1900réf. 93139New York: Underwood & Underwood 1900. Very Good. Albumen silver prints mounted on stiff somewhat curved card. Aproximately 18 x 9 cm. Posed photo of a raggedly dressed African American youth who has been grabbed by the shoulder by a pitchfork-holding older man.Caption also rendered on back of card in French German. Spanish Swedish and Russian. Underwood & Underwood unknown books
1907réf. 68720New York: American Stereoscopic Co 1907. Paperback. Very Good. 18 x 9cm. Card slightly concave as usual. Stamped on the back: Universal Photo Art Co. Philadelphia Pa. An obviously posed double photo of a white-haired African American man who is wearing patched-up winter clothes and feet coverings and holding an old rifle and iseated on a log. Beside him hangs what appear to be four or five rabbit carcasses. American Stereoscopic Co paperback books
1864réf. 10253New York: the photographer; John D. Chase Optician 1864. Albumen silver print stereograph 8.5 x 17.5 cm. Two prints mounted on card. The photographer is identified in a copyright registration statement. "The New England Kitchen" in The Brooklyn & Long Island Sanitary Fair February 22 1864 pages 72-78 states that this demonstration kitchen not of contemporary cooking methods but of old fashioned hearth cooking was a hit with the crowds at the fair and a significant financial success. An experiment in cooking education by example The New England Kitchen was aimed at weaning immigrants off of their food traditions and toward a "New England diet" see Laura Shapiro's excellent Perfection Salad pages 147 ff. Apparently the plans for the New England Kitchen began before the fair plans been begun. The image offered here labeled "Interior View" was one of a series of twelve photographs taken by W.E. James of 247 Fulton Steet. We have located no sets of the photographs in any institution collection. the photographer; John D. Chase, Optician unknown
1864réf. 10253New York: the photographer; John D. Chase Optician 1864. Albumen silver print stereograph 8.5 x 17.5 cm. Two prints mounted on card. The photographer is identified in a copyright registration statement. "The New England Kitchen" in The Brooklyn & Long Island Sanitary Fair February 22 1864 pages 72-78 states that this demonstration kitchen not of contemporary cooking methods but of old fashioned hearth cooking was a hit with the crowds at the fair and a significant financial success. An experiment in cooking education by example The New England Kitchen was aimed at weaning immigrants off of their food traditions and toward a "New England diet" see Laura Shapiro's excellent Perfection Salad pages 147 ff. Apparently the plans for the New England Kitchen began before the fair plans been begun. The image offered here labeled "Interior View" was one of a series of twelve photographs taken by W.E. James of 247 Fulton Steet. We have located no sets of the photographs in any institution collection. the photographer; John D. Chase, Optician unknown books
1880réf. 27026TALMONT-SUR-GIRONDE 1880 une photographie stéréo originale albuminée en noir contrecollée sur carton fort, format : 17,5 x 8,5 cm, PHOTOGRAPHIE STÉRÉO ORIGINALE : TALMONT - VUE PRÉS DE L'ÉGLISE, 1880 TALMONT PHOTOGRAPHE INCONNU,
réf. 21356Tagaytay Philippines: Taal Vista Lodge. Very Good. Softcover. A fold-out in color promoting the lodge now the Taal Vista Hotel - one of the oldest establishments of its kind in the Philippines. Nd. 1960's ; Narrow 8vo 8" to 9" tall . Taal Vista Lodge paperback
1936réf. 28829THARON 1936 une photographie originale albuminée en noir, format : 12,2 x 9,2 cm avec le carton ou la photo est contrecollée, PHOTOGRAPHIE ORIGINALE : VUE DE LA COLONIE DE MELUN EN 1936 , PHOTOGRAPHIE RAY COLLET THARON-PLAGE,
1950réf. 28830THARON 1950 une photographie originale albuminée en noir, format : 11,2 x 7,3 cm, PHOTOGRAPHIE ORIGINALE : VUE ANIMEE D'UN CAFE DE THARON AVEC AUTOMOBILE ANCIENNE DEVANT EN 1950 , PHOTOGRAPHIE RAY COLLET THARON-PLAGE,
1930réf. 28831THARON 1930 une photographie originale albuminée en noir, format : 6,6 x 11,2 cm, PHOTOGRAPHIE ORIGINALE : VUE ANIMEE D'UN GROUPE D'ENFANTS ET D'UN ANIMATEUR SPORTIF SUR LA PLAGE DE THARON - 1930 , PHOTOGRAPHIE RAY COLLET THARON-PLAGE?
1944réf. 28832THARON 1944 une photographie originale albuminée en noir, format : 6,8 x 10,6 cm, PHOTOGRAPHIE ORIGINALE : VUE ANIMEE D'UN GROUPE DE F.F.I. DE THARON EN 1944 , photographe collet ray tharon
1922réf. 28833THARON 1922 une photographie originale albuminée en noir, format : 12,2 x 9,2 cm avec le carton ou la photo est contrecollée, PHOTOGRAPHIE ORIGINALE : L'HIRONDELLE - BATEAU DE PROMENADES A THARON - SEPTEMBRE 1922 , PHOTOGRAPHIE RAY COLLET THARON-PLAGE,
1924réf. 28834THARON 1924 une photographie originale albuminée en noir, format : 12,2 x 9,2 cm avec le carton ou la photo est contrecollée, PHOTOGRAPHIE ORIGINALE : L'HIRONDELLE - BATEAU DE PROMENADES A THARON - SEPTEMBRE 1922 , PHOTOGRAPHIE RAY COLLET THARON-PLAGE,
1940réf. 28864THARON 1940 une photographie originale albuminée en noir, format : 8,5 x 6 cm, PHOTOGRAPHIE ORIGINALE : VUE ANIMEE DEVANT LE MAGASIN DE "TRICOTAGE" MAUXION , THARON (1940) , PHOTOGRAPHIE RAY COLLET THARON-PLAGE,
1930réf. 28583tiffauges 1930 une photographie originale en noir, format total : 11 x 8 cm, PHOTOGRAPHIE ORIGINALE : TIFFAUGES : VUE DE L'USINE A PAPIER GIRARD SUR LA SÈVRE AVEC AU 1ER PLAN MR FERDINAND BARON, FUTUR MAIRE DE TIFFAUGES EN 1930 (PHOTO ANIMÉE)
réf. 002615Glasgow: Allan & Ferguson Single sided lithographic ticket approximately 150mm x 115mm in size n.d. c.1844 Light surface soiling small ink stain to reverse corners of reverse lightly stained with glue otherwise fairly clean. Sir David Wilkie see McEwan's Dictionary of Scottish Art & Architecture pages 605-6 and ODNB died in 1841 however the dates on the card don't work if the Thursday was the 3rd then the Saturday should be the 19th not the 18th both 1844 and 1850 would work with the dates on the invitation and the dates of the Finlays being located at 49 Buchanan Street between 1832 and 1854 according the the National Portrait Gallery it is presumably more likely to have been held closer to the date of Wilkie's death. For the printers David Allan and William Ferguson see SBTI and Worms and Baynton-Williams pages 14-15. First Edition. Unbound. Good. 32mo Oblong. Ticket. Allan & Ferguson Paperback
réf. 002680Glasgow: Allan & Ferguson Single sided lithographic ticket approximately 125mm x 90mm in size n.d. c.1850 Very minor soiling corners of reverse lightly glue stained but generally quite bright. There are several James Millers in McEwan's 'Dictionary of Scottish Art & Architecture' but only one seems to work with the probable date of the card but he is known as a portrait painter rather than still life. Described as fl. 1853 the SNPG has 'The Duke of Wellington' on a panel McEwan pg 404. He is offered as the best option with very little confidence. For the printers David Allan and William Ferguson see SBTI and Worms and Baynton-Williams pages 14-15. First Edition. Unbound. Good. 48mo Oblong. Ticket. Allan & Ferguson Paperback
réf. 67280190 x 230 mm. Original etching and engraving on laid paper with margins plate nr. 32. unknown
réf. 67277180 x 230 mm. Original etching and engraving on laid paper with margins. unknown
réf. 67279190 x 220 mm. Original etching and engraving on laid paper with margins top cut to the edge of platemark plate nr. 60. unknown
réf. 67275180 x 230 mm. Original etching and engraving on laid paper with margins plate nr. 32. unknown
réf. 67273180 x 220 mm. Original etching and engraving on laid paper bottom margin cut to the edge of platemark plate nr. 5. unknown
réf. 67278190 x 235 mm. Original etching and engraving on laid paper with margins bottom margin narrow plate nr. 51. unknown
réf. 67276190 x 230 mm. Original etching and engraving on laid paper with margins Top margin cut on the edge of platemark. unknown
réf. 67281195 x 230 mm. Original etching and engraving on laid paper with margins Bottom margin cut on the edge of platemark plate nr. 33. unknown
réf. 67287170 x 210 mm. Original etching and engraving on laid paper no margins plate nr. 12. unknown
