(VUE D'OPTIQUE - LONDON).Biblio.com
3 859 résultats
réf. 52918Paris: Daumont. c.1760. Overall sheet size 34.5 x 50cm. Plate mark 30 x 44cm. Original hand-coloured engraving. c.1760 Trivial spotting to bottom margin but image itself very good. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. Paris: Daumont. [c.1760] unknown
réf. 51257Paris: chés Charpentier ruë S. Jacques au coq 1750. Image size 31.5 x 51cm. Original copper engraving with contemporary hand colouring. Some small loss to upper corners and upper left margin neatly repaired. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. Paris: chés Charpentier ruë S. Jacques au coq [1750]. unknown
réf. 54631London: Printed & Sold by Robert Sayer Print & Map seller at the Golden Buck in Fleetstreet. n.d. c.1760. Original hand-coloured copper engraving. 410 x 215 mm. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. London: Printed & Sold by Rob(ert) Sayer Print & Map seller at the Golden Buck in Fleetstreet. [n.d., c.1760.] unknown
réf. 54629London: Printed & Sold by Robert Sayer Print & Map seller at the Golden Buck in Fleetstreet. n.d. c.1760. Original hand-coloured copper engraving. 435 x 190 mm. J. Tinney sculp. A prospect of the formal gardens and chateau at the Parc De Sceaux Paris; figures with dogs to foreground. The château depicted here demolished during the Revolution was built by Jean-Baptiste Colbert the minister of finance to Louis XIV and purchased by Louis' illegitimate son the duke of Maine in 1699. His duchesse held court in a salon at Sceaux in the first decades of the eighteenth century. The present château rebuilt 1856-62 in a Louis XIII style is now a museum. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. London: Printed & Sold by Rob(ert) Sayer Print & Map seller at the Golden Buck in Fleetstreet. [n.d., c.1760.] unknown
réf. 51256Paris: chés Charpentier ruë S. Jacques au coq 1750. Image size 35 x 51.5cm. Original copper engraving with contemporary hand colouring. With a numbered key detailing the principal buildings in Vincenes. Some small loss to lower left corner and bottom margin neatly repaired. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. Paris: chés Charpentier ruë S. Jacques au coq [1750]. unknown
réf. 52104Paris c.1760. Original hand-coloured landscape engraving 23 x 42 cm overall sheet size 32 x 49.5 cm. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. [Paris c.1760] unknown
réf. 52922Paris: Jacques Chereau. c.1750. Overall sheet size 33.5 x 47cm. Plate mark 27 x 38cm. Original hand-coloured engraving. Small water stain to middle of top margin. Image itself very good. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. Paris: Jacques Chereau. [c.1750] unknown
réf. 52112Paris: chez Daumont. c.1760. Original hand-coloured landscape engraving 26 x 40 cm overall sheet size 32 x 49.5 cm. Margins slightly dampstained and frayed at extremities. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. Paris: chez Daumont.. [c.1760] unknown
réf. 52919Paris: Daumont. c.1760. Overall sheet size 35.5 x 48cm. Plate mark 33 x 43.5cm. Original hand-coloured engraving. Light stain to right edge and slight brown mark to bottom left corner though not affecting the image. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. Paris: Daumont. [c.1760] unknown
réf. 52925Paris: Daumont. c.1750. Overall sheet size 32.5 x 50cm. Plate mark 27 x 41cm. Original hand-coloured engraving. Small brown spot centre left otherwise very good. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. Paris: Daumont. [c.1750] unknown
réf. 48486Paris: A Paris chés Huquier fils Graveur rue St. Jacques au dessus de celle des Mathurins au Gd. St. Remy. 1760. 27.5 x 40 cm. Original hand-coloured engraving of Hampton Court Bridge. Some soiling mainly to verso. Repaired tear to upper left corner. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. Paris: A Paris chés Huquier fils, Graveur, rue St. Jacques, au dessus de celle des Mathurins, au Gd. St. Remy. [1760] unknown
1911pp. x, 318 + Portrait Frontis, 94 full page sepia plates and a large folding view of Philadelphia. Top edge gilt. 8vo. Original gilt lettered and decorated red cloth binding. Original dust jacket worn and chipped with loss. A grand history of Philadelphia, issued by the great Wanamaker Department Store. The scarce photographic Bird's Eye view of the City of Philadelphia in 1911 is often sold alone, as a separate, for a higher price than is asked here for the complete book. PA 23 x5
1883réf. 23642Fargo: F. Jay Haynes 1883. Original edition. Covers slightly darkened else about fine. 26 photo-lithograph views on 18 accordion-fold panels embossed red cloth covers 3.5x5 inches. A remarkably well preserved example of this charming view book. Scarce. F. Jay Haynes hardcover
1890réf. 71937N.p.: Liberty Brand 1890. Stereo view card measuring 7 x 3 1/2 inches. Showing the Bierstadt photographers party at Yosemite Falls in 1870 a later printing. This view is a it unusual as it shows not just the party but has Charles Bierstadt standing in the foreground. Other members pack animals and scenery in the background. Minor wear to left had edge of mount. Very good.Charles Bierstadt was the older brother of the famed landscape painter Albert Bierstadt. At fifteen years of age he began his apprenticeship at cabinetmaking and during his six years of service he spent some time in the study of photography in which in 1856 he and his other brother Edward made numerous trials and experiments which proved successful and then they established themselves in business as photographers. In 1863 Bierstadt moved his business to Niagara Falls New York. He was an expert in stereoscopic views and had in connection with his manufactory a large bazaar where his views and many relics and curios were displayed to advantage. In 1870 he visited California and photographed Yosemite. Liberty Brand unknown
réf. 106782aaf1780, 24x35cm. gravure sur cuivre originale. Vue classique tirée de l’ouvrage de ‘Zurlauben, Tableaux de la Suisse ou voyage pittoresque en Suisse’, planche 153 1 feuille.
