Best.-Nr. G1543379761932Vista Higher Learning. 9781543379761 9781543379761 D'accord! 3 - Teacher's Edition WE HAVE NUMEROUS COPIES. TEACHER EDITION HARDCOVER. PLEASE NOTE THAT CD-ROM components access cards/codes digital license and other supplemental materials are NOT guaranteed to be included for used items. If their inclusion is essential please inquire before purchasing to determine whether they are included. Light to moderate wear to cover/edges/corners. School markings and writing on/inside covers. Minimal markings/highlighting on/inside book none of which detracts from content. Binding and cover solidly connected. . Used Very Good. Vista Higher Learning hardcover
Best.-Nr. G1680046624011Vista Higher Learning. 9781680046625 9781680046625 Descubre 2017 L2 Testing Program PAPERBACK. . New. Vista Higher Learning paperback
Best.-Nr. G1680058460011Vista Higher Learning. 9781680058468 9781680058468 Daccord 2019 L3 SEHC SSPlusv eCahier36M OVER 30 IN STOCK ON 10/28/2026. HARDCOVER. . New. Vista Higher Learning hardcover
Best.-Nr. G1543331246011Vista Higher Learning. 9781543331240 9781543331240 Descubre 2022 L3 Student Edition OVER 25 IN STOCK ON 10/27/2026. HARDCOVER. . New. Vista Higher Learning hardcover
1920Best.-Nr. 169341920. California Bay View Hospital photograph album circa 1920s documenting hospital-based nursing labor clinical environments and domestic social networks within an early twentieth-century medical setting. The album provides visual evidence of women's professional roles in institutional healthcare during a period of expanding nursing formalization while also capturing physician authority patient care practices and the integration of therapeutic design principles such as open-air treatment. The material supports research into gendered medical labor hospital culture and evolving standards of care in the interwar United States particularly through its combined focus on clinical social and environmental aspects of institutional medicine. Photograph album containing 63 original silver gelatin prints many with handwritten captions identifying individuals as "mother" "Ed" or "our gang" alongside named medical personnel including "Drs. Sowers and Orr and Miss Duffy" "Dr. Burns" and "Mrs. Rehak." A building identified in one image as "Bay View Hospital" provides the only direct institutional reference. Sixteen photographs depict women in nurses' uniforms often posed in groups outdoors or on hospital terraces where rows of empty patient beds are visible behind them indicating the use of open-air treatment spaces. Additional images show physicians in clinical contexts including a group of five men dressed in surgical attire with caps and masks lowered around their necks suggesting an operating team between procedures. One image labeled "Dr. Burns Walter" depicts a young child bathing in a shallow tub under the supervision of an adult male likely documenting pediatric care practices. The album also includes informal photographs of family members children and pets in rural or outdoor settings indicating overlap between professional and personal social worlds. The Album has 63 photographs mounted across 100 pages with approximately 70 pages left blank; images measuring approximately 2.75 x 3.5 inches; original black cloth boards; album measuring 7.25 x 11.5 inches. Early twentieth-century hospital design emphasized fresh air as a therapeutic necessity particularly in the treatment of tuberculosis and other chronic illnesses and the repeated presence of outdoor patient beds and staff gatherings reflects these prevailing medical theories in practice. The juxtaposition of clinical and domestic imagery situates nursing staff within both institutional hierarchies and broader social networks offering insight into the lived experience of women working in healthcare during this period. First four pages detached minor wear to boards photographs generally well-preserved with occasional light fading; overall good to very good condition. A cohesive and well-captioned visual record of early twentieth-century hospital life with particular relevance to the history of nursing and medical practice. unknown
1910Best.-Nr. 82170n.p. 1910. Very Good. 18 x 9 cm. Card almost entirely flat unlike most stereo cards. Light scuffing and wear. No caption front or back and no identification of publisher or date. BTW and three other African Americans eight white men are seated in two rowsseated at left end of back row. All men are wearing suits; two are holding white hats. We've seen other stereo card groupings of BTW with the white Tuskegee trustees. We wouldn't be surprised if many if not all of the prosperous-looking whites in this image were trustees. unknown
1932Best.-Nr. 220844東京. Tokyo.: 大日本雄弁会講談社. Dainihon Yūbenkai Kōdansha. Showa 7 1932. Attractive colour folding bird's-eye view map with black and white photographic illustrations on the reverse. 39 x 53.5cm. Very good condition. This colourful bird’s-eye view map of Manchuria by Ito Kikuzo 1901–1985 a popular graphic artist in the early Showa period covers the entire region showing railway lines cities local produce and natural resources. Although a few small human figures appear the map largely presents Manchuria as a treasure trove of agricultural produce and natural resources. The reverse features agricultural produce and natural resources including soya beans sheep and coal with accompanying explanations. A list of products at the lower left reinforces this emphasis on Manchuria’s abundant resources while making no mention of its inhabitants. . 大日本雄弁会講談社. [Dainihon Yūbenkai Kōdansha]. unknown
1905Best.-Nr. 62003Portland OR: Albert Hess & Co. Lewis & Clark Centennial Exposition 1905. One souvenir postcard. 11.25 x 3.25 in. With birds-eye view by Caughey on recto advertisement for Willson in lower right corner center crease fold as issued; postcard information and cancelled stamp & postmark for Portland addressed to W.H. Bilyen 90 1/2 - 5th St. City Portland Oregon minor dustsoiling slight toning very minor wear at fold crease still VG copy. First edition of this uncommon folding souvenir postcard celebrating the Lewis & Clark Centennial Exposition featuring and reproducing the famed Caughey birds-eye. The birds-eye depicts the Guild’s Lake area of the grounds up and operating now bounded by Reed to Thurston Streets and 31st to 24th Streets in NW Portland. Prof. Willson fl. 1904-1920 began as a dance instructor with the Academy of Dancing located in the Hirsch Building but within a few years of the Exposition set up his own dance studio and was noted instructor of Waltzes. This card advertises the fact that couples could dance for .50¢ while an “Extra Lady” for .25¢ and even better for men in the very hot and humid Portland Pavilion they could dance without their coats in Shirt Waists. Caughey 1851-1925 was an Ohio Civil War veteran an itinerant chalk plate artist and had just created the year before in Feb. 1904 a Birds-Eye view reproduced over two pages in the Lewis and Clark Journal with noted birds-eye artist and cartographer Fred Routledge 1871-1936. Caughey began producing birds eye views in and around Portsmouth NH in the 1880’s and eventually became a commercial artist and newspaper editor in Portland Oregon where he would often produce images for the Mutual Label & Lithographic Co. No copies in Worldcat. See: Birds-Eye View of Lewis and Clark Fair - Routledge-Caughey Lewis and Clark Journal Vol. 1 No. 2 Feb. 1904 pp. 16-17; Richard Candee Tracking the Little Known J.H. Rollin Caughey: Illustrator of New Hampshire’s Victorian Industries 2020; Craig Clinton The Pictorial Maps of Fred A. Routledge Oregon Historical Quarterly Vol. 117 No. 1 2016 pp. 38-75. [Albert Hess & Co., Lewis & Clark Centennial Exposition], unknown
Best.-Nr. B9781465268570Paperback / softback. New. paperback
Best.-Nr. B9781465285706Paperback / softback. New. Teaches students how to apply the scientific method in various physics situations. The book gives descriptions of each laboratory and explains some of the concepts required to be understood in order to complete the course. This lab manual also illustrates concepts through everyday life examples. paperback
Best.-Nr. B9781524957131Paperback / softback. New. paperback
Best.-Nr. B9781524956981Paperback / softback. New. paperback
Best.-Nr. B9781433184413Hardback. New. The next in a series of volumes providing resources to teachers of American History Teaching the New Deal offers creative pedagogical approaches while introducing content that addresses and disrupts master narratives concerning the New Deal era in chapters that highlight traditionally underrepresented actors including women BIPOC and LGBTQ people. hardcover
Best.-Nr. 52922Paris: Jacques Chereau. c.1750. Overall sheet size 33.5 x 47cm. Plate mark 27 x 38cm. Original hand-coloured engraving. Small water stain to middle of top margin. Image itself very good. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. Paris: Jacques Chereau. [c.1750] unknown
Best.-Nr. 52925Paris: Daumont. c.1750. Overall sheet size 32.5 x 50cm. Plate mark 27 x 41cm. Original hand-coloured engraving. Small brown spot centre left otherwise very good. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. Paris: Daumont. [c.1750] unknown
Best.-Nr. 48486Paris: A Paris chés Huquier fils Graveur rue St. Jacques au dessus de celle des Mathurins au Gd. St. Remy. 1760. 27.5 x 40 cm. Original hand-coloured engraving of Hampton Court Bridge. Some soiling mainly to verso. Repaired tear to upper left corner. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. Paris: A Paris chés Huquier fils, Graveur, rue St. Jacques, au dessus de celle des Mathurins, au Gd. St. Remy. [1760] unknown
Best.-Nr. 54630London: Printed & Sold by Rob. Sayer at the Golden Buck opposite Fetter Lane Fleetstreet n.d. c.1760. Original hand-coloured copper engraving 39 x 23.5 cm. Publish'd according to Act of Parliament. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. London: Printed & Sold by Rob. Sayer at the Golden Buck opposite Fetter Lane Fleetstreet, [n.d., c.1760]. unknown
Best.-Nr. 52104Paris c.1760. Original hand-coloured landscape engraving 23 x 42 cm overall sheet size 32 x 49.5 cm. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. [Paris c.1760] unknown
Best.-Nr. 52920London Published according to Act of Parliament. 1751. Overall sheet size 35.5 x 50cm. Plate mark 24.5 x 39.5cm. Original hand-coloured engraving. Light water stain to upper and right margin otherwise very good. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. [London] Published according to Act of Parliament. 1751. unknown
Best.-Nr. 51257Paris: chés Charpentier ruë S. Jacques au coq 1750. Image size 31.5 x 51cm. Original copper engraving with contemporary hand colouring. Some small loss to upper corners and upper left margin neatly repaired. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. Paris: chés Charpentier ruë S. Jacques au coq [1750]. unknown
Best.-Nr. 52923Paris: Daumont c.1760. Overall sheet size 33.5 x 47cm. Plate mark 27 x 38cm. Original hand-coloured engraving. Very good. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. Paris: Daumont, [c.1760] unknown
Best.-Nr. 52921Paris: Daumont. c.1760. Overall sheet size 35.5 x 53.5cm. Plate mark 29.5 x 43cm. Original hand-coloured engraving. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. Paris: Daumont. [c.1760] unknown
Best.-Nr. 51256Paris: chés Charpentier ruë S. Jacques au coq 1750. Image size 35 x 51.5cm. Original copper engraving with contemporary hand colouring. With a numbered key detailing the principal buildings in Vincenes. Some small loss to lower left corner and bottom margin neatly repaired. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. Paris: chés Charpentier ruë S. Jacques au coq [1750]. unknown
Best.-Nr. 52918Paris: Daumont. c.1760. Overall sheet size 34.5 x 50cm. Plate mark 30 x 44cm. Original hand-coloured engraving. c.1760 Trivial spotting to bottom margin but image itself very good. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. Paris: Daumont. [c.1760] unknown
Best.-Nr. 52112Paris: chez Daumont. c.1760. Original hand-coloured landscape engraving 26 x 40 cm overall sheet size 32 x 49.5 cm. Margins slightly dampstained and frayed at extremities. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. Paris: chez Daumont.. [c.1760] unknown