3 143 résultats
Madrid, Silex, 2004. 4to.; 218 pp. Cubiertas originales.
réf. 66105CBo.J. [3 Warenabbildungen] (Émile Rouargue, geb. 07.08.1796 in Paris, gest. 11.01.1865 in Épone bei Mantes, gemeinsam mit seinem Bruder Adolphe als
réf. 1396679499.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 16098New York. A view taken from the hillside above Cold Spring with a sloop in the river and a large mill building to the right probably the Cold Spring Iron Foundry. New H Series American Views. Sepia photograph approx. 7 x 3.5" mounted on card. Blank back. unknown
réf. 34729Ottawa. Published byWilliam S. Hunter. 1855. 25.5x 33.5cm sepia tone lithograph by J.H.Buffords Litho. Boston fine. One of the best views in this Ottawaseries. Buffords fame came mainly as the printer of the Currier Ivesprints. Homer Winslow 1836-1910. "Probably the first book to includelithographs drawn by Winslow Homer who was apprenticed to Bufford's ofBoston at the relatively late age of eighteen for a period of two years.The present work includes the apprentice's first substantial published lithograph the third plate View of the Locks Entrance of Rideau Canalwhich is initialed by Homer and the large title vignette and five otherplates that are attributable to him on grounds of style". Tatham suggeststhat "Interests seeking Ottawa's selection as the nation's Capitol mayhave been behind it or The Ottawa and Prescott Railway which linked thetown to Montreal might have funded it in an attempt to encouragetourism. ". - Tatham. Winslow Homer and the Illustrated Book1992. Ottawa. Published byWilliam S. Hunter. 1855 unknown
19998vo., First Edition, with 65 coloured plates on 24, 22 monochrome plates on 8, several maps (a number full-page) in the text, and endpaper maps; grey cloth, gilt back, a fine copy in unclipped dustwrapper. SIGNED BY THE AUTHOR ON TITLE.
réf. 2080502106914124Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
réf. 2080502106914125Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1789réf. 3750Contemporary Image of the First Capitol of the United States In September 1788 Congress selected New York City as the temporary site of the new government. "The citizens of New York desirous of testifying their attachment to the new national government and of making their city the place of permanent residence of the Federal Legislature have enlarged and repaired their city Hall and made it a convenient and elegant structure worthy of the respectable body for whose use it is designed." Columbian Magazine p. 473. The conversion of City Hall to the "Federal Edifice" or Federal Hall was directed by L'Enfant at a cost of $65000. The Executive offices the Senate and House chambers and the Supreme Court were all housed in this building. It was the nation's first Capitol under the Constitution. Although New York City's tenure as the new nation's capital was brief lasting only until 1790 Federal Hall was the site of several highly significant historic events. Washington's inauguration was held on the balcony of Federal Hall and he gave his inaugural address in the Senate chambers. Also the Hall was the meeting place of the first Congress; it was here that Congress adopted the Bill of Rights. There is no engraver noted on the image but several other engravings in TheColumbian Magazine from this time period have been ascribed to James Trenchard the Magazine's publisher. The image appeared a year before Amos Doolittle's famous and virtually unobtainable engraving which portrays Washington's inauguration on the balcony of Federal Hall. References: Cresswell The American Revolution in Drawings and Prints: 554 illustrated p. 203. Lewis Guide to Engravings in American Magazines 1741-1810: p. 6. For the Doolittle engraving see Deak Picturing America 1497-1899: 181. Condition: A strong clean image with original fold lines present. Lower half of left margin replaced with a portion of the inner and outer neat lines and a tiny portion of the image manually recreated. Otherwise very good. ICN 3112. From the August, 1789 issue of The Columbian Magazine.
1788réf. 3741Harvard College -- "the earliest engraving of the College which one may reasonably hope to obtain" This engraving entitled "View of the ancient Buildings belonging to Harvard College Cambridge New-England" appeared in the December 1788 issue of The Columbian Magazine. Bail notes that the view is based on the Burgis-Price print of 1743 which in turn was a slight modification of the Burgis view of 1726. The view taken from a point in front of the present Johnston Gate shows three College buildings in 1726 from left to right: the second Harvard College the first Stoughton Hall and the still-standing Massachusetts Hall. Although unsigned the engraving is undoubtedly the work of James Trenchard a co-owner of The Columbian Magazine and the engraver of nearly all the plates which appeared in it. Of the Columbian Magazine view Bail states: "In spite of the fact that the print is solely an adaptation it is important because of its early appearance and relative scarcity. This is the earliest engraving of the College which one may reasonably hope to obtain." The engraving is accompanied by a disbound example of the December 1788 Columbian Magazine in which it appeared. It includes a 5-page "An Account of the ancient Colleges of Cambridge in New-England." Most of this is a republication of material from "a very scarce and valuable pamphlet" printed in London in 1642. In addition to a description of the College "The edifice is very fair and comely within and without." the rules and curriculum of the College are provided. A very desirable engraving of Harvard with an example of the magazine in which it originally appeared. References: For the engraving: Bail Views of Harvard: 13; Plate XVII illustrated. Fielding American Engravers upon Copper and Steel: 1819. Condition: Image is age-toned with some generally light foxing. Darkening to margins outside of platemark where previously matted; remnant of strip of masking tape at upper margin on verso. The Magazine is complete and quite bright and clean although several pages are detached from the balance of the text. ICN 3431. Printed for the Proprietors by W. Spotswood.
18293 vols., 8vo., Fifth Edition; strongly bound in mind-nineteenth century half morocco, straight-grain red cloth boards, backs with five raised bands, second and fourth compartments lettered and numbered in gilt, red sprinkled edges, green floral endpapers, a very good, bright, firm set.
1945réf. 005208New York Charles Henri Ford 1945 In-4 agrafé, couverture illustrée Edition originale
1946réf. 004012New York View 1946 In-4 agrafé, couverture illustrée Edition originale
1945réf. VIEW001252New York. December 1945. First edition. Quarto. Wrappers. Cover design by Andr� Masson. Contributors include Paul Bowles "The Scorpion" Roman J. Sender and reviews by Parker Tyler and Paul Goodman; also an editorial "Ezra Pound: A Point of View" in which the editor states: 'Maybe we wish to suggest it would be better to give Ezra Pound his martyrdom of a traitor's death.'; reproductions of work by Yves Tanguy Mark Tobey and others.Slightly creased at spine. Very good indeed. New York. December, unknown
1945réf. VIEW001106New York. May 1945. First edition. Quarto. 48 pages. Wrappers. Cover design by Wilfredo Lam. Contributors include Paul Bowles Roman J. Sender and reviews by Parker Tyler and Edouard Roditi; also an editorial "Ezra Pound: A Point of View" in which the editor states: 'Maybe we wish to suggest it would be better to give Ezra Pound his martyrdom of a traitor's death.'; reproductions of work by Yves Tanguy Mark Tobey and others.Rear cover a bit creased. Near fine. New York. May, unknown
1942réf. VIEW016418New York. Feb.-March 1942. First edition. Double issue. Broadsheet format: 10 pages. Contributors include Lionel Abel Robert Melville Kurt Seligmann Henry Miller Leonora Carrington Parker Tyler.Horizontal fold crease. Very good indeed. New York. Feb.-March, unknown
1942réf. VIEW016424New York. October 1942. First edition. Royal octavo. 32 pages. Contributors include Roger Caillois Parker Tyler Nicolas Calas William Carlos Williams Wallace Stevens et al. The illustrations include Mallarm�'s double-portrait of Baudelaire and Poe.On the front cover is a faint library stamp. Near fine. New York. October, unknown
1941réf. VIEW016416New York. June 1941. First edition. Broadsheet format: 4 pages. Loosely inserted is the single-sheet View Poets folio 4. Contributions by Nicolas Calas an attack on Dali Parker Tyler and Troy Garrison. Drawings by Tanguy and Seligmann. Among the poets are Thomas James Merton Norman McCaig and Tom Scott.Horizontal fold crease. Short tear to fore-edge of front page which is slightly marked. Very good. New York. June, unknown
1941réf. 016348New York View editions - Editor Charles Henri Ford. 1941 format journal En feuilles
1942réf. 016351New York View editions - Editor Charles Henri Ford. 1942 format journal En feuilles
1941réf. 016349New York View editions - Editor Charles Henri Ford. 1941 format journal En feuilles
1941réf. 016350New York View editions - Editor Charles Henri Ford. 1941 format journal En feuilles
réf. 10998Lionel Abel (" The Politics of Spirit "), Robert Melville (" Picasso in the light of Chirico - Mutations of the Bull-Fight "), Kurt Seligmann (" Magic Circles "), Henry Miller (" A Night with Jupiter "), Leonora Carrington (" The Sisters "), Parker Tyler, Alva N. Turner, etc. Enquête : " Towards the Unknown " : 1°/ What do you see in stars ? 2°/ What is the disappearing point of the unconscious ? 3°/ What value does death give to life ? Réponses de William Carlos Williams, Mina Loy, Marianne Moore, Archibald MacLeish, Harold Rosenberg, Lee Ver Duft. Illustrations de Picasso et de Max Ernst. Rare. Très bon état.
réf. 10996Important et très motivé pamphlet contre Salvador Dalí : " Anti-Surrealist Dali ", par Nicolas Calas. Parker Tyler, Hugh Chisholm, Saburoh Kuroda, Vicente Huidobro, Thomas James Merton, Troy Garrison, etc. Dessins d'Yves Tanguy et de Kurt Seligmann. Rare. Très bon état.
réf. 10997Pierre Mabille (" The Destruction of the World "), Joseph Cornell (" Echanted Wanderer " - Excerpt from a Journey Album for Hedy Lamarr), Leonora Carrington (" White Rabbits "), Hilary Arm, Nicholas Moore, Manuel Moreno Jimeno, Clark Mills, etc. Illustrations de Max Ernst, Pavel Tchelitchew et de Giorgio di Chirico. Rare. Très bon état.