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1851Best.-Nr. 375872The Builder London 1851. Unframed Print. Fine Condition. A double sheet print image area approx. 29 x 38 cms. Folded as issued. A very clean and appealing view. The 1851 Builder double-page engraving of the Great Exhibition interior looking east down Joseph Paxton's immense glass-and-iron nave captures one of the most celebrated architectural spaces of the nineteenth century. The view shows the building at its most impressive: a soaring transparent hall nearly a third of a mile long its iron ribs marching in perfect rhythm its galleries alive with exhibits machinery sculpture and the movement of visitors from every nation. Paxton's design adapted from his Chatsworth conservatory work was revolutionary. The entire structure was modular prefabricated and erected in mere months its lightness and clarity unlike anything London had seen. The interior perspective emphasises the building's unbroken sight-lines the great elm trees incorporated into the transept and the extraordinary luminosity created by acres of plate glass. It was a triumph of industrialised construction and a defining moment in Victorian architectural confidence. The illustrations found in leading architectural journals of the nineteenth and early twentieth centuries such as The Builder Building News and The Architect are masterpieces of visual craftsmanship. These illustrations capture the elegance intricacy and stylistic flair of the periodÔÇÖs architecture. Rich in ornamental detail and atmospheric depth they reflect not only the buildings themselves but the artistic sensibilities and design discourse of their age. THIS IS AN ORIGINAL PAGE FROM THE JOURNAL PRINTED AT THE DATE SHOWN IN THE TITLE NOT A REPRINT OR COPY. Size: 33 x 41 cms. Category: Builder & Building News; PRINTS : Buildings & Places; New Arrivals; Unframed Prints : Old. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. The Builder unknown
2021Best.-Nr. BTR-0005286Vista Higher Learning 2021. Hardcover. Good. Condition not individually assessed. Graded conservatively; from a bulk return. Photographs available on request. Vista Higher Learning hardcover
Best.-Nr. 015-03-00561VISTA HIGHER LEARNING. paperback. Very Good. 11x8x0. Pages Unused! Book Leaves in 1 Business Day or Less! Leaves Same Day if Received by 2 pm EST! Cover has shelf wear. Contents Unused. Very Good. VISTA HIGHER LEARNING paperback
1894Best.-Nr. 519140B.T. Batsford London 1894. 1st Edition. Unframed Photograph Print. Very Good Condition. Lilford Hall begun 1495 and enlarged in 1635; Jacobean exterior with Georgian interiors by Henry Flitcroft; now privately owned. Charles Latham was one of the most influential architectural photographers of the late Victorian and Edwardian periods renowned for his evocative images of country houses and formal gardens across Britain and Italy. His work helped define the visual language of architectural publishing and preservation. His first major commission was for J. Alfred Gotch's Architecture of the Renaissance in England 1894 from which this photograph is taken where his collotype plates captured the texture and grandeur of Elizabethan and Jacobean houses with remarkable clarity. Latham later helped shape the visual identity of Country Life magazine which we always have in stock photographing both historic estates and newly built homes. His images became central to the magazine's appeal combining editorial elegance with technical innovation in print reproduction. Each of Charles Latham's architectural photographs captures a singular moment of craftsmanship patronage or domestic ambition from heraldic chimney-pieces to formal garden fronts. Whether collegiate civic or aristocratic these buildings speak to the stylistic confidence of their age. Many remain inhabited studied or preserved today making each image not just a historical record but a quietly resonant portrait of continuity. Published in 1894 this fine Victorian-period image has been carefully removed from Gotch's monumental work. Printed in Leipzig Germany by Sinsel & Co. on thick cream-coloured paper this image reflects the firm's hallmark clarity and tonal depth featuring the building's name in sepia ink below a ruled border with Latham's beautifully composed black-and-white photograph taking centre place. POSTED ROLLED. Size: 34 x 47 cms. Category: Architecture; English Country House Photographs; J. Alfred Gotch's Architecture; Charles Latham Photographs. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. B.T. Batsford unknown
1894Best.-Nr. 519091B.T. Batsford London 1894. 1st Edition. Unframed Photograph Print. Very Good Condition. Hardwick Hall built for Bess of Hardwick in 1590-97 is famed for its vast windows—“more glass than wall”. Charles Latham was one of the most influential architectural photographers of the late Victorian and Edwardian periods renowned for his evocative images of country houses and formal gardens across Britain and Italy. His work helped define the visual language of architectural publishing and preservation. His first major commission was for J. Alfred Gotch's Architecture of the Renaissance in England 1894 from which this photograph is taken where his collotype plates captured the texture and grandeur of Elizabethan and Jacobean houses with remarkable clarity. Latham later helped shape the visual identity of Country Life magazine which we always have in stock photographing both historic estates and newly built homes. His images became central to the magazine's appeal combining editorial elegance with technical innovation in print reproduction. Each of Charles Latham's architectural photographs captures a singular moment of craftsmanship patronage or domestic ambition from heraldic chimney-pieces to formal garden fronts. Whether collegiate civic or aristocratic these buildings speak to the stylistic confidence of their age. Many remain inhabited studied or preserved today making each image not just a historical record but a quietly resonant portrait of continuity. Published in 1894 this fine Victorian-period image has been carefully removed from Gotch's monumental work. Printed in Leipzig Germany by Sinsel & Co. on thick cream-coloured paper this image reflects the firm's hallmark clarity and tonal depth featuring the building's name in sepia ink below a ruled border with Latham's beautifully composed black-and-white photograph taking centre place. POSTED ROLLED. Size: 34 x 47 cms. Category: Architecture; English Country House Photographs; J. Alfred Gotch's Architecture; Charles Latham Photographs. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. B.T. Batsford unknown
1894Best.-Nr. 519118B.T. Batsford London 1894. 1st Edition. Unframed Photograph Print. Very Good Condition. Burford Priory built on a medieval hospital site was remodelled c.1634 by William Lenthall; now a private residence. Charles Latham was one of the most influential architectural photographers of the late Victorian and Edwardian periods renowned for his evocative images of country houses and formal gardens across Britain and Italy. His work helped define the visual language of architectural publishing and preservation. His first major commission was for J. Alfred Gotch's Architecture of the Renaissance in England 1894 from which this photograph is taken where his collotype plates captured the texture and grandeur of Elizabethan and Jacobean houses with remarkable clarity. Latham later helped shape the visual identity of Country Life magazine which we always have in stock photographing both historic estates and newly built homes. His images became central to the magazine's appeal combining editorial elegance with technical innovation in print reproduction. Each of Charles Latham's architectural photographs captures a singular moment of craftsmanship patronage or domestic ambition from heraldic chimney-pieces to formal garden fronts. Whether collegiate civic or aristocratic these buildings speak to the stylistic confidence of their age. Many remain inhabited studied or preserved today making each image not just a historical record but a quietly resonant portrait of continuity. Published in 1894 this fine Victorian-period image has been carefully removed from Gotch's monumental work. Printed in Leipzig Germany by Sinsel & Co. on thick cream-coloured paper this image reflects the firm's hallmark clarity and tonal depth featuring the building's name in sepia ink below a ruled border with Latham's beautifully composed black-and-white photograph taking centre place. POSTED ROLLED. Size: 34 x 47 cms. Category: Architecture; English Country House Photographs; J. Alfred Gotch's Architecture; Charles Latham Photographs. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. B.T. Batsford unknown
1894Best.-Nr. 519101B.T. Batsford London 1894. 1st Edition. Unframed Photograph Print. Very Good Condition. Apethorpe Hall's courtyard was rebuilt c.1623 for royal visits; James I stayed here frequently. Charles Latham was one of the most influential architectural photographers of the late Victorian and Edwardian periods renowned for his evocative images of country houses and formal gardens across Britain and Italy. His work helped define the visual language of architectural publishing and preservation. His first major commission was for J. Alfred Gotch's Architecture of the Renaissance in England 1894 from which this photograph is taken where his collotype plates captured the texture and grandeur of Elizabethan and Jacobean houses with remarkable clarity. Latham later helped shape the visual identity of Country Life magazine which we always have in stock photographing both historic estates and newly built homes. His images became central to the magazine's appeal combining editorial elegance with technical innovation in print reproduction. Each of Charles Latham's architectural photographs captures a singular moment of craftsmanship patronage or domestic ambition from heraldic chimney-pieces to formal garden fronts. Whether collegiate civic or aristocratic these buildings speak to the stylistic confidence of their age. Many remain inhabited studied or preserved today making each image not just a historical record but a quietly resonant portrait of continuity. Published in 1894 this fine Victorian-period image has been carefully removed from Gotch's monumental work. Printed in Leipzig Germany by Sinsel & Co. on thick cream-coloured paper this image reflects the firm's hallmark clarity and tonal depth featuring the building's name in sepia ink below a ruled border with Latham's beautifully composed black-and-white photograph taking centre place. POSTED ROLLED. Size: 34 x 47 cms. Category: Architecture; English Country House Photographs; J. Alfred Gotch's Architecture; Charles Latham Photographs. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. B.T. Batsford unknown
Best.-Nr. DADAX1617677426Brand: 126.56 0000-00-00. 4th. hardcover. New. 9.00x1.00x12.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: 126.56 hardcover
Best.-Nr. 68962399-75Vista Higher Learning LLC. Used - Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Vista Higher Learning, LLC unknown
1867Best.-Nr. 70819NY: Chas. Magnus 12 Frankfort St 1867. Unused letter sheet 10 ½ x 8 ¼ inches printing the view 3 ½ x 8 inches at the top. Approximately 15 steamboats and sailing vessels are on the water between the buildings of the two cities a bridge in the distance and docks and piers along the shoreline. OCLC: "Magnus published at this address between 1860 and 1867." Never folded a very good copy. Chas. Magnus, 12 Frankfort St unknown
Best.-Nr. 68366046-75Vista Higher Learning LLC. Used - Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Vista Higher Learning, LLC unknown
Best.-Nr. 70181Color lithograph 8 ½ x 11 inches trimmed to the image and laid down on a larger sheet of paper. The lovely scene was drawn from a spot near present-day 155th Street in New York City the mill on the river surrounded by hilly woods and farmland. "State of New-York" has been clipped from what was the upper margin and mounted between the image and the caption title. Foxing to the mount a good copy. unknown
1858Best.-Nr. 67977Concord NH: H. P. Moore Lith. Of Endicott & Co. N.Y. 1858. Black and white lithograph 15 ½ x 22 1/4 inches view on a larger sheet 19 x 24 inches a view of the city from above residents on the hill looking down into the picturesque scene. "Bird's-eye view of Saint Albans Vermont fields people buildings with Said Albans Bay in the background" OCLC located the Vermont Historical Society copy only a colored example. Reps 4075 also locating copies at Shelburne Museum and Yale Art Gallery. Glazed and framed the print laid down on thin card. Some browning to the margins and sky several brown vertical streaks through the image especially noticeable in the sky and lower margin through title. Still a good example. H. P. Moore (Lith. Of Endicott & Co., N.Y.) unknown
Best.-Nr. 19180215like new. unknown