ivoire.Datant du de la fin du XIXème siècle,jusqu'aux 1ères années 1900. Les dimensions sont en épaisseur: 6cm.Haut: 29. Larg: 47 cm.Dessus avec plaque de cuivre.Fermoirs.Parfait état. Luer en son gendre,Wulfing étaient facteurs d'instruments médicaux à Paris.
1909Features: The People of the Caves; My Journey in Bhutan - I; An Arctic Man-Hunt; The Sydney "Flying-Machine"; An Odd Voyage; The Rescue Dogs of St. Bernard; How we Bluffed the Bushrangers; Life in a Japanese Prison; Short Stories - An Adventure in the "Towers of Silence", Hassan's Bride, Prospecting for Yaqui Gold; The Sportsmen of the Near East; Ning Wo the Wonderful; The Golden Beetle; The Riddle of the Zambesi; A Hero's Life Story; "The Hermit of Rotheneuf"; Marooned on a Sandbank; The "Tank Scrap"; Short Stories - A Luncheon Party in Rhodesia, The Ordeal of Mrs. Benns; The Deputation That Failed; An Island of Mystery; The Ghost of No. 1 Jetty; My Journey in Bhutan - II; The One-Eyed Parrot; The "Pearl of the Mediterranean"; A North Atlantic Tragedy; An Englishman's Pilgrimage to Mecca and Medina; A Lost Hamlet; How I Climbed Mount Popocatepetl; The Masked Bandit of Tucson; Under the Star and the Crescent - I; Pegging out the Empire; Short Stories - The Jail-break at Kungyangon, The Missing Bracelet, The Story of a Glass Eye; Earnst's Luck;; Through the Rocky Mountains on a Raft - I; The Gipsy Polka; Abalone-Fishing; The Old Mexican Mine; A Mystery of the Bush; An Artist's Adventure; The Exploits of the Duke of the Abruzzi - I; The Rival Rain-Makers; Pegging Out the Empire - II; The Clue of the Marked Bamboo; Earthquakes from a Japanese Point of View; The Robbery at Goldsmiths; The Experiences of a Deputy-Postmaster; Some Adventures with Sea-Lions; Under the Star and Crescent - II; Through the Rocky Mountains on a Raft - II; Lost in an Underground Maze; An Englishman's Pilgrimage to Mecca and Medina - II; On the Hill Crest Patrol; Stories of "Stripes" - the Tiger and the Tow-Boat, The Phantom Tiger; The Exploits of the Duke of the Abruzzi - II; The Dynamite Smuggler; A House Built in a Day; Bulstrode and the Bear; With Pen and Camera in Nigeria - I; The Castaways of Guadalupe Island; An Englishman's Pilgrimage to Mecca and Medina - III; Sport in India; Phaulkon's Treasure; The Balinese and Their Ways; Trooper Lovelace, T.T.P. - I; My Most Exciting Ballooning Experiences; Through the Rocky Mountains on a Raft - III; The Gum-Hunter; A Himalayan Arcadia; The Jealously of Pepe; A Texan "Snake-Farm"; One New Year's Day; Twelve Hundred Miles in a Paper Boat; Fishing on the Molopo; Locating a Leak; Two Men in a Cave; A Wanderer in Asia Minor - I; Wilson's "Scoop"; With Pen and Camera in Nigeria - II; A Race for a Gold-Mine; In the Far North-West - I; Trooper Lovelace, T.T.P. - II; How I Lassoed a Moose. Average wear. Binding intact. A sound copy. Book
réf. BN91509William Forsythe: Improvisation Technologies. A Tool for the Analytical Dance Eye Windows XP Windows Vista Windows 7 William Forsythe: Improvisation Technologies. A Tool for the Analytical Dance Eye Windows XP Windows Vista Windows 7 William Forsythe: Improvisation Technologies. A Tool for the Analytical Dance Eye Windows XP Windows Vista Windows 7 unknown
réf. SONG0760311625Used: Good unknown
191796, 112 [ads] pages. Profusely illustrated with diagrams and black and white photos. Includes many pages of wonderfully nostalgic illustrated ads. Printed upon glossy stock. Features: Peacock Point, The Residence of Henry P. Davison, Esq., Locust Valley, Long Island - Walker & Gillette, Architects; The Southwest Museum, Los Angeles - Sumner Hunt & S.R. Burns, Architects; A Model Public School Clinic; St. Agnes' Church, Cleveland, Ohio - John T. Comes, Architect; The Roger Morris House, or Jumel Mansion, New York City - Part I; The New Buildings of the Sea View Hospital, Staten Island, New York City - Edward F. Stevens and Renwick, Aspinall & Tucker, Associate Architects; Portfolio of Current Architecture; The Architect's Library - Books on Colonial Architecture - Part VI - Periodicals; Notes & Comments. Average wear. Binding intact. Library stamp atop front cover otherwise unmarked. Two small binding holes near spine. A sound vintage copy. Book
1936393 pages. "The first attempt to give a complete and comprehensive study of the Jew of Newport, picturing from the religious, economic, social and political points of view the entire colonial background with which the Jew identified himself." - From Preface. Includes 36 black and white illustrations, 11 appendices, notes, glossary, bibliography and index. Chapters include: The Dim Beginnings; Dawn; Progress; From Inquisition to Freedom; The Synagogue; A Glimpse of Jewish Life; Visitors; The Jew in the Community; Uproar, Dispersion and Decline; Evacuation and Revival; The Close of a Colorful Chapter; Noble Memories; Reconsecration; Adjustment; Immorality. Unmarked. Somewhat above-average wear to blue boards. Lettering worn from spine. Both hinges almost fully open. Tape protects top and bottom of spine. A fragile yet worthy copy of this excellent reference. Book
197480 pages. Profusely illustrated with archival black and white photos of breweries, bottles, labels, etc. Provides an impressive alphabetical list of breweries and whatever additional details the authors were able to glean about them. Also included are bottle details and contemporary pricing information. Pages mildly age-toned at periphery. Large hand-written gift greetings upon front free endpaper, otherwise unmarked. Moderate wear to book. Binding sound. Average wear and two short closed openings to handsomely illustrated dust jacket which is now preserved in archival-grade Brodart. A sound copy of this excellent reference. Book
1924504-604, [10] index to Vol. LV, 136 [ads], pages. Profusely illustrated with black and white photos and drawings. Printed upon glossy stock. The many pages of ads include an abundance of nostalgic photos and illustrations. Features: Some Work of Aymar Embury II in the Sand Hills of North Carolina; Andalusian Gardens and Patios - Part VII - The Alhambra, Granada - The Acosta Garden, Granada; Louis H. Sullivan (1856-1924); The Low-Rental Apartment - An Economic Fallacy - Part II; Cover Design - 22 Oak Street, New York City; Frontispiece - Long Vista, Garden of the Casa Del Rey Moro, Ronda; Notes and Comments. Unmarked with somewhat above-average external wear. Binding intact. Two small binding holes near spine. A sound copy of this wonderful vintage issue. Book
réf. 23752(1493) Format (22 x 19 cm) sous vitre et cadre de protection (31 x 41 cm).
1809réf. 45298Örebro Nils Magnus Lindh 1809. Stor8vo. Indbundet helt ubeskåret i et senere pragtfuldt hldrbd. med overdådig rygforgyldning Nanna Grönvall. 4336 pp. 32 delvist foldede kobberstukne plancher prospekter portrætter genrer etc. Enkelte kobberstik med en svag fugtskjold på bagsiden. Trykt på skrivepapir. Et yderst attraktivt eksemplar. With folded engraved plate of Port Royal Kingston Harbour Jamaica with 10 pp. of description of Jamaica 2 engraved plates of Vesuv and Etna eruptions and many other engraved plates. unknown
1809réf. 45298Örebro, Nils Magnus Lindh, 1809. Stor8vo. Indbundet helt ubeskåret i et senere pragtfuldt hldrbd. med overdådig rygforgyldning (Nanna Grönvall). (4),336 pp., 32 delvist foldede kobberstukne plancher (prospekter, portrætter, genrer etc.). Enkelte kobberstik med en svag fugtskjold på bagsiden. Trykt på skrivepapir. Et yderst attraktivt eksemplar.
1750Rara incisione originale (mm 282x393), "vue d'optique" 1750 ca., traforata ed abilmente colorata da mano coeva. Incisione controffondata con cartoncino coevo. Deliziosa veduta con finestre e contorni architettonici traforati che conferiscono all'incisione un doppio effetto giorno/notte.. .
réf. 60313BBo.J. Matthäus Merian der Ältere, geboren am 22. September 1593 in Basel, gestorben am 19. Juni 1650 in Langenschwalbach. Schweizerisch-deutscher Kupferstecher und Verleger von Landkarten, Städteansichten und Chroniken heraus. Hauptwerk: Topographia Germaniae. [2 Warenabbildungen]