1890réf. 72100Partitions illustrées NATURE ET ENVIRONNEMENT Le Bailly,Bornemann 1890 approx.
1892réf. 43449Chicago: Bloch 1892. paperback. 1st edition original printed green paper wrappers 8vo. 49 pages. Singerman 4345. Rabbi Emil G. Hirsch 1851-1923 "who headed Chicago's Sinai Congregation for forty-two years and led Reform Judaism into the Progressive movement and down social justice pathways was born in Luxemburg. One of several Jews involved in founding the NAACP Hirsch was married to the daughter of abolitionist rabbi David Einhorn and served in his father-in-law's former pulpit in Baltimore before moving to Louisville Kentucky and then Chicago. He was professor of rabbinical literature and philosophy at the University of Chicago in 1892 active in the Republican Party and editor of several influential Jewish publications" Lawrence Bush in Jewish Currents "Hirsch and his congregants struggled to come to terms with the large number of Jewish immigrants who moved to Chicago after 1880 boosting the Jewish community from about 10000 in 1880 to over 300000 in 1920.For the established Jews represented by Sinai the Jewish 'Ghetto' - the immigrant neighborhood on the city's West Side - appeared to represent a world apart and a sharp contrast to Sinai's radical and inclusive reform agenda: a highly visible expression of Jewish ethnicity and traditional Judaism which Reform Jews associated with isolation discrimination and exclusion." Nevertheless during the 1890s "Hirsch spoke up against the deplorable condition of Jews in the Russian Empire and reached out to West Side residents. His support for workers' rights also won him much support among Jewish immigrants who overwhelmingly belonged to the working class. "Hirsch worked closely with Jane Addams and other members of the Hull House circle. In 1908 Hirsch and Addams were among the co-founders of the NAACP. Hirsch inspired several members of Sinai congregation: Sears and Roebuck president and philanthropist Julius Rosenwald was one of Hirsch's closest associates so was legal scholar Julian Mack who presided over a widely noted juvenile court in Chicago in the first decade of the 20th century. Hannah Solomon was one of the founders of the organized Jewish women's movement in the United States. Joseph Schaffner and Harry Hart were the leading partner of the clothing manufacturer Hart Schaffner & Marx one of Chicago's largest employers. Influenced by Hirsch's social theology Schaffner and Hart settled with their workers during the 1910-1911 clothing strike recognizing their right to form a union" Tobias Brinkmann. SUBJECT S : Jesus Christ -- Jewish interpretation. Jewish Christ -- Crucifixion.OCLC: 13532781. Light wear excellent condition a beautiful copy Very Good Condition B AMR-2-2-XLF#. Chicago: Bloch unknown
réf. 2090202120415207Monochrome with bag 8 pieces N.A. Soft Cover. Fine. Number of books: 1 Monochrome with bag 8 pieces paperback
réf. DADAX159932329XNew unknown
réf. SONG1425827993Used: Good unknown
réf. DADAX1425827985New unknown
réf. DADAX1554407427New unknown
1984xi, 754 pp. Bibliography. Generously illustrated with black and white maps and reproductions of archival photos. A very informative local history and genealogical reference for this township located west of Picton in Prince Edward County, Ontario. Clean and unmarked with light wear to publisher's blue cloth which is lettered in gilt. Binding tight. No dust jacket, presumably as issued. A quality copy of this very informative local history. Book
1886réf. 28488BAYONNE 1886 une photographie originale albuminée en noir, BAYONNE : VUE DU PONT SAINT-ESPRIT ET LA VILLE , LE 2 SEPTEMBRE 1886 , format : 15,5 x 9,4 cm pour la photo, 16,3 x 10,8 cm avec l'encadrement carton rigide d'époque l'entourant,